Dallas Parallels: The Saboteurs

Dallas, John Ross Ewing, Josh Henderson, J.R. Ewing, Larry Hagman, TNT

J.R. Ewing is a man of many talents, but he takes special delight in the fine art of sabotage. During the original “Dallas’s” seventh season, after Cliff Barnes blackmails J.R.’s secretary Sly into spying on her boss, J.R. retaliates by turning one of Cliff’s employees against him. J.R.’s ultimate goal: to ruin Cliff, once and for all.

The scheme begins when J.R. tricks Cliff into investing in some expensive offshore oil leases in the Gulf of Mexico. Once Cliff is leveraged to the hilt, J.R. bribes Max Flowers, Cliff’s foreman, to slow down the drilling so Cliff won’t strike oil before his bank loan comes due, thus bankrupting him.

This must be one of the dirty tricks J.R. teaches John Ross, because three decades later, the son pulls a similar stunt. It begins during the second season of TNT’s “Dallas,” when John Ross is secretly plotting to seize control of Ewing Energies from his partners, who include onetime love Elena Ramos. To nab her share, John Ross bribes Brian “Bubba” Davis, Elena’s foreman, to drill in the wrong direction on land where she’s trying to strike oil. By delaying Elena’s strike, John Ross hopes to prevent her from repaying a loan to his mother Sue Ellen, thus putting Elena’s piece of Ewing Oil in play.

Both storylines include scenes where the victims (Cliff, Elena) visit their drilling sites with their siblings (Pam, Drew) and talk about how proud their deceased fathers would be if they strike oil. The strongest similarities, however, are found in scenes where the saboteurs (J.R., John Ross) meet with the duplicitous foreman (Flowers, Bubba) to discuss their schemes.

In the 1984 episode “Turning Point,” J.R. ducks into a dive bar and sits in a booth across from Flowers, who worries a member of his crew will figure out what he’s up to and tip off Cliff. J.R. expresses confidence the plan will work and dismisses his enemy’s capabilities. “You’re just going to have to make sure he keeps getting the short straw. Hell, he’s used to that anyway, isn’t he?” J.R. says.

The parallel sequence is found in the 2013 episode “False Confessions.” This scene also takes place in a dive bar, where the principals sit across from each other in a darkened booth. Like Flowers, Bubba worries someone close to the victim — in this case, Elena’s fiancée Christopher — will figure out the scheme against her. Like J.R., John Ross expresses confidence the plan will succeed and takes a swipe at his rival. Referring to Christopher, John Ross says, “It’s good that he thinks he has a chance. That’ll make it hurt more when he loses.”

Originally, I ended this post by pointing out how J.R.’s plot fails, while John Ross’s plan succeeds, but as Dallas Decoder reader Stephan points out in the comments section below, neither scheme is particularly successful. In J.R.’s case, Cliff fires Flowers and replaces him with a new foreman who hits a gusher at the 11th hour, saving Cliff from bankruptcy. Meanwhile, Elena fails to strike oil on her land and loses her share of Ewing Energies, but only after Sue Ellen invokes a morals clause in her contract with Elena.

So more than anything, J.R. and John Ross’s forays into sabotage confirm what we already know: Like father, like son.

 

‘Someone Might Tip Him Off’

Dallas, Denny Miller, Max Flowers, Turning Points

Tipped?

In “Turning Point,” a seventh-season “Dallas” episode, J.R. (Larry Hagman) enters a bar and sits at a booth across from Flowers (Denny Miller).

J.R.: Hello, Flowers. I hardly recognized you.

FLOWERS: That’s okay. Want a beer?

J.R.: Yeah, sure. If that’s all they got.

FLOWERS: [To a waitress] Hon, bring us a couple beers.

J.R.: So how’s everything in the gulf? Cliff Barnes ready to strike oil?

FLOWERS: Not yet. But the whole operation’s got me worried.

J.R.: Yeah? Why’s that?

FLOWERS: Well, you’ve been paying me a lot of money to slow things down. I don’t think I’ve been able to slow them down enough.

J.R.: Well, now, you’ve been doing a good job so far.

FLOWERS: Oh, I know. I’ve been able to miss the most promising geological formations. Barnes is so dumb, he doesn’t know that. But the crew is getting suspicious, and someone might tip him off.

J.R.: Well, you’ve just got to get rid of any potential troublemakers.

FLOWERS: Oh, I’ve been trying to do that. And I’ve hired the worst crew I could find. But you know, that’s hard to do. [J.R. chuckles.] Most of those guys are pretty sharp.

J.R.: Well, you’ve just got to hold it up for another couple of weeks at the most. Barnes is just about to run out of money.

The waitress sets two beers on the table.

FLOWERS: Thanks. If he was drilling any other tract, it’d sure be easier. He’s got possibly the richest tract in the gulf.

J.R.: Yeah, I know that. If it wasn’t, he wouldn’t be pouring every dollar he can get his hands on into it.

FLOWERS: Okay. I just wanted you to know that I’m doing my best. But sooner or later, even an idiot with a long straw could suck up oil out of that tract.

J.R.: You’re just going to have to make sure he keeps getting the short straw. [Sips his beer] Hell, he’s used to that anyway, isn’t he? [Chuckles]

 

‘He’s On Your Tail’

Dallas, Brian Bubba Davis, Matthew Posey, TNT

Tailed?

In “False Confessions,” a second-season “Dallas” episode, John Ross (Josh Henderson) enters a bar and sits at a booth across from Bubba (Matthew Posey).

JOHN ROSS: [Slaps an envelope on the table] Let’s call that your severance.

BUBBA: [Peeks inside] Much obliged, John Ross. But you should know that Christopher’s after me. He thinks you put me up to it.

JOHN ROSS: Just because he’s a pussy doesn’t mean he ain’t smart.

BUBBA: [Chuckles] You’re not concerned that he’s on your tail?

JOHN ROSS: It’s good that he thinks he has a chance. That’ll make it hurt more when he loses.

What do you think of J.R. and John Ross’s schemes against Cliff and Elena? Share your comments below and read more “Dallas Parallels.”

‘Dallas’ Season 3: Let’s Speculate!

Dallas, Emma Bell, Emma Ryland, TNT

Uncovered

TV Guide’s ace columnist, William Keck, delivered a must-read preview of “Dallas’s” third season earlier today. Now it’s time for fans to fill in the blanks with their own theories about what we might see when TNT begins televising the new episodes on Monday, February 24.

• One of Keck’s most intriguing tidbits: The new season will feature a pregnancy storyline. Almost any of the show’s leading ladies could become expectant mothers, but my money is on Emma (Emma Bell). Imagine the complications that would ensue if John Ross (Josh Henderson) impregnates his wild-child mistress! Pamela is also a possibility, although would the producers force Julie Gonzalo to wear a padded tummy for a second season in a row? One out-there contender: Suppose Ann (Brenda Strong) delivered a late-in-life bundle of joy to Bobby (Patrick Duffy)?

• The new season will also include a shooting, a death and a wedding, Keck reports. I have no idea which characters might get shot and/or die, but the nuptials seem easy to figure out: After John Ross and Pamela’s quickie wedding in Las Vegas at the end of Season 2, aren’t they due for a lavish Southfork ceremony?

• According to Keck, Christopher (Jesse Metcalfe), who sports a beard in the Season 3 cast portrait that accompanies the TV Guide article, will meet his new love interest Heather (AnnaLynne McCord) when he stumbles upon her fighting with her ranch hand ex-husband. Again, this is pure speculation, but a recent tweet from the set suggests Donny Boaz, who appeared last season as Bo, the ranch hand who supplied Emma will pain pills, will be back next season. Could he be Heather’s ex?

• Keck tells us we’ll finally meet Joaquin, the mystery man Elena (Jordana Brewster) met in Mexico during the second-season finale. The article doesn’t mention who has been cast in this role, but I wonder: Will Nicolas Trevino, the new character played by Juan Pablo Di Pace, turn out to be Joaquin?

Consider this: On April 23, about a week after TNT showed the finale, the Elena character tweeted, “Can’t wait to introduce you all to my uncle Joaquin. He’s quite a character. And a potentially powerful ally.” This tweet is no longer in the character’s feed. Could this mean the producers’ vision of Joaquin has evolved from someone avuncular to someone younger like Di Pace?

• Sue Ellen (Linda Gray) will continue drinking in Season 3 after discovering John Ross is cheating on Pamela. According to Keck, “Sue Ellen’s struggle will climax in a midseason cliffhanger similar to one of the original series’ memorable season enders.” What could this mean? Is Sue Ellen going to wreck her car? Shoot someone? Make another movie?

• Keck reports Bobby might cheat on Ann, either with a “familiar face from the past (Priscilla Presley’s Jenna Wade?) or a lovely newcomer.” Nothing to add here, except this: !

• It looks like “Dallas” won’t forget Larry Hagman anytime soon. Showrunner Cynthia Cidre tells Keck, “We open with Bobby at the Ewing cemetery looking at the graves of J.R., Miss Ellie and Jock, saying, ‘I guess I’m the only one left now.’” The only question raised by this revelation: How many tissues will we need to get through that scene?

What do you think of the storylines previewed by TV Guide’s William Keck? Share your comments below and read more news from Dallas Decoder.

Tonight on #DallasChat: ‘The Feud’

Bobby Ewing, Cliff Barnes, Dallas, Ken Kercheval, Patrick Duffy

The end?

Our next #DallasChat on Twitter will be held Monday, December 2, from 9 to 10 p.m. Eastern time. Our theme will be the generations-old conflict between the Barneses and the Ewings, otherwise known as “The Feud.”

Here’s how #DallasChat works: I tweet a question roughly every five minutes for one hour. Each question is numbered and includes the hashtag #DallasChat, so your responses should do the same.

A sample exchange:

Q1. Now that Cliff is in jail, is it time for “Dallas” to move beyond the Barnes-Ewing feud? #DallasChat

A1. Never! It ain’t “Dallas” without Ewings and Barnes loving and/or loathing each other. #DallasChat

Two pointers:

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Include the hashtag #DallasChat in each tweet you send so others can see your contributions to the conversation. Feel free to start side conversations of your own, but be sure to include #DallasChat in those tweets too.

This promises to be another interesting chat. I hope you can make it!

Dallas Scene of the Day: ‘I Want That Little Insect to Bite’

Buck Stops Here, Dallas, J.R. Ewing, Larry Hagman

The exterminator

In “The Buck Stops Here,” a seventh-season “Dallas” episode, J.R. (Larry Hagman) is seated in his office at night when Harry (James L. Brown) knocks on the door.

HARRY: Evening, J.R.

J.R.: Come in, Harry.

HARRY: [Enters the room, closes the door behind him] What’s up?

J.R.: Two very important deals were stolen out from under me by Cliff Barnes. They were hush-hush, strictly confidential. Brokers that I’ve known and trusted for years came to me and told me I was the only one they were talking to. But Barnes beat me out. That greedy little cockroach is getting information before I can act. He has a spy working for him.

HARRY: Well, the first thing we have to do is set out a trap.

J.R.: All right. Let’s talk about the bait. I want that little insect to bite — and bite hard.

Critique: ‘Dallas’ Episode 141 — ‘The Buck Stops Here’

Bobby Ewing, Dallas, Pam Ewing, Patrick Duffy, Victoria Principal

Round and round

“The Buck Stops Here” memorably ends with Pam Ewing and Jenna Wade competing against each other in a mechanical bull-riding competition. It’s an appropriate metaphor for these characters, whose lives go up and down but rarely move forward. For example, during the course of this episode, we learn Pam is still hung up on ex-husband Bobby, even though she’s also in a relationship with Mark Graison. Meanwhile, Jenna has returned to town after a long absence and rekindled her romance with Bobby, but he upsets her when he asks if he’s the father of her daughter Charlie. If it feels like you’ve seen both of these stories before, it’s because you have.

Let’s start with Pam. She spends most of “Dallas’s” previous season trying to choose between Bobby and Mark, a storyline that makes her seem more than a little wishy-washy. Once Pam divorces Bobby, the writers begin to rehabilitate her character, even giving her a promising new career in the oil industry. It’s the return of the smart, confident Pam that Victoria Principal played exceedingly well during “Dallas’s” early years. Too bad it doesn’t last. In “The Buck Stops Here,” Principal’s character is back where she was a year earlier, torn between Bobby and Mark.

At least Arthur Bernard Lewis’s script makes Pam aware that she’s emotionally stuck. In the first act, Pam confides her conflicted feelings to Katherine, a scene that is probably meant to make Pam seem introspective but instead makes her seem whiny and not in control of her own emotions. At one point, Katherine tells her, “You know, sometimes I don’t understand you at all.” Pam’s response: “Sometimes I don’t understand myself at all.” The exchange brings to mind “Dallas’s” fifth season, when Pam was unable to explain the erratic behavior she exhibited before her mental breakdown — a storyline I’d just as soon not be reminded of.

The weak plotting leaves me feeling bad for Principal, an enormously appealing actress who deserves better material. Don’t get me wrong: I want Bobby and Pam back together as much as anyone, but if the show was going to insist on breaking them up, at least give Pam something better to do than to pine after her ex-husband. On the other hand: I’ll confess I get a kick out of seeing Pam and Jenna shoot daggers at each other throughout the charity rodeo and the mechanical bull-riding competition. There’s also the terrific scene where Jenna compliments Pam on her performance, telling she’s going to be “a tough act” to follow. “I am a tough act to follow,” Pam responds. On this show, have truer words been spoken?

“Dallas” struggles to come up with a fresh angle for Jenna too. The show introduces the character in the second-season episode “Old Acquaintance,” when Jenna — played by Morgan Fairchild — is depicted as a scheming heiress who tries to break up Bobby and Pam by insinuating Charlie is Bobby’s daughter. Eventually, Pam confronts Jenna and forces her to admit that Jenna’s ex-husband is the little girl’s father. In Season 3, Jenna — now played by Francine Tacker — returns briefly and once again tempts Bobby, except this time Charlie’s paternity isn’t part of the equation. So why is Bobby suddenly pestering Jenna about the issue in “The Buck Stops Here”? My guess is the producers figured audiences wouldn’t remember this subplot was resolved years earlier, although I have no idea why they think “who is Charlie’s father?” is such a compelling storyline in the first place.

At least Jenna comes off as a little more clear-eyed than Pam. The character has felt more down-to-earth and interesting since Priscilla Presley took over the role three episodes ago. Some of this comes from the writing — Jenna has lost her fortune and is now working as a waitress to pay the bills — but some of it also comes from Presley, who instills her character with much more backbone than I remembered. In one of “The Buck Stops Here’s” best scenes, Katherine tries to bribe Jenna into moving to Houston and leaving Bobby alone. Katherine pretends she’s acting in Pam’s interest, but Jenna is savvy enough to realize Katherine wants Bobby for herself. I also like the scene where Bobby takes Jenna to dinner at the Oil Baron’s Club (which makes its debut in this episode) and asks her if she misses being rich. “Damn right I do,” she says. Isn’t it kind of refreshing to see the working class depicted as something other than noble?

Besides recycling old storylines, “The Buck Stops Here” demonstrates the sexism that pervades this era of “Dallas.” At the beginning of the episode, when Pam and Katherine have their heart-to-heart talk, Katherine is aghast to learn Pam and Mark have never had sex. “You can’t expect a man to wait forever. This isn’t the 19th century,” she says. It also seems like every man on this show has at least two women interested in him: Mark is romancing Pam while being chased by snooty socialite Tracy Anders, while Pam, Jenna and Katherine are all in love with Bobby.

(Frankly, everyone’s interest in Patrick Duffy’s character mystifies me a little, at least in “The Buck Stops Here.” Notice how Bobby cheerfully tells Katherine all about his wonderful afternoon with Jenna, even though Katherine confessed her own unrequited romantic feelings for Bobby during the previous episode. Likewise, isn’t it kind of crass of Bobby to plant such a passionate kiss on Jenna at the end of this episode, knowing that his ex-wife is watching them? Where’s the sweet, sensitive Bobby that we all know and love?)

Amid all the complications and sexism that characterize Bobby and Pam’s love lives, Sue Ellen’s May/December romance with camp counselor Peter Richards feels like a breath of fresh air. At least this is a love triangle where one woman (Sue Ellen) is the object of affection for two men (J.R. and Peter). The previous episode ended with Sue Ellen and Peter sharing a brief kiss, but in “The Buck Stops Here,” she meets Peter for lunch — the restaurant’s name isn’t shown, but I’d recognize the inside of a 1980s Pizza Hut anywhere — and wisely tells him that their relationship can’t go any further. It’s nice to see Sue Ellen grow as a character, even as some of her “Dallas” sisters struggle to move forward.

Of course, even though I like seeing the Ewing and Barnes women take center stage for a change, I can’t help but feel bad for J.R., who doesn’t have much to do in “The Buck Stops Here” except to stand by helplessly as Cliff steals another deal from him. In fact, Larry Hagman is completely absent from the episode’s fourth act, an extreme rarity on this show. It’s no fun to watch our hero get beat, but but I’m heartened by the scene where J.R. summons Harry McSween to his office to help him set a trap for his enemy. “I want that little insect to bite — and bite hard,” J.R. says. The line leaves me rubbing my hands in glee. J.R. vowing to exterminate Cliff? Oh, this is going to be fun!

Grade: B

_______________________________________________________________________________________________________________________________________________

Bobby Ewing, Dallas, Jenna Wade, Patrick Duffy, Priscilla Presley

Busy Bobby

‘THE BUCK STOPS HERE’

Season 7, Episode 10

Airdate: December 2, 1983

Audience: 22.3 million homes, ranking 3rd in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Leonard Katzman

Synopsis: Peter tells Sue Ellen he loves her, but she insists it’s merely an infatuation. Pam sleeps with Mark after she spots Bobby kiss Jenna passionately. After J.R. loses another deal to Cliff, he realizes Ewing Oil has a mole.

Cast: Christopher Atkins (Peter Richards), Mary Armstrong (Louise), John Beck (Mark Graison), Tye Bell (Buzz), Morgan Brittany (Katherine Wentworth), James L. Brown (Detective Harry McSween), Jack Collins (Russell Slater), Joe Dorsey (Ben Kesey), Patrick Duffy (Bobby Ewing), Eric Farlow (Christopher Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Roy McAdams (rodeo announcer), Andrea McCall (Tracy Anders), Shalane McCall (Charlie Wade), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Danone Simpson (Kendall), Don Wood (Dan Fuller)

“The Buck Stops Here” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.