
December bride
“Post Nuptial” picks up where the previous “Dallas” episode left off, as the Ewings and their guests wait to see what will happen after Cliff stands up during the middle of J.R. and Sue Ellen’s wedding ceremony. The answer: Not much. After a few moments of cringe-worthy silence, Cliff walks to the bar and pours himself a drink while the minister completes the vows and announces that J.R. and Sue Ellen are once again husband and wife. If there’s a lesson here for “Dallas” fans, it might be this: Lackluster cliffhangers are bound to produce underwhelming resolutions.
Of course, Cliff hasn’t caused his last scene. At the reception, he refuses Pam and Afton’s pleas to leave, then asks Sue Ellen to dance. Sue Ellen looks rattled and reluctantly accepts Cliff’s offer, which stretches credibility a little too thinly for my taste. It was one thing for Sue Ellen to quietly renew her relationship with Cliff while she was a divorcee, but to dance with him on the day she remarries J.R.? That seems like a lot for the audience to swallow. Don’t forget: This is the man who once sued J.R. and Sue Ellen for custody of John Ross, claiming he was the child’s biological father.
More than anything, Cliff and Sue Ellen’s scene at the reception is a plot device to squeeze a fight scene into this episode. When J.R. spots his wife and his enemy on the dance floor, he approaches Cliff and punches him, which leads to a brawl that ends with almost every lead actor on the show falling or being pushed into the Southfork swimming pool. A confession: I’ve never loved these “dunkings” as much as other fans seem to. It’s always seemed a little silly to me, and by the end of the series, the pool fights had become pretty predictable. Since this is one of the first, though, I can appreciate how much fun it must have been in 1982 to see the tuxedo-clad Ewings and Cliff splashing around the pool. The best part is when Mickey Trotter joins the fracas, seemingly for the hell of it.
(You also have to enjoy J.R. and Mickey’s encounter earlier at the reception, when the young ranch hand makes the mistake of asking J.R. about Lucy’s whereabouts. Larry Hagman and Timothy Patrick Murphy both have charm to spare and good chemistry together; what a shame this is one of the few scenes their characters share during Murphy’s too-brief tenure on the show.)
The wedding scenes in “Post Nuptial” are limited to the first act, allowing scriptwriter David Paulsen to devote the remainder of the hour to advancing the season’s storylines. Naturally, J.R. remains the center of the action and keeps the audience guessing. He whisks Sue Ellen away on a quick honeymoon to a waterfront resort, where she tells him she wants “a total commitment” from him. “No other women, no games,” she says. This seems like the kind of conversation the couple should have had before they walked down the aisle, but no matter. J.R. assures Sue Ellen he’s not going to repeat the mistakes he made during their first go-round as husband and wife. “I promise you,” he says.
Does he mean it? I believe he does. After all, J.R. resisted the temptation to cheat with Holly in “The Ewing Touch,” one of the previous episodes. The audience is less sure of J.R.’s sincerity at the end of “Post Nuptial,” when Bobby — having snooped around into J.R.’s business dealings — confronts him with evidence that suggests J.R. is selling oil to countries on the government’s embargo list. “You’re talking about an illegal act, Bob. … I assure you, a thought like that never crossed my mind,” J.R. says. He sounds sincere, but since “Dallas” hasn’t revealed the reason he’s pumping so much extra oil, we can’t quite be sure if he’s telling the truth this time.
I also like the “Post Nuptial” scene where Afton vows to leave Cliff after the brouhaha he caused at the wedding. In a tense moment, she also comes close to confessing her recent indiscretion with Gil Thurman, only to chicken out at the last minute and collapse into Cliff’s arms. I’m a fan the Ken Kercheval/Audrey Landers pairing over the long haul, but this is one point in their relationship where I don’t understand why she sticks with him.
Thank goodness we have Sue Ellen around to cheer on. In addition to the scene where she demands that “total commitment” from J.R., we get to see her accompany him to the refinery he wants to buy. When the refinery owner informs the couple his business isn’t for sale, Sue Ellen pipes up with, “You haven’t even heard our offer yet.” It’s an early glimpse of the shrewd energy executive she’ll one day become. Too bad it takes a few decades for it to happen.
Grade: B
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Who do you trust?
‘POST NUPTIAL’
Season 6, Episode 11
Airdate: December 10, 1982
Audience: 21.8 million homes, ranking 2nd in the weekly ratings
Writer: David Paulsen
Director: Michael Preece
Synopsis: After J.R. and Sue Ellen are married, Afton decides to leave Cliff but doesn’t follow through. Holly tells Bobby about her connection to J.R. Bobby fears J.R. may be illegally selling oil to countries on the State Department’s embargo list. Donna, now a member of the Texas Energy Commission, vows to rescind J.R.’s variance to pump excess oil. Lucy rejects the advances of her client, Bill Johnson.
Cast: E.J. André (Eugene Bullock), Parley Baer (minister), Tyler Banks (John Ross Ewing), Barbara Bel Geddes (Miss Ellie Ewing), Ivan Bonar (Perkins), Lois Chiles (Holly Harwood), Jon Cypher (Jones), Patrick Duffy (Bobby Ewing), Fern Fitzgerald (Marilee Stone), Tom Fuccello (Senator Dave Culver), Gerry Gibson (Jimmy Otis), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Nicholas Hammond (Bill Johnson), Alice Hirson (Mavis Anderson), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Timothy Patrick Murphy (Mickey Trotter), Priscilla Pointer (Rebecca Wentworth), Victoria Principal (Pam Ewing), Paul Sorensen (Andy Bradley), Don Starr (Jordan Lee), Charlene Tilton (Lucy Ewing), Deborah Tranelli (Phyllis), Morgan Woodward (Punk Anderson)
“Post Nuptial” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.
My favorite part of this episode is Bobby and Ray’s exchange about Miss Ellie. Ray’s concern for her seems very genuine and Bobby’s reply that as far as he is concerned she is Ray’s “mama” is sweet- it really is the final acceptance of him as a brother. Plus, I just love the relationship that forms between Ellie and Ray- those actors had a good chemistry together, they just seemed natural with each other.
Just remember as JR once told someone, it was JR himself who was first to welcome Ray to the family.
I don’t think JR would lie about that kind of thing.
J.R. Ewing, lie? Never!
Dan, naturally Bobby was just following his big brother’s lead 🙂
Remember, J.R. and Ray were best friends, until J.R. had an affair with Captain Janeway, whom Ray was in love with.
While this true it is irrelevant. That Captain Janeway incident was long before Ray was revealed as a Ewing. My memory fails a bit but I think what I’m trying to recall was said by JR to James Beaumont.
Captain Janeway! If you’re a “Star Trek” fan: I just watched William Shatner’s 2011 documentary “The Captains,” in which he interviewed Kate Mulgrew and the other actors who’ve played “Star Trek” captains. She seems like an interesting actress. Makes me wish Garnet McGee had hung around “Dallas” a little longer.
Missiea5, I love that scene. It was a contender for “Scene of the Day” honors, but I thought the J.R./Sue Ellen exchange was a good demonstration of the complex dynamics in their relationship. I agree, though, that the relationship between Miss Ellie and Ray was special, and I always liked Patrick Duffy and Steve Kanaly’s scenes together too. Thanks for commenting!
Great comments as always… (Ray and Captain Janeway, LOL… I can still remember watching that episode for the first time just a couple of years ago, thinking: “Hey! Captain Janeway on Dallas??”)
As for Sue Ellen agreeing to dance with Cliff at the wedding, I had the feeling she was afraid that Cliff, after having said, “Everything’s allowed in love and war, and I’d rather dance than have war” (or something like that), might put up a big scene and cause huge trouble if she refused. She seemed quite tense and under a lot of pressure when she followed him to the dance floor.
BTW, did anybody else think Sue Ellen’s veil looked like a lampshade? 😉
I think you’re probably right about Cliff and Sue Ellen’s dance, Balena. And the lampshade veil too.
Oh yes, I loved THE CAPTAINS.
http://iblogalot.com/2012/01/02/the-captains-by-william-shatner/
The cartel meeting at that long table was suspenseful, tightly written, just delightful. What a treat to see all these supporting characters in one room. I loved that there were 3 women at that table. I wish they had given Marilee more to do and made Holly smarter. How does Holly expect business people to take her seriously? I wish we were going to find out that it was all a ruse and she is just pretending to be a bimbo to somehow hoodwink JR. I never would have guessed JR’s plan. Kudos to the writers for making it a plan with high stakes that is believable. Was there something going on in the news at the time that inspired the storyline? I always love it when the Dallasverse acknowledges world affairs. I have a feeling we’ll be seeing many homages to season 6 in the new season of Dallas TNT.
I’m not aware of any real-life parallels with this storyline, Garnet. I hope you’re right about the TNT series paying homage to this season. It’s my favorite year of “Dallas”!
C.B., let me point out that Brother J.R. isn’t selling illegal oil to foreign conuntries on an embargo list. No “Petro-State” is, but not J.R. Ewing personaly. I mean we sure as hell can’t have ethics in business can we boy?
Where was their honeymoon?
It looked like they were in Galveston, which seems weird to me but maybe they didn’t want to go too far away.
I think it was at Lake Texoma because he mentioned it was “up here “ indicating it would be north of Dallas