The Dallas Decoder Guide to Entertaining, Ewing Style

Party on

The holidays are here and that means one thing: It’s party time! Martha Stewart will tell you the secret to successful entertaining is to always make your guests feel comfortable – but to hell with that. If you want to host a really memorable affair, let the Ewings be your guide.

Always on his back

The guest list: Put some thought into it. Do you have a mortal enemy who is obsessed with revenge against your family? By all means, move that person to the top of your invite list. No matter what Cliff (Ken Kercheval) did to the Ewings – he once prosecuted Jock for murder!– Miss Ellie never stopped inviting him to family functions. Why? Because she knew she could count on Cliff to enliven every soiree. Remember the time he incited a mob at a Southfork barbecue? Or the brawl he started at J.R. and Sue Ellen’s wedding reception? Of course you do. Face it: A day or two after your event, no one will remember how pretty your table centerpiece looked. But offer your guests some Cliff-style theatrics and you’ll create memories that’ll last a lifetime.

Off the wagon, in the doghouse

It’s all about tradition. Folks love to get together during the holidays to reminisce – and no one appreciated a stroll down memory lane more than Jock (Jim Davis). When Digger (David Wayne) showed up at one of the Southfork barbecues, Jock waxed nostalgic, recalling the collapse of their partnership decades earlier. He concluded his history lesson by declaring Digger had “been a loser every day of his life,” which sent the recovering alcoholic straight off the wagon. Jock’s tongue-lashing angered Miss Ellie and Pam (Barbara Bel Geddes, Victoria Principal), but Jock suspected the only reason Digger came to the party in the first place was to find an excuse to resume boozing. And as Jock told his family, “I generally try to accommodate my guests.”

Time to go, darlin’

Drink up! Memories shouldn’t be the only thing that flows at your gathering. The Ewings knew a little alcohol could really help guests loosen up and get in a celebratory spirit. For this, we have Sue Ellen (Linda Gray) to thank. Remember when she got tipsy at a Southfork barbecue and blabbed to everyone the intimate details of her marriage? How about the time the Ewings held a bash at the Oil Barons Club and Sue Ellen passed out after taking a nip or two (or three or six) of vodka? Then there was the time our heroine got smashed at Lucy and Mickey’s cookout, swiped J.R.’s keys and wrecked his car. OK, that last one ended up killing the joyful atmosphere at Southfork that evening – but at least it didn’t kill Sue Ellen’s future political viability.

Taste of success

Don’t be afraid to ask for help. No one should try to organize a big celebration on their own. Just ask Miss Ellie, who always counted on family and friends to help out – especially in the kitchen. Sister-in-law Jessica Montfort was a whiz at chopping veggies and Donna was an ace sous chef, while J.R. (Larry Hagman) and the rest of the Ewings were happy to serve as Mama’s taste-testers. For the real heavy lifting, though, Ellie relied on the hired help. The Ewings went through dozens of butlers and housekeepers over the years. Some were old, some were young, but remarkably, all of them were named “Raoul” and “Teresa.” Carmen the cook has been at Southfork for a long time too, although we didn’t see her until the Ewings moved to cable.

Guess what?

Parties are for surprises! Do you know someone who’s been dying to share a big secret with the world? Perhaps your event offers the stage they seek. Lucy blurted out her suspicions about Sue Ellen and Peter Richards’ affair at a get-together on the Southfork patio. Cousin Jamie chose a Ewing barbecue to reveal her stake in the family empire. James Beaumont announced he was J.R.’s illegitimate son at a Ewing dinner at the Oil Baron’s Club. The tradition continues: John Ross used Bobby’s birthday party to unveil his plot to drill for oil on Southfork, while Rebecca (Julie Gonzalo) decided the family’s final barbecue at the ranch was the ideal setting to tell Christopher (Jesse Metcalfe) about her role in the scheme to break up him and Elena.

Oh, sit

Seating matters. Will your affair include a sit-down meal? Follow the example set by J.R., who always knows the perfect place for newcomers to the Southfork dinner table. He once told Ray, “You sit where Gary used to. You two have so much in common.” Later, on her first night at the ranch, J.R.’s daughter-in-law Michelle Beaumont asked him where she should sit. “Right there,” J.R. responded, pointing to an empty seat on the other side of the table. “Used to be Pam’s chair. I couldn’t stand her either.” J.R. also knew where guests shouldn’t sit. Just ask Clayton (Howard Keel), who got the stink-eye every time he sat in Jock’s old seat. No, seriously. J.R. cut Clayton a dirty look each time he came to the table. Every. Single. Time. For eight seasons.

The price of a clever wit

Keep the conversation lively. Miss Manners will tell you some topics shouldn’t be discussed in polite company – but Miss Manners never attended a Ewing fete. When this brood gets together, every subject is fair game. Once, when Miss Ellie worried that Sue Ellen didn’t eat enough at dinner, J.R. waved around a liquor bottle and said, “She gets all the nourishment she needs from this.” Moments later, he described Pam thusly: “Everybody can see that she’s cracking up, slowly and surely. And who can blame her? I mean, she finds out that her daddy, Digger Barnes, is no relation at all. And her real father is a saddle tramp and a thief. And her mother’s a whore! Who could find it in their heart to hate that poor little girl, huh?” Bobby responded by punching J.R. in the gut. He never could take a joke.

Everybody in!

Two words: “Swimming pool.” If you have one, use it. After all, if you’re going to party like the Ewings, your guests are going to need a place to cool off.

What have the Ewings taught you about entertaining? Share your comments below and read more “Dallas Decoder Guides.”

Dallas Parallels: Saving Southfork

At the end of “Ellie Saves the Day,” one of my favorite “Dallas” episodes, Miss Ellie sits at J.R.’s desk and signs paperwork authorizing Ewing Oil to drill on Southfork. For Ellie, a principled conservationist, this is painful but necessary. J.R. has mortgaged the ranch and sunk the money in a foundering deal – and now the loan is due. Tapping Southfork’s vast oil reserves is the only way to raise the cash needed to stave off foreclosure.

As luck would have it, J.R. strikes oil elsewhere at the 11th hour, allowing the Ewings to preserve Southfork for ranching. But the story isn’t over. When TNT’s “Dallas” begins, Ellie is gone and Bobby has succeeded her as Southfork’s owner and guardian – until J.R. “steals” the ranch and sets out to pump its oil, triggering a bitter feud that divides the Ewings like never before.

The battle culminates in “Family Business,” an instant-classic episode from the new show. In a poignant scene, J.R. sits at a table in his bedroom, staring at the Southfork deed. With trembling hands, he takes a shot of bourbon, glances at a framed photograph of Ellie and signs the paper, returning ownership of the ranch to Bobby.

The parallels to “Ellie Saves the Day” are unmistakable. So are the ironies. Conservationist Ellie is forced to plunder the land, while oilman J.R. chooses to preserve it. Yet both characters end up saving Southfork.

The way mother and son reach their fateful decisions is revealing. In “Ellie Saves the Day,” the Ewing matriarch gathers her family in the living room and announces her plan to lift the drilling ban. Ellie mentions how much Southfork means to her, but she also displays her practical side. When Bobby reminds her Graddaddy Southworth’s dying wish was to preserve the land, Ellie responds: “Do you think the banks will preserve the land? They will not.”

Surprisingly, J.R. proves more sentimental. In “Family Business,” John Ross comes to his father’s bedroom and tries to persuade him to return the ranch to Bobby, but J.R. doesn’t want to hear it. Slumping onto his bed, he tells his son, “Southfork isn’t just a piece of dirt. It’s as much a part of me as my blood, in my bones.” Suddenly, we’re forced to consider the possibility that maybe the battle for Southfork isn’t just about the ocean of oil flowing beneath it.

Later, after confrontations with Sue Ellen and Bobby, J.R. finally comes around and signs over the deed. He brings the document to his brother, who is in his sickbed. “You’re still not off the hook for how you got this in the first place,” Bobby says. It brings to mind the final line in “Ellie Saves the Day,” when Ellie, after giving up the mineral rights, turns to her oldest son and says, “I may never forgive you for this, J.R.”

Perhaps that’s true, but something tells me Mama was smiling the moment J.R. put pen to paper and did his part to save Southfork.

 

‘Do You Know How Much Southfork Means to Me?’

Ms. Practicality

In “Ellie Saves the Day,” a third-season “Dallas” episode, Miss Ellie (Barbara Bel Geddes) enters the Southfork living room, where Jock (Jim Davis), J.R. (Larry Hagman), Bobby (Patrick Duffy) and the other Ewings await her.

JOCK: Miss Ellie.

ELLIE: Jock.

BOBBY: Mama, Ray said you took a tour of the ranch this morning.

ELLIE: [Smiling] Yes, I did. [She sits.]

JOCK: Well, we’ve tried everything, Miss Ellie.

ELLIE: I’m sure you have. J.R., do you know how much Southfork means to me? To all of us? I’ll never understand your motives as long as I live.

J.R.: Mama –

ELLIE: Now as I see it, the problem is this: Next week, the bankers who own the mortgages expect to be paid, and we don’t have the money. Is that right?

JOCK: Yes. And everything worthwhile is mortgaged.

ELLIE: Except one.

J.R.: What?

ELLIE: They can take this land, but they don’t have the right to drill for all that oil under Section 40. My daddy’s will gave the mineral rights to me.

BOBBY: [Leans forward] Mama, you can’t do that. You can’t break Granddad’s will. He wanted that land preserved for ranching.

ELLIE: You think the banks will preserve the land? They will not. However, I can release all of that oil for drilling. Millions and millions of dollars worth. And for that, I’m sure the bank will extend the due date on the mortgage indefinitely.

JOCK: I could never ask you to do that, Ellie.

ELLIE: It will save this ranch, Jock. And for that, I’ll go against my daddy’s wishes. [Rises, walks toward Jock] Jock, 40 years ago, Ewing Oil paid off the mortgage on Southfork and saved it. Now I think it’s time that Southfork repaid those debts.

 

‘Southfork Isn’t Just a Piece of Dirt’

Mr. Sentimental

In “Family Business,” TNT’s ninth “Dallas” episode, John Ross (Josh Henderson) speaks to J.R. (Larry Hagman) in his Southfork bedroom.

J.R.: I’m not signing Southfork over to anybody. The thing we should be concentrating on is a little payback to the boys who did that to you. [Points to the bruises on John Ross’s face]

JOHN ROSS: It’s a little late for that. Lucky for me, I had Uncle Bobby to get me out of that situation.

J.R.: Well, I got here as soon as I heard.

JOHN ROSS: Southfork is useless to you without the mineral rights. Now Uncle Bobby has agreed to drill. Once the Venezuelans are paid off, your piece of that oil, it’ll get you back on top.

J.R.: Christopher’s already agreed to pay off the Venezuelans with his gas rights. What’s gotten into you, anyhow?

JOHN ROSS: A little decency. They should not have to clean up after our mess. Haven’t we put Uncle Bobby through enough?

J.R.: You’re confusing emotion with business. This land is finally mine like it should have been all along.

JOHN ROSS: I’m so damn tired of hearing about your birthright.

J.R.: What did you say?

JOHN ROSS: Can’t you just let it go?

J.R.: [Sits on the bed] Southfork isn’t just a piece of dirt. It’s as much a part of me as my blood, in my bones. I paid a hell of a price for it. I thought you of all the people in the world would understand that.

What do you think of Miss Ellie and J.R.’s efforts to save Southfork? Share your comments below and read more “Dallas Parallels.”

Dallas Scene of the Day: ‘They Say That Jock is Dead’

Say it ain't so

Say it ain’t so

In “Dallas’s” fifth-season episode “Barbecue Two,” J.R. (Larry Hagman) comes down the stairs at Southfork, where a dazed Miss Ellie (Barbara Bel Geddes) holds the telephone receiver.

J.R.: Mama?

ELLIE: [Hangs up the phone] That, that was Punk. Jock was … flying in from the interior by helicopter. It crashed. They’ve been … they’ve been searching all day. Nothing. The locals have given up. They say that … [sobbing] they say that … [moans] they say that Jock is dead.

Dallas Scene of the Day: ‘We’re Ewings. We Stick Together.’

She's got this

She’s got this

In “Dallas’s” fifth-season episode “Waterloo at Southfork,” J.R. (Larry Hagman) stands behind Miss Ellie (Barbara Bel Geddes), who has summoned Vaughn (Dennis Patrick), Jordan (Don Starr), Wade (Robert Ackerman), Andy (Paul Sorensen) and Cliff (Ken Kercheval) to J.R.’s office.

ELLIE: I’d like to thank you all for coming.

JORDAN: Well, it’s good to see you again Miss Ellie, but –

ELLIE: But you wonder why you were called here – at this time of night and by me. Is that right?

WADE: You do have us guessing, ma’am.

ELLIE: Well, you can stop guessing. I called you here to tell you that Ewing Oil is now prepared to pay back your loan … with interest.

VAUGHN: [Forced smile] Well … how nice.

ANDY: I knew Ewing Oil would be coming through.

ELLIE: Did you, Mr. Bradley? I suppose I should thank all of you gentlemen for the aid you gave my son.

JORDAN: Now Miss Ellie, you know it’s just business.

ELLIE: What I do know is that you are supposed to be Jock’s friend, Jordan. And yet the minute his back was turned, you took advantage of J.R.’s situation to charge an outrageous 25 percent interest to extend your loan.

VAUGHN: Now Miss Ellie, you don’t understand.

ELLIE: I understand perfectly. And what about you, Cliff? How long are you going to perpetuate this stupid Barnes-Ewing feud? Until we’re all dead and gone? Is it worth it to you?

CLIFF: Don’t expect me to apologize because J.R. got in over his head.

ELLIE: I don’t expect anything from you, Cliff. And I don’t apologize for what my son did. It’s a family matter. We may be wrong and we may be right, but we’re Ewings. We stick together – and that’s what makes us unbeatable.

Critique: ‘Dallas’ Episode 88 – ‘Waterloo at Southfork’

Woman of the hour

Woman of the hour

Miss Ellie is the woman of the hour in “Waterloo at Southfork.” She wheels and deals with Clayton, takes the cartel to the woodshed and keeps J.R. from dragging Sue Ellen’s name through the mud in court. Ellie’s only defeat occurs when she tries and fails to oust her eldest son as Ewing Oil’s president, but no matter. By the end of the episode, J.R.’s respect for his mama has deepened. So has ours.

To no one’s surprise, Barbara Bel Geddes is wonderful every time she appears in “Waterloo at Southfork,” which is a lot: This episode has 29 scenes, and Bel Geddes is in more than a third of them. Choosing my favorite is tough because they’re all so good.

In the scene with Clayton, Ellie sits on a patio at the Southern Cross and offers to sell him the oil J.R. diverted from the Farlow refineries. Clayton agrees, telling her he’ll buy it for $33 a barrel. “That’s very fair,” Ellie says, shaking his hand. Taking a beat, she adds: “I would have taken 32.”

The scene with the cartel is just as terrific. With J.R. in the background, Ellie stands in front of his desk and chastises Vaughn, Jordan and the others for taking advantage of Ewing Oil during J.R.’s reckless war against Clayton. “I don’t apologize for what my son did,” Ellie declares. “It’s a family matter. We may be wrong and we may be right, but we’re Ewings. We stick together – and that’s what makes us unbeatable.”

This most revealing moment in “Waterloo at Southfork” comes near the end of the episode, when J.R. promises Ellie he’ll behave when he and Sue Ellen go to court for their divorce hearing. He’s lying, of course, but it seems like Ellie is going to give him the benefit of the doubt. Wrong. When the hearing begins, she enters the courtroom and takes a seat in plain sight of her son. The moment J.R. sees his mama, he abandons his strategy to embarrass Sue Ellen.

I don’t know if J.R. has learned his lesson, but Ellie has learned not to trust her son. Better late than never.

Grade: A

_______________________________________________________________________________________________________________________________________________

Mama's watching

Mama’s watching

‘WATERLOO AT SOUTHFORK’

Season 5, Episode 11

Airdate: December 18, 1981

Audience: 22.3 million homes, ranking 1st in the weekly ratings

Writer: Linda Elstad

Director: Irving J. Moore

Synopsis: Miss Ellie sells J.R.’s stockpile to Clayton, persuades Bobby to return to Ewing Oil and chastises the cartel for taking advantage of the company’s misfortune. Pam embraces motherhood. Ray takes a loss on his real estate deal. Sue Ellen leaves the Southern Cross and wins custody of John Ross during her final divorce hearing.

Cast: Robert Ackerman (Wade Luce), Tyler Banks (John Ross Ewing), Barbara Bel Geddes (Miss Ellie Ewing), Paul Comi (Dr. McWright), Patrick Duffy (Bobby Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Don Hamilton (Eric), Wiley Harker (Judge James Berwin), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Leigh McCloskey (Dr. Mitch Cooper), Patricia McCormack (Evelyn Michaelson), Barry Nelson (Arthur Elrod), Dennis Patrick (Vaughn Leland), Priscilla Pointer (Rebecca Wentworth), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Herbert Rudley (Howard Barker), Paul Sorensen (Andy Bradley), Don Starr (Jordan Lee), Charlene Tilton (Lucy Cooper), David Tress (Walter Sher), Gretchen Wyler (Dr. Dagmara Conrad)

“Waterloo at Southfork” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Scene of the Day: ‘We Have Four Sons, You Know’

Saving the day, again

Saving the day, again

In “Dallas’s” fifth-season episode “Starting Over,” Miss Ellie (Barbara Bel Geddes) summons Ray (Steve Kanaly) to the Southfork living room, where they sit across from each other.

ELLIE: I know that in the past, you and Jock used to have these conversations, but in his absence, I, I guess I’ll have to be the one to do it.

RAY: I’m not sure I understand, Miss Ellie.

ELLIE: Well, Donna feels that you’re in some kind of difficulty. And you won’t talk to her about it.

RAY: Well, no disrespect to you, Miss Ellie, but I don’t think it’s anything we ought to talk about either.

ELLIE: But you would talk to Jock.

RAY: [Looking down] I guess.

ELLIE: Do you feel it’s a sign of weakness to talk to a woman about your problems?

RAY: [Smiles sheepishly] No, it’s not that, exactly.

ELLIE: Ray, you know how much I care about you. If you’re in some kind of trouble, why, why won’t you let us help you?

RAY: It’s kind of complicated. I know you and Jock think of me as a Ewing now. But I still think of myself as Ray Krebbs. And I’ve never really done anything to prove that I was as good as the rest of the Ewings.

ELLIE: There’s nothing to prove, Ray. We care about you because of what you are. And above all of us, Donna loves you for yourself.

RAY: But don’t you see? I have to prove it to Donna more than anyone. Look who she was married to: Sam Culver. He was a great man in this state.

ELLIE: You know that Sam’s and Donna’s marriage was for different reasons than yours.

RAY: I know that. But, I mean, look at Donna. She can sit down and in her spare time, she can write what looks like a bestseller. Now how could she be happy married to a cowboy?

ELLIE: You’ve talked about all the reasons for not talking to anyone, but you still haven’t said anything about your problem.

RAY: Well, I guess I just plain got in over my head. You know, the San Antonio deal that Punk and I set up? Well, when he went to South America, I went ahead on my own. I found out I didn’t know half of what I thought I did. Now I’m in danger of losing the whole thing.

ELLIE: And what do you need?

RAY: [Sighs] Another $3 million. Most of what I have invested at this point is Donna’s money. Now how could I go to her and say, “We’re going to lose the whole thing unless you give me another $3 million?”

ELLIE: Your not thinking enough of Donna to tell her hurts a lot more than losing the money would.

RAY: It’s not like I didn’t want to tell her. I just couldn’t. I still can’t.

ELLIE: Will you accept help from me? It’s the same thing I’d do for Bobby or Gary or J.R. if they needed it. [Smiles] We have four sons, you know. And you’re one of them.

RAY: Yes, ma’am. I’d be very grateful. I don’t know how I could ever thank you.

ELLIE: You don’t have to thank me. And if you like, no one else needs to know about this. I think Donna should, but that’s up to you.

RAY: Well, I’d rather try to get out of this mess myself before I tell her anything. I really would like Donna to be proud of me.

ELLIE: All right. Tomorrow morning, you and I will go to see Franklin Horner. I’m sure Ewing Oil can lend you the $3 million. [Ray smiles]

Critique: ‘Dallas’ Episode 87 – ‘Starting Over’

Mine!

Mine!

At the end of “Starting Over,” Bobby enters the Southfork foyer holding Christopher, the infant he believes J.R. fathered with Kristin. Bobby plans to confront his brother with the boy, but when Pam spots the newborn, she assumes her husband has finally found a child for them to adopt. “It happened!” Pam says after she snatches Christopher from Bobby’s arms. “Oh, we’ve got a baby to adopt!”

Freeze frame. Flash credits. Roll eyes.

Since the baby at the center of this scene will grow up to be Jesse Metcalfe’s character on TNT’s “Dallas,” this is one of the most consequential moments in the history of the franchise. It’s also one of the silliest. Do the writers really expect us to believe Pam would see Bobby with a baby and automatically assume it’s for her? For a woman who just checked out of a mental hospital, Pam has never seemed loonier.

Despite this, “Starting Over” is one of the fifth season’s strongest entries. The scene where Sue Ellen finally acknowledges she and Dusty have grown apart is nicely written, even if the dialogue isn’t quite as poetic as the couple’s previous farewell in the fourth-season entry “Lover, Come Back.” I also like “Starting Over’s” shot of J.R., lying alone in his shadowy New York City hotel room. It brings to mind the “Gone But Not Forgotten” scene where J.R. stands silently in the Southfork nursery, missing John Ross. This has been a dark season for our hero, hasn’t it?

My favorite scene of all comes at the beginning of “Starting Over’s” third act, when Miss Ellie summons Ray to the Southfork living room and gently gets him to admit: a) he’s bitten off more than he can chew with his latest real estate deal; and b) he should accept help from her. Ellie isn’t necessarily closer to Ray than she is to her biological sons, but their relationship feels more mature. This makes sense. Ellie and Ray did become “mother” and “son” as adults, and as she once pointed out, neither was born with the Ewing name.

More than anything, I love watching Barbara Bel Geddes and Steve Kanaly perform together. Both are terrific actors who make their characters feel like relatable people. They keep “Dallas” grounded, which is important – especially when Pam is running around Southfork, snatching babies.

Grade: A

_______________________________________________________________________________________________________________________________________________

Dark times

Dark times

‘STARTING OVER’

Season 5, Episode 10

Airdate: December 11, 1981

Audience: 23.2 million homes, ranking 2nd in the weekly ratings

Writer and Director: Leonard Katzman

Synopsis: Bobby determines J.R. is Christopher’s father and brings him to Southfork, where Pam assumes the boy is a child for her and Bobby to adopt. Miss Ellie agrees to loan Ray $3 million from Ewing Oil to salvage his development deal, then discovers J.R. has depleted the company’s cash reserves. Sue Ellen breaks up with Dusty after he returns to the rodeo circuit.

Cast: Barbara Bel Geddes (Miss Ellie Ewing), Patrick Duffy (Bobby Ewing), Edmund Gilbert (Paul Winslow), Bruce Gray (Dr. Alan Cosby), Linda Gray (Sue Ellen Ewing), Laurence Haddon (Franklin Horner), Larry Hagman (J.R. Ewing), Art Hindle (Jeff Farraday), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Jared Martin (Dusty Farlow), Barry Nelson (Arthur Elrod), Dennis Patrick (Vaughn Leland), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Don Starr (Jordan Lee), Gretchen Wyler (Dr. Dagmara Conrad)

“Starting Over” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Parallels: Grave Decisions

The Ewings are always in crisis, but life at Southfork was downright agonizing at the beginning of “Dallas’s” ninth season: Bobby was dead, Sue Ellen was in a police station drunk tank and J.R. was scheming to keep Pam out of Ewing Oil. So when Jeremy Wendell took Miss Ellie to lunch and offered to take the company off her hands, the Ewing matriarch was understandably tempted.

In “Resurrection,” the season’s fourth episode, Ellie visits Bobby’s Southfork grave, near the tree house Jock built for Bobby when he was a boy. (A wooden Ewing Oil sign on the house proclaims “B.J. Ewing” president.) Sitting on a bench near Bobby’s headstone, Ellie tells him she’s leaning toward selling the company to Wendell, in part so “your little Christopher and little John Ross” won’t have to grow up to inherit unhappiness. “I hope you’ll understand,” Ellie says.

This terrific scene – along with everything else that happened during “Dallas’s” ninth season – was notoriously wiped away when Bobby’s death was written off as Pam’s dream, but that doesn’t mean fans should forget it. Nor does it mean the people who make TNT’s sequel series can’t draw inspiration from it.

In “No Good Deed,” one of the strongest hours during the new show’s first season, Bobby visits Ellie’s grave on Southfork, where life is once again in turmoil: J.R. has disappeared and John Ross, now an adult, has had the stuffing beaten out of him in jail. To make matters worse, J.R. and John Ross’s shady business partner Vicente Cano is inching closer to tapping the ocean of oil flowing beneath the ranch.

Bobby, who promised Ellie he’d never let anyone drill on Southfork, stands over her headstone and tells her it might be time to relent. “I keep trying to think what you’d do if you were here,” Bobby says. “But I know: You’d do whatever it takes to protect the family. And that’s just what I’m gonna do, Mama. And I know you’ll understand.”

Aside from echoing one of “Dallas’s” most resilient themes – the idea that sometimes you have to sacrifice your principles for the greater good (see also: “Ellie Saves the Day”) – this scene reminds me how much I love Patrick Duffy.

The actor has always been one of the “Dallas” franchise’s unsung heroes, but his gravitas is more readily apparent on the TNT series. Duffy has inherited the quiet strength and dignified spirit Barbara Bel Geddes brought to the original series. Like her, he never strikes a false note. And just as I can’t imagine the old show without Bel Geddes, it’s difficult to conceive the new “Dallas” without Duffy. Thankfully, we don’t have to.

 

‘I Hope You’ll Understand’

Troubled

In “Resurrection,” a ninth-season “Dallas” episode, Miss Ellie (Barbara Bel Geddes) visits Bobby’s Southfork grave.

ELLIE: Bobby. Oh, Bobby. [Sighs, sits on a nearby bench] This seems to be the only place where I can find peace. It’s the only place where I can get away from everyone’s questions. Here I’m just left alone with my own questions. You may not agree with me, but I hope you’ll understand. If this was the best of all worlds, I wouldn’t think of selling Ewing Oil. But it’s not the best of all worlds – or the best of all times. With you gone and Sue Ellen where she is, the family’s in trouble. I want to do what’s right, Bobby, for your little Christopher and for little John Ross. I don’t want them to inherit unhappiness. I couldn’t bear that. Your daddy always said that the only thing that really means anything is family. You knew that. Those were the last words that you, you tried to say to us. And now I have to do my part to, to keep us together.

 

‘I Know You’ll Understand’

Fractured

In “No Good Deed,” TNT’s eighth “Dallas” episode, Bobby (Patrick Duffy) visits Miss Ellie’s Southfork grave.

BOBBY: Hey Mama. I spent the last 20 years trying to protect this land. Protect your legacy. I remember you once told me that family is like baking a cake – from scratch. Real messy. Well, I wish I could tell you things are different, Mama, but they’re not. Our family is as fractured and dysfunctional as always. And I keep trying to think what you’d do if you were here. But I know: You’d do whatever it takes to protect the family. And that’s just what I’m gonna do, Mama. And I know you’ll understand.

What do you think of Miss Ellie and Bobby’s grave decisions? Share your comments below and read more “Dallas Parallels.”

The Art of Dallas: ‘The Split’

Miss Ellie (Barbara Bel Geddes) bikes home after retrieving the mail in this 1981 publicity shot from “The Split,” a fifth-season “Dallas” episode.

Dallas Scene of the Day: ‘I Guess It’s Going to Have to Be Me’

Focus, Mama!

Focus, Mama!

In “Dallas’s” fifth-season episode “Little Boy Lost,” after the Southfork helicopter lands on the ranch’s lawn, Miss Ellie (Barbara Bel Geddes) exits and walks swiftly toward the house, followed by J.R. (Larry Hagman).

J.R.: Mama? Say, Mama? Mama, what you all upset about? [She stops and faces him.] You haven’t said a word since we left the Southern Cross ranch.

ELLIE: You used me, J.R. And my love for John Ross. You intended to fly down with me and try to get him away all along, didn’t you?

J.R.: You can’t blame me for that, Mama. Not for trying to get my boy back.

ELLIE: I blame you for using other people to achieve your aims.

J.R.: [Tips back his hat] Mama, I’d do anything to get him away from Sue Ellen. She’s not exactly the most perfect wife and mother, you know. I don’t know what he’s being exposed to down there. She’s living in sin with a cowboy. Hell, he can hardly even walk.

ELLIE: Then why would she prefer him to you?

J.R.: Because she’s crazy! That’s why I want to get the boy back.

ELLIE: You want him back without Sue Ellen?

J.R.: Yes, I’d prefer that.

ELLIE: And what would you bring him back to? Being raised by nursemaids and tutors? Seeing you five minutes a day, if he’s awake when you finally get home?

J.R.: Well, I figured that you and Daddy could –

ELLIE: Could do what? Raise him for you? No, I’m too old to raise another grandchild.

J.R.: You sound like you don’t want him back here.

ELLIE: [Slight smile] That’s not fair, J.R. You know I want him here. But only if his mother’s with him. He needs his mother more than he needs you or me or his grandfather.

J.R.: I love him just as much as Sue Ellen does.

ELLIE: I know you do, J.R. But he belongs with her. There’s nothing in this world that would make me happier than if you brought John Ross back to Southfork – but only if Sue Ellen is with him. [Begins walking away, then turns to face him] I saw a part of you I didn’t like very much today, J.R. In the past, I’ve put up with your games and tricks. I’ve even closed my eyes to some of them. But no more. As long as your daddy isn’t here, I guess it’s going to have to be me that has to keep an eye on you. [Turns and walks away]