Critique: ‘Dallas’ Episode 26 – ‘Royal Marriage’

Charlene Tilton, Dallas, Kit Mainwaring, Mark Wheeler, Royal Marriage

Beard and groom

“Royal Marriage” is historically significant television. When this episode debuted in 1979, it offered one of prime time’s first positive depictions of a gay character: Kit Mainwaring, the closeted oil-and-cattle heir who becomes Lucy’s fiancée.

“Dallas” goes out of its way not to scorn Kit. This was a mark of progress in the ’70s, when gay characters were rarely seen on television, and when they did show up, they were usually depicted as clowns, freaks or sociopaths.

A year-and-a-half before “Dallas” introduced Kit, Billy Crystal’s gay character sashayed around in dresses on “Soap.” Earlier in the decade, a gay patient on “Marcus Welby, M.D.” was advised to “fight” his impulses so he could lead a “normal” life, while Angie Dickinson tangled with a trio of lesbian killers on “Police Woman.”

On “Dallas,” Kit is never depicted as comical, strange or dangerous. He becomes engaged to Lucy after a whirlwind romance, but realizes it would be wrong to marry her and comes out to Bobby, who is mostly sympathetic toward him. “Your personal life is your own business, Kit,” Bobby says. “But, damn it, why did you have to bring Lucy into it?”

Bobby is “Dallas’s” moral compass, so by making him respectful toward Kit, the show seems to instruct its audience to treat the character the same way. When Kit finally reveals the truth to Lucy, she is devastated but ultimately supportive, even telling him she’d like to remain friends.

This might seem a little pat, but Lucy probably understands Kit’s turmoil better than most. His feelings of alienation aren’t unlike Lucy’s own struggles to fit in at Southfork, where she is a young woman in a houseful of deceitful adults.

Predictably, J.R. is the only Ewing who isn’t supportive of Kit, mostly because the young man’s broken engagement to Lucy means the Ewings and Mainwarings won’t be joining forces in business. J.R. does exhibit a hint of homophobia, though, wondering if Kit is “man enough” to stand up to him. This prompts Bobby’s notable retort: “Kit Mainwaring is more a man, J.R., than you will ever be.”

Of course, the most striking part of Kit’s coming out isn’t how J.R. rejects him or Bobby and Lucy accept him – it’s how Kit accepts himself. He tells Lucy, “I’m not gonna change. I’m tired of trying. I’ve got to learn to like myself the way I am.”

Camille Marchetta’s sensitive script makes “Royal Marriage” one of “Dallas’s” classiest episodes. It’s also surprisingly durable, with one exception: Kit’s constant use of the word “homosexual” – no character in this episode ever says “gay” – makes it sound like he has a clinical condition.

“Royal Marriage” is also elevated by strong performances from Mark Wheeler and especially Charlene Tilton, who is quite touching during Kit’s coming-out scene. In interviews, Tilton has called “Royal Marriage” one of her favorite episodes, and I see why. The actress is really good here, demonstrating how interesting Lucy can be when she is given meaningful storylines.

“Royal Marriage” is a sentimental favorite of mine, too. I watched this episode for the first time in 1991, when I was a teenager struggling to accept my own homosexuality. Back then, seeing my favorite show offer a positive view of gay people meant a lot to me.

It still does.

Grade: A

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Dallas, Kit Mainwaring, Mark Wheeler, Royal Marriage

Prince of a gay

‘ROYAL MARRIAGE’

Season 2, Episode 21

Airdate: March 9, 1979

Audience: 15.8 million homes, ranking 20th in the weekly ratings

Writer: Camille Marchetta

Director: Gunnar Hellström

Synopsis: Lucy gets engaged to Kit Mainwaring, who is secretly gay. When Kit tells Lucy the truth and calls off the wedding, she is hurt but prevents J.R. from creating a scandal.

Cast: Robert Ackerman (Wade Luce), Barbara Bel Geddes (Miss Ellie Ewing), Linden Chiles (Chris Mainwaring), Dante D’Andre (Jesus), Jim Davis (Jock Ewing), Patrick Duffy (Bobby Ewing), Fern Fitzgerald (Marilee Stone), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Steve Kanaly (Ray Krebbs), Joan Lancaster (Linda Bradley), Jay W. MacIntosh (Mrs. Mainwaring), Victoria Principal (Pam Ewing), Paul Sorensen (Andy Bradley), Charlene Tilton (Lucy Ewing), Mark Wheeler (Kit Mainwaring), Chuck Winters (Sam Gates), Buck Young (Seth Stone)

“Royal Marriage” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Scene of the Day: ‘I Hate This Family!’

Charlene Tilton, Dallas, Lucy Ewing, Pam Ewing, Runaway, Victoria Principal

Pout it out

In “Runaway,” a second-season “Dallas” episode, Pam (Victoria Principal) enters her bedroom and finds the dresses she brought home for Lucy on the floor. Lucy (Charlene Tilton) stands at the window, pouting.

PAM: Well, I guess you didn’t like them. [Lucy doesn’t respond.] Honey, Miss Ellie or Sue Ellen will probably bring you into town later. [Lucy continues staring silently out the window.] We’ll find something you like.

LUCY: [Facing Pam] I am old enough to pick out my own clothes! [Turns back to the window]

PAM: Yes, you are. All right, just trying to help.

LUCY: [Faces Pam again] This is supposed to be my birthday party! Grandma is making out the invitation list, Sue Ellen is gonna hire some old-fogey band – and J.R.’s gonna use it for one of his big deals! [Begins crying] And now you’re going to buy my clothes! I hate this family! [Runs out of the room and past a distraught Pam]

Dallas Scene of the Day: ‘Guess You’re Elected, Sugarplum’

Charlene Tilton, Dallas, Lucy Ewing, Winds of Vengeance

Be still

In “Winds of Vengeance,” a first-season “Dallas” episode, Miss Ellie (Barbara Bel Geddes), Lucy (Charlene Tilton) and Pam (Victoria Principal) sit on the living room sofa while Payton (Cooper Huckabee) points a gun at them, trying to decide who he’ll rape.

LUCY: [Crying] Ray used to go with Pam before she married Bobby!

ELLIE: [Holding Lucy] Lucy!

LUCY: Grandma, why should I have to…?

ELLIE: Lucy, you be still!

PAYTON: [To Pam] That true, beautiful?

PAM: Yeah.

PAYTON: Did pretty good for yourself.

PAM: I think I did.

PAYTON: So you was one of us?

PAM: I still am.

PAYTON: Well, then, you’re off the hook. We didn’t come here looking for one of us. We come looking for two of them. [To Lucy] Guess you’re elected, sugarplum.

TV Critics Had Little Love for the Ewings at First

Barbara Bel Geddes, Bobby Ewing, Charlene Tilton, Dallas, Jim Davis, Jock Ewing, J.R. Ewing, Larry Hagman, Linda Gray, Lucy Ewing, Miss Ellie Ewing, Pam Ewing, Patrick Duffy, Victoria Principal

What’s not to love?

Television critics never loved “Dallas” – especially in April 1978, when CBS introduced the series as a late-season replacement for “The Carol Burnett Show.”

The New York Times’ John J. O’Connor dismissed “Dallas” as a “daytime soap opera gussied up with on-location Texas settings.” He called the show “enervating” and made the curious observation it offered “innumerable scenes of people getting into, driving or getting out of cars.”

O’Connor also lamented how “the fine stage actress” Barbara Bel Geddes was relegated to “wandering around among the players with about three lines of dialogue,” and he described Charlene Tilton as “sulking sexily through was appears to be an audition for a remake of ‘Baby Doll.’”

According to Barbara A. Curran’s 2005 book “Dallas: The Complete Story of the World’s Favorite Prime-Time Soap,” the Hollywood trade publication Variety assailed “Dallas” as “dull and contrived,” “the TV equivalent of women’s-magazine fiction” and “a limited series with a limited future.”

The Associated Press was a bit kinder, praising CBS for filming “Dallas” in Texas. “[T]he look it gives the show was worth the effort,” wrote the wire service’s critic, who wasn’t given a byline.

This critic also pointed out how “Dallas” was conceived as a star vehicle for “a certain glamorous actress” – Linda Evans, although the review doesn’t name her – and suggested Larry Hagman stole the spotlight from Victoria Principal, who was cast as Pam after Evans was dropped from consideration.

“By far, the meatiest role, at least in the opener, goes to Hagman,” the AP’s critic wrote. “He is deliciously wicked as he attempts to reject Miss Principal from the family bosom by any foul means.”

In the Globe and Mail, a Canadian newspaper, Blaik Kirby declared Hagman “curls a lip better than anyone,” while the Los Angeles Times’ Cecil Smith asserted the actor’s “smiling villainy is the role you remember.”

Smith also praised Jim Davis’s “flinty ferocity,” but the critic bemoaned how “Dallas’s” first episode spent so much time introducing the characters and their backstories “that there isn’t much room for plot.”

Still, Smith saw some promise in the new series.

“[T]he scene is set,” he wrote, “for some very steamy drama to come on the arid Texas plains.”

What did you think of “Dallas” the first time you watched it? Share your comments below and read more features from Dallas Decoder.