The Best & Worst of Dallas: Season 6

There’s lots to love and little to loathe about “Dallas’s” sixth season.

Performances

Dallas, Linda Gray, Sue Ellen Ewing

Oh, darlin’

Every cast member shines during Season 6, but Linda Gray’s performance during Sue Ellen’s alcoholic spiral makes her first among equals. Sue Ellen doesn’t just lose her self-respect; she comes close to losing her life when she drives drunk and crashes J.R.’s car. What impresses me most about Gray is how she keeps the audience rooting for Sue Ellen, even when she makes mistakes. What an amazing performance.

Bobby Ewing, Dallas, Patrick Duffy

Still our hero

Give it up for Patrick Duffy too. If you were surprised to see Bobby unleash his inner junkyard dog on the most recent season of TNT’s “Dallas,” then check out Season 6 of the original series, which marks the first time the character reveals his ferocious side. The “Dallas” writers take Bobby to a very dark place during the yearlong contest for Ewing Oil, but Duffy makes sure we never forget he’s still the Bobby Ewing we know and love. Bravo.

Storylines

Speaking of J.R. and Bobby’s contest: It’s too early for me to call this “Dallas’s” all-time greatest plot — I still have eight more seasons to revisit — but it’s hard to imagine anything surpassing the battle royale between the brothers Ewing. The reason the storyline succeeds isn’t the premise, which — let’s face it — is more than a little implausible. (A major corporation splits in half for a year to determine which of its top two executives should be in charge?) No, this arc works because it involves every character and showcases their complexities. Is it surprising to see Bobby play dirty or to witness J.R. wracked with guilt at season’s end? Sure, yet it never feels out of character for them. “Dallas” is always at its best when the characters, not the writers, drive the narrative, and that’s never been truer than it is here.

Episodes

Dallas, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing

Power hour

This is the first season that I’ve reviewed in which none of the episodes received anything less than a “B” grade. For the record: Year 6 consists of 28 hours, and I handed out nine “B’s,” 16 “A’s” and three (!) “A+’s.” My favorite is “Penultimate,” a powerful hour of television that deals with the fallout from Sue Ellen’s accident and leaves us wondering: What’s more destructive — her addiction to booze or her addiction to J.R.?

Scenes

The final moments in “Tangled Web” never fail to give me chills. We’re with Sue Ellen every step of the way when she walks across Holly’s driveway, enters the house and sees her in bed with J.R. (Trivia: My readers tell me when this scene was broadcast in 1983, it was scored, but for whatever reason the music doesn’t appear on the DVD. I’d love to see the original version, but I must say: The lonely sounds of Sue Ellen’s heels clicking and clacking help make this scene so effective.) More great moments: Cliff comes to terms with his guilt over Rebecca’s death (this is Ken Kercheval at his most brilliant) and three scenes that showcase the incomparable Barbara Bel Geddes — Miss Ellie predicts the future for Sue Ellen, eulogizes Jock a the Oil Baron’s Ball and testifies at the hearing to overturn his will.

Hands down, my least favorite scene: In “A Ewing is a Ewing,” J.R. comes on to Holly and she tells him “no,” but he has sex with her anyway. Was this really necessary to demonstrate J.R.’s villainy?

Supporting Players

Dallas, Mickey Trotter, Timothy Patrick Murphy

Transformer

Do you despise cocky Mickey Trotter when he arrives at the beginning of Season 6? Are you surprised when he tries to save Sue Ellen at the end of the year? If you answer “yes” to the first question and “no” to the second, then credit Timothy Patrick Murphy, who does a nice job turning Mickey from a punk into a prince over the course of the season. Also, thanks to Murphy, Lucy finally gets a leading man worthy of Charlene Tilton’s charm.

Props

Jock’s portrait is introduced during “Dallas’s” fifth season, but the show makes magnificent use of it throughout Season 6. Jock looms in the background of so many crucial scenes, including the will reading, which marks one of the few occasions when all of the Ewings are together in one room (even Gary’s there!), and J.R. and Ray’s fistfight in “Ewing Inferno,” when all hell breaks loose — literally. TNT, take note: This is how you use a portrait to help keep alive a character’s memory.

Costumes

Dallas, Donna Krebbs, Susan Howard

Red hat mama

I love Pam’s upswept hairdo and western dress in “Barbecue Three,” her print skirt in “Brothers and Sisters” and Afton’s navy blouse/white skirt combo in “The Ewing Blues,” but my favorite fashion statement is made by Susan Howard, who sports a striking red hat when Donna attends the inaugural meeting of the Texas Energy Commission (also “Barbecue Three”). Eat your heart out, Katherine Wentworth!

Quips

Throughout Season 6, Larry Hagman zings like no one else. Here’s J.R. to Holly, upon spotting her lounging around her pool with a shirtless stud: “Traveling with the intellectual set, I see.” To Mickey, after the young man announces he’s a Trotter, not a Krebbs: “Oh, well. I’m bound to sleep more soundly tonight knowing that.” To Katherine, upon hearing she has something to discuss with him: “Oh, don’t tell me. Not Cliff Barnes. I couldn’t handle that.” In the end, though, my favorite quip comes from Sue Ellen, who is aghast when J.R. criticizes Pam for giving “aid and comfort to the opposition” during the hearing to overturn Jock’s will. “Opposition?” Sue Ellen says. “J.R., that’s your mother.”

What do you love and loathe about “Dallas’s” sixth season? Share your comments below and read more “Best & Worst” reviews.

The Art of Dallas: ‘Barbecue Three’

Barbecue Three, Dallas, J.R. Ewing, Larry Hagman

J.R. (Larry Hagman) observes the inaugural meeting of the Texas Energy Commission in this 1982 publicity shot from “Barbecue Three,” a sixth-season “Dallas” episode.

Dallas Scene of the Day: ‘Back Off, Barnes!’

Barbecue Three, Bobby Ewing, Dallas, Patrick Duffy

The barrier

In “Barbecue Three,” a sixth-season “Dallas” episode, Cliff and Jordan (Ken Kercheval, Don Starr) lead a mob of angry oilmen in confronting J.R. (Larry Hagman) at the Ewing Barbecue, where he stands on the patio with Sue Ellen (Linda Gray).

CLIFF: J.R., we want to talk to you.

J.R.: Well, Barnes, I’ve got a business. You know where my office is.

JORDAN: You don’t even answer your phone calls, J.R.

J.R.: Been real busy.

JORDAN: Too busy to talk to your friends?

J.R.: If y’all got something to say, say it.

Ray and Miss Ellie (Steve Kanaly, Barbara Bel Geddes) watch from the crowd.

RAY: Maybe you ought to go inside, Miss Ellie.

ELLIE: No.

Cliff and J.R. continue their faceoff.

CLIFF: We want to talk to you about the gas war.

J.R.: I don’t think there’s anything to talk about. If I want to cut prices, that’s my business, isn’t it?

JORDAN: No, J.R. It’s the business of every oilman in Texas.

CLIFF: J.R., the politicians are afraid of you. We aren’t. We want you to stop over-pumping those fields and put prices back where they belong.

Bobby (Patrick Duffy) steps in front of J.R.

BOBBY: Cliff, that sounds like a threat. You boys are starting to look like a lynch mob.

JORDAN: Bobby, what are you doing sticking up for J.R.? He’s ruining you too!

BOBBY: Jordan, I don’t like it any more than you do. But right now you’re talking not business, but family. That’s no way to solve problems.

Ray joins Bobby in shielding J.R. as one of the oilmen (Ken Farmer) in the crowd begins to speak.

OILMAN: My stations are losing a fortune, Bobby. One more week and I’m out of business. You best step aside.

BOBBY: If you want to get to J.R., you’re going to have to come through us.

CLIFF: Then that’s what it’ll be, because you’re not stopping us.

BOBBY: Back off, Barnes! All of you!

OILMAN: Not before we settle with J.R.

RAY: Just hold it right there! If there’s going to be any blood spilled here today, I guarantee you it won’t just be Ewing blood.

ELLIE: [Stepping forward] Good Lord, are you all crazy? Most of you are Jock’s friends!

JORDAN: Now, Miss Ellie, we don’t have any quarrel with you.

ELLIE: You’re a guest in my home. Until you come to your senses, I don’t want to see any of you. Now go home. Go home, all of you!

JORDAN: [Turning toward the cartel members] Come on, let’s go.

Pam and Donna (Victoria Principal, Susan Howard) step forward.

ELLIE: I’m calling Harv Smithfield. I’ve had enough of this insane competition between you two. I’m going to court to break Jock’s will. And then I intend to sell Ewing Oil.

Critique: ‘Dallas’ Episode 115 — ‘Barbecue Three’

Barbecue Three, Dallas, J.R. Ewing, Larry Hagman

Mr. Right

In “Barbecue Three,” J.R. finally reveals his plan to win the contest for Ewing Oil: He begins flooding the market with cut-rate gasoline, hoping to drive up his half of the company’s profits. This ignites a firestorm within the cartel, prompting Cliff and a band of angry oilmen to come to the annual Southfork barbecue and demand J.R. stop lowering prices. The Ewings don’t like what J.R.’s doing either, but to everyone’s surprise, they close ranks around him when the confrontation with the cartel threatens to turn violent. “If you want to get to J.R., you’re going to have to come through us,” Bobby tells the group.

Like Ellie’s defense of J.R. in the fifth-season classic “Waterloo at Southfork,” this is another example of the Ewings circling the wagons against outsiders, one of “Dallas’s” hallmarks. There’s another reason this scene is satisfying: For once, J.R. isn’t wrong. Sure, he pulled some dirty tricks to get his hands on the crude he needed to produce all that cheap gas, but the cartel has no right to complain about it. J.R. is selling his product at a lower price than his competitors. Who are they to tell him to stop? (On another note: Why doesn’t Marilee Stone join her fellow cartel members in confronting J.R.? Surely it isn’t because she’s a woman. If you ask me, Marilee is much more intimidating than mild-mannered Jordan Lee, who stands alongside Cliff in this scene.)

To be fair, the other characters’ objections to J.R.’s scheme feel a little more justified than the cartel’s. Before the barbecue, Bobby complains J.R. will show “huge short-term profits and deplete our reserves,” which seems like a reasonable concern. Meanwhile, Donna, now a member of the Texas Energy Commission, becomes irritated when her fellow regulators backtrack on their opposition to J.R. As Donna explains to Punk Anderson, “Some of the members of the commission have political ambitions. They’re not about to vote against lower gasoline prices, even if it means conserving our oil reserves.” Fair enough, although the comment feels a little hypocritical coming from the widow of a governor and the stepmother of a senator.

Indeed, Arthur Bernard Lewis’s script covers so many different reactions to J.R.’s cheap gas gambit — his family, his competitors in the cartel and the politicians all weigh it —“Barbecue Three” feel like a lesson in capitalism. Lewis even manages to reflect the consumers’ point of view, albeit subtly. J.R. announces his cut-rate gas plan at the opening of the first J.R. Ewing-branded gas station, where we see a couple of attendants lowering the per-gallon price from $1.21 to 89 cents. Later, the TV news coverage shows long lines of motorists waiting to fill up. There’s also a scene where Sly, J.R.’s secretary, tells her boss she thinks what he’s doing is “terrific” and hopes he can “keep it up.” (Seeing Deborah Rennard deliver this line, I couldn’t help but imagine Sly’s everyday working-class drudgeries: fighting traffic during morning rush hour, standing in line at the bank to deposit her paycheck, shopping for bargains at The Store.)

“Barbecue Three” also delivers two Lucy/Mickey scenes that showcase the nice chemistry between Charlene Tilton and Timothy Patrick Murphy. In the first, Mickey asks Lucy on a date, only to be introduced to her cold shoulder. Later, at the barbecue, he tries again to charm her and begins to realize her snobbish demeanor masks deeper problems. Patrick Duffy also has several good moments in this episode, including a monologue in which Bobby promises Pam he won’t lose the fight for Ewing Oil: “Daddy taught me a lot of tricks in my early days with the company. Things that I hated doing. But I learned. And I learned real good. And I can get right down in the mud if I have to.” It’s a nice reminder that Bobby’s recent discovery of his inner junkyard dog on TNT’s “Dallas” has precedence.

I also appreciate the details in “Barbecue Three.” The scene leading up to the first Texas Energy Commission meeting is expertly executed. Director Leonard Katzman shows us Ray and Donna (looking chic in her red hat) arriving at the municipal building and being greeted by a throng of news reporters, which helps lend the moment a sense of drama and suspense. You get the feeling something big is about to happen, a notion that’s reinforced by the sight of so many familiar oil industry leaders in the audience. And even though the “Dallas” producers actually make us sit through the commission members reciting the pledge of allegiance, it really doesn’t slow down the momentum. Later, when J.R. is planning his press conference, I like his brief exchange with his public relations chief. Sometimes you get the feeling Ewing Oil has no other employees besides the people who work in J.R. and Bobby’s executive suite, so it’s nice to see the show acknowledge that the Ewing brothers don’t do everything themselves.

There are a couple of nice touches during the barbecue sequences too. Debra Lynn Rogers, who played Toni, the woman Ray flirted with during the previous season’s “Barbecue Two,” plays the role again in this episode, except now she’s dancing with Mickey. Meanwhile, Peyton E. Park, who played Larry, the Ewings’ caterer in “Barbecue Two,” reprises the role here. In “Barbecue Three,” we also meet a woman who appears to be Jordan’s wife. He introduces her as Evelyn, although in the third-season episode “Paternity Suit,” Jordan seemed to refer to his spouse as “Sara.” Is this a continuity error, or are they two different women? If it’s the latter, I have to wonder: Between Sara, Kristin and now Evelyn, is Jordan trying to give J.R. a run for his money as “Dallas’s” biggest lothario?

Grade: A

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Barbecue Three, Dallas, J.R. Ewing, Larry Hagman

Gasman cometh

‘BARBECUE THREE’

Season 6, Episode 12

Airdate: December 17, 1982

Audience: 21.8 million homes, ranking 1st in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Leonard Katzman

Synopsis: The Texas Energy Commission revokes J.R.’s variance but faces public backlash when he opens a chain of popular cut-rate gas stations. Holly asks Bobby to help her get J.R. out of her company. Mickey realizes Lucy is troubled. After angry oilmen confront J.R. at the Ewing Barbecue, Miss Ellie vows to go to court to break Jock’s will and sell Ewing Oil.

Cast: E.J. André (Eugene Bullock), Barbara Bel Geddes (Miss Ellie Ewing), Lois Chiles (Holly Harwood), Patrick Duffy (Bobby Ewing), Ken Farmer (oilman), Fern Fitzgerald (Marilee Stone), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Alice Hirson (Mavis Anderson), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), James Karen (Elton Lawrence), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Julio Medina (Henry Figueroa), Peyton E. Park (Larry), Timothy Patrick Murphy (Mickey Trotter), Priscilla Pointer (Rebecca Wentworth), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Debra Lynn Rogers (Toni), Kirk Scott (Buchanan), Danone Simpson (Kendall), Arlen Dean Snyder (George Hicks), Don Starr (Jordan Lee), Robert Swick (Ewing Oil employee), Charlene Tilton (Lucy Ewing), Deborah Tranelli (Phyllis), Morgan Woodward (Punk Anderson)

“Barbecue Three” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.