‘Dallas’ Memoriam: Honoring Those We Lost in 2015

Carl Hardesty, Dallas, Edgar Randolph, Fritz Longley, George Coe, Lorimar, Martin E. Brooks, Merv Adelson

Here’s Dallas Decoder’s annual tribute to the “Dallas” actors, crew members and other contributors who died during the past year. Notable deaths among the show’s extended family also are included. Click on each person’s name to learn more about his or her career at IMDb.com.

 

Dallas, Lorimar, Merv Adelson

Merv Adelson

Merv Adelson

Died September 8 (age 85)

Adelson co-founded Lorimar, the producer of “Dallas,” “Knots Landing” and dozens of other popular shows from the 1970s, ’80s and ’90s. The studio’s name was created by combining the name of Adelson’s ex-wife Lori with Palomar Airport, where he used to fly airplanes.

 

Dallas, Old Acquaintance, Richard Anthony

Richard Anthony

Richard Anthony

Died April 20 (age 77)

Anthony played a waiter in the 1978 classic “Old Acquaintance.” His other credits include the 1968 “Star Trek” episode “Spectre of the Gun.”

 

 

Dallas, Edgar Randolph, Martin E. Brooks

Martin E. Brooks

Martin E. Brooks

Died December 7 (age 90)

Brooks played Edgar Randolph — a Sam Culver protégé who was later blackmailed by J.R. — in 10 episodes from 1983 to 1984. Brooks, who is best known as Dr. Rudy Wells on “The Six Million Dollar Man” and “The Bionic Woman,” also appeared in three 1992 “Knots Landing” episodes.

 

Carl Hardesty, Dallas, John Carter

John Carter

John Carter

Died May 23 (age 87)

Carter played Carl Hardesty, J.R.’s go-to man for setting up dummy corporations, in four episodes between 1982 and 1986. He also played a doctor in a 1984 installment of “Knots Landing.” His other credits include nine “Falcon Crest” episodes.

 

Al Checco, Dallas, Ewing Blues

Al Checco

Al Checco

Died July 19 (age 93)

In “The Ewing Blues,” Checco played the man who delivered food to Cliff’s townhouse, noticed J.R.’s appearance on the TV show “Talk Time” and expressed admiration for him. Checcho made guest spots on many other shows, including “Bonanza,” “Kung Fu,” “Growing Pains” and “Scrubs.”

 

Dallas, General Fritz Longley, George Coe

George Coe

George Coe

Died July 18 (age 86)

Coe played Fritz Longley, the retired general who inspired J.R.’s Middle East misadventures, in two 10th-season episodes, “Pari Per Sue” and “Enigma.” Coe also appeared regularly on “Saturday Night Live” during its first season and later voiced a character on “Archer.”

 

Dallas, Diana Douglas, Dr. Suzanne Lacey, Letter

Diana Douglas

Diana Douglas

Died July 3 (age 92)

Douglas played Dr. Suzanne Lacey, the child psychologist who treats John Ross after the Southfork fire, in the seventh-season classic “The Letter.” Douglas, who was married to Kirk Douglas, also played the physician who treated Gary Ewing after his fall from the wagon at the end of “Knots Landing’s” first season.

 

Dallas, Jay Gerber, Rosemont, Southfork Wedding Jinx

Jay Gerber

Jay Gerber

Died October 2 (age 86)

Geber played Rosemont, a sanitarium patient, in the 13th-season episode “The Southfork Wedding Jinx.” His other credits include “Knots Landing,” “L.A. Law” and “Gilmore Girls.”

 

 

Dallas: The Early Years, Ed Porter, Geoffrey Lewis

Geoffrey Lewis

Geoffrey Lewis

Died April 7 (age 79)

Lewis played Ed Porter in “Dallas: The Early Years.” The character actor’s extensive credits also include the Clint Eastwood film “Every Which Way But Loose,” a regular role on the “Alice” spinoff “Flo” and nine episodes of “Falcon Crest.”

 

Dallas, Riobert Magruder

Robert Magruder

Robert Magruder

Died January 2 (age 85)

Magruder, a Texas-based actor, played various roles in four episodes between 1978 and 1984, including a stint as a doctor in the third-season “Whatever Happed to Baby John?” two-parter.

 

 

Dallas, Ewing vs. Ewing, Gordon Oas-Heim

Gordon Oas-Heim

Gordon Oas-Heim

Died June 5 (age 88)

Oas-Heim appears in the credits of the fourth-season episode “Ewing vs. Ewing,” although he isn’t readily visible. The actor’s other credits include “The New Monkees” and a guest spot on “Diff’rent Strokes.”

 

 

Betsy Palmer, Knots Landing

Betsy Palmer

Betsy Palmer

Died May 29 (age 88)

Palmer, who is best known for playing Jason Vorhees’ mother in “Friday the 13th,” portrayed Valene Ewing’s Aunt Ginny on “Knots Landing” from 1989 to 1990.

 

 

Dallas, George Probert

George Probert

George Probert

Died January 10 (age 87)

Probert worked as a “Dallas” music editor on 74 episodes from 1979 to 1982. He also worked on “Lost in Space” and “The Famous Adventures of Mr. Magoo” and was an accomplished jazz musician.

 

 

Dallas, Geoffrey Ryan

Geoffrey Ryan

Geoffrey Ryan

Died September 20 (age 62)

Ryan served as a Los Angeles location manager for “Dallas” from 1981 to 1983. He also worked on several other Lorimar series, including “Knots Landing,” “Berrenger’s,” “Guns of Paradise” and “Bodies of Evidence.”

 

Dallas, Gregory Walcott, Jim Redfield

Gregory Walcott

Gregory Walcott

Died March 20 (age 87)

In 1980, Walcott appeared in “Who Done It?” and the following episode, “Taste of Success,” as refinery owner Jim Redfield. Ten years later, he returned in the 13th-season episode “Tale of Two Cities” as Jebediah Joyce, the Coast Guard commander who investigated the Ewing Oil tanker disaster.

 

Alan Weeks, Dallas

Alan Weeks

Alan Weeks

Died October 10 (age 67)

Weeks did one-time guest spots on shows such as “Police Woman” and “Fame.” His last credited appearances were two 1991 episodes of “Dallas” — “Designing Women” and “S is For Seduction” — in which he played Thomas, the judge in Carter McKay’s murder trial.

 

What do you remember about these artists? Share your memories below and read our tributes from 2014 and 2013.

Critique: ‘Dallas’ Episode 102 – ‘Acceptance’

The emperor's clothes

The emperor’s clothes

The scene everyone remembers from “Acceptance” is the one where the grieving Miss Ellie goes on a rampage in the Southfork kitchen, smashing every dish in sight before tearfully collapsing onto the floor. This is a big, dramatic moment and it never fails to give me chills, but it’s not the only great performance we get from Barbara Bel Geddes in this episode. The quiet moments that come before Ellie’s breakdown are just as moving. They deserve to be remembered too.

More than anything, “Acceptance” is about the journey Ellie takes before she comes to terms with Jock’s death. It begins when Ray visits Ellie on another rainy night at Southfork and suggests she forgive Donna for wanting to write an unflattering book about Jock. Steve Kanaly’s monologue consists of more than 350 words, and he delivers every one beautifully. I also love how Bel Geddes holds her own against Kanaly, even though she is almost completely silent. The look on Bel Geddes’ face tells us everything we need to know. Ellie isn’t really mad at Donna. She’s angry because the husband she loved has died and left her alone.

Virtually every scene that follows demonstrates how Bel Geddes can say more with a smile or a furrowed brow than most actors can with a script full of dialogue. Watch how her expression changes in the scene where Punk invites Ellie to accompany him and Mavis to the Oil Barons Ball. Bel Geddes is so sweet in the way Ellie politely declines Punk’s invitation, but once he tells her about the plan to introduce a memorial scholarship in Jock’s name, her expression shifts to shock, hurt and sadness, all within a matter of seconds. How does she do that?

The poignant moments keep coming. A pensive Ellie strolls around the Southfork grounds, recalling the walk she takes in the classic “Ellie Saves the Day.” She visits the stables and lovingly strokes Blazer, Jock’s horse. “You miss him too, don’t you?” she says. And the biggest heartbreaker of all: when Ellie stands in Jock’s bedroom closet and gently touches his clothes. (In a nice touch, the producers appear to have stocked this set with pieces from Jim Davis’s “Dallas” wardrobe, including the powder blue suit he memorably sported in “Runaway” and the white-dotted bathrobe he wore during the third season.)

Of course, as good as Bel Geddes is, she gets plenty of support from director Michael Preece, who always brings out the best in the “Dallas” cast, and Will Lorin, whose script is full of details that ring true. My favorite of these moments comes in the second act, when Lucy enters Ellie’s bedroom to announce Punk’s arrival. “Tell him I’ll be right there. Offer him a drink,” Ellie says. Offer him a drink. It’s a small line, but it tells us so much about Ellie’s devotion to keeping up appearances, even when she’s in mourning. This is exactly what we expect a woman of Ellie’s generation and stature to tell her granddaughter when company arrives.

Ellie’s struggle reaches its crescendo when she has her breakdown in the kitchen. The sequence begins with the Ewings gathered in the Southfork dining room. As the other characters chatter (listen closely and you’ll hear J.R. and Pam being cordial to each other), Preece slowly zooms in on Ellie’s face as she notices Jock’s empty chair at the other end of the table. Quickly and quietly, she excuses herself and goes into the kitchen, where she orders Teresa to leave. Suddenly, Ellie is overcome with emotion and begins smashing the dishes.

When I interviewed the wonderful Michael Preece last month, he told me Bel Geddes didn’t want to do multiple takes because the material was so gut-wrenching. When you watch the scene, you can tell the actress is taking care to hit her marks. In hindsight, her sense of caution works well. Yes, Ellie is a woman exploding with grief, but she’s also someone whose instinct is to always remain composed. Of course she’d hesitate a little before knocking over a stack of plates.

(Watching this scene, I’m also reminded of a famous sequence from the 1970s sitcom “Good Times,” when Esther Rolle’s Florida Evans, another matriarch in mourning, slams a glass punchbowl onto her kitchen floor. The dialogue is similar too. Florida: “Damn, damn, damn!” Ellie: “Damn you, Jock!”)

In “Acceptance’s” final scene, Ellie visits the Krebbses and gives Donna’s book her blessing. It brings to mind the final moments in the fourth-season episode “Ewing vs. Ewing,” when Ellie stands in Ray and Donna’s living room and asks Jock to forgive her for almost destroying their marriage. That scene, one of the last times Bel Geddes and Davis appeared together, ends with their characters declaring their love for each other. This time around, the moment of satisfaction comes when Ellie finally acknowledges that her husband is dead. “I know that Jock’s not coming back, but I have my memories of him,” she says. “And my memories are forever.”

So are great performances like this.

Grade: A

_______________________________________________________________________________________________________________________________________________

Forever

Forever

‘ACCEPTANCE’

Season 5, Episode 25

Airdate: April 2, 1982

Audience: 29.1 million homes, ranking 2nd in the weekly ratings

Writer: Will Lorin

Director: Michael Preece

Synopsis: Miss Ellie accepts Jock’s death and gives Donna’s book her blessing. Afton tries to comfort Cliff after Rebecca fires him. J.R. romances Sue Ellen. Bobby helps the police catch Farraday’s killers. Mitch moves to Atlanta.

Cast: Tyler Banks (John Ross Ewing), Barbara Bel Geddes (Miss Ellie Ewing), Patrick Duffy (Bobby Ewing), Phyllis Flax (Mrs. Chambers), Jonathan Goldsmith (Joe Smith), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Krebbs), Bob Hoy (Detective Howard), Steve Kanaly (Ray Krebbs), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Leigh McCloskey (Dr. Mitch Cooper), Priscilla Pointer (Rebecca Wentworth), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Tom Stern (Detective White), Charlene Tilton (Lucy Cooper), Morgan Woodward (Punk Anderson), H.M. Wynant (Ed Chapman)

“Acceptance” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Scene of the Day: ‘I Love You, Jock’

Nothing to forgive

Nothing to forgive

In “Dallas’s” fourth-season episode “Ewing vs. Ewing,” while Jock and Donna (Jim Davis, Susan Howard) watch, Ray (Steve Kanaly) hands Miss Ellie (Barbara Bel Geddes) a legal document he commissioned to relinquish his claim of the Ewing fortune.

JOCK: Ray, I made you part of that trust because it’s rightfully yours. Don’t throw away your birthright.

RAY: I’d rather give it all up, leave Southfork, go anywhere, rather than be the cause for you two splitting up. You’re paying too high a price for me to be a Ewing.

ELLIE: [Turns and slowly turns away] I can’t let you do that, Ray. [She rubs her temple.] I guess, I guess the truth has finally come home. All this time, I couldn’t let go of Gary. I couldn’t let go of the hope that he’d come back to Southfork. But Gary’s not coming back. It’s because he doesn’t want to. This time, he wasn’t driven away. He left because, because he wasn’t happy. And you were right. I did blame you for that, Ray. It was easier to blame you than looking at myself and see the truth. And because you were Ray’s father, Jock, I focused all that hurt and hate on you being part of Takapa. But it never was Takapa. I used it as an excuse. It was all inside of me. [Tosses aside the document, turns back to Ray, sobs] And Ray, you are a Ewing. [Walks toward him] I want you to stay. [She touches his face, and then he embraces her as she cries.]

JOCK: Does that include me too?

ELLIE: Oh, yes. [Jock smiles as she walks toward him.] Forgive me. I almost destroyed everything.

JOCK: Nothing to forgive. I love you, Ellie.

ELLIE: I love you, Jock.