Jenilee Harrison – Dallas Decoder

‘Dallas’ Stars to Reunite at Autograph Show

October 22, 2015 by Chris Baker 14 Comments

Ewings reunite! (Getty Images)

Patrick Duffy, Linda Gray and several other “Dallas” stars are slated to participate in a Los Angeles autograph show next weekend.

The Hollywood Show will be held from Friday, October 30, through Sunday, November 1, at the Westin Los Angeles Airport Hotel.

The other “Dallas” alumni scheduled to participate are Ken Kercheval, Charlene Tilton, Christopher Atkins, Morgan Brittany, Mary Crosby, Morgan Fairchild, Jenilee Harrison, Leigh McCloskey, Sasha Mitchell, Sheree J. Wilson and Morgan Woodward.

More than 60 additional actors are slated for the event, including Corbin Bernsen, Annie Potts and Kevin Sorbo. The list also includes Patty McCormack, who guest starred in three “Dallas” episodes during the 1981-82 season as Evelyn Michaelson, the woman who came between Lucy and Mitch.

Ticket prices vary; a two-day pass costs $40. There are additional fees if you want to be photographed with individual actors or groups, including a $250 charge to have your picture taken with the “Dallas” cast.

More information is available on the Hollywood Show site.

Will you attend the Hollywood Show? Share your comments below and read more news from Dallas Decoder.

Filed Under: News, News Tagged With: Charlene Tilton, Christopher Atkins, Jenilee Harrison, Ken Kercheval, Leigh McCloskey, Linda Gray, Mary Crosby, Morgan Brittany, Morgan Fairchild, Morgan Woodward, Patrick Duffy, Patty McCormack, Sasha Mitchell, Sheree J. Wilson

Dallas Scene of the Day: ‘Hello, Cliff’

October 21, 2015 by Chris Baker 6 Comments

Cliff Barnes, Dallas, John Beck, Mark Graison, Saving Grace

Kitchen confidential

In “Saving Grace,” a ninth-season “Dallas” episode, Cliff (Ken Kercheval) is in the kitchen cooking when Jamie (Jenilee Harrison) answers the front door and greets Pam and Mark (Victoria Principal, John Beck).

JAMIE: Hi, come on in. How are you? [They kiss.]

PAM: Good, thanks.

JAMIE: Good.

PAM: Jamie, this is a very dear friend of mine, Mark Graison.

JAMIE: [Shakes his hand, stunned] Mark Graison?

MARK: [Puts his fingers to his lips.] Shh, shh, shh. Where’s Cliff?

JAMIE: He’s in the kitchen.

As Cliff tastes the sauce he’s making, Mark approaches from behind and peers over his shoulder.

MARK: Well, how does it taste?

CLIFF: Great. [Looks at him, does a double take, gasps]

MARK: Hello, Cliff. Pam wanted it to be a surprise.

CLIFF: Oh, boy. Oh, boy. She got her wish. [They shake hands, then embrace awkwardly.] Hey, where you been?

MARK: I’ll tell you all about it over dinner.

CLIFF: Okay. Great. Yeah. Boy, my sister’s had her share of shocks.

MARK: Yes, she has. I hope my being here doesn’t add to that. I came back to help her, Cliff.

CLIFF: Well, okay. I’m glad to hear you say that. Yeah. Because you know, she’s got a lot of responsibility. [Touches Mark’s shoulder] Oh, boy. You know, maybe we can both help her.

MARK: Uh-huh, I think we can. [Grips Cliff’s arm]

Watch this scene in “Saving Grace,” available on DVD and at Amazon and iTunes, and share your comments below.

Filed Under: Dallas Scenes of the Day, Dallas Scenes of the Day (Classic), Features Tagged With: Jenilee Harrison, John Beck, Ken Kercheval, Saving Grace, Victoria Principal

Critique: ‘Dallas’ Episode 187 — ‘Terms of Estrangement’

August 19, 2015 by Chris Baker 13 Comments

Dack Rambo, Dallas, Jack Ewing, Jenilee Harrison, Terms of Estrangement

Hello, stranger

Jack Ewing is a bad boy who makes a good impression. “Terms of Estrangement” introduces the character, a long-lost cousin who comes to town offering to sell J.R. information that could undermine Cliff’s efforts to snag a piece of Ewing Oil. Is Jack telling the truth? Who knows, and who cares? The newcomer, played with roguish charm by Dack Rambo, injects an element of unpredictability into “Dallas’s” ho-hum eighth season. By the time this episode debuted in 1985, the show had added several new faces to its cast, each with mixed results. Finally, here’s one that works from the get-go.

Make no mistake: Rambo’s debut deserves to rank alongside Susan Howard’s and Howard Keel’s as one of “Dallas’s” best. Many fans never warmed to Rambo three decades ago, mostly because he was hired to replace the soon-to-depart Patrick Duffy as the show’s romantic male lead. It’s easier to judge Rambo on his own merits today. The actor has a natural charisma that makes Jack instantly appealing, even when we don’t know much about him. In “Terms of Estrangement,” he arrives as a stranger who summons J.R. to the Oil Baron’s Club and offers to help him squash Cliff’s lawsuit — in exchange for 10 percent of the company. Rambo holds his own against Larry Hagman throughout the scene, making it a fun exchange between two scoundrels. It reminds me of the first time J.R. tussled with Clayton Farlow during the fifth season. I didn’t mind seeing Clayton one-up J.R. then, and I don’t mind seeing Jack do it now. That’s as good measure of a new character’s potential as I can think of.

Rambo also is effective in this episode’s final scene, when his character unexpectedly shows up on Jamie’s doorstep. She’s packing her belongings to move and seems less than pleased to see him, and for the first few moments, it seems as if Rambo’s character is an ex-lover who’s come to upset Jamie’s relationship with Cliff. We soon discover the mystery man is Jack, Jamie’s estranged brother, a good twist that shifts the dynamics of the scene. Once we know the characters are siblings, his attempts to needle her come off as playful, not threatening. The scene ends with Jack letting her know he plans to stick around (“I kind of like it here in Dallas”), raising hopes his presence will help the series continue to recover from the Jenna Wade murder trial that dragged down the preceding episodes.

Indeed, “Terms of Estrangement” offers other signs “Dallas” is getting its act together. J.R. is crueler than ever: He ridicules Sue Ellen’s decision to join group therapy — which are held at the delightfully dippy “Institute for Advanced Awareness” — and shoves a glass of bourbon in her face, saying, “The only institute that works for you is this.” The show is always better when these characters are at war, although it’s also good to see Sue Ellen pour out the drink without taking a sip. (Her decision to dump it in a potted plant in the Southfork living room is another matter altogether.) Later, Sue Ellen and Donna — two characters who don’t interact much — commiserate about their troubled marriages over a post-midnight plate of cookies. Sue Ellen refers to their fates as “the curse of the Ewings,” prompting Donna’s poignant response (“It wasn’t supposed to happen to me”), which Susan Howard delivers with breathy perfection.

Meanwhile, Jenilee Harrison’s character continues to come into her own. In addition to her reunion with Jack, Jamie receives a surprisingly charming marriage proposal from Cliff and has a good scene with Sue Ellen. The latter begins when Jamie arrives at Southfork to mend fences with her friend, only to be told by Teresa that Sue Ellen doesn’t want to see her. Jamie refuses to take no for an answer and barges into Sue Ellen’s room, where she gives her a much-needed talking to. In a similar spirit, I love the small scene in which Sue Ellen calls John Ross out of the kitchen and tells him it’s time to go to school. With a lunchbox in one hand, Omri Katz marches around the breakfast table and receives a hug from Donna Reed, a high-five from Patrick Duffy and a pat on the bottom from Howard Keel. It’s an early glimpse of the swagger John Ross would one day exhibit on TNT’s sequel series.

“Terms of Estrangement” has its share of novelties too. Priscilla Beaulieu Presley appears only in one scene, but she now sports a stylish bob. Perhaps the hairdresser who famously gave Sue Ellen a makeover in the hospital has now worked his magic on Jenna in jail? This episode also features two actors from John Hughes movies: Lyman Ward, the dad from “Ferris Bueller’s Day Off,” plays the airline executive who gives Bobby the tape that shows Veronica Robinson being murdered on the plane, while Paul Gleason, the principal from “The Breakfast Club,” plays the police detective who investigates the crime. (Andre Schumann, the hit man seen on the tape, is played by Rod Arrants of “Search for Tomorrow.”)

Speaking of that tape: Ward’s character tells Bobby that the airlines are beginning to install hidden cameras on planes to deter hijackings. It’s prescient — in real life, TWA Flight 847 was hijacked in Athens two months after this episode aired — and also a little silly. The tape offers a fixed, wide angle view of the plane’s interior cabin, making it look like the kind of surveillance video that one would have expected to see in the mid-1980s. However, once Schumann takes his seat next to Veronica and poisons her drink, the camera suddenly zooms in for a close-up of Schumann’s hands. It’s one of those only-on-television moments, although I wouldn’t be surprised if the cameras trained on the public today are zooming in and zooming out on us all the time.

Grade: B

_______________________________________________________________________________________________________________________________________________

Close at hand

‘TERMS OF ESTRANGEMENT’

Season 8, Episode 26

Airdate: April 12, 1985

Audience: 18.7 million homes, ranking 6th in the weekly ratings

Writer: Peter Dunne

Director: Alexander Singer

Synopsis: Jamie accepts Cliff’s marriage proposal and receives a visit from her brother Jack, who approaches J.R. and offers to sell him information that could prove Cliff and Jamie have no legal claim on Ewing Oil. Bobby uncovers videotape that shows assassin Andre Schumann murdering Veronica on the plane, but Jenna refuses to believe she’ll get out of prison. Sue Ellen begins group therapy. Lucy receives a letter from Mitch.

Cast: Rod Arrants (Andre Schumann), Roseanna Christiansen (Teresa), Pat Colbert (Dora Mae), Ben Cooper (Parris), Patrick Duffy (Bobby Ewing), Paul Gleason (Lieutenant Lee Spaulding), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Jenilee Harrison (Jamie Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Stacy Keach Sr. (Waldron), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Anne C. Lucas (Cassie), Laura Malone (Janice Hopper), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Dack Rambo (Jack Ewing), Donna Reed (Miss Ellie Farlow), Debbie Rennard (Sly), Sherril Lynn Rettino (Jackie Dugan), Barry Sattels (Greg Rupp), Deborah Shelton (Mandy Winger), Gail Strickland (Veronica Robinson), Charlene Tilton (Lucy Ewing), Lyman Ward (Norman)

“Terms of Estrangement” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (Classic), Opinion Tagged With: Dack Rambo, Donna Reed, Howard Keel, Jenilee Harrison, Ken Kercheval, Larry Hagman, Lyman Ward, Omri Katz, Patrick Duffy, Paul Gleason, Priscilla Beaulieu Presley, Rod Arrants, Susan Howard, Terms of Estrangement

Critique: ‘Dallas’ Episode 179 — ‘Legacy of Hate’

July 22, 2015 by Chris Baker 18 Comments

Dallas, Legacy of Hate, Pam Ewing, Victoria Principal

Girl on fire

Who doesn’t love the first scene in “Legacy of Hate”? Pam storms into J.R.’s office and demands to know why he sent her on a wild goose chase for her presumed dead fiancé, Mark Graison. J.R. plays dumb and denies everything, which only infuriates Pam more. She vows to get even by joining Cliff and Jamie’s legal fight to seize two-thirds of J.R.’s business. “You have one soft spot, one weakness — and that’s Ewing Oil, the only thing you’ve ever really loved,” Pam says. “Cliff and Jamie and I are going to take your company away from you. And then I’m going to watch you hurt.”

Hot damn! Often when these characters clash, J.R. threatens and Pam reacts. The dynamics here are reversed. At one point, she shouts, “Shut up! Just sit there and listen!” Under different circumstances, I might complain that a line like that further undercuts J.R., who’s already lost too much mojo this season. I could also point out that the wild goose chase scheme is unusually cruel, even by his standards. But if this is what it takes to reignite the spark in Victoria Principal’s character, I’m all for it. Make no mistake: This isn’t the namby-pamby Pam of recent seasons. This is Digger’s daughter, the fierce, feisty gal who refuses to be pushed around. Isn’t it nice to have her back?

I have to believe Principal is thrilled more than anyone. It’s been a long time since we’ve seen “Dallas” give the actress material like this; not even Pam’s years-in-the-making confrontation with Katherine was this emotionally charged. Larry Hagman is impressive too. Even though the audience knows J.R. is lying, you kind of want to believe him, don’t you? The scene also gives Hagman some fun one-liners, which he tosses off with typical effortless brilliance. (My favorite: “I never liked you a hell of a lot, you know that, Pam? But I never thought you were stupid until now.”) Is Hagman trying to upstage his co-star? Or is he merely giving her what she needs to get worked up? Whatever the case, their chemistry has never crackled quite like it does here.

Credit also goes to first-time “Dallas” director Robert Becker, who shows us what we need to see and then gets out of the actors’ way. When the sequence begins, Becker shoots Principal marching off the Ewing Oil elevator, through the reception area and into J.R.’s office. Once she’s inside the room, Becker keeps Hagman seated at the desk, allowing Principal to tower over him. The staging underscores how she’s dominating him. Another nice touch: Before Pam barges into the office, Kendall tries to stop her. Phyllis pipes up and says, “No, Kendall.” It’s telling that Phyllis would rather risk J.R.’s wrath than Pam’s.

The scene is easily one of “Dallas’s” best episode openings, ranking alongside the cattle drive that begins “Bypass” and Bobby’s heroics during the Southfork fire in “The Road Back.” Nothing else in “Legacy of Hate” matches the drama of J.R. and Pam’s confrontation, although Bobby and J.R.’s fight in the Southfork swimming pool comes close. I also like the episode’s quieter moments, including a good scene where Miss Ellie has a late-night heart-to-heart chat with J.R. in the Southfork kitchen. (He sips a beer, of course. Don’t the Ewing brothers ever drink milk to help them get back to sleep?) In another nice scene, Clayton offers to give Jamie one of his oil companies if she agrees to call off her lawsuit against the Ewings. It’s an outright bribe, but Howard Keel is so gentlemanly, he makes the offer seem perfectly honorable. I also like hearing Clayton refer to the Ewings as his family.

“Legacy of Hate” contains striking bit of continuity too: When J.R. plays Bobby the tape of his conversation with Cliff, the dialogue matches what he says when the exchange is depicted as a one-sided telephone call in “Déjà Vu.” The producers deserve applause for going to the trouble of making sure the two scenes sync, since I’m not sure even fervent fans would have noticed when these episodes aired weeks apart in 1985. I wish the same attention to detail was observed during “Legacy of Hate’s” next scene. After J.R. learns he’s been ratted out by Gerald Kane, the pilot he hired to lie to Pam, J.R. calls him and threatens to send over some “friends” if he doesn’t leave Texas right away. “Nobody, but nobody, double-crosses J.R. Ewing,” he says. True enough, but since when does J.R. give his enemies this kind of warning?

There’s also some humor in “Legacy of Hate,” although I’m not sure it’s intentional. When Mandy walks out on Cliff after Jamie interrupts their romantic dinner at home, she says, “I’m getting out, because three’s a crowd.” Could this be a sly reference to the sitcom that featured Jenilee Harrison before she arrived on “Dallas”? There’s an even funnier moment during J.R. and Bobby’s pool fight. After J.R. lands in the water and Bobby leaps into the water to punch him some more, watch Hagman. His face breaks into a comical, bug-eyed expression straight from his “I Dream of Jeannie” days. The expression is visible only a second, which makes me wonder if Hagman did it to amuse the crew, the stuntman or maybe just himself.

This is the kind of thing fans probably would have missed when this episode aired 30 years ago, before we all had the ability to search, scan, pause and replay scenes. Seeing it now is a reminder that no matter how many times we watch this show, there’s almost always something new to discover.

Grade: A

_______________________________________________________________________________________________________________________________________________

Slam dunk

‘LEGACY OF HATE’

Season 8, Episode 18

Airdate: February 1, 1985

Audience: 22.2 million homes, ranking 1st in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Robert Becker

Synopsis: Pam and Bobby each confront J.R., who denies sending her on a wild goose chase. Cliff gains Pam as an ally in his fight with Jamie but loses Mandy’s support. The Ewings are stunned when Cliff and Jamie try to freeze Ewing Oil’s assets. Scotty tells Bobby they must find Naldo’s girlfriend, Veronica Robinson. Eddie cheats on Lucy with Betty.

Cast: Burke Byrnes (Pete Adams), Larry Cedar (Martin), Roseanna Christiansen (Teresa), Lisa Cutter (Model), Patrick Duffy (Bobby Ewing), Stephen Elliott (Scotty Demarest), Eric Farlow (Christopher Ewing), Rosemary Forsyth (Ann McFadden), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Jenilee Harrison (Jamie Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Fredric Lehne (Eddie Cronin), Sarah Partridge (Model), George O. Petrie (Harv Smithfield), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Donna Reed (Miss Ellie Farlow), Sherril Lynn Rettino (Jackie Dugan), Dean Santoro (Raymond Furguson), Deborah Shelton (Mandy Winger), Danone Simpson (Kendall), Charlene Tilton (Lucy Ewing), Deborah Tranelli (Phyllis), Morgan Woodward (Punk Anderson), Kathleen York (Betty)

“Legacy of Hate” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (Classic), Opinion Tagged With: Bypass, Déjà Vu, Howard Keel, Jenilee Harrison, Larry Hagman, Legacy of Hate, Road Back, Robert Becker, Victoria Principal

Dallas Scene of the Day: ‘You Bastard’

July 13, 2015 by Chris Baker 7 Comments

Dallas, Linda Gray, Lockup in Laredo, Sue Ellen Ewing

What goes up …

In “Lockup in Laredo,” an eighth-season “Dallas” episode, J.R. (Larry Hagman) comes home from work and enters the Southfork foyer, where Jamie (Jenilee Harrison) is ending a phone call with Bobby.

J.R.: Did I just hear you say you talked to Judge Samuelson?

JAMIE: Yes. Bobby needed to get in touch with him.

J.R.: Well, the judge is a very important man. I should have done that.

JAMIE: I know, and Bobby wanted you to. But you weren’t there so I called him myself.

J.R.: Well, listen young lady, you don’t just pick up a phone and call people like that. You should have waited for me. [Puts down his hat, enters the living room]

JAMIE: Waited for you? I did more than that. I went out to try and find you.

J.R.: [Stops in his tracks] Find me?

JAMIE: I called the restaurant where you were at, but you left specific orders that you did not want to be disturbed. So I went there myself because it was so important. And there you were, hugging some tall, gorgeous blond who seemed to know you pretty well.

Sue Ellen (Linda Gray) comes down the stairs in the background.

J.R.: That woman happens to be a business associate.

JAMIE: Ah, another business associate. Like the one you were hugging at the barbecue? Only this time, you weren’t just hugging her. You were groping her and kissing her, and you probably spent the rest of the afternoon in bed with her.

J.R.: That’s a hell of an assumption on your part.

JAMIE: You didn’t come back to the office all afternoon. J.R., how could you do that to Sue Ellen?

SUE ELLEN: I’d like to know the answer to that question myself.

JAMIE: Sue Ellen.

SUE ELLEN: You bastard. I knew things between us were too good to last.

J.R.: It’s not what it looks like. This girl saw it wrong.

SUE ELLEN: Groping and kissing? That’s hard to see wrong.

J.R.: She’s lying.

JAMIE: I’m so sorry, Sue Ellen. I didn’t mean for you to hear this.

J.R.: Well, it seems like there’s a lot of things you don’t mean but you go ahead and do them anyhow, and people get hurt.

JAMIE: I’m not the one hurting people. You are.

J.R.: You’ve got a lot of gall, young lady.

SUE ELLEN: Don’t you dare twist it around. It’s not Jamie’s fault.

J.R.: Well, then whose fault is it? She sees something she doesn’t understand and then broadcasts lies all over the place.

JAMIE: I’m not lying.

J.R.: The hell you’re not. You’ve been lying ever since you first got here — and I’m sick and tired of it. I want you out of this house and off this property right now.

SUE ELLEN: She’s not going anywhere.

J.R.: She’s a troublemaker, Sue Ellen. I want her out of this house tonight.

SUE ELLEN: No!

JAMIE: That’s okay, Sue Ellen. I don’t want to stay here anymore anyway. I’ve had all that I can take. And you know, J.R., I told you I wasn’t going to use that document. I never wanted to hurt the family. But maybe now I will. Maybe now I’ll show you how real a Ewing I am. [Runs upstairs]

J.R.: You heard what she said. I told you we couldn’t trust her.

SUE ELLEN: It’s happening all over again, isn’t it? The sneaking around, the cheating.

J.R.: I’m not cheating on you.

SUE ELLEN: Shut up! I don’t want to hear any more of your lies.

J.R.: She’s the one who’s lying.

SUE ELLEN: I doubt that very much. Jamie and I have built up a wonderful friendship over the past several months, and she cares about it as much as I do. You’re the one who ruined it. I told you to leave her alone, stay away from her, but no. You had to destroy that friendship — just like you’ve destroyed everything else in my life.

J.R.: [Steps forward] Sue Ellen, would you listen to me.

SUE ELLEN: No, I will not listen to you! [Smiles] Congratulations. You had a wonderful day for yourself, didn’t you? You got rid of Jamie, and you got rid of me. [Begins climbing the stairs] I hope she fights you for Ewing Oil, and I hope she wins. Because then you’ll know exactly how I feel tonight.

Watch this scene in “Lockup in Laredo,” available on DVD and at Amazon and iTunes, and share your comments below.

Filed Under: Dallas Scenes of the Day, Dallas Scenes of the Day (Classic), Features Tagged With: Jenilee Harrison, Larry Hagman, Linda Gray, Lockup in Laredo

Critique: ‘Dallas’ Episode 172 — ‘Barbecue Five’

June 29, 2015 by Chris Baker 18 Comments

Barbecue Five, Dallas, Fern Fitzgerald, Jamie Ewing, Jenilee Harrison, J.R. Ewing, Larry Hagman, Marilee Stone

The middle

“Barbecue Five” ranks among “Dallas’s” best barbecue episodes because it delivers almost everything we expect from a Ewing hoedown. There’s a fight, a dunking in the Southfork swimming pool and a dramatic revelation, along with crowds of people dancing, drinking and sweltering under the Texas sun. The only thing missing is a scene of two characters sneaking off to the barn for a romantic interlude, although we do get to see Jeremy Wendell wearing a cowboy hat. That alone is worth the price of admission, as far as I’m concerned.

This episode is probably best remembered for the clash between Jamie Ewing and Marilee Stone. “Dallas” doesn’t do a lot of catfights, so when these scenes occur, they almost always feel justified. (The best examples: Pam striking Katherine and Donna socking Bonnie, the barfly who slept with Ray.) In this instance, Jamie spots Marilee pawing J.R. and confronts her. Insults are exchanged, and then Marilee slaps Jamie, who retaliates by pushing Marilee into the pool. This is the first time I find myself cheering for Jenilee Harrison, whose character I’ve found hard to embrace, although I also admire how Fern Fitzgerald plays the obnoxious, overbearing Marilee to the hilt. Of course, both actresses end up being upstaged by Larry Hagman, who delivers one of the immortal “Dallas” lines when J.R. reaches into the pool to retrieve Marilee and asks, “You all right honey? Did it go up your nose?” Why do I get the feeling Hagman is ad-libbing here?

It’s also fun to see how smoothly each scene flows into the next. An example: Lucy and Eddie are dancing, and as they move out of camera range, J.R. and Sue Ellen enter the frame. We listen to their conversation for a few moments, and then J.R. nods to Bobby and Jenna, and the focus shifts to them. It’s all seamless, with one exception: a shot of Ray and Donna kissing becomes a scene in which Sue Ellen, J.R. and Jeremy talk shop while strolling through the crowd — except when Steve Kanaly and Susan Howard lock lips, you can see Hagman, Linda Gray and William Smithers in the distance, waiting for their cue to begin walking and talking. This is a minor oversight, of course, and I don’t mind it in the least because it makes me appreciate how artfully director Gwen Arner orchestrates all the other transitions.

Like other barbecue episodes, “Barbecue Five” was filmed in the summer, which means the actors are forced to sweat through uncomfortable looking western-flavored costumes. Most of the women wear long dresses and cowgirl boots, while Hagman and Howard Keel each don sport coats and scarves. Also, notice how the back of Fredric Lehne’s shirt is soaked with perspiration when Eddie spins Lucy on the dance floor. Another tradition honored here: the dramatic, episode-ending revelation. Past barbecues have concluded with the news that Jock’s helicopter crashed and that Miss Ellie and Clayton have become engaged, while “Barbecue Five” ends with Jamie’s announcement that she’s entitled to a share of Ewing Oil. This signals the birth of one of “Dallas’s” most tiresome tropes during its later years, when the focus of the business storylines shifts from making deals to a never-ending game of musical owners.

“Barbecue Five” also gives us the memorable scene where J.R. and Mandy continue their cat-and-mouse flirtation while dining in a private box at Texas Stadium. Both characters are spying on each other — J.R. wants dirt on Cliff, while Mandy wants intelligence that she can report back to him — but their ulterior motives are slowly being overtaken by their mutual attraction to each other. We also learn a lot about Mandy here. She tells J.R., “I’ve always known I was beautiful,” yet the line makes the character seem more confident than conceited. A lot of that has to do with Deborah Shelton, who is so stunning, there’s no point in having her character pretend otherwise.

Other “Barbecue Five” highlights include Jeremy’s annoyance when Cliff crashes his private lunch (Ken Kercheval’s scenes with Smithers are almost as golden as the Hagman/Kercheval pairings), as well as Naldo’s dinner with Jenna and Charlie. Any appearance by Naldo usually elicits an eye roll from me, but I’ll be darned if I don’t find him kind of charming as he tells Charlie about idolizing Tom Mix during his boyhood in Italy. Meanwhile, with her exotic white-streaked hair, character actress Ronnie Claire Edwards is perfectly cast as Lydia, the psychic Pam consults in her quest to find Mark. I also like how Lydia tells Pam that a “tall,” “athletic” and “handsome” man will be coming back into her life. Gee, I wonder who she’s describing? Something tells me it isn’t Mr. Graison.

I also love “Barbecue Five’s” opening, when Sue Ellen brings Jamie to Ewing Oil for her first day of work as the receptionist. It’s routine now, but everything about this scene — Kendall teaching Jamie how to use the switchboard, Sue Ellen promising to return in the afternoon to take Jamie to lunch — seemed so glamorous when I watched this episode as a kid. How I wished I could work alongside J.R. and Bobby at Ewing Oil too!

Truth be told, I still do.

Grade: A

_______________________________________________________________________________________________________________________________________________

Walk to remember

‘BARBECUE FIVE’

Season 8, Episode 11

Airdate: December 7, 1984

Audience: 21 million homes, ranking 3rd in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Gwen Arner

Synopsis: J.R. woos Mandy. Naldo charms Charlie. Pam visits a psychic, hoping for clues about Mark’s death. Miss Ellie is upset when Clayton decides to continue commuting to Houston. Jamie begins working as a receptionist at Ewing Oil, and after J.R. angers her at the Ewing Barbecue, she shows the family a document that claims her father owned a piece of the company.

Cast: Patrick Duffy (Bobby Ewing), Ronnie Claire Edwards (Lydia), Eric Farlow (Christopher Ewing), Fern Fitzgerald (Marilee Stone), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Jenilee Harrison (Jamie Ewing), Susan Howard (Donna Krebbs), Barry Jenner (Dr. Jerry Kenderson), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Fredric Lehne (Eddie Cronin), Shalane McCall (Charlie Wade), Daniel Pilon (Renaldo Marchetta), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Donna Reed (Miss Ellie Farlow), Marina Rice (Angela), Deborah Shelton (Mandy Winger), Danone Simpson (Kendall), William Smithers (Jeremy Wendell), Charlene Tilton (Lucy Ewing), Deborah Tranelli (Phyllis)

“Barbecue Five” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (Classic), Opinion Tagged With: Barbecue Five, Fern Fitzgerald, Gwen Arner, Jenilee Harrison, Ken Kercheval, Larry Hagman, Linda Gray, Ronnie Claire Edwards, Steve Kanaly, Susan Howard, William Smithers

Dallas Scene of the Day: ‘Are We Going to Cap Her Teeth?’

June 10, 2015 by Chris Baker 6 Comments

Dallas, J.R. Ewing, Larry Hagman, Shadow of a Doubt

Cruel and unusual

In “Shadow of a Doubt,” an eighth-season “Dallas” episode, J.R. (Larry Hagman) comes home and begins fixing a drink in the living room as Sue Ellen (Linda Gray) comes down the stairs.

SUE ELLEN: Good evening. I’ve been waiting for you to come home.

J.R.: Well, I guess so. It’s like a morgue in here.

SUE ELLEN: Well, it is a little quiet with Miss Ellie and Clayton gone, and Pam and Lucy doing whatever she’s doing lately. She hardly comes out of her room at night.

J.R.: Well, it’ll never be like it was in the old days when everybody at the table was a Ewing. We got Farlows and Krebbs and well, even Lucy’s a Cooper still I guess, isn’t she? [Sue Ellen nods.] Yeah, it’s just you and me and Bobby left, that’s all. [Sips his drink]

SUE ELLEN: There is one more Ewing.

J.R.: What, John Ross? Well, I don’t count him as a Ewing yet.

SUE ELLEN: Well, I was thinking about Jamie.

J.R.: You don’t think I consider her a Ewing, do you?

SUE ELLEN: What I was about to say is that she and I went shopping today and we have a little surprise for you.

J.R.: She’s going back to Alaska?

SUE ELLEN: Stop that.

J.R.: [Chuckles] I’m just teasing, honey.

SUE ELLEN: Come on.

J.R.: All right, what is this surprise?

She takes him by the hand and leads him to the foyer. Jamie (Jenilee Harrison) comes down the stairs, dressed to the nines.

SUE ELLEN: Isn’t she beautiful?

J.R.: Well, it’s amazing what a few thousand dollars can do, isn’t it?

SUE ELLEN: Oh, J.R., what a terrible thing to say.

J.R.: Really? Well, what’s next? Are we going to cap her teeth?

JAMIE: There’s nothing wrong with my teeth.

J.R.: Well, I guess not. You’re sure taking a big enough bite out of the Ewing apple.

JAMIE: You know, I didn’t ask for any of this.

J.R.: Well, I know how hard it must have been for Sue Ellen to convince you to take it.

SUE ELLEN: As a matter of fact, it was.

J.R.: Well, congratulations, young lady, on finding yourself a real nice home.

JAMIE: You know, you’re really something. No wonder my daddy didn’t want to have anything to do with you.

J.R.: Well, it’s a shame you’re not more like him. [Jamie runs upstairs.] Now don’t go away mad.

SUE ELLEN: How can you be so cruel?

J.R.: Not cruel. Suspicious.

SUE ELLEN: I thought you had changed. But I still see a lot of the old J.R. — the one I hated.

He enters the dining room and takes a seat as Teresa (Roseanna Christiansen) enters.

TERESA: Will you be eating alone?

J.R.: Yeah, it seems like it, doesn’t it?

Watch this scene in “Shadow of a Doubt,” available on DVD and at Amazon and iTunes, and share your comments below.

Filed Under: Dallas Scenes of the Day, Dallas Scenes of the Day (Classic), Features Tagged With: Jenilee Harrison, Larry Hagman, Linda Gray, Roseanna Christiansen, Shadow of a Doubt

Dallas Scene of the Day: ‘To the Winner’

June 8, 2015 by Chris Baker 2 Comments

Dallas, Family, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing

Game show

In “Family,” an eighth-season “Dallas” episode, Jamie (Jenilee Harrison) joins J.R. (Larry Hagman), Sue Ellen (Linda Gray), Bobby (Patrick Duffy) and Jenna (Priscilla Beaulieu Presley) for dinner at Southfork.

SUE ELLEN: Well, I think it’s time that we welcomed Jamie officially. So I’d like to propose a toast to the newest member of the Ewing family. Welcome. [Everyone raises a glass and drinks.]

JAMIE: Thank you.

JENNA: I thought that was going to be me.

JAMIE: When are you and Bobby getting married?

JAMIE: [Looks at Bobby, smiles] Uh, one of these days.

J.R.: Well, Jamie, now that you’re a member of the family, we have certain traditions we like to adhere to.

JAMIE: Oh?

J.R.: One of them is dressing for dinner. [Sue Ellen looks crossly at him.]

JAMIE: Well, I’d sure like to but this is as good as it gets.

J.R.: Oh, I take it you don’t own a dress?

JAMIE: Just the one I got to church in, and that’s not near fancy enough for this.

JENNA: [Winks at Sue Ellen] I think we can fix that. I happen to own a boutique. [Bobby clears his throat.] Well, sort of. [Laughs]

SUE ELLEN: That’s right, so we’ll go shopping tomorrow.

JAMIE: I can’t. I don’t have enough money, at least not for clothes.

SUE ELLEN: We’d appreciate the chance to buy them for you. [J.R. does a double take.]

JAMIE: I’m sorry, but you’ve done enough for me just by letting me stay here for a while.

SUE ELLEN: Jamie, it would really give me pleasure.

JENNA: And me.

BOBBY: Look, Jamie, I think I know how you feel, but you should pick up a few things. You might need them.

JAMIE: Lookit, I really appreciate the offer, but I’ve been fixing to get a job. Pay my own way.

BOBBY: What would you do?

JAMIE: I’m not sure. But this is Texas, and one thing I do know about is the oil business. [Smiles]

J.R.: Is that a fact?

JAMIE: [Seriously] Yeah.

J.R.: I suppose that’s from hanging around Jason.

JAMIE: From working with him.

J.R.: Oh, yeah? Where?

JAMIE: All over. Mostly Alaska, though, lately.

J.R.: Hmm. Where in Alaska?

JAMIE: Kenai Peninsula, Point Barrow, the Umiat anticline, Prudhoe Bay.

J.R.: Umiat, huh? Well, I guess you met the man who ran that operation up there?

JAMIE: Slim Whitaker? Nah, I never met him. Heard an awful lot about him, though.

J.R.: Yeah, old Slim. He was the first one to use the drag bit up there.

JAMIE: Not at the Umiat. Drag bit’s for soft formations. [Sue Ellen smiles, dabs a corner of her mouth with a napkin.]

J.R.: What would he have used?

JAMIE: Probably a diamond drill core bit. Maybe a rotary.

BOBBY: I heard he had some pretty hard formations up there.

J.R.: Bobby did a lot of drilling up in Canada. Real hard, frozen.

JAMIE: [Smiles] Oh, really? Did you use the Stratapax? It worked real good at Point Barrow.

BOBBY: No, I didn’t have any luck at all with them.

JAMIE: Oh, so what’d you use?

J.R.: Don’t you know?

JAMIE: No, I wasn’t there. Of course, there was an awful lot of talk about them using a Tundra something or other.

BOBBY: That’s right, the Tundra Torque. That’s it.

JAMIE: [Smiles] Yeah, I knew it was something like that.

J.R.: Uh, just one more thing. In Prudhoe, how deep did they have to drill their test well?

JAMIE: I don’t know. Why you asking me all these questions?

J.R.: Because anybody in the oil business ought to know the answers to them.

JAMIE: Oh, really? Well, how many producing wells are at the Kenai right now?

J.R.: [Pauses] Twenty-four.

JAMIE: A hundred and three. [Bobby stifles a laugh, clears his throat]

SUE ELLEN: Well, if your little game is over, J.R., I’d like to finish dinner.

BOBBY: Yeah, so would I. That’s if you’re through, J.R.

J.R.: I’m through. [Sticks a forkful of food into his mouth] For now. [Smiles]

BOBBY: [Looks at Jamie, raises a glass] To the winner.

SUE ELLEN: [Raises a glass] To the winner.

Watch this scene in “Family,” available on DVD and at Amazon and iTunes, and share your comments below.

Filed Under: Dallas Scenes of the Day, Dallas Scenes of the Day (Classic), Features Tagged With: Family, Jenilee Harrison, Larry Hagman, Linda Gray, Patrick Duffy, Priscilla Beaulieu Presley

Critique: ‘Dallas’ Episode 166 — ‘Family’

June 8, 2015 by Chris Baker 5 Comments

Bobby Ewing, Dallas, Family, Jenna Wade, J.R. Ewing, Larry Hagman, Patrick Duffy, Priscilla Beaulieu Presley, Ray Krebbs, Steve Kanaly

Welcome to the family

I want to like Jamie Ewing. Really, I do. She arrives at Southfork at the end of the eighth-season episode “Jamie,” but we don’t get to know her until the following installment, “Family.” The character has a lot of potential: She’s a fresh face when the show badly needs one, and the fact that she’s a long-lost Ewing cousin from the wrong side of the tracks makes her a natural adversary for J.R., something this show can never have enough of. Nevertheless, Jamie’s debut falls flat. It’s another example of how middling “Dallas’s” middle years can be.

With Jamie, the producers seem to be trying to recapture the J.R.-vs.-Pam dynamic from the show’s earliest seasons. “Family” even includes a scene where J.R. offers Jamie a bribe to leave Southfork, just like he did with Pam in “Digger’s Daughter.” But unlike Pam, who felt like a real threat to J.R., Jamie comes off more like a nuisance. Much of this has to do with Jenilee Harrison, who is a fine actress but who lacks Victoria Principal’s spark. Consider the “Family” dinner scene where J.R. tests Jamie’s self-proclaimed knowledge of the oil industry. Sure, she aces his quiz, but there’s no joy in Harrison’s performance. Imagine how much fun this scene would have been if it had been about Pam outsmarting J.R.

I’m also no fan of how “Dallas” brings Jamie into the fold by making her the daughter of Jock’s dead brother Jason. So Jock Ewing has an estranged sibling, huh? You’d think this fact might have come up when Jock was alive and trying to get his sons to get along. On the other hand, I like how Sue Ellen immediately embraces Jamie — not to annoy J.R., but because the newcomer fills a void in Sue Ellen’s life. The instant friendship between the two women demonstrates how much Linda Gray’s character has grown since “Dallas’s” early days, when Sue Ellen went out of her way to make Pam feel unwelcomed. By the end of “Family,” Sue Ellen has even taken Jamie out and bought her a new wardrobe. I only wish the shopping spree occurred on camera.

This episode is a mixed bag for the other “Dallas” characters too. I continue to be charmed by Mandy Winger, who seems much savvier when paired with Cliff than she does later with J.R. In this episode’s best twist, Jeremy Wendell — making a welcome return to “Dallas” after three-season absence — runs into Mandy, who gets him to open up about what he really thinks of Cliff. Uh-oh, is Mandy pumping Jeremy for information so she can betray Cliff? Nah. After Jeremy leaves, Cliff steps out of the shadows to congratulate Mandy on playing Jeremy like a fiddle. It’s another example of how much smarter Cliff has become, although if you prefer the self-absorbed, self-destructive Cliff, don’t worry, he’s still around. Witness the “Family” scene where he meets Sly outside the Ewing Oil building and asks her to spy on J.R. again. Cliff never really learns his lesson, does he? (By the way: I love how director Leonard Katzman shoots Debbie Rennard on a dramatic angle as she exits the building for this scene.)

Elsewhere, Lucy waits on a rowdy table at the diner — and of course handsome construction worker Eddie Cronin comes to her rescue. Wouldn’t it have been nice to see her resolve this problem on her own? Likewise, I’m tempted to deride Jeremy’s sexism when he orders for Pam at lunch, except the point of the scene is to show how Jeremy must control every situation in which he finds himself. If he were dining with Cliff instead of Pam, he probably would have ordered for him too. This scene also allows Principal to show off her on-camera eating skills. Notice how effortlessly she slides that forkful of Crab Louie into her mouth, in contrast to William Smithers, who seems to struggle with his bite before the camera cuts away.

The other reason I’m relieved to see Jeremy show up is because it means he’ll soon be at war with J.R., who hasn’t had enough to do in recent episodes. Think about it: Here we are in the eighth season’s fifth hour, and the biggest deal we’ve seen is Donna’s purchase of a small oil company. I have to wonder: Where’s the wheeling? Where’s the dealing? This is “Dallas,” right?

Grade: B

_______________________________________________________________________________________________________________________________________________

Street smarts

‘FAMILY’

Season 8, Episode 5

Airdate: October 26, 1984

Audience: 20.9 million homes, ranking 2nd in the weekly ratings

Writer and Director: Leonard Katzman

Synopsis: Sue Ellen insists Jamie stay at Southfork and buys her a new wardrobe, but J.R. refuses to make her feel welcomed. Cliff is suspicious when Jeremy offers to buy Barnes-Wentworth and offers him a seat on Westar’s board of directors. Cliff asks Sly if J.R. and Wendell are working together. Lucy’s co-worker Betty warns her to stay away from her boyfriend, construction worker Eddie Cronin. Pam is rattled when she spots someone driving Mark’s car.

Cast: Roseanna Christiansen (Teresa), Patrick Duffy (Bobby Ewing), Shanette Eckols (Lydia), Eric Farlow (Christopher Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Jenilee Harrison (Jamie Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Fredric Lehne (Eddie Cronin), Shalane McCall (Charlie Wade), George O. Petrie (Harv Smithfield), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Sherril Lynn Rettino (Jackie Dugan), Deborah Shelton (Mandy Winger), William Smithers (Jeremy Wendell), Christopher Stone (Dave Stratton), Charlene Tilton (Lucy Ewing), Kathleen York (Betty)

“Family” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (Classic), Opinion Tagged With: Debbie Rennard, Digger’s Daughter, Family, Jamie, Jenilee Harrison, Larry Hagman, Leonard Katzman, Victoria Principal, William Smithers

The Dal-List: 18 Reasons to Love ‘Dallas’s’ Eighth Season

May 20, 2015 by Chris Baker 25 Comments

Middlin’ along

Dallas Decoder will soon begin critiquing the original show’s eighth season, which aired from 1984 to 1985. Here are 18 reasons to love it.

Side eye

18. Whenever Pam throws shade. She does it a lot this season.

Metaphor much?

17. When Bobby stops wearing shades. Those things are as big as Southfork!

In good hands with him

16. Dr. President David Palmer. Babe’s farmer shows up too.

Bitches be crazy

15. This nut finally gets caught. Even better: She gets away.

Genus: Hipsterous precursorous

14. Eddie’s wall of hats. Keep on trucking, dude.

Me, me, me

13. Mandy’s wall of Mandy. Keep it classy, honey.

Be nice, J.R.

12. Jamie’s makeover. “What’s next? Are we going to cap her teeth?”

Don’t poke out his eye

11. These lapels. All hail Sue Ellen, intergalactic space empress!

Never change, Ray

10. Ray’s workout gear. It’s also the outfit he wears to weddings, funerals, birthdays and bar mitzvahs.

Blonde ambition

9. This. I bet Jordan helped do her hair.

Groin show

8. Sue Ellen’s parting shot. Who kneed J.R.?

Far out

7. Road trip! Best part of this storyline: Philip Chan guest stars as Edward Chan.

Stay. Please.

6. Jenna goes to jail. She also gets out. (Can’t have everything.)

Eat your heart out, Harv

5. Scotty Demarest. “It is a sy-lun-suh.”

Swoon!

4. Cousin Jack. Best mole since Julie Grey’s.

Beats the sanitarium

3. “The Institute for Advanced Awareness.” Because if anyone needs their awareness advanced, it’s her.

Again with the metaphors

2. We don’t like tomato juice either. But we never turn down eggs and toast.

Death is but a dream

1. “Swan Song.” Who cares if the last few scenes are a dream? This is “Dallas’s” finest hour. (Or its finest hour-and-a-half, if you want to get technical about it.)

Why do you love “Dallas’s” eighth season? Share your comments below and read more “Dal-Lists.”