Dallas Scene of the Day: ‘Jock Ewing Was a Great Man’

Barbara Bel Geddes, Big Ball, Dallas, Miss Ellie Ewing

The queen’s speech

In “The Big Ball,” a sixth-season “Dallas” episode, after Punk announces the Jock Ewing Scholarship at the Oil Barons Ball, Miss Ellie (Barbara Bel Geddes) addresses the audience, flanked by Bobby and J.R.

ELLIE: Jock Ewing was a great man, measured in the only true value of a man. Not in money or power, but in friends. As I look around, I see so many of you that called Jock “friend.” And he was my husband. But more than that, he was my best friend. I know how much you all miss him. But in a way, he’ll always be alive in your memories. And in his family. And now through the scholarships of SMU. I know how very proud he’d be if he knew what you’d done for him. And perhaps he does. And for him, and for me, I thank you. My life will never be the same without him. But Jock — of all men — always believed that you had to be ready to face tomorrow. And so we will. I’ll always know that my sons had the finest father, and I was married to the finest man that God ever put on this earth.

The Art of Dallas: ‘Billion Dollar Question’

Afton Cooper, Audrey Landers, Billion Dollar Question, Cliff Barnes, Dallas, Ken Kercheval

Afton and Cliff (Audrey Landers, Ken Kercheval) discuss his career choices in this 1982 publicity shot from “Billion Dollar Question,” a sixth-season “Dallas” episode.

Dallas Scene of the Day: ‘Mama, You Don’t Know’

Billion Dollar Question, Dallas, J.R. Ewing, Larry Hagman

His father’s son

In “Billion Dollar Question,” a sixth-season “Dallas” episode, Miss Ellie and J.R. (Barbara Bel Geddes, Larry Hagman) sit at the breakfast table on the Southfork patio after Bobby and Pam depart.

ELLIE: You look as if you’re going into town.

J.R.: Well, there’s nothing to do here. Ray’s got the ranch under control and I wasn’t cut out to punch cattle, that’s for sure.

ELLIE: No, I guess not.

J.R.: Bobby’s living my life. He’s doing everything I should be doing. [Pours coffee]

ELLIE: J.R., I know how you feel. You are my son and I do care about you.

J.R.: I have a hard time believing that right now. [Takes a bite]

ELLIE: I know what Ewing Oil means to you. But I can’t allow the company to be used to savagely destroy someone.

J.R.: [Tosses down his napkin, rises from his seat] Mama, I worked for a number of years with Daddy, side by side when he was running Ewing Oil. Now he was a fair man. But he was tough and ruthless when he had to be. He wouldn’t let the runny-nose, spineless Cliff Barneses of this world tell him what to do.

ELLIE: Your daddy never set a trap the way you did for Cliff.

J.R.: Mama, you don’t know the half of what Daddy did when he was running that company. He brought strong leadership to the company and he brought strong leadership to the family. You think he’d approve of the way the family’s been handled since he died? In that letter he sent you, dividing up all the shares? Supposed to be temporary. Well, how long is temporary? What direction is the family going in, anyhow? Who’s going to provide for Christopher, John Ross and Lucy? Are you handling the family the way he would want you to?

Dallas Cliffhanger Classics: Season 1

Dallas Decoder celebrates “Dallas’s” classic cliffhangers with weekly summertime flashbacks. Collect all 14 images and share them with your friends.

Dallas Cliffhanger Classics 1

The Art of Dallas: ‘Where There’s a Will’

Dallas, J.R. Ewing, Larry Hagman, Serena, Stephanie Blackmore, Where There's a Will

Serena and J.R. (Stephanie Blackmore, Larry Hagman) complete another scheme in this 1982 publicity shot from “Where There’s a Will,” a sixth-season “Dallas” episode.

Dallas Scene of the Day: ‘Where There’s a Way, There’s a Will’

Dallas, J.R. Ewing, Larry Hagman, Serena, Stephanie Blackmore, Where There's a Will

Cash and carry

In “Where There’s a Will,” a sixth-season “Dallas” episode, John (Robin Strand) is dressing in the Ewing condo while Serena (Stephanie Blackmore) lounges in bed.

SERENA: You’re not leaving already?

JOHN: Gotta get home.

SERENA: Don’t be silly. It’s still early.

JOHN: It’s nearly 10.

SERENA: Aren’t you enjoying yourself?

JOHN: [Sits on bed] Are you kidding? Your husband must have been a fool to divorce you.

SERENA: He’s a lot older. We just weren’t compatible. Not like us. [Kisses him]

J.R. (Larry Hagman) enters.

J.R.: Oh, excuse me. [Noticing John] John Baxter?

JOHN: Mr. Ewing, what are you doing here?

J.R.: Well, this is a Ewing condo. Serena was just staying here.

SERENA: I’m sorry, J.R. I thought I’d be gone by now.

J.R.: Good Lord, what is Harv Smithfield going to say when he hears his brand-new son-in-law is in bed with another woman.

JOHN: Mr. Ewing, you wouldn’t say anything to him, would you?

J.R.: Well, I don’t know what I’m going to do. I’m a firm believer in the sanctity of marriage — and I’m damned disappointed in you, John.

JOHN: Yes, sir. I can imagine that you are. But you wouldn’t say anything to Mr. Smithfield, would you?

J.R.: Well, I’m going to give it some thought. I’ll call you tomorrow. I’m sure we can work something out. In the meantime, you might get out of here and go back to your little bride.

JOHN: Yes, sir. [Scoops up his clothes, rushes away]

SERENA: [Smiling] I hope that was what you wanted, J.R.

J.R. [Sits on the bed, reaches into his pocket, pulls out an envelope and hands it to her] That’s exactly what I wanted, my dear. And like my daddy used to say, “Where there’s a way, there’s a will.’”

The Art of Knots Landing: ‘Daniel’

Abby Cunningham, Daniel, Donna Mills, J.R. Ewing, Knots Landing, Larry Hagman

J.R. and Abby (Larry Hagman, Donna Mills) have a meeting of the minds in this 1982 publicity shot from “Daniel,” a fourth-season “Knots Landing” episode.

Knots Landing Scene of the Day: ‘The Crown Stays in Dallas’

Abby Cunningham, Daniel, Donna Mills, J.R. Ewing, Knots Landing

The king’s speech

In “Daniel,” a fourth-season “Knots Landing” episode, Abby and J.R. (Donna Mills, Larry Hagman) are in his hotel room, where she gives him the missing chapters of Val’s book.

ABBY: As promised, chapters 2, 5, 6, 11 and 18. [Places each chapter on a table]

J.R.: [Pouring two glasses of champagne] Good, good.

ABBY: Now, the will?

J.R.: You don’t think I brought a copy with me, do you?

ABBY: Well, I guess I can wait until tomorrow.

J.R.: Honey, you’re going to have to wait until it’s read. I don’t even have a copy.

ABBY: [Angry] Wait a minute!

J.R.: [Reassuring] I know what’s in the will — generally speaking. And generally is all you need to know, isn’t it? [Abby sighs.] Gary’s coming into money. Big money. Valene’s got nothing to do with it. Now, feel better? [Hands her a glass of champagne]

ABBY: [Giggling] Oh, yes. [They clink glasses and each take a sip.] Yes, indeed.

J.R.: Oh, my poor little baby brother. You’re just going to eat him alive, aren’t you?

ABBY: [Sits on the sofa] What makes you think I want to do a thing like that?

J.R.: Well, drink’s not the only thing he can’t handle.

ABBY: He handles me very nicely, thank you.

J.R.: [Chuckles] That’s not what I’m talking about. You know, when Gary was 16, he somehow got it into his head that he wanted a motorcycle. And our family spoiled us boys rotten. But on this issue, my daddy put his foot down. He says, “You want a motorcycle? You’re going to have to earn it.” And by God, he did. Before dawn, up every day, mucking out the stables and pitching hay. Working on the rigs in the blazing sun. He just never missed one single day. Come September, my daddy took him down to the showroom. Gave him a slap on the back and a blank check. And of course, Gary had read all the brochures and motorcycle magazines. He knew exactly what he wanted. And he signed the check and revved that old motorcycle up. He drove straight through that plate-glass window. [Chuckles] I tell you.

ABBY: Some people take longer to grow up.

J.R.: Well, that’s true. [Sits next to her] And then of course some people never grow up at all. Are you really going to marry him?

ABBY: I love him.

J.R.: You mean that? Hmm? [He tries to kiss her. She resists.] Well if you do mean it, keep him out of my showroom.

ABBY: Your showroom?

J.R.: Keep him out of Dallas.

ABBY: What makes you think that I want to be in Dallas?

J.R.: You’re not Valene. When they were together, he wouldn’t come within spitting distance of me. But you’re different. You want to be queen of the Ewings.

ABBY: [Smiles] No. I’ll settle for princess.

J.R.: All right, you’ve got it. You get the ermine and the jewels. But the crown stays in Dallas. Because the crown is mine.

ABBY: If I do keep Gary out of Dallas, what do I get in return?

J.R.: [Strokes her hair, grins] My blessing.

The Art of Dallas: ‘Changing of the Guard’

Changing of the Guard, Dallas, Pam Ewing, Priscilla Pointer, Rebecca Wentworth

Rebecca and Pam (Priscilla Pointer, Victoria Principal) embrace after learning Cliff survived his suicide attempt in this 1982 publicity shot from “Changing of the Guard,” “Dallas’s” sixth-season opener.

Dallas Scene of the Day: ‘To J.R. Ewing, Back in Power Again’

Changing of the Guard, Dallas, Holly Harwood, Lois Chiles

Silent partner

In “Changing of the Guard,” “Dallas’s” sixth-season opener, Holly and J.R. (Lois Chiles, Larry Hagman) sit at a table inside a darkened cocktail lounge.

HOLLY: Well, what do you say? Do we have a deal?

J.R.: [Leans forward] Well, it’s a very tempting offer. Especially coming from such a lovely young lady.

HOLLY: It’s a dynamite offer. And you know it. [Smiles, squeezes a lime into her drink] You’re out of Ewing Oil. And I don’t know a damn thing about running an oil company.

J.R.: You’re very bright. [Sips his drink]

HOLLY: I’m bright enough to know what I don’t know. [Smiles, stirs her drink]

J.R.: All right, I’ll accept your offer. I’ll run Harwood Oil for you — on one condition: that I stay completely in the background. Nobody’s to know of my involvement.

HOLLY: Forever?

J.R.: Till I say so. You continue to act as president and I’ll give you all the moves. I don’t want an office, and I certainly don’t want to meet in your office.

HOLLY: Whatever you say. What about money? Or do you have somebody to take care of that for you?

J.R.: [Chuckles] Well, Holly, I think as you get to know me a little better, you’ll find that I take care of just about everything. I don’t want any money up front. But I do want 25 percent ownership of Harwood Oil.

HOLLY: [Smiling] Twenty-five percent? You don’t come cheap, do you J.R.?

J.R.: You wouldn’t want me if I did, would you? Look at it this way, Holly: With me, you have 75 percent of a profitable business. And without me, you just might have 100 percent of nothing.

HOLLY: [Long silence] All right. [Looks down, then back at him] Deal.

J.R.: [Smiles] That calls for a toast.

HOLLY: To Harwood Oil. Someday it may be bigger and stronger than Ewing Oil.

J.R.: [Hesitates, smiles, drinks] You know, it just occurred to me: I’ve only been out of work 48 hours.

HOLLY: [Smiles] To J.R. Ewing, back in power again.

J.R.: [Clinks her glass with his] As it should be.