Dallas Scene of the Day: ‘… Just Like Anybody Else’

Requiem for a heavyweight

Requiem for a heavyweight

In “Dallas’s” fifth-season episode “Acceptance,” Ray and Miss Ellie (Steve Kanaly, Barbara Bel Geddes) sit in the Southfork living room.

RAY: Some very peculiar things have been happening here at Southfork. I know Jock being gone has been on everybody’s mind. The whole family. Yet nobody seems to talk to you about him. And that’s not right.

ELLIE Ray, I don’t need to talk about Jock. And I’d rather not.

RAY: Miss Ellie, maybe you don’t need to talk about him, but I do. He’s been on my mind a lot lately. Almost all the time. I keep remembering things, like how I used to look up to him when I was a kid. How I idolized him. I goofed something up, though, and he’d chew me up one side and down the other. And I thought, how could somebody I idolized act like that? And now I know he was concerned about me. He was teaching me. He knew when to be firm and he knew when to be affectionate. He was all those things. Mostly, I guess I just thought he was almost perfect. And then I remember running into this guy in a bar, and he called Jock a land-grabbing crook.

ELLIE: If you’re trying to justify what Donna said, I don’t want to hear it.

RAY: Miss Ellie, I belted that guy right on the spot. As for Donna, I think you ought to know that she’s just about decided not to write her book.

ELLIE: Well, good.

RAY: The thing is, though, that guy in the bar, he may have had his reasons. I didn’t think so then. I thought of Jock as almost like a God. But he wasn’t. He was a man, just like anybody else. He had friends. He had lots of friends. But he had enemies, too. He was human, ambitious. He knew that the oil game was rough, hardball all the way. But he wanted what was best for his wife, and for his sons. And he did what he thought was right. He’d be the last man in the world who’d ever want us to put him on a pedestal. Miss Ellie, there’s never going to be another man like Jock. Not for me, not for you. He was my father, and your husband. But the truth is, until we start remembering him like he really was, we’re never going to be able to do justice to his memory.

Ellie rises and leaves.

Dallas Scene of the Day: ‘You’re a Ewing. Remember That.’

He's right, you know

He’s right, you know

In “Dallas’s” fifth-season episode “The Investigation,” Sue Ellen (Linda Gray) opens her door and finds J.R. (Larry Hagman), who breezes into her living room.

J.R.: Sue Ellen, I’ve been trying to get in touch with you.

SUE ELLEN: I know.

J.R.: Well, what’s the matter honey? What’s wrong?

SUE ELLEN: I just didn’t feel like talking to anybody. [Closes the door, walks past him, stops]

J.R.: Well, a lot of people have let you down lately. You leaned heavily on Clayton and he took off. And then there’s Cliff Barnes. [Chuckles] What can anybody say about Cliff Barnes?

SUE ELLEN: [Turns to face him] You know about Cliff?

J.R.: Yes.

SUE ELLEN: How?

J.R.: Well, it was an oil deal, honey. That’s my business. [Steps closer] Sue Ellen, listen to me. You belong with people who really care about you. And you’re going to be in trouble as long as you put your trust in outsiders.

SUE ELLEN: I don’t know, J.R. [Turns away]

J.R.: [Steps closer] You’re a Ewing. Remember that. I’ve hurt you so much in the past, and I’m sorry. I love you. You know that. We’re the same kind. We have our shortcomings, our faults. But we look at the world the same way. There are no two people that are meant for each other more than you and I.

SUE ELLEN: J.R., you’re confusing me.

J.R.: [Puts his hand on her shoulder, turns her toward him] Don’t be confused. It’s time for you to come home. To Southfork. To your husband.

Dallas Scene of the Day: ‘I Will Not Allow You to Do This’

Laying down the law

Laying down the law

In “Dallas’s” fifth-season episode “Blackmail,” Miss Ellie (Barbara Bel Geddes) sits at the Southfork kitchen table while Donna (Susan Howard) stands nearby and tells her the story of how Sam Culver and “a partner” staged a land grab by committing the property owner, who later killed himself.

DONNA: I had thought Jock might’ve told you.

ELLIE: Well, why would Jock know anything about it?

DONNA: Because Jock was Sam’s partner, Miss Ellie. It was the beginning of both of their fortunes.

ELLIE: How can you believe such lies about Jock? Of all the men in the world, he would never do that. His first wife ended up in an asylum. He hated them.

DONNA: I understand how you feel.

ELLIE: Oh, no you don’t. You don’t understand anything.

DONNA: Miss Ellie, I would never print anything without your permission. That’s why I came here.

ELLIE: You came to get my permission to destroy the reputation of the finest man that’s ever lived? To tell lies about him, when he’s not here to defend himself? All for the sake of some cheap book? How dare you!

DONNA: [Quivering] I don’t care about the book. I don’t want to hurt you.

ELLIE: Then how could you come and tell me this? It’s not true.

DONNA: It’s true.

ELLIE: It’s not! [Slams fist on the table]

DONNA: [Begins crying] Please, Miss Ellie.

ELLIE: All right. You go ahead and write your book. And the day it’s published, I’ll sue you through every court in the land if I have to. I will not allow you to do this to my husband. [Picks up her eyeglasses and leaves]

Dallas Scene of the Day: ‘Two Whole Families Are Involved’

Mama knows best

Mama knows best

In “Dallas’s” fifth-season episode “Vengeance,” Miss Ellie (Barbara Bel Geddes) sits in the living room of Sue Ellen (Linda Gray), who stands nearby.

ELLIE: I want to talk about you. And J.R. And Cliff Barnes.

SUE ELLEN: Miss Ellie, this is quite unlike you to question me about my personal life.

ELLIE: Normally I wouldn’t, but there’s a lot more at stake here than just your personal interest. Two whole families are involved.

SUE ELLEN: I really don’t understand. [Sits across from Ellie]

ELLIE: Well, I’m sure that you know what your seeing Cliff Barnes is doing to J.R.

SUE ELLEN: But that’s J.R.’s problem, not mine. We’re divorced now.

ELLIE: Yes, I know that. But J.R. and Cliff are already at each other’s throats. And it’s beginning to have its effect on too many people.

SUE ELLEN: Are you asking me to stop seeing Cliff?

ELLIE: [Smiles] No. No, I don’t have any right to do that – if you’re serious about him. Are you, Sue Ellen? Or are you using him to get back at J.R.?

SUE ELLEN: Miss Ellie, I really don’t think it’s any of your business.

ELLIE: This thing almost destroyed the three of you once before. Do you think you’re strong enough to handle it again?

SUE ELLEN: I don’t know, Miss Ellie. I really don’t know.

Dallas Scene of the Day: ‘My, You’re a Tough Lady’

Yes, she is

Yes, she is

In “Dallas’s” fifth-season episode “The Prodigal,” Roger (Dennis Redfield) is surprised when Pam (Victoria Principal) enters his photography studio.

ROGER: Hi. Did an agency send you?

PAM: No. No, I’m Pamela Ewing, Lucy’s aunt.

ROGER: Oh, my mistake. You’re really lovely. I thought you were probably here for some tests.

PAM: I’ll tell you what I’m here for. I’m here to give you a warning.

ROGER: [Chuckles] A warning? You’re too pretty to give warnings.

PAM: [Steps forward] Cut out the phony charm. And stay away from Lucy. Understand? You took a lot of nice photos, and it was good for both of you. But that’s it. Hands off.

ROGER: My, you’re a tough lady.

PAM: Yes, I am.

ROGER: Alright, let’s be reasonable. [Sits] I’m sorry if I offended anybody.

PAM: I’m not here for an apology. Just stay away from my niece.

ROGER: And if I don’t? What will you do? Sic the Ewing family on me?

PAM: Maybe, but I don’t think I’ll have to. I can take care of people like you myself.

ROGER: Are you threatening me?

PAM: Yes, I guess you might say that.

ROGER: [Menacing] I don’t like threats.

PAM: [Sternly] Well, then consider it a promise. And consider this too: I did you a favor coming here myself this time. But if there’s a next time, you will deal with my husband. [Turns and leaves]

Dallas Scene of the Day: ‘Good Luck, Ray’

Used and abused

Used and abused

In “Dallas’s” fifth-season episode “The Maelstrom,” Ray (Steve Kanaly) approaches Bonnie (Lindsay Bloom) at the Longview bar, then leads her to a booth where they sit across from each other.

RAY: I want to straighten a few things out.

BONNIE: Is that middleweight waiting outside?

RAY: Look, I’m sorry about what happened. Honest.

BONNIE: You’re sorry? My jaw is still sore. [Begins to leave]

RAY: Bonnie, let me explain something … about me. I’ve been feeling real down. I still can’t understand all the reasons myself. Let’s just say there were some things in my life I just couldn’t handle. So I figured I’d better get back to where I belong.

BONNIE: With crazy broads like me?

RAY: No, you’re a good person, Bonnie. But you were –

BONNIE: Available?

RAY: Yeah. Bonnie, I tell you. If I can make it work out with Donna, the truth is –

BONNIE: That’s where it’s at for you?

RAY: That’s right. I feel terrible about using our – about using you. It was wrong. I know it.

BONNIE: Listen. You’re wife isn’t one of my favorite people. You understand? But if it can work for you, for keeps … [smiles] then you can’t beat it.

RAY: You mean that, don’t you?

BONNIE: [Leans back] Come on. You don’t think I know the difference between this and something real? What is all this? Musical beds. One-night stands. It adds up to nothing. [Raises her glass] So, here’s hoping you can make it work. Good luck, Ray.

RAY: Thank you, Bonnie. [Reaches across the table, touches her arm]

Dallas Scene of the Day: ‘Let’s Haggle Over Your Fee’

Paybacks are hell

Paybacks are hell

In “Dallas’s” fifth-season episode “Adoption,” Donna (Susan Howard), wearing a fur coat, enters the Longview and approaches Bonnie (Lindsay Bloom), who is standing at the bar.

BONNIE: Well, what brings you to the Longview bar? Slumming?

DONNA: I wanted to see what the competition looked like. With clothes on.

BONNIE: Now that you’ve seen me, why don’t you take off? You don’t belong here.

DONNA: I know why you’re trying to steal my husband. He’s a very special man. But I’m here to tell you that you’ve got a fight on your hands.

BONNIE: He doesn’t want you. So why don’t you let him go?

DONNA: Go? You mean go to you? So he can spend the rest of his life in dumps like this? I think he’s worth more than that. No, I want you out of his life and out of mine.

BONNIE: No chance.

DONNA: How much is it going to cost me?

BONNIE: You’re asking for a drink in the face, lady.

DONNA: I’ll give you $5,000 to move to Houston.

BONNIE: You’re crazy.

DONNA: I’ll give you $10,000 if you’ll leave the state. [Bonnie looks away, smirks] How about 15?

BONNIE: [Looking at Donna] Fifteen will do it.

DONNA: Not 10?

BONNIE: Don’t play games with me.

DONNA: Why not? Now that we know what you are, let’s haggle over your fee. [Bonnie tosses a drink in Donna’s face. Donna strikes her, sending her to the floor. As the crowd cheers, Donna pulls out a wad of cash and tosses a bill on the bar.] Drinks are on Bonnie.

Dallas Scene of the Day: ‘I Miss You, Sue Ellen’

At last!

At last!

In “Dallas’s” fifth-season episode “Anniversary,” J.R. and Sue Ellen (Larry Hagman, Linda Gray) sit on her sofa and watch a video recording of her appearance in the Miss Texas pageant.

J.R.: Can you imagine that was 14 years ago tonight?

SUE ELLEN: Fourteen years.

J.R.: You haven’t changed a bit. Not to me.

SUE ELLEN: You went to a lot of trouble for that.

J.R.: Oh, just the research.

SUE ELLEN: But why? I don’t understand.

J.R.: Well, I didn’t think you’d remember. But that pageant is where we first met. I was one of the judges. It was the first time I set eyes on you, Sue Ellen. I got the thinking last week, you know, the divorce and everything. Well, you know my alarm clock mind for dates. It just started me thinking about the old days.

SUE ELLEN: Did you? And?

J.R.: I miss you, Sue Ellen. I wanted to be with you tonight. My life just hasn’t been the same without you.

They kiss.

Dallas Scene of the Day: ‘I Got Your Mother to Smile!’

What a smile it is

What a smile it is

In “Dallas’s” fifth-season episode “My Father, My Son,” J.R. and Sue Ellen (Larry Hagman, Linda Gray) talk in her townhouse, while John Ross (Tyler Banks) sits at the kitchen counter, eating.

J.R.: I guess having John Ross around so much, I just don’t know what it’s like without him.

SUE ELLEN: Well, I do miss him on the weekends.

J.R.: [Stands behind John Ross, picking food off his plate] Yeah. I never realized that Southfork was such a big house. It’s so empty there, I tell you.

SUE ELLEN: Really? Well, I thought you were the one that always filled up the house, J.R.

J.R.: [Chuckles] No, this little boy right here is the one that fills up that house. What are you doing today?

SUE ELLEN: Well, I haven’t decided yet. Maybe I’m the one that’ll have the empty house.

J.R.: You don’t have any plans?

SUE ELLEN: There’s a lot of things I could be doing.

J.R.: Oh, yeah, I’m sure there is. I kind of promised John Ross I’d take him to the kiddie park. Would you like to come along?

SUE ELLEN: Oh, uh, no. Thank you.

J.R.: Well, you said you didn’t have anything to do. Come on, Sue Ellen. When’s the last time you sat on a seesaw or had yourself a hot dog? [She smiles.] Lookee there, I got your mother to smile! [Chuckles] We’d both love to have you.

SUE ELLEN: Oh, I don’t know, J.R.

J.R.: Well, if you didn’t enjoy it, I’d drive you home anytime you wanted to. And I think it’d be a good idea for the boy to see his Mama and Daddy together sometime. Just once in awhile.

SUE ELLEN: [Leans across the counter] John Ross, would you like your mama to go with you today?

JOHN ROSS: [Smiling, softly] Yeah.

J.R.: [Laughs] How about that?

SUE ELLEN: I’ll go get my jacket. [Walks away]

J.R.: Well, boy, I tell you, you have a remarkable way of persuading ladies. Just like your daddy, huh?

Dallas Scene of the Day: ‘I’m Back, Daddy’

His son, the father

His son, the father

In “Dallas’s” fifth-season episode “The Phoenix,” J.R. (Larry Hagman) enters Jock’s empty office at Ewing Oil, walks slowly around the desk, grips the back of the chair and then steps toward the old man’s portrait.

J.R.: I’m sorry, Daddy. I let you down. I just flat gave up. Back there at that swamp, you were gone. It was all over. It didn’t seem like there was anything worth going on for for me. And I almost forgot: You left us something. You left us the company. You built Ewing Oil from the ground up. And whatever it took, you did it for Ewing Oil. And I’m going to do the same. I’m going to pass it on bigger and stronger to my son. … I’m back, Daddy. And nobody’s going to take Ewing Oil away from me. Or my son, or his son. I swear to you. By God, I’m going to make you proud of me.