Who Hung J.R.? We Did!

Dallas, JR Ewing, Larry Hagman, Lego

Square one

Today marks the 40th anniversary of “Dallas’s” famous “Who Shot J.R.?” revelation, and I’m marking the occasion with a special tribute to Larry Hagman.

This Lego portrait of the late, great “Dallas” star was created by my husband Andrew, who employed the same method he used to create a portrait of Linda Gray’s Sue Ellen Ewing a few years ago.

First, Andrew found a shot of J.R. that he liked — it comes from a BVD underwear ad that Hagman did in the 1980s — and used a software program to digitize it. Andrew then recreated the image with Lego, affixing the little plastic bricks to six plates that form a complete picture when joined together.

By the way: The software automatically turned J.R.’s face a devilish shade of red, and after we had the portrait framed, we discovered there’s a counterfeit Lego brick among all the real ones. (How fitting!) And while most of the bricks are red, white and yellow, there is a single blue brick in ol’ J.R.’s right eye and another in his hat.

This is Andrew’s fourth “Dallas” Lego project: In addition to the Sue Ellen portrait, he created a Southfork playset and a diorama of the “Who Shot J.R.?” scene.

The 45-inch-by-30-inch J.R. portrait now hangs next to Sue Ellen’s at Dallas Decoder World Headquarters in Washington, D.C. It’s nice to see them together again, don’t you think?

Dallas, JR Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing

Hanging out

Play It Again, Darlin’: A Lego Salute to ‘Who Shot J.R.?’

Who Shot JR 1

Big bang

Today marks the 40th anniversary of “Dallas’s” famous “Who Shot J.R.?” cliffhanger, and Dallas Decoder is honoring the occasion with an all-new Lego tribute.

My husband, Andrew, has created a playset that shows everyone’s favorite dastardly oil baron, J.R. Ewing, getting what’s coming to him.

The set combines the final moments of “A House Divided,” the episode that kicked off the “Who Shot J.R.?” mystery on March 21, 1980, with the opening of “No More Mr. Nice Guy,” the following season’s opener, and the flashback that reveals J.R.’s assailant at the end of “Who Done It?”, one of the most-watched broadcasts in TV history.

The scene, set in J.R.’s office, features three minifigs: the stunned J.R.; the gal about to pull the trigger, Kristin, his jilted mistress; and Ewing Oil’s rattled cleaning lady, who discovered our hero after Kristin’s dirty deed was done.

Andrew took great care to find minifigs that resembled the actors and their costumes: Larry Hagman’s J.R., complete with his vest; Mary Crosby’s devil-in-the-blue-dress Kristin; and even Virginia Peters, who played the bandana-wearing, duster-wielding cleaning lady whose scream upon discovering J.R. has been a source of amusement in our house for years.

Andrew designed the office with many of the props depicted in the room during the original “Dallas’s” 14-season run, including the oversized Texas wall map, the oil rig model and the bar. He also included a picture of Southfork (itself rendered in Lego) and a desk portrait of J.R.’s long-suffering wife, Sue Ellen — which you might recognize as a miniature version of his Lego tribute to Linda Gray from 2018.

I hope you enjoy Andrew’s creation, and in true “Dallas” style, I’m ending this post with a cliffhanger of my own: a promise to show you his Lego Southfork someday soon.

Stay tuned.

‘Dallas’ Memoriam: Honoring Those We Lost in 2015

Carl Hardesty, Dallas, Edgar Randolph, Fritz Longley, George Coe, Lorimar, Martin E. Brooks, Merv Adelson

Here’s Dallas Decoder’s annual tribute to the “Dallas” actors, crew members and other contributors who died during the past year. Notable deaths among the show’s extended family also are included. Click on each person’s name to learn more about his or her career at IMDb.com.

 

Dallas, Lorimar, Merv Adelson

Merv Adelson

Merv Adelson

Died September 8 (age 85)

Adelson co-founded Lorimar, the producer of “Dallas,” “Knots Landing” and dozens of other popular shows from the 1970s, ’80s and ’90s. The studio’s name was created by combining the name of Adelson’s ex-wife Lori with Palomar Airport, where he used to fly airplanes.

 

Dallas, Old Acquaintance, Richard Anthony

Richard Anthony

Richard Anthony

Died April 20 (age 77)

Anthony played a waiter in the 1978 classic “Old Acquaintance.” His other credits include the 1968 “Star Trek” episode “Spectre of the Gun.”

 

 

Dallas, Edgar Randolph, Martin E. Brooks

Martin E. Brooks

Martin E. Brooks

Died December 7 (age 90)

Brooks played Edgar Randolph — a Sam Culver protégé who was later blackmailed by J.R. — in 10 episodes from 1983 to 1984. Brooks, who is best known as Dr. Rudy Wells on “The Six Million Dollar Man” and “The Bionic Woman,” also appeared in three 1992 “Knots Landing” episodes.

 

Carl Hardesty, Dallas, John Carter

John Carter

John Carter

Died May 23 (age 87)

Carter played Carl Hardesty, J.R.’s go-to man for setting up dummy corporations, in four episodes between 1982 and 1986. He also played a doctor in a 1984 installment of “Knots Landing.” His other credits include nine “Falcon Crest” episodes.

 

Al Checco, Dallas, Ewing Blues

Al Checco

Al Checco

Died July 19 (age 93)

In “The Ewing Blues,” Checco played the man who delivered food to Cliff’s townhouse, noticed J.R.’s appearance on the TV show “Talk Time” and expressed admiration for him. Checcho made guest spots on many other shows, including “Bonanza,” “Kung Fu,” “Growing Pains” and “Scrubs.”

 

Dallas, General Fritz Longley, George Coe

George Coe

George Coe

Died July 18 (age 86)

Coe played Fritz Longley, the retired general who inspired J.R.’s Middle East misadventures, in two 10th-season episodes, “Pari Per Sue” and “Enigma.” Coe also appeared regularly on “Saturday Night Live” during its first season and later voiced a character on “Archer.”

 

Dallas, Diana Douglas, Dr. Suzanne Lacey, Letter

Diana Douglas

Diana Douglas

Died July 3 (age 92)

Douglas played Dr. Suzanne Lacey, the child psychologist who treats John Ross after the Southfork fire, in the seventh-season classic “The Letter.” Douglas, who was married to Kirk Douglas, also played the physician who treated Gary Ewing after his fall from the wagon at the end of “Knots Landing’s” first season.

 

Dallas, Jay Gerber, Rosemont, Southfork Wedding Jinx

Jay Gerber

Jay Gerber

Died October 2 (age 86)

Geber played Rosemont, a sanitarium patient, in the 13th-season episode “The Southfork Wedding Jinx.” His other credits include “Knots Landing,” “L.A. Law” and “Gilmore Girls.”

 

 

Dallas: The Early Years, Ed Porter, Geoffrey Lewis

Geoffrey Lewis

Geoffrey Lewis

Died April 7 (age 79)

Lewis played Ed Porter in “Dallas: The Early Years.” The character actor’s extensive credits also include the Clint Eastwood film “Every Which Way But Loose,” a regular role on the “Alice” spinoff “Flo” and nine episodes of “Falcon Crest.”

 

Dallas, Riobert Magruder

Robert Magruder

Robert Magruder

Died January 2 (age 85)

Magruder, a Texas-based actor, played various roles in four episodes between 1978 and 1984, including a stint as a doctor in the third-season “Whatever Happed to Baby John?” two-parter.

 

 

Dallas, Ewing vs. Ewing, Gordon Oas-Heim

Gordon Oas-Heim

Gordon Oas-Heim

Died June 5 (age 88)

Oas-Heim appears in the credits of the fourth-season episode “Ewing vs. Ewing,” although he isn’t readily visible. The actor’s other credits include “The New Monkees” and a guest spot on “Diff’rent Strokes.”

 

 

Betsy Palmer, Knots Landing

Betsy Palmer

Betsy Palmer

Died May 29 (age 88)

Palmer, who is best known for playing Jason Vorhees’ mother in “Friday the 13th,” portrayed Valene Ewing’s Aunt Ginny on “Knots Landing” from 1989 to 1990.

 

 

Dallas, George Probert

George Probert

George Probert

Died January 10 (age 87)

Probert worked as a “Dallas” music editor on 74 episodes from 1979 to 1982. He also worked on “Lost in Space” and “The Famous Adventures of Mr. Magoo” and was an accomplished jazz musician.

 

 

Dallas, Geoffrey Ryan

Geoffrey Ryan

Geoffrey Ryan

Died September 20 (age 62)

Ryan served as a Los Angeles location manager for “Dallas” from 1981 to 1983. He also worked on several other Lorimar series, including “Knots Landing,” “Berrenger’s,” “Guns of Paradise” and “Bodies of Evidence.”

 

Dallas, Gregory Walcott, Jim Redfield

Gregory Walcott

Gregory Walcott

Died March 20 (age 87)

In 1980, Walcott appeared in “Who Done It?” and the following episode, “Taste of Success,” as refinery owner Jim Redfield. Ten years later, he returned in the 13th-season episode “Tale of Two Cities” as Jebediah Joyce, the Coast Guard commander who investigated the Ewing Oil tanker disaster.

 

Alan Weeks, Dallas

Alan Weeks

Alan Weeks

Died October 10 (age 67)

Weeks did one-time guest spots on shows such as “Police Woman” and “Fame.” His last credited appearances were two 1991 episodes of “Dallas” — “Designing Women” and “S is For Seduction” — in which he played Thomas, the judge in Carter McKay’s murder trial.

 

What do you remember about these artists? Share your memories below and read our tributes from 2014 and 2013.

Dallas Decoder Asks: How Should J.R. die?

Dallas, J.R. Ewing, Larry Hagman, TNT

Exit the hero

J.R. Ewing’s funeral will be seen in the “Dallas” episode that airs Monday, March 11, TNT confirmed yesterday. But how should the legendary character die? And what’s the best way to honor Larry Hagman, the actor who portrayed J.R. for more than three decades? Dallas Decoder asked four members of the original show’s creative team to share their ideas.

 

GOOD NIGHT, LOVER BOY

Despres

Despres

There’s only one way J.R. should die: He’s got to be shot by a jealous husband. He’s J.R. Ewing – how else could he die? The husband could be a character from the original series or it could be someone new. The show could build a new “Who Shot J.R.?” mystery around the shooting. If he isn’t shot, he should die in the bed of one of his mistresses. No matter how the show kills him off, J.R. shouldn’t die a hero. He should be the villain you love to hate, right until the very end.

Loraine Despres, writer, 1979 to 1980; credits include “Who Done It?”, the episode where Kristin is revealed as J.R.’s shooter

 

ONE LAST SHOT

Lakin

Lakin

J.R. survived being shot 40 years ago. Maybe this time the bullet hits the mark. Yeah, shameless. But why not? Even if cynics hate the idea, it’ll create buzz and it might just be the best chance of bringing in new viewers to the show. J.R. was TV’s greatest villain and deserves some villainous payback. The funeral? Could be a three-episode event with every former important cast member they can find. Cliff pouring bourbon on J.R.’s grave? Priceless. This is the biggest franchise event imaginable. I also wouldn’t hesitate using flashbacks if at all possible. It may not please the producers who surely would prefer original material but I think viewers would love it.

Howard Lakin, writer, 1980 to 1982; producer/writer, 1988 to 1991; credits include “The Fourth Son,” the episode where Jock discovers he’s Ray’s father 

 

QUICKLY AND QUIETLY

Preece

Preece

You could always have J.R. called out of town and then have his plane go down, but I would have it play out that he’s been hiding the fact that he has cancer – although you don’t have to say “cancer” necessarily. Remember, when the new show opened, J.R. was in a nursing facility, so it’s possible he’s been ill and no one knew it. There could be scenes of the family reacting to the news that he died suddenly and finding out he hid his illness from them. Whatever scenario the show goes with, they shouldn’t drag it out too long. I don’t think they should do what the original series did with Jim Davis, when they sent Jock to South America for an extended period. With J.R., I think you have to allow him to pass away quickly and quietly.

Michael Preece, director, 1981 to 1991; credits include “Acceptance,” the episode where Miss Ellie comes to terms with Jock’s death

 

NO TIME TO KILL

Seidman

Seidman

I could never kill off J.R.! I’d have forces bearing down on him that we think have caused his death (in an explosion, perhaps?). No body or a body that of course can’t be identified. And then, every once in a while, a story comes up in which a shady businessman in Hong Kong lost everything to a mysterious figure, or a big deal was made in London that ripped off illegal investors but made some mysterious figure, Mr. X, a ton of money. Is it J.R.? Is he traveling the world, destroying his enemies to the benefit of himself and his family as they receive benefits out of the blue that suddenly save themselves and their company? We’ll never know. We can only hope. These stories would occur for generations, giving him immortality. That’s how I’d write off J.R. Ewing – by never writing him off.

Lisa Seidman, writer, 1989 to 1991; credits include “The Decline and Fall of the Ewing Empire,” the episode where J.R. loses Ewing Oil to Cliff

 

Now it’s your turn: How would you kill off J.R.? Share your comments below and read more news from Dallas Decoder.

The Dal-List: Kristin Shepard’s 13 Greatest Moments

Dallas, Kristin Shepard, Mary Crosby

Thanks for the memories, darlin’

Dallas Decoder kicks off its newest periodic feature, “The Dal-List,” with a look back at the 13 most memorable moments featuring “Dallas” vixen Kristin Shepard, played by the magnificent Mary Crosby.

Dallas, Kristin Shepard, Mary Crosby, Rudy Millington, Terry Lester

Clothes call

13. Leaving Rudy. Feeling neglected by J.R. (Larry Hagman), Kristin turned to old flame Rudy Millington (Terry Lester) – and for a moment, it looked like she was going to allow him to make an honest woman of her. Then J.R. showed up, interrupting their post coital bliss. Before this embarrassing scene was over, Kristin had chosen J.R., leaving poor Rudy with a broken heart, no job – and possibly no pants. (“Return Engagements”)

Conundrum, Dallas, Kristin Shepard, Mary Crosby

Of vice and men

12. Scamming Judge Smith. A decade after Kristin’s death, an “angel” showed J.R. what life would have been like if he had never been born, including the revelation that Kristin became a cop. J.R. watched her bust grandfatherly Judge Smith (James T. Callahan) for solicitation – but it turned out the badge was fake: Kristin was really a con artist who preyed on powerful men. Guess she was destined to be bad. (“Conundrum”)

Dallas, Don Starr, Jordan Lee, Kristin Shepard, Mary Crosby

Daddy day scare

11. Bilking Jordan. After giving birth in California, Kristin sashays back to Dallas and makes a phone call. “The baby … looks just like you,” she coos. The audience is led to believe the person on the other end of the line is J.R. – so imagine our surprise when it turns out to be rival oilman Jordan Lee (Don Starr). It seems Kristin lied to Jordan, telling him he was her child’s father – just so she could bilk him for hush money. (“Full Circle”)

Bobby Ewing, Colleen Camp, Dallas, Kristin Shepard, Sue Ellen's Sister

Buckle up, Bob

10. Charming Bobby. Kristin (Colleen Camp) paid her first visit to Southfork just as Bobby and Pam (Patrick Duffy, Victoria Principal) were hitting a rough patch – so J.R. naturally encouraged his wife’s little sister to seduce his baby brother. Kristin obliged, charming Bobby with her clever wit and tight sweaters. Then Bobby and Pam made up, leaving Kristin free to pursue the brother she wanted all along. (“Sue Ellen’s Sister”)

Dallas, Kristin Shepard, Mary Crosby, Power Play

See what develops

9. Exposing Lucy. The only person Kristin despised more than Lucy (Charlene Tilton) was J.R.’s protégé Alan Beam (Randolph Powell), so when Kristin saw Lucy and Alan canoodling at a roller disco, she did what came naturally: She reached for the nearest Polaroid and started snapping pictures. Kristin hoped exposing Lucy and Alan’s secret affair would get them in trouble. It didn’t work out that way, but it still caused lots of drama. (“Power Play”)

Dallas, Knots Landing, Krisitn Shepard, Joan Van Ark, Mary Crosby, Valene Ewing

Lap it up, Val

8. Befriending Val. After wearing out her welcome in Dallas, Kristin headed to Knots Landing, where she got busy wrecking the marriage of those nice young suburbanites, Kenny and Ginger Ward (James Houghton, Kim Lankford). Soon, Valene (Joan Van Ark) was confronting Kristin, who confessed she was pregnant and afraid for her future. It was a rare and moving glimpse into Kristin’s soul. Who knew she even had one? (“Kristin”)

Dallas, Kristin Shepard, Linda Gray, Mary Crosby, Silent Killer

Sister, sister

7. Taunting Sue Ellen. Sue Ellen (Linda Gray) was suffering major post-partum depression when Kristin started flirting with J.R. So you couldn’t blame big sis for being suspicious when Kristin popped into her bedroom one evening to see if she’d be joining the rest of the family for dinner. “Were you thinking of occupying my chair?” Sue Ellen seethed. “Somebody will if you don’t pull yourself together,” Kristin sneered. (“The Silent Killer”)

Dallas, Divorce Ewing Style, Kristin Shepard, Linda Gray, Mary Crosby, Sue Ellen Ewing

Spill life

6. Drenching Sue Ellen. Oh, look: Sue Ellen and Kristin are in a posh restaurant, toasting their renewed friendship. Nice to see them getting along, isn’t it? Whoops, klutzy Kristin just spilled her cocktail in Sue Ellen’s lap. If she’s not careful, the Ewings are going to smell the booze and begin to suspect Sue Ellen has fallen off the wagon. Wait, what’s that you say? That was Kristin’s plan all along? What a hussy! (“Divorce, Ewing Style”)

Dallas, J.R. Ewing, Kristin Shepard, Larry Hagman, Mary Crosby

If smirks could kill

5. Seducing J.R. Once J.R. hired Kristin as his new secretary, it didn’t take her long to figure out his scheme to secretly mortgage Southfork. She threatened to spill the beans to Jock and Bobby – unless J.R. slept with her. Turns out she didn’t need to ask twice. “Kristin,” J.R. said as he took her in his arms, “with your mind and your body, it just might take me a lifetime to figure you out.” Cost him his life is more like it. (“The Kristin Affair”)

Dallas, Kristin Shepard, Mary Crosby, Nightmare

Move over, Florence Nightingale

4. Mocking J.R. While recovering in the hospital from his shooting, J.R. was surprised to receive a visit from Kristin, who was still in town after his goons failed to run her off. “Don’t you worry, Kristin. When I get out of here, you’ll get yours,” J.R. warned. “I know I will,” she smirked as she looked his paralyzed body up and down. “But not from you. That’s for sure.” J.R.’s under-his-breath response after she left the room: “Bitch.” (“Nightmare”)

Cliff Barnes, Dallas, Gone But Not Forgotten, J.R. Ewing, Ken Kercheval, Kristin Shepard, Larry Hagman, Mary Crosby

Is it really that black and white?

3. Scandalizing J.R. After giving birth to the son she claimed was J.R.’s, Kristin showed up at Southfork demanding more “child support.” Next thing you know, Cliff was fishing her dead body out of the swimming pool and claiming J.R. had murdered her. Before all was said and done, J.R. was being hauled into court to prove his innocence. Even in death, Kristin was still causing him trouble. That’s our girl! (“Gone But Not Forgotten”)

Dallas, Kristin Shepard, Mary Crosby, Who Done It?, Who Shot J.R.?

She bangs

2. Shooting J.R. No one knew whodunit when J.R. was gunned down in his office. Then the weapon was discovered in his bedroom closet. The cops arrested Sue Ellen, who figured out Kristin was framing her and made little sister confess. Of course, Kristin had a get-out-of-jail card: She was pregnant with J.R.’s love child. Fed up with her drama, J.R. finally exiled Kristin to California. Too bad she didn’t stay there. (“Who Done It?”)

Dallas, Kristin Shepard, Mary Crosby

Wait ’til you see him grown up!

1. Birthing Christopher. OK, we never actually saw this on screen, but so what? After miscarrying J.R.’s baby, Kristin got pregnant by sleazy Jeff Farraday (Art Hindle), who sold their child, Christopher, to Bobby after Miss Shepard took her deadly dive into the Southfork swimming pool. So when you think about it, Kristin is responsible for giving us Jesse Metcalfe on TNT’s “Dallas.” If that’s not a crowning achievement, I don’t know what is.

What do you consider Kristin Shepard’s greatest moments? Share your choices below and read more “Dal-Lists.”

The Best & Worst of Dallas: Season 4

“Dallas’s” fourth season was the show’s most-watched. Is it also the best?

Performances

Dallas, J.R. Ewing, Larry Hagman

Lows and highs

In Season 4, J.R. recovers from an assassination attempt, learns to walk again and suffers a humiliating exile from Ewing Oil. Through it all, Larry Hagman never misses a beat. The actor takes us deeper into J.R.’s psyche, revealing vulnerabilities we never dreamed the character was capable of. If you love Hagman’s complex performance on TNT’s “Dallas,” re-watch the classic show’s fourth season. This is where those seeds are planted.

Storylines

Dallas, J.R. Ewing, Larry Hagman, Leslie Stewart, Susan Flannery

Blonde ambition

“Who Shot J.R.?” turned “Dallas” into a global phenomenon, so you might expect the show to spend Season 4 playing it safe. Instead, it takes a creative risk by tackling sexism. This theme is best personified by pioneering PR whiz Leslie Stewart, but the gender wars are also seen when Miss Ellie calls out chauvinistic Jock, Lucy gets a career and Donna emerges as the top choice for a state senate seat. Who says “Dallas” isn’t progressive?

Season 4’s weakest subplot: Mr. Ewing goes to Austin. I love the idea of “Dallas” delving into politics, but Bobby’s conduct as a member of the state senate strains credibility. Shouldn’t Senator Ewing have recused himself from the legislature’s hearings into his parents’ fight over the Takapa Lake development – or its inquiry into J.R.’s foreign affairs? Where’s an ethics committee when you need one?

Episodes

Dallas, Jim Davis, Jock Ewing, Ray Krebbs, Steve Kanaly

Here comes the son

“The Fourth Son” is one of the finest hours of “Dallas” ever made. The episode, beautifully written by Howard Lakin (his first script for the show) and directed by Irving J. Moore, officially brings Ray into the Ewing fold and reminds us why Jock is such a revered figure in the “Dallas” mythos. Father-son relationships are integral to “Dallas” – especially on the TNT series – and no episode explores that theme better than this one.

To demonstrate how uneven episodic television can be, one week after “The Fourth Son” debuted, “Dallas” gave us “Trouble at Ewing 23,” which is easily my least-favorite Season 4 entry. I never know what’s worst: the cringe-inducing special effects when the oil field goes up in flames – or the fact Luther Gillis sheds not a single drop of blood after J.R.’s hired guns pump him full of lead.

Scenes

Dallas, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing

Scene from a marriage

How do you know when a “Dallas” scene is classic? When you only need one or two lines of dialogue to describe it. By that standard, the show’s fourth year probably offers more great moments than any other season: “It was you, Kristin, who shot J.R.” “He’s not your daddy. I am.” “You are my mother.” “Real power is something you take.” “Don’t make me see myself in your eyes.” “Mama, you didn’t take any licorice.”

Any one of these scenes qualifies for “best of” honors, but my sentimental favorite remains the “New Beginnings” moment when J.R. and Sue Ellen reminisce about their courtship. Next to J.R. and Bobby’s sibling rivalry, J.R. and Sue Ellen’s love affair is “Dallas’s” most enduring relationship. If you want to understand why these two can’t stay away from each other, watch this scene.

Supporting Players

Dallas, Leslie Stewart, Susan Flannery

Pioneer woman

No surprise here: I love Leslie. The oh-so-cool Susan Flannery was the ideal choice to play the character, whose business savvy, scheming ways and unapologetic sexuality make her J.R.’s equal and the template for prime-time divas like Abby Cunningham and Alexis Carrington. “Dallas’s” writers seemed to lose interest in Leslie after awhile, but before her storyline peters out, no character in Season 4 is more fascinating.

At the other end of the spectrum lie Alex Ward and Clint Ogden, the utterly forgettable characters who romance Pam and Sue Ellen during the second half of the season. Don’t blame Joel Fabiani and Monte Markham, who are both fine actors; blame the writers, who colored Alex and Clint in shades of plain vanilla.

Costumes

As much as I love the iconic dresses Sue Ellen wears in “Who Done It?,” nothing compares to Jock’s lion’s head medallion, the perfect accessory to symbolize Jim Davis’s role as father of the Ewing pride.

Some might consider Pam’s perm to be Season 4’s worst fashion choice – but those people are wrong because that ’do is awesome.

Quips

Best: “If you were on the side of the angels, you wouldn’t need Leslie Stewart.” – Leslie’s droll observation during the well-written scene where she persuades J.R. to hire her.

Worst: “My own son, letting some little no-account alley cat swing you by your big toe.” – The most memorable line during the tongue-lashing Jock gives J.R. after Leslie costs Ewing Oil a big deal. Watch it, Jock! That’s our Leslie you’re talking about.

What do you love and loathe about “Dallas’s” fourth season? Share your comments below and read more “Best & Worst” reviews.

Drill Bits: This Week, Ratings Rose for TNT’s ‘Dallas’

Bobby Ewing, Dallas, Harris Ryland, Mitch Pileggi, Patrick Duffy, TNT, Truth and Consequences

His blood pressure rose too

Ratings for TNT’s “Dallas” rebounded this week after dipping on Independence Day.

Approximately 3.4 million viewers watched “Truth and Consequences,”the show’s fifth episode, on July 4. Although the audience was down about 18 percent from the previous week – no surprise there, TV audiences always shrink on holidays – “Truth and Consequences” still managed to become the evening’s top original cable show and the 16th most-watched cable program of the week.

TNT’s sixth “Dallas” installment, “The Enemy of My Enemy,” did better: It scored 3.6 million viewers on July 11, including 1.3 million viewers between the ages of 18 and 49, the group advertisers pay a premium to reach. “Dallas” and USA’s “Royal Pains” tied for second place among the 18-to-49 crowd that evening; the top-rated cable show in that demographic: ESPN’s “ESPY Awards,” which was seen by 1.5 million viewers in that group.

“Dallas” is averaging 4.5 million viewers of all ages on Wednesday nights, although the numbers go up when people who record the show and watch it later are counted.

‘Who Shot J.R.?’ Still Making News

“Who Done It?,” the “Dallas” episode that reveals Kristin as J.R.’s shooter, remains one of the most memorable television moments of the past 50 years, according to a study published this week.

The 1980 broadcast ranked 44th on the memorable moments list, ahead of “events” like Chaz Bono’s participation in “Dancing with the Stars” (No. 59) and Kim Kardashian’s marriage to Kris Humphries (No. 76), but below ABC’s 1977 miniseries “Roots” (No. 36) and the Beatles’ performance on “The Ed Sullivan Show” (No. 43).

Sony Electronics and the Nielsen television research company conducted the study. The findings are based on a survey in which people were given a list of landmark TV events and asked to rank them.

News stories dominated the list: Coverage of the 9/11 terrorist attacks ranked first, followed by reporting on the 2005 Hurricane Katrina disaster (No. 2) and the 1995 verdict in the O.J. Simpson murder trial (No. 3).

Dressing ‘Dallas’

Here at Dallas Decoder, we’re big fans of Rachel Sage Kunin, costume designer for TNT’s “Dallas,” which is why we’re pleased to see her get a little love in the press.

In a new interview with the design site Artinfo, Kunin reveals why Linda Gray is her favorite cast member to dress – and why we’re unlikely to see John Ross sporting a Stetson with his business suits.

ICYMI: Gray Speaks

Ultimate Dallas’s revealing interview with Gray stirred the Ewing-verse this week, prompting us to weigh in with a call for more screen time for Sue Ellen. Of course, we weren’t the only ones. If you haven’t already done so, be sure to check out the Dallas Morning News’s blog post and Dallas Divas Derby’s wish list for the new show’s second season (No. 3: Save Sue Ellen!).

Line of the Week

“What now?”

John Ross’s exasperated response to seeing Bobby and Christopher barge into his room at the end of “The Enemy of My Enemy” made me laugh. Look, I love Bobby and Christopher, but you gotta admit: These two can be a little too Dudley Do-Right for their own good. I see why John Ross finds them a little hard to take sometimes.

Sweet and Strong

A reminder: This week’s “Dallas Drinks” offering is The Bobby, named for Patrick Duffy’s all-American hero. The recipe comes from Dallas Decoder’s favorite spouse at Cook In/Dine Out.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Critique: ‘Dallas’ Episode 59 – ‘Taste of Success’

Bobby Ewing, Dallas, Patrick Duffy, Taste of Success

His day has come

“Dallas” ties up the “Who Shot J.R.?” saga’s loose ends within the first 10 minutes of “Taste of Success.” Kristin confesses her crime to the Ewings, J.R. and Sue Ellen send her packing, and Miss Ellie breathes a big sigh of relief at the Southfork breakfast table. “Well, it’s over,” she says. Indeed, it is.

“Dallas” deserves praise for concluding things so elegantly. Having J.R.’s shooter turn out to be Kristin – and making her pregnant with his child – is genius because it allows “Dallas” to avoid a trial, even if courtroom scenes on this show tend to be entertaining. I also give “Dallas” credit for not trying to top itself with another sweeping storyline. The show knows it’s time to get back to normal, and in “Taste of Success,” that’s pretty much what happens.

Of all the post-“Who Shot J.R.?” plots, Bobby’s is the most interesting. His efforts to buy the Redfield refinery are surprisingly compelling, primarily because the storyline allows the character to step out of J.R.’s shadow. For once, Bobby is in charge and not merely reacting to J.R.’s schemes. It’s a nice change of pace.

“Taste of Success” also casts a new light on Lucy, who cooks dinner for Mitch, albeit with disastrous results. Besides being charming, Lucy’s efforts to woo the medical student make sense for her character. Now that this upstanding fellow has entered her life, of course she’s going to go after him with gusto.

The only Ewing who doesn’t seem to be changing is Sue Ellen. Following her triumphant confrontation with Kristin at the end of “Who Done It?” Sue Ellen reverts back to J.R.’s dutiful wife in this installment, even allowing him to “seduce” her in a scene that recalls the disturbing quasi-marital-rape sequence in “Black Market Baby.”

Sue Ellen also lets J.R. make up for his misdeeds by buying her a new car, giving the scene where he sends her out for a test drive more than a hint of irony. Her foot might be on the accelerator, but in this episode at least, Sue Ellen isn’t moving forward.

Grade: B

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Charlene Tilton, Dallas, Leigh McCloskey, Lucy Ewing, Mitch Cooper, Taste of Success

Doesn’t taste successful

‘TASTE OF SUCCESS’

Season 4, Episode 5

Airdate: November 28, 1980

Audience: 26.5 million homes, ranking 1st in the weekly ratings

Writer: Robert J. Shaw

Director: Irving J. Moore

Synopsis: J.R. sends Kristin to California with the promise of monthly checks when their child is born. Sue Ellen is furious at J.R. but her anger turns to passion and they reconcile. Bobby buys a refinery, arousing J.R.’s envy. Pam, who fears Bobby is on a power trip, returns to work. Cliff pursues Donna, while Lucy continues courting medical student Mitch Cooper.

Cast: Robert Ackerman (Wade Luce), Barbara Babcock (Liz Craig), Tyler Banks (John Ross Ewing), Barbara Bel Geddes (Miss Ellie Ewing), Michael Bell (Les Crowley), David J. Bowman (Tom Selby), Jeff Cooper (Dr. Simon Elby), Mary Crosby (Kristin Shepard), Jim Davis (Jock Ewing), Patrick Duffy (Bobby Ewing), Tom Fuccello (Dave Culver), Linda Gray (Sue Ellen Ewing), Laurence Haddon (Franklin Horner), Larry Hagman (J.R. Ewing), Susan Howard (Donna Culver), Ken Kercheval (Cliff Barnes), Leigh McCloskey (Mitch Cooper), Jeanna Michaels (Connie), Victoria Principal (Pam Ewing), Paul Sorensen (Andy Bradley), Don Starr (Jordan Lee), Tom Taylor (Assistant District Attorney Martin Purcell), Charlene Tilton (Lucy Ewing), Warren Vanders (Harry Owens), Gregory Walcott (Jim Redfield)

“Taste of Success” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Linda Gray is Speaking Up — Just Like Sue Ellen Would

Dallas, Linda Gray, Sue Ellen Ewing, TNT

Still our girl

Atta girl, Linda Gray.

In a candid interview with Ultimate Dallas last week, the actress expressed her disappointment with the amount of screen time her character, the indomitable Sue Ellen Ewing, has received on TNT’s “Dallas” revival. The cable channel has telecast five hours so far, and Gray has been missing from two of them.

“I’m not happy not to be in an episode. I’m not a happy camper,” Gray told the fan site, adding viewers should “go and rattle cages” if they want to see more of Sue Ellen.

Let’s be clear: Gray doesn’t sound at all angry during the interview. In fact, she seems pretty enthusiastic about the show overall. (In addition to a transcript, Ultimate Dallas has posted an audio recording of its conversation with the actress.)

Still, I suspect it took more than a little courage for Gray to admit she’d like to be given more to do. We’ve all seen Hollywood sideline older actresses, and I’m sure there are plenty of people in the entertainment industry who will look at Gray and think she should be happy to have a steady gig, even if she isn’t getting as many scenes as she’d like.

That’s why I’m proud of the actress. Gray is demonstrating she’s learned a thing or two from her “Dallas” alter ego, who has always had to fight to make her own way in the world.

Think about it: Sue Ellen has been part of our popular culture since the Carter era, and in that time she’s gone from an alcoholic Stepford wife to a confident, independent woman. In the history of prime-time television, few characters have endured as long as Sue Ellen, and fewer still have changed as much.

‘Dallas’s’ Secret Weapon

Make no mistake: “Dallas” is Sue Ellen’s story as much as it is J.R. and Bobby’s – and Linda Gray has always been the show’s secret weapon.

Since I began re-watching the original series for Dallas Decoder, I’ve been struck by the quiet power of Gray’s performances. I marvel at her work in classic early episodes like “John Ewing III, Part 2,” when Sue Ellen confesses her affair with Cliff in a heartbreaking, four-and-a-half-minute monologue. Her work later in the series, particularly during the unfairly maligned “dream season,” blows me away too.

Most surprisingly, Gray dominates the famous “Who Shot J.R.?” episodes, more so than Larry Hagman. She is mesmerizing in “A House Divided,” the season-ending cliffhanger where J.R. is shot, and she absolutely owns “Who Done It?” the most-watched “Dallas” episode ever.

Gray still impresses me. She hasn’t been given much to do on TNT’s “Dallas,” but when she appears, she lights up the screen. With the exception of Hagman, no one on the new show is as charismatic as Gray.

Sue Ellen is Us

Of course, I’ve had a soft spot for Sue Ellen since I was a kid. I’ve come to see the character as an avatar for the gay rights movement, but the truth is, Sue Ellen serves as a stand-in for anyone who has ever had to stand up for themselves. In other words: Sue Ellen is us.

I think that’s why she’s always been a fan favorite. Remember, “Dallas” was prime-time television’s 26th most popular series until the 1989-90 season, when Gray left and it plunged to 43rd.

To be fair, because Sue Ellen is so beloved – and because she’s changed so much over the years –I would imagine the character is tough to write for. I wish TNT’s writers had made more of an effort during the new show’s early episodes, but as we head into the first season’s home stretch, Sue Ellen seems poised to get more screen time.

The character is featured in several pivotal scenes in “The Enemy of My Enemy,” the episode TNT will telecast tomorrow night. As audiences will see, some of Sue Ellen’s old habits endure, a revelation I welcome. I’m glad Sue Ellen has changed with the times, but it’s also good to see she’s still human.

And as much as I appreciate Gray’s suggestion that fans “rattle cages” and demand to see more Sue Ellen in the future, I don’t believe television scripts should be crowd-sourced. Cynthia Cidre, the creative force behind TNT’s “Dallas,” has a vision for the series, and she deserves an opportunity to fulfill it.

But let’s face it: Unless that vision includes Sue Ellen, it won’t really be “Dallas.”

Do you want to see more of Sue Ellen on “Dallas”? Share your comments below and read more opinions from Dallas Decoder.

Dallas Styles: Sue Ellen’s ‘Who Done It?’ Dresses

Subject to contrast

When “Who Done It?” begins, Sue Ellen is at the Dallas police station, where she is being arrested for J.R.’s shooting. We see her have her mug shot taken and get fingerprinted, and then Detective Frost reads her her rights.

We also watch as Sue Ellen removes her jewelry – rings, earrings, bracelets, pearls – and passes each item to an officer seated behind a cage window.

True colors

The poignancy of this scene can’t be overstated. For Sue Ellen, these aren’t just ornaments; they’re part of her identity. Not since the first-season episode “Winds of Vengeance,” when Luther Frick forced her to wear a swimsuit, has she been this exposed.

To underscore the drama of Sue Ellen’s jailhouse scenes, the “Dallas” wardrobe designers put Linda Gray in a black-and-white “dress” (it’s actually a matching blouse and skirt that give the appearance of being a single garment). The right side of the top is black and the left is white; below the black belt, the colors are reversed.

Aside from evoking prison stripes, the dress symbolizes the dichotomy of seeing this wealthy Dallas society wife being hauled off to jail. The dress also represents the mystery surrounding Sue Ellen’s role in J.R.’s shooting. She was drunk the night he was gunned down and can’t remember if she pulled the trigger, but the truth is black or white: Sue Ellen is either guilty or she isn’t. She just doesn’t know which.

By the end of the “Who Done It?” Sue Ellen figures out J.R.’s assailant was Kristin, who has been trying to frame her for the crime. In the episode’s climactic scene, a triumphant Sue Ellen goes to Southfork to confront her sister, and once again, “Dallas” uses Sue Ellen’s clothing to open a window into her mindset.

With the burden of doubt lifted, Sue Ellen’s somber black-and-white dress has been replaced with one that’s lighter and brighter, dotted with small splashes of red, blue and yellow. Unlike the earlier outfit, this dress offers a plunging neckline – perfect for a woman who is eager to expose her sister’s misdeeds.