Dallas Scene of the Day: ‘Who Would You Like to Blame?’

Bibi Besch, Dallas, Dr. Gibson, Motheres

Analyze this

In “Mothers,” a ninth-season “Dallas” episode, Sue Ellen (Linda Gray) stands in the office of Dr. Gibson (Bibi Besch), who is seated in a chair.

SUE ELLEN: Why do I drink? Now that’s a good question, doctor. And it’s been a good question every time someone asks me. Even when you’ve asked me. [Sits on the sofa]

GIBSON: Are you any closer to an answer?

SUE ELLEN: My father was an alcoholic. [Rests head on her hand]

GIBSON: So you said. Did your other therapist let you get away with that as an answer? Who would you like to blame this time?

SUE ELLEN: I’m not blaming him. I’m just trying to explain it.

GIBSON: You think the fact that your father was an alcoholic explains why you are. Or do you just wish it did?

SUE ELLEN: I don’t know. [Stands, walks across the room] I really don’t know. The whole thing is so perverse. [Sighs] I hated the smell of alcohol. I hated everything it represented. My father drank away all of his chances for success. And all of my mother’s chances for success went with him. [Sits in a chair] And now I’m doing the same thing.

GIBSON: Your mother. Let’s talk about her a little.

SUE ELLEN: What’s there to say?

GIBSON: I don’t know. Just tell me something about her.

SUE ELLEN: I did already. My father drank away everything that she ever wanted out of life. Money, prestige, social position. So she did the next best thing. She raised me to have that kind of life. She raised me to marry somebody important. To love, honor and obey. And she made it very clear to me that if I couldn’t love and honor, I could sure as hell obey.

GIBSON: That’s valid, Sue Ellen. Years ago, a lot of women thought that way. But the world has changed.

SUE ELLEN: Not for her. And not for me. It’s all I know. I was raised to be the best thing that ever happened to a husband. She just neglected to tell my husband. [Pauses] Did your husband ever cheat on you? [Gibson smiles.] Yeah, I know. We’re here to talk about me, hm? Well, let me tell you something. There is nothing in the world more degrading than your husband is sleeping with every tramp there is in Dallas.

GIBSON: Then why do you stay with him?

SUE ELLEN: [Chuckles] Oh, doctor. You forgot. I’m the perfect wife. Actually, I did divorce him once. Then I let him talk me into marrying him again.

GIBSON: Why did you let that happen?

SUE ELLEN: Because the plain truth of it is that I don’t know anything other than being J.R. Ewing’s wife. Pathetic, isn’t it?

GIBSON: Are you blaming your husband now?

SUE ELLEN: Well, why shouldn’t I? It’s his fault, isn’t it?

GIBSON: Is it? Is it your husband’s fault? [Leans forward] Or is it your father’s fault? Or is it your mother’s fault?

SUE ELLEN: You think it’s my fault?

GIBSON: Sue Ellen, I think it doesn’t matter whose fault it is. What matters is where you go from here.

Watch this scene in “Mothers,” available on DVD and at Amazon and iTunes, and share your comments below.

Critique: ‘Dallas’ Episode 197 — ‘Mothers’

Barbara Bel Geddes, Dallas, Martha Scott, Mothers, Patricia Shepard

Lives of mothers

“Mothers” brings back Patricia Shepard, who visits Southfork and is stunned to discover her daughter Sue Ellen is being treated for alcoholism. Patricia’s arrival allows “Dallas” to delve into Sue Ellen’s past, drawing a connection between her troubled childhood and the addiction that now overwhelms her. The episode also examines the prickly relationship between Miss Ellie and Patricia, two women who are united by the marriage of their children but who otherwise have very little in common. It all adds up to another hour that allows the women of Southfork to step into the spotlight. Just think: It took only nine seasons for them to get there.

This is an episode with many interesting moments, beginning with Sue Ellen’s visit to Dr. Gibson, a therapist at the sanitarium where she’s receiving treatment. Linda Gray’s dialogue reveals new information about her character — we learn Sue Ellen’s father was an alcoholic too — epitomizing new producer Peter Dunne’s determination to dig deeper into familiar figures like Sue Ellen Ewing. The Gibson character also is put to good use. She’s full of insight, refusing to allow Sue Ellen to blame other people for her problems. “It doesn’t matter whose fault it is. What matters is where you go from here,” Gibson says. The good doctor is played by Bibi Besch, a wonderful character actress who makes everything she appears in better. What a shame this is Gibson’s only “Dallas” appearance while Dr. Ellby — Sue Ellen’s creepy, glass-eyed therapist during the early seasons — logged 19 (!) episodes.

The scenes involving Ellie and Patricia reveal a lot too. Here are two women who couldn’t be more different. Earthy Ellie allows her children to make their own decisions — sometimes to a fault. In this episode, she wisely tells Ray he must make up his own mind about whether or not to sell his shares of Ewing Oil to Jeremy Wendell, but she also says nothing when J.R. causes a scene at breakfast, complaining about how his family is selling him out to Wendell. Contrast this with that master meddler, the status-obsessed Patricia. She pries J.R. for information about his marital life — even getting him to admit he’s had affairs (notably, she gives him a pass for this) — and later visits Sue Ellen and vows to “straighten out” her daughter’s marriage. When Sue Ellen points out that she’s always run third to J.R.’s work and his mistresses, Patricia snaps, “I didn’t raise my daughters to run third. I raised winners.” This lady is like Jock Ewing in a skirt, is she not?

Patricia and Ellie’s direct interaction tells us a lot too. Note how warmly Ellie greets Patricia when she arrives at Southfork. Only after Patricia has exited the scene do we learn the truth: “That woman’s never been anything but trouble,” Ellie tells Clayton. Mama is nothing if not a gracious hostess. It’s also worth noting that Patricia acts like she has no idea her daughter has a drinking problem, even though the Shepard matriarch’s most recent visit to the ranch came during the third season, right after Sue Ellen’s previous sanitarium stay. Perhaps this is an oversight on behalf of Dunne and the rest of the writing team, but it seems just as likely Patricia is suffering a classic case of denial. Consider what happens at the end of “Mothers,” when Patricia lashes out at Ellie. While Mama is talking about how Sue Ellen needs to learn to deal with her problems on her own, Patricia is focused on fixing her daughter’s marriage. Patricia simply has her own set of priorities.

There’s a lot more to like about “Mothers,” including the opening scene, when J.R. urges the Oil Baron’s Ball organizers to honor Bobby with the Oilman of the Year Award, as well as the final shot, when Mama overhears J.R. lamenting how he failed to keep the family business together. This episode also plants the seeds for storylines that will take on greater significance later in the season: Clayton takes a call from an associate who reports bad business news, Mark hires his friend Dr. Jerry Kenderson to run his research clinic, and Jack is followed by someone who keeps snapping photos of him. Does the stalker work for J.R.? Jeremy? Someone else? We won’t find out for several episodes, and even though the resolution ends up being disappointing, you can’t deny the mystery gets off to an intriguing start.

Mostly, though, “Mothers” belongs to the women, especially Barbara Bel Geddes and Martha Scott. Both actresses are class acts, and it’s fun to watch them go toe to toe with performances that are nuanced, subtle and above all, believable. These are the kinds of mature roles we rarely see on television today. Make no mistake: If Ellie and Patricia were characters on a contemporary soap opera like “Empire” or “Scandal,” they’d probably be reduced to trading cheap quips and dirty looks. Then again, what are the chances either of those shows would give meaningful roles to a couple of veteran actresses like Barbara Bel Geddes and Martha Scott?

Grade: B

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Barbara Bel Geddes, Dallas, J.R. Ewing, Larry Hagman, Miss Ellie Ewing, Mothers

Mama’s here

‘MOTHERS’

Season 9, Episode 6

Airdate: October 25, 1985

Audience: 19.5 million homes, ranking 8th in the weekly ratings

Writer: Hollace White and Stephanie Garman

Director: Michael Preece

Synopsis: Patricia Shepard, Sue Ellen’s mother, arrives and vows to repair her daughter’s marriage. Pam and Miss Ellie each decide to sell their shares of Ewing Oil to Wendell, but Ellie gets cold feet when she realizes it will devastate J.R. Mandy leaves town. Mark decides to fund a medical research institute and asks Jerry to run it.

Cast: John Beck (Mark Graison), Barbara Bel Geddes (Miss Ellie Farlow), Linda Gray (Sue Ellen Ewing), Bibi Besch (Dr. Gibson), Donald Craig (Oil baron), Tony Garcia (Raoul), Larry Hagman (J.R. Ewing), Joshua Harris (Christopher Ewing), Jenilee Harrison (Jamie Ewing Barnes), Susan Howard (Donna Krebbs), Barry Jenner (Dr. Jerry Kenderson), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Hal Landon (Oil baron), Jared Martin (Dusty Farlow), Shalane McCall (Charlie Wade), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Karen Radcliffe (Barbara), Dack Rambo (Jack Ewing), Carol Sanchez (Angela), Martha Scott (Patricia Shepard), William Smithers (Jeremy Wendell)

“Mothers” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

‘Dallas’ Stars to Reunite at Autograph Show

Dallas, Linda Gray, Patrick Duffy

Ewings reunite! (Getty Images)

Patrick Duffy, Linda Gray and several other “Dallas” stars are slated to participate in a Los Angeles autograph show next weekend.

The Hollywood Show will be held from Friday, October 30, through Sunday, November 1, at the Westin Los Angeles Airport Hotel.

The other “Dallas” alumni scheduled to participate are Ken Kercheval, Charlene Tilton, Christopher Atkins, Morgan Brittany, Mary Crosby, Morgan Fairchild, Jenilee Harrison, Leigh McCloskey, Sasha Mitchell, Sheree J. Wilson and Morgan Woodward.

More than 60 additional actors are slated for the event, including Corbin Bernsen, Annie Potts and Kevin Sorbo. The list also includes Patty McCormack, who guest starred in three “Dallas” episodes during the 1981-82 season as Evelyn Michaelson, the woman who came between Lucy and Mitch.

Ticket prices vary; a two-day pass costs $40. There are additional fees if you want to be photographed with individual actors or groups, including a $250 charge to have your picture taken with the “Dallas” cast.

More information is available on the Hollywood Show site.

Will you attend the Hollywood Show? Share your comments below and read more news from Dallas Decoder.

Dallas Scene of the Day: ‘Hello, Cliff’

Cliff Barnes, Dallas, John Beck, Mark Graison, Saving Grace

Kitchen confidential

In “Saving Grace,” a ninth-season “Dallas” episode, Cliff (Ken Kercheval) is in the kitchen cooking when Jamie (Jenilee Harrison) answers the front door and greets Pam and Mark (Victoria Principal, John Beck).

JAMIE: Hi, come on in. How are you? [They kiss.]

PAM: Good, thanks.

JAMIE: Good.

PAM: Jamie, this is a very dear friend of mine, Mark Graison.

JAMIE: [Shakes his hand, stunned] Mark Graison?

MARK: [Puts his fingers to his lips.] Shh, shh, shh. Where’s Cliff?

JAMIE: He’s in the kitchen.

As Cliff tastes the sauce he’s making, Mark approaches from behind and peers over his shoulder.

MARK: Well, how does it taste?

CLIFF: Great. [Looks at him, does a double take, gasps]

MARK: Hello, Cliff. Pam wanted it to be a surprise.

CLIFF: Oh, boy. Oh, boy. She got her wish. [They shake hands, then embrace awkwardly.] Hey, where you been?

MARK: I’ll tell you all about it over dinner.

CLIFF: Okay. Great. Yeah. Boy, my sister’s had her share of shocks.

MARK: Yes, she has. I hope my being here doesn’t add to that. I came back to help her, Cliff.

CLIFF: Well, okay. I’m glad to hear you say that. Yeah. Because you know, she’s got a lot of responsibility. [Touches Mark’s shoulder] Oh, boy. You know, maybe we can both help her.

MARK: Uh-huh, I think we can. [Grips Cliff’s arm]

Watch this scene in “Saving Grace,” available on DVD and at Amazon and iTunes, and share your comments below.

Critique: ‘Dallas’ Episode 196 — ‘Saving Grace’

Dallas, John Beck, Mark Graison, Pam Ewing, Saving Grace

Swoon song

No one will ever accuse Mark Graison of being an interesting character, but you can’t deny the man knows how to make a comeback. In “Saving Grace,” Mark re-enters Pam’s life and reveals he faked his death a year earlier to focus on finding a cure for his fatal disease. Yes, the explanation is absurd, but it’s not like we haven’t been through this kind of thing before (Dusty Farlow), and it’s not like we won’t go through it again (Bobby Ewing). Mark’s resurrection might be “Dallas’s” best return from the grave, though — or at least the one that does the least damage to the show’s credibility.

Much credit goes to the actors who must carry this storyline, beginning with John Beck. Some “Dallas” fans will never forgive Mark for pursuing Pam while she was still married to Bobby, but Beck’s confident charm is put to good use here. It helps him sell all the outlandish dialogue he has to deliver about secretive death-staging and international cure-seeking. Victoria Principal also hits the right notes, especially when Pam faints in Mark’s arms, then awakens and simultaneously bursts into tears and laughter. Principal also gets to utter a line that is wonderfully hilarious, but only in retrospect: “Tell me I’m not dreaming.”

I also appreciate how “Saving Grace” doesn’t shortchange Mark’s return. “Dallas” dispenses with Dusty and Bobby’s revivals with just a few lines, but this episode has several lengthy scenes where Mark explains the reason for faking his death (he didn’t want Pam to watch him die slowly), the state of his disease (in remission, not cured), and why he’s re-entering Pam’s life (because now that Bobby’s dead, she needs him). We also get to see other characters react to Mark’s return: J.R. is rattled but refuses to show it, while Cliff is speechless. (Ken Kercheval’s double-take is priceless in the fun scene where Mark surprises Cliff in the kitchen.) By the end of the hour, though, everyone has recovered from the shock: Pam and Mark are back together, and he’s vowing to put Ewing Oil out of business after hearing about J.R.’s scheme to send Pam on a wild goose chase for him during the previous season.

Indeed, “Saving Grace” marks the moment “Dallas” begins getting back to business as usual after Bobby’s death. J.R. is once again battling Jeremy Wendell, pursuing Mandy Winger and neglecting the needs of Sue Ellen, including hanging up on her therapist when he calls to suggest J.R. attend marriage counseling. (The hang-up occurs off-camera, unfortunately). These scenes are balanced with a series of exchanges that highlight the show’s renewed sense of warmth: Donna and Jenna go shopping for baby clothes, Ray playfully asks his wife if she’d like to “mess around,” Jack sweetly urges Jamie not to worry about him after someone breaks into his apartment and noses around.

Miss Ellie also shows a little love, of the tough variety, when she tells Dusty to steer clear of Sue Ellen while she’s trying to get sober. This is a good scene because it brings together two characters who don’t usually interact and reminds us that Ellie has a fifth “son”: Dusty, which is a relationship I tend to forget about. The dialogue is smart too, especially when Dusty says the idea of staying away from Sue Ellen “isn’t that simple” and Mama smiles and responds, “Let me simplify it for you.” I also like how director Nick Havinga stages the scene in a corner of the Southfork lawn, with the actors in the foreground and the house looming behind them. It makes me wish more scenes had been filmed at this angle.

Ellie is planting a tree when the scene begins, which marks the third or fourth time we’ve seen her gardening since Barbara Bel Geddes resumed her famous role a few episodes ago. Q-Less, a Dallas Decoder reader, recently pointed out the frequency of these planting scenes at the beginning of the ninth season, suggesting it symbolized how Bel Geddes was keeping the show grounded. I couldn’t agree more. Every time we see Ellie puttering around her garden, it’s as if “Dallas” is getting back to its roots. Keep digging, Mama.

Grade: B

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Barbara Bel Geddes, Dallas, Dusty Farlow, Jared Martin, Miss Ellie Ewing Farlow, Saving Grace

Blood and soil

‘SAVING GRACE’

Season 9, Episode 5

Airdate: October 18, 1985

Audience: 19.2 million homes, ranking 9th in the weekly ratings

Writer: Joel J. Feigenbaum

Director: Nick Havinga

Synopsis: Mark tells Pam he faked his death to find a cure for his disease, which is now in remission. Jack resists Cliff’s pressure to sell to Wendell. Clayton orders J.R. to stop pressuring Miss Ellie, who tells Dusty to give Sue Ellen room to recover.

Cast: John Beck (Mark Graison), Barbara Bel Geddes (Miss Ellie Farlow), Burke Byrnes (Pete Adams), Alan Fudge (Dr. Lantry), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Jenilee Harrison (Jamie Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Jared Martin (Dusty Farlow), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Dack Rambo (Jack Ewing), Debbie Rennard (Sly), Carol Sanchez (Angela), Deborah Shelton (Mandy Winger)

“Saving Grace” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

Dallas Scene of the Day: ‘I Can Do It’

Dallas, Linda Gray, Resurrection, Sue Ellen Ewing

Yes, she can

In “Resurrection,” a ninth-season “Dallas” episode, Sue Ellen (Linda Gray) is in her room at the sanitarium when an orderly (Rex Ryon) enters.

SUE ELLEN: What do you want?

ORDERLY: Take it easy, Mrs. Ewing. It’s not what I want. It’s what I think you want.

SUE ELLEN: What do you mean?

ORDERLY: [Pulls out a liquor bottle] I just bet you could use some of this right now. Vodka. Oh, I don’t know if it’s your brand, but that doesn’t always matter, does it? I’m just wondering what this might be worth to you. A hundred dollars? Two hundred dollars? Well, you’re a real rich lady. There’s just no telling. And there’s a lot more where this came from. [Holds out the bottle] I think we can make a deal, don’t you? I can’t wait all day. What’s your answer?

SUE ELLEN: [Rushes to the bed, pushes the call button] Doctor. I’ll get the doctor.

ORDERLY: You’re not going to turn me in, are you? Now wait a minute, lady.

SUE ELLEN: Get out! You just get out. [He runs out of the room, she leans against the wall.] I can do it. I can do it. I know I can do it. I just need help. Help me. Help me.

Watch this scene in “Resurrection,” available on DVD and at Amazon and iTunes, and share your comments below.

Critique: ‘Dallas’ Episode 195 — ‘Resurrection’

Dallas, Linda Gray, Resurrection, Sue Ellen Ewing

Looking glass

“Resurrection” brings Mark Graison back from the dead and Sue Ellen Ewing back from the brink. His revival is the more surprising of the two, although hers is more satisfying. In the episode before this one, Sue Ellen went through a harrowing detoxification after her drinking landed her on skid row. The audience never doubts she’ll get sober eventually — by now, Sue Ellen’s pattern of relapse and recovery is well established — so the question becomes whether she’ll learn anything from this latest fall off the wagon. “Resurrection” demonstrates Sue Ellen is capable of growth, although we also see how hard it is for her to break her old habits.

The hour begins with Sue Ellen in a familiar setting: The Ewings have once again committed her to a sanitarium, where they hope she’ll get the help she needs to deal with her alcoholism. Sue Ellen tells her doctor she wants to recover at home, and when he says she can be released only with J.R.’s consent, she replies, “So I’m in jail — and he has the key.” Once again, Sue Ellen is casting herself as her husband’s victim. Her sense of helplessness continues in the next scene, when Dusty sneaks into her room after bribing an orderly. She begs Dusty to take her away, and then weeps when he tells her that he only came to check on her.

But all is not lost. At the end of “Resurrection,” the smarmy orderly offers to sell Sue Ellen a bottle of vodka. “I don’t know if it’s your brand, but that doesn’t always matter, does it?” he sneers. We’ve been down this path before — during Sue Ellen’s second-season sanitarium stay, villainous Nurse Hatton used mouthwash bottles to smuggle booze to Sue Ellen — and for a moment, it looks like history is going to repeat itself. With the vodka bottle in the foreground, director Michael Preece holds the camera on Linda Gray’s face, where we watch Sue Ellen’s struggle play out for several agonizing seconds. Finally, she runs across the room, grabs the call button and pushes it. “Get out!” she shouts.

This is a triumphant moment, even after Sue Ellen collapses against the wall and cries. “I can do it. I know I can do it,” she says, then looks up and adds, “I just need help. Help me. Help me.” This might be the closest we ever get to a religious moment on “Dallas,” although that’s not why the scene touches me. Instead, I’m moved by Sue Ellen’s self-discovery: She’s realizing she has the capacity to change. It’s another spectacular performance from Gray, who has been handed the best material she’s received yet on “Dallas” and is making the most of it.

Mark’s return at the end of “Resurrection” doesn’t pack the same emotional punch — how could it? — but it’s nicely done nonetheless. Throughout the episode, Pam feels increasingly pressured as she weighs competing offers from J.R. and Jeremy Wendell to buy Christopher’s share of Ewing Oil. Pam also is being followed by a shady private-eye type who reports to an unseen figure in the back of a limousine. It’s hinted the private eye could work for either J.R. or Jeremy, but in the final scene, we learn the truth. The limo arrives at Pam’s house while she’s in the backyard, arguing on the phone with the chairman of Wentworth Industries. Frazzled, she slams down the receiver, breaks into tears and turns to leave — when she runs into Mark. Victoria Principal looks appropriately stunned and collapses into the arms of John Beck, making his first “Dallas” appearance in more than a year. (Just think: This is only the first of two “dead” lovers who’ll show up at Pam’s house before the season is over.)

Other “Resurrection” highlights include Barbara Bel Geddes, who continues to remind the audience how much she was missed during the preceding year, when Donna Reed was playing Mama. Bel Geddes exudes quiet authority each time she appears in this episode, whether Miss Ellie is entertaining Wendell’s offer to buy Ewing Oil over lunch at Les Saisons (a real Dallas restaurant that closed in 2001) or shocking J.R. by revealing that she’s actually thinking of selling. I also appreciate Dack Rambo, who continues to make Jack an interesting character: When he’s not counseling Charlie on her middle-school crushes, he’s assuring both J.R. and Cliff that he’ll side with them in the latest battle for Ewing Oil. There also are quite a few small touches that reflect this season’s renewed commitment to realism, including Ellie’s visit to a Southfork stable to check on an injured horse and Jenna helping Charlie with her Spanish homework at the kitchen table.

Mostly, though, I appreciate how “Resurrection” helps keep alive the spirit of Bobby, which feels somewhat surprising in retrospect. I might have expected the show to move on quickly after Patrick Duffy’s departure, but four episodes after Bobby’s demise in “Swan Song,” his presence is still felt. In another great performance from Bel Geddes, Ellie visits Bobby’s grave and shares her struggle to hold the family together (echoes of Bobby’s memorable visit to Mama’s grave during the first season of TNT’s “Dallas”), while Larry Hagman and Principal have a poignant exchange in which their characters interrupt their bickering to confide how much they each miss Bobby. After all these years, J.R. and Pam finally have something in common.

“Resurrection” even shows Duffy: When Pam goes back to work at Barnes-Wentworth for the first time since the funeral, she takes a framed picture of Bobby off her desk and puts it in a drawer, only to remove it moments later. This episode’s best nod to Bobby, though, is also the slyest: When Jack is shown shopping for a new car in a luxury auto dealer’s showroom, he briefly inspects a red Mercedes convertible before moving on to a Lamborghini, and then a Porsche. Was this a subtle acknowledgment from the producers that — for all Jack’s strengths — he’s no Bobby Ewing?

Grade: A

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Dallas, John Beck, Mark Graison, Resurrection

Walking dead

‘RESURRECTION’

Season 9, Episode 4

Airdate: October 11, 1985

Audience: 18.7 million homes, ranking 6th in the weekly ratings

Writers: Hollace White and Stephanie Garman

Director: Michael Preece

Synopsis: Jeremy offers to buy Miss Ellie’s share of Ewing Oil, while Jack promises to back both J.R. and Cliff in the takeover fight. Sue Ellen rejects a sanitarium orderly’s offer to sneak her a drink. Pam is stunned when Mark returns.

Cast: John Beck (Mark Graison), Bever-Leigh Banfield (Nurse Curtis), Barbara Bel Geddes (Miss Ellie Farlow), Alan Fudge (Dr. Lantry), Tony Garcia (Raoul), Linda Gray (Sue Ellen Ewing), Laurence Haddon (Franklin Horner), Larry Hagman (J.R. Ewing), Joshua Harris (Christopher Ewing), Jenilee Harrison (Jamie Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Jared Martin (Dusty Farlow), George O. Petrie (Harv Smithfield), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Dack Rambo (Jack Ewing), Debbie Rennard (Sly), Rex Ryon (Orderly), Deborah Shelton (Mandy Winger), William Smithers (Jeremy Wendell), Woody Watson (Detective)

“Resurrection” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

Dallas Scene of the Day: ‘Kill Me’

Dallas, Dusty Farlow, Jared Martin, Linda Gray, Those Eyes

Suicide watch

In “Those Eyes,” a ninth-season “Dallas” episode, Sue Ellen (Linda Gray), lying in a hospital detoxification unit, covers her eyes when Dusty (Jared Martin) enters and sets on her bed.

DUSTY: You have nothing to be ashamed of, nothing to be afraid of anymore. [Pulls her hands away from her face] Sue Ellen, I’m here because I love you. I’m here to keep that promise I made to help you. No matter what it takes, no matter how long it takes. Because I want to see you healthy again. Because I want you.

SUE ELLEN: I want a drink.

DUSTY: Oh, God, no, darling. A drink would kill you.

SUE ELLEN: [Whispering] Kill me.

DUSTY: Sue Ellen, no. Don’t be like this. Just hang on. Hang on to me. [Embraces her]

J.R. (Larry Hagman) enters and spots them.

J.R.: Farlow! [Takes off his hat, tosses it aside] What the hell are you doing here? Let go of my wife, you hear? [Pulls Dusty away from her, grabs him by his jacket lapels]

DUSTY: Settle down, J.R. I’m warning you!

J.R.: You bastard. I ought to tear your head off.

DUSTY: You stay away from me, and you stay away from Sue Ellen. [Pushes him away, sending J.R. crashing into medical carts]

J.R.: Listen, is this the way you’re helping her? Huh? Is this the way you’re helping her? You’re a genius, you are! [Grabs him and punches him in the gut, sending him onto a bed] Now you get out of here, or I’ll kill you, I swear it.

DUSTY: [Rising] I love her, and I’m never going to let you hurt her again, you —

As they grab each other’s lapels, Sue Ellen rises between them.

SUE ELLEN: [Screaming] No, no! [Collapses onto the bed as orderlies and a doctor pull J.R. and Dusty away from each other.]

Watch this scene in “Those Eyes,” available on DVD and at Amazon and iTunes, and share your comments below.

Critique: ‘Dallas’ Episode 194 — ‘Those Eyes’

Dallas, Linda Gray, Sue Ellen Ewing, Those Eyes

Get a grip

In “Those Eyes,” the Ewings finally take off their blinders where Sue Ellen’s drinking is concerned. She lands in a detox ward at the beginning of the episode, and one by one, Miss Ellie, J.R. and the people who love her most come to realize how destructive her alcoholism has become. Sue Ellen realizes this too, although she remains powerless over her addiction. In a chilling scene, when Dusty visits her in the hospital, Sue Ellen begs him for a drink. “Oh, God, no, darling,” he says, explaining that more booze would kill her. Clutching his hands, she looks into his eyes and whispers, “Kill me.”

This is a moment of reckoning for Sue Ellen, and for “Dallas” itself. Too often, the writers have used Sue Ellen’s alcoholism as a crutch to lean on whenever the show needed something to complicate the character’s life. Witness Sue Ellen’s third-season relapse, which seemed to occur primarily so she’d have a reason to not remember her whereabouts during J.R.’s shooting. Now, in the ninth season, Sue Ellen’s drinking is no longer an afterthought — it’s one of the main storylines. By showing the character trembling her way through withdrawals, we have a better sense of what it means for her to be an addict. It’s much more meaningful than merely seeing her passed out in her bedroom next to an empty vodka bottle.

No one seems to appreciate this opportunity more than Linda Gray, whose performance here is nothing less than a tour de force. “Those Eyes” was filmed in an era when television actresses were eagerly shedding their glamorous wardrobes to demonstrate their acting bona fides — think of TV movie queens like Farrah Fawcett in “The Burning Bed” and Raquel Welch in “Right to Die” — but Gray goes further than any of her peers. She looks positively wasted in “Those Eyes,” wearing little makeup and allowing every hair to fall out of place. True to the episode’s title, Gray also uses her famously expressive eyes to draw the audience into her character’s fear and confusion, although nothing touches me more than the moment Dusty arrives at the hospital and Sue Ellen shields her face. It’s such a childlike gesture; as soon as I see it, my heart breaks.

Interestingly, Gray appears in just three scenes in this episode, which means we mostly see Sue Ellen’s descent through the eyes of the other Ewings. It begins when Miss Ellie bravely enters the detox ward and is horrified to discover the Jane Doe in bed No. 13 is her daughter-in-law. In the next scene, Ellie declares she wants to take Sue Ellen home — a typical reaction for the Ewings, who always believe they can handle problems on their own. The doctor forcefully explains that no one — not even the Ewing matriarch — is powerful enough to cure addiction. Later, Ellie tells J.R. he must help his wife. This isn’t unlike a scene that occurred between J.R. and his mother at the end of the second season, except the conversation in “Those Eyes” has an air of finality to it, as if the Ewings are taking her problem more seriously.

“Those Eyes” is one of the first “Dallas” scripts from Peter Dunne, a “Knots Landing” veteran who briefly replaced Leonard Katzman as the show’s behind-the-scenes creative force. The episode is a good example of the darker, more realistic tone Dunne brings to the ninth season. Think about it: One year before this episode aired, the Ewings were “coping” with Bobby’s post-shooting blindness, which miraculously cleared up after a few episodes. Sue Ellen’s struggle in “Those Eyes” feels a lot more grounded by comparison, don’t you think? Sure, there are still plenty of soapy moments, including J.R. and Dusty’s memorable fistfight at Sue Ellen’s bedside, and the camp factor isn’t muted completely. (How else to explain the screaming woman that Sue Ellen encounters on the floor of the jail cell?) For the most part, though, “Dallas” seems a little smarter now.

Dunne’s touch also can be felt in other areas of “Those Eyes,” including the scene where J.R. sweetly helps John Ross with his necktie and the subplot about Ray and Donna deciding to build a bigger house. The latter feels like another metaphor: Steve Kanaly and Susan Howard’s characters are growing as people, so why shouldn’t they have a bigger place to call home? I also like how this episode shows Ray and Jack becoming friends; as much as I love Patrick Duffy, Dack Rambo is doing a nice job filling some of blank spaces created by Bobby’s departure. Heck, I even find myself applauding Jenna’s decision in this episode to stick around Southfork. Maybe it’s because Priscilla Beaulieu Presley’s short bob makes her look more stylish than ever — or maybe it’s because the character no longer feels like a distraction now that one half of the Bobby/Pam coupling is gone — but “Those Eyes” actually makes Jenna seem tolerable.

If you find this revelation surprising, imagine how I feel. But what can I say? They don’t call this the dream season for nothing.

Grade: A

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Dallas, John Ross Ewing, J.R. Ewing, Larry Hagman, Omri Katz, Those Eyes

Ties that bind

‘THOSE EYES’

Season 9, Episode 3

Airdate: October 4, 1985

Audience: 20.4 million homes, ranking 3rd in the weekly ratings

Writer: Peter Dunne

Director: Nick Havinga

Synopsis: After the police find Sue Ellen, Miss Ellie persuades J.R. to commit her to a sanitarium. J.R. and Jeremy each set their sights on Christopher’s share of Ewing Oil. Ray and Donna begin planning to build a bigger home. Jenna decides to stay at Southfork.

Cast: Barbara Bel Geddes (Miss Ellie Farlow), Fern Fitzgerald (Marilee Stone), Tony Garcia (Raoul), Linda Gray (Sue Ellen Ewing), Laurence Haddon (Franklin Horner), Larry Hagman (J.R. Ewing), Joshua Harris (Christopher Ewing), Jenilee Harrison (Jamie Barnes), Susan Howard (Donna Krebbs), Harlan Jordan (Sheriff Baldwin), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Jared Martin (Dusty Farlow), Shalane McCall (Charlie Wade), Gary Moody (Doctor), George O. Petrie (Harv Smithfield), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Dack Rambo (Jack Ewing), Debbie Rennard (Sly), Sherril Lynn Rettino (Jackie), Deborah Shelton (Mandy Winger), William Smithers (Jeremy Wendell), Don Starr (Jordan Lee), Norma Young (Sanitarium manager)

“Those Eyes” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.