A Farewell to Barnes: Remembering Ken Kercheval

Cliff Barnes, Dallas, Ken Kercheval

Lone star

Cliff Barnes was a loser, but Ken Kercheval was anything but. By portraying Cliff as an endearing jackass, Kercheval won the hearts of “Dallas” fans and created a character who, in some ways, was as essential to the show’s success as Larry Hagman’s J.R. Ewing. Cliff could be petty, foolish and hopelessly oblivious, but Kercheval brought so much humanity to the role, you couldn’t help but like the schmuck. Deep down, I bet some of us even rooted for him.

Kercheval’s death this week has unleashed a torrent of Cliff clips on social media, reminding everyone how good he was in his career-defining role. Talk about an actor with range! Cliff was the bumbling nemesis who prompted many of J.R.’s most memorable quips (“Oh Barnes, you just get dumber and dumber every day”) and the unlikely lothario who treated so many of the show’s leading ladies like Texas dirt, but he also was the wounded soul who sweetly reconciled with his runaway mama over a bowl of licorice; the protective big brother who knowingly winced when he heard the radio bulletin announcing that Pam’s true love Bobby had been mowed down in her driveway; the humbled avenger who sat on a park bench with Miss Ellie and sought forgiveness for waging war on her family. In the hands of a lesser actor, Cliff would have been just another soap opera character whose motivations changed with the wind. Kercheval made him real.

The true secret to Cliff’s appeal, though, lay in his rivalry with J.R. With the exception of Patrick Duffy and perhaps Hayden Rourke, did Larry Hagman ever have a better on-screen foil than Ken Kercheval? I couldn’t possibly pick a favorite scene between J.R. and Cliff, but their schoolyard showdown-style exchange of insults in the 1984 episode “And the Winner Is …” stands out. Kercheval and Hagman are fire and ice here: While Cliff rages (“You can’t stand the fact that Barnes-Wentworth is going to be bigger than Ewing ever dreamed of being!”), J.R. stands his ground, calmly burrowing ever deeper under Cliff’s skin (“You’re going to bankrupt your mama’s company and wind up just like your daddy: a drunk and a bum”). Despite all the bluster, Kercheval always injected a hint of envy into his performance, letting the audience see that Cliff didn’t want to beat J.R.; he wanted to be J.R. Once you realize that’s where Cliff is coming from, how can you not feel for the poor slob? After all, who among us doesn’t want to be J.R.?

Cliff Barnes, Dallas, J.R. Ewing, Ken Kercheval, Larry Hagman

Mutual admiration society

Truth be told, I think J.R. secretly admired Cliff’s tenacity, although like his character, Kercheval never got the respect he deserved. Despite being the show’s most delightfully unpredictable performer — you didn’t watch Ken Kercheval, you experienced him — he never scored an Emmy. (Neither did Hagman, but at least he got nominated.) Just as puzzlingly, Kercheval was in “Dallas” from the beginning and did as much as anyone to transform the show into a hit, yet he wasn’t promoted to the opening credits until the third season. Of course, once he finally showed up, the close-ups chosen for his three-way split screen captured the character in all his multi-faceted glory: Confused Cliff, Chipper Cliff, Crabby Cliff. Perfect.

Regardless, Kercheval ended up getting the last laugh. Besides Hagman, he was the only member of the cast to appear in all 14 seasons of the original series before going on to appear in the first reunion movie and all three seasons of TNT’s sequel series. Altogether, Kercheval logged 360 hours of “Dallas” across its various incarnations, second only to Hagman, who clocked more than 380 hours. And while Cliff never became an icon like J.R., Kercheval’s character made his mark in popular culture nonetheless. A Washington Post editorial once derided then-Vice President George H.W. Bush as “the Cliff Barnes of American politics — blustering, opportunistic, craven and hopelessly ineffective all at once” (ouch). Kercheval also deserves credit for making pocket squares seem so stylish in the 1980s — and is it possible his cheapskate character did more to popularize Chinese food in the American diet than Panda Express?

It’s been touching to see so many of Kercheval’s former cast mates honor him online this week, especially Audrey Landers, whose Afton Cooper did so much to humanize Cliff, and Julie Gonzalo, who holds the distinction of being the last “Dallas” actor to share a scene with Kercheval during the final season of the TNT series. Linda Gray, Charlene Tilton and both of Kercheval’s on-screen sisters, Victoria Principal and Morgan Brittany, also wrote nice things about him, along with Leigh McCloskey. As far as I can remember, McCloskey’s character, pretty-boy plastic surgeon Dr. Mitch Cooper, never shared a meaningful moment with Cliff, yet McCloskey penned a lovely tribute to Kercheval on Facebook, remembering how kind the actor was to him when he joined the cast. Everyone, it seems, had affection for “Kenny.”

Tributes like these are a reminder that while the rest of us have lost a favorite TV star, the cast members are mourning the death of an old friend. Kercheval somewhat famously used to say he never watched “Dallas” when it was on the air. As he explained when I interviewed him in 2012, once he played a scene in front of the cameras, he felt no compulsion to tune in on Friday night and watch it. But Kercheval also talked about how much he enjoyed working with actors like Gray, Landers and his close pal Barbara Bel Geddes, and he expressed amazement that people still recognized him as Cliff, even when he traveled abroad. I didn’t include this in the published interview, but I asked him if he thought it was strange that fans like me still obsess over “Dallas” after all these years. His matter-of-fact answer: “Yeah.” He added that he appreciated the fans and was thankful for their support, but in the end, the show was just a show. “I mean, you know, to me, it was just a job,” he said.

Fair enough. To him, maybe “Dallas” was just a job. But didn’t he do it well?

What are your favorite memories of Ken Kercheval on “Dallas”? Share your comments below and read more opinions from Dallas Decoder.

Listen Up! Texas Monthly Podcast Dives Deeper Into ‘Dallas’

Larry Hagman, Linda Gray

Story behind the story

Texas Monthly has a new gift for “Dallas” fans: a two-part podcast from Max Marshall, the writer whose sweeping oral history of the series appears in the magazine’s October issue.

Marshall gives listeners the story behind his story, including how he came up with the idea for the article, how he was a non-fan who became seduced by the “Dallas” mystique, and how he has come to see the series as a kind of living thing that changes with the times.

You’ll hear moving and candid comments from Patrick Duffy, Linda Gray and Charlene Tilton. You’ll also hear from lots of other folks, including Leigh McCloskey, Roseanna Christiansen (!) and even yours truly (although I shudder to think that’s what I really sound like).

The podcast is available on Texas Monthly’s site. You can also download both parts from iTunes. Happy listening.

Charlene Tilton Remembers Lucy Ewing’s Many Loves

Charlene Tilton, Dallas, Lucy Ewing

Southfork sweetheart

Poor Lucy Ewing never found Mr. Right — but not for lack of trying. To mark Valentine’s Day, Dallas Decoder spoke to Charlene Tilton about her character’s many romances. Read her memories below, along with an update on her latest projects.

 

Charlene Tilton, Dallas, Lucy Ewing, Ray Krebbs, Steve Kanaly

Drive him crazy

Ray Krebbs (Steve Kanaly)

Back in the day, that relationship was very controversial. I was so much younger and looked so much younger than Steve. In our first scene in the hayloft, Lucy tells Ray, “Call me her name. Call me Pam.” That was some kinky stuff! [Laughs] I honestly didn’t get it until I watched it years later. I also remember Steve’s response when I walked in the room and we met for the first time. He said, “Oh shoot, she’s just a baby!” But Steve was so sweet. He made me feel very comfortable during filming. And Steve and his wife became great friends of mine — and that has continued until this day.

 

Charlene Tilton, Dallas, Greg Evigan, Lucy Ewing, Willie Gust

Cool van, bro

Willie Gust (Greg Evigan)

Oh, I loved him! He kidnapped Lucy and made her sing “Silver Threads and Golden Needles”! [Laughs] That was hysterical. Not one of Lucy’s brightest moments, but I loved doing that episode. Greg was great. Here we were, filming in these offbeat places around Texas, and he and I would hang out and have lunch or dinner together. He was an unbelievably talented actor and so handsome. I don’t know if you’ve seen him recently, but — hello! — that man looks great. He and his wife are the nicest people. He’s always been such a family man. He’s a gem.

 

Charlene Tilton, Dallas, Kit Mainwaring, Lucy Ewing, Mark Wheeler

Secret love

Kit Mainwaring (Mark Wheeler)

My favorite. Mark was an extremely, extremely talented actor, and I loved the storyline. Lord have mercy, there was nothing like this on television at the time. Kit was the son of a wealthy oil family, and J.R. wanted my character to marry his, even though he was secretly gay. The show wasn’t even allowed to use that word at the time. We had to say “homosexual.” But the writers did such a great job handling it. And I loved the storyline on so many levels. When J.R. threatens to expose Kit, Lucy says, “I’ll take care of it” and she shuts J.R. up. I look back at that episode and I have to tell you: I am so proud of my performance and Mark’s performance too.

 

Alan Beam, Charlene Tilton, Dallas, Randolph Powell

Fur sure

Alan Beam (Randolph Powell)

Boy, wasn’t Alan a schemer! He really hurt Lucy when he teamed up with J.R., and then of course J.R. brought him down. But I loved Randolph. He was a gentleman: very nice, very talented — and with a very hairy chest. [Laughs] We had several bedroom scenes. He was cuddly!

 

Charlene Tilton, Dallas, Leigh McCloskey, Lucy Ewing, Mitch Cooper

Married: The first year

Dr. Mitch Cooper (Leigh McCloskey)

Leigh is awesome. Like Mitch, he’s very intellectual, very cerebral. I loved all of our scenes together. I’ll never forget the first time Mitch comes on the screen. He’s working as a valet parking attendant, and Lucy comes out of the nightclub drunk. As soon as he smiles, you think, “I bet every woman on the planet wishes she were in Lucy’s drunken stilettos right now!” [Laughs] Mitch was Lucy’s knight in shining armor. He didn’t care about her family’s wealth. But after they got married, the producers didn’t really know what to do with us. I think that’s when they began to write Lucy into a corner. I did love when Lucy hired the maid to do all her cleaning behind Mitch’s back. I thought, “That’s a good idea!” [Laughs]

 

Charlene Tilton, Dallas, Dennis Redfield, Lucy Ewing, Roger Larson

Just shoot her

Roger Larson (Dennis Redfield)

When Roger kidnapped Lucy and raped her, she became pregnant. I was pregnant in real life, and I had to do all of these episodes where I sit around saying, “I don’t want this baby.” As an actress, I felt I couldn’t give it my all because I didn’t want to affect my pregnancy with my beautiful daughter. So I would go home every night and say, “Mommy loves you.” I didn’t go as deep with that storyline as I normally would have. But Dennis is a wonderful, wonderful actor. And how funny is this? Years later, my daughter was going to a performing arts high school in Los Angeles where Dennis was teaching. I ran into him and it was so lovely. I was kind of sorry when I heard he quit acting because he was so good.

 

Bill Johnson, Charlene Tilton, Dallas, Lucy Ewing, Nicholas Hammond

Her favorite things

Bill Johnson (Nicholas Hammond)

Oh. My. Goodness. It’s so funny. I don’t remember my storyline with him. All I remember is that I was with Friedrich von Trapp! [Laughs] I am a “Sound of Music” fanatic. I’ve literally seen the movie over 150 times — and I am not kidding you. So when I saw his name on the call sheet in the makeup room, I started screaming, “Nicholas Hammond!” I was so enamored of him. All I wanted to do was ask him questions about Julie Andrews and filming in the Alps and Salzburg. Every time the director would yell, “Cut,” I’d ask Nicholas a ton of questions. “So when you were doing the ‘Do-Re-Me’ scene, what was that like?” I’m sure I was really annoying. [Laughs] But he was very polite and nice.

 

Charlene Tilton, Dallas, Lucy Ewing, Mickey Trotter, Timothy Patrick Murphy

Mick or treat

Mickey Trotter (Timothy Patrick Murphy)

My Timmy Pat. He and I became really great friends. We’d hang out off the set when we weren’t filming, even after “Dallas.” I genuinely adored him. I did not know that he was living a gay lifestyle. I had no idea. It makes me really sad because back in those days, a lot of actors felt like it would hurt their career to be out. When I learned he was dying of AIDS, I called him and we talked but he wouldn’t see me. He wouldn’t let anyone see him that sick. So I think of him with a lot of sadness because to hide a lifestyle, and to hide being sick, that seems like a lot of torture to me. But I loved our storyline, and I loved how the show pushed the envelope with Mickey’s death. The scene where I break down and lash out at Ray is one of my favorites. We did it in one take.

 

Charlene Tilton, Christopher Atkins, Dallas, Lucy Ewing, Peter Richards

Night owls

Peter Richards (Christopher Atkins)

I love Christopher. He was great, but what a storyline! Here’s Lucy chasing this young man and he’s sneaking around with her aunt Sue Ellen. It was so provocative. And one of my very favorite scenes that I ever got to do on the show was the party where Lucy discovers that Peter is not interested in her and she gets drunk and tells him off. I have to say, as an actress, I’m really proud of that performance. And of course J.R. was behind the whole thing. He played Lucy like a puppet. He pulled all the strings! [Laughs]

 

Charlene Tilton, Dallas, Eddie Cronin, Frederic Lehne, Lucy Ewing

Wait, wait. Don’t tell him.

Eddie Cronin (Frederic Lehne)

This was a fun storyline because it gave me something different to do, but I wasn’t quite sure how believable it was. Lucy parks her beautiful Mercedes so she can take the bus to the diner to work as a waitress? [Laughs] And then of course Eddie loved Betty, who also worked at the diner. I remember the fight scene between Lucy and Betty. Kathleen York is really a tall woman. She’s, like, 5’11 and I’m 5’2. So that was pretty funny.

 

Andrew Stevens, Casey Denault, Charlene Tilton, Dallas, Lucy Ewing

Cold Casey

Casey Denault (Andrew Stevens)

Andrew Stevens is another fabulous actor. He was very handsome and we would hang together off the set as well. He was there by himself and I was too. I really liked working with him.

 

Alex Barton, Charlene Tilton, Dallas, Lucy Ewing, Michael Wilding

Eye to eye

Alex Barton (Michael Wilding)

Let me tell you: Michael Wilding was so handsome and nice. His character was interested in J.R.’s wife Cally, and I kept thinking, “Let Lucy come in and break this up!” [Laughs] I thought he was such a gentleman. He’s Elizabeth Taylor’s son in real life, and boy, did he have his mother’s eyes. Just gorgeous. Mesmerizing. He’s the one that got away!

 

Charlene Tilton’s Next Role: Tammy Faye Bakker

Charlene Tilton Tammy Faye Bakker RAW copy

Double Tammy

So what is Charlene Tilton up to these days?

The beloved “Dallas” star is continuing work on a one-woman stage production on the life of Tammy Faye Bakker. Tilton hopes to take the show on tour before hitting New York City.

Tilton’s other role: proud mom. Her daughter is country music star Cherish Lee, whose self-titled album is available from iTunes. One of the songs, “Nowhere,” has even inspired a fan-made video that features clips of Lucy and her many boyfriends.

To keep up with Tilton, be sure to like her Facebook page.

Which of Lucy Ewing’s love interests did you like best? Share your comments below and read more features from Dallas Decoder.

‘Dallas’ Stars to Reunite at Autograph Show

Dallas, Linda Gray, Patrick Duffy

Ewings reunite! (Getty Images)

Patrick Duffy, Linda Gray and several other “Dallas” stars are slated to participate in a Los Angeles autograph show next weekend.

The Hollywood Show will be held from Friday, October 30, through Sunday, November 1, at the Westin Los Angeles Airport Hotel.

The other “Dallas” alumni scheduled to participate are Ken Kercheval, Charlene Tilton, Christopher Atkins, Morgan Brittany, Mary Crosby, Morgan Fairchild, Jenilee Harrison, Leigh McCloskey, Sasha Mitchell, Sheree J. Wilson and Morgan Woodward.

More than 60 additional actors are slated for the event, including Corbin Bernsen, Annie Potts and Kevin Sorbo. The list also includes Patty McCormack, who guest starred in three “Dallas” episodes during the 1981-82 season as Evelyn Michaelson, the woman who came between Lucy and Mitch.

Ticket prices vary; a two-day pass costs $40. There are additional fees if you want to be photographed with individual actors or groups, including a $250 charge to have your picture taken with the “Dallas” cast.

More information is available on the Hollywood Show site.

Will you attend the Hollywood Show? Share your comments below and read more news from Dallas Decoder.

‘Swan Song’: Making a ‘Dallas’ Classic

Bobby Ewing, Dallas, Pam Ewing, Patrick Duffy, Swan Song, Victoria Principal

End of the road

Ask “Dallas” fans to name their favorite episode and many will say “Swan Song,” the 1985 segment in which Bobby dies heroically after saving Pam’s life. Although the death was later written off as a dream, the episode remains moving and memorable. To mark its 30th anniversary, I spoke to eight “Dallas” insiders who had a hand in making the classic.

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Changes were afoot as production on “Dallas’s” eighth season neared completion in early 1985. The CBS drama was still popular, but the ratings had slipped. The show also was getting ready to bid farewell to star Patrick Duffy, who had been playing Bobby Ewing since 1978.

PATRICK DUFFY I left not for any negative reason. I was at the end of my contract, which was for seven years. I thought, if ever there was going to be an opportunity to try something different, this was it.

STEVE KANALY People who worked on the show were talking about it, wondering what was going to happen. Larry [Hagman] was probably the most upset because he wanted to keep everybody together. That’s how he saw the show succeeding. On the other hand, Larry and Patrick were very, very close, and you want your friend to have his shot. You can’t blame Patrick for wanting to see what’s on the other side of the fence.

MICHAEL PREECE (“Dallas” director) I can understand why he wanted to leave. He got to the point where he said, “I don’t read the scripts. I know what my character is going to say.” Patrick is a very bright guy, and he would look at a long speech — a one-minute speech — and say, “Yeah, yeah. I’ve said this before. I know what to say.” And he would be pretty right on.

Duffy wasn’t the only member of the original cast preparing to exit. The producers decided to not renew the contract of Charlene Tilton, telling the actress they had run out of storylines for her character, Lucy Ewing.

CHARLENE TILTON At the time, they told me to make a statement saying that I chose to leave because I wanted to pursue other ventures, and I said, “Nope. You guys let me go and I’m going to tell the truth.” And I did. In all the interviews I did, I told the truth. I never would have chosen to leave the show, I didn’t want to leave the show. I was heartbroken, devastated, shocked.

LINDA GRAY I felt it was a mistake [to let Tilton go]. When people tune in to see a family drama, they want to see the family. Fans don’t like it when that dynamic is interfered with. As dysfunctional as the Ewings were, the audience wanted the family to stay together.

Bobby Ewing, Dallas, Patrick Duffy, Swan Song

Bobby Ewing, Dallas, Patrick Duffy, Swan Song

Irreplaceable

“Dallas” producer Leonard Katzman decided to write out Tilton by having Lucy leave town. Duffy’s character would receive a more dramatic exit, however. Believing the audience would not accept another actor in the role — and since it was unlikely Bobby would leave Southfork — the decision was made to kill off the character.

DUFFY I never intended to come back, and the death of the hero is a pretty powerful way to [end a season]. It made sense from a dramatic perspective.

DAVID JACOBS (“Dallas” creator) They didn’t want to leave anything open. They wanted the death to be final. The audience is very smart. They’ve been manipulated so much through the years that if they didn’t see the body, they would have expected it was just a ploy, like the show was giving [Duffy] a year off to make a movie or something. But he wasn’t planning to come back.

Katzman — after spending years clashing with executive producer Phil Capice — was quietly preparing to leave “Dallas” too. He was developing his own series at ABC.

JACOBS This is me speculating, but I think Leonard was getting a little tired of it. He was tired of the conflicts with Phil. I also think it annoyed Leonard that when something big happened on “Dallas,” like the “Who Shot J.R.?” episode, that I would get so much press because I created the show. He wanted to develop a show that could be his from the get-go. Leonard had something to prove, just like we all have something to prove.

PREECE Lenny did everything [on “Dallas.”] He wrote it, directed it, produced it. The crew, the cast — everyone was sorry to see him go.

DEBORAH RENNARD (Sly) Every organization is colored by the person at the top. They set the tone, and even if Leonard wasn’t directing an episode and wasn’t literally on the set, somehow his presence was there. … When we found he was leaving, it was like, “How do we go on without him?”

Dallas, Ray Krebbs, Steve Kanaly, Swan Song

Reflections

In March 1985, cameras rolled on the eighth-season finale, which Katzman wrote and directed himself. Details were shrouded in secrecy.

DEBORAH TRANELLI (Phyllis) It was like guarding military secrets for fear that things might leak out to the media before the airdate.

Although the script was titled “Swan Song,” the focus isn’t exclusively on the departing characters. The episode also features a moving scene in which Ray pleads with his estranged wife Donna (Susan Howard) to return to him. In another memorable exchange, J.R. accuses Sue Ellen of drinking again. Her response: “Joan of Arc would have been drunk if she had been married to you.”

KANALY I can recall the scene I played with Susan, outside the house in the dark, next to the pool. From the perspective of an actor in an ensemble, I remember thinking, “Okay, it’s my turn now.” Those scenes don’t come every week. Sometimes they never come. But I had some big moments, and that was one of them.

GRAY I remember [the Joan of Arc line]. I loved all those great lines. Those are like gems. You see those on the page, and you think, “Yes, bring it on.”

Charlene Tilton, Lucy Ewing, Swan Song

Charlene Tilton, Dallas, Lucy Ewing, Swan Song

Goodbye girl

Another emotional high point: Lucy’s second wedding to Mitch Cooper (Leigh McCloskey) in the Southfork living room. The scene ends with Tilton’s character telling the Ewings, “I’m going to miss you all. I’ll never be the same again.”

TILTON I remember filming that like it was yesterday. I was saying it from the heart, but I was also saying it from a point of maturity. I wasn’t taking it personally. They didn’t know what to do with my character. I get that. So that line was very genuine, because these people had become my family.

Tilton also remembers the white suit she wears in the scene, which was filmed shortly before Easter.

TILTON I told [the producers], “I want to wear this to church on Easter Sunday!” And they let me do it. I didn’t wear the veil, though. [Laughs]

Bobby Ewing, Dallas, Pam Ewing, Patrick Duffy, Swan Song, Victoria Principal

Til death

Although “Dallas” usually filmed in Los Angeles during the winter and spring, Katzman secretly took a skeleton crew to Texas to shoot the pivotal scene in which Bobby pushes Pam (Victoria Principal) out of the path of a speeding car being driven by vengeful Katherine Wentworth (Morgan Brittany). The scene ends with Pam crawling to Bobby and cradling him in her arms — a move Principal later said was improvised.

DUFFY I totally understand that. I don’t think she thought, “Oh, this would be charming if I crawled to him.” I think she was in the moment, and I think that’s why she screamed so loud. I know she wouldn’t have done that had she thought about it ahead of time. And it was loud! It made my ears ring. But that’s because it was real for her.

That night, Duffy and a friend from the crew went out to dinner.

DUFFY He had a couple of beers. But I drank more than I normally would, and I know it’s because [the driveway scene] affected me. I had just filmed what I thought was going to be the end of Bobby, other than the death scene at the hospital. It was a there’s-no-going-back-now kind of thing.

Dallas, Deborah Tranelli, Phyllis Wapner, Swan Song

For real

In another touching sequence, J.R. is visiting mistress Mandy Winger (Deborah Shelton) when he calls the office to tell the secretaries he won’t be coming into work that day. When Sly answers the phone, Phyllis is in tears.

TRANELLI It’s a very simple scene. I don’t speak a word. Someone once said to me, “The tears look so real.” I jokingly said, “Well, of course they were. I thought I was out of a job!” [Laughs] But the truth is, I loved Patrick, and Phyllis loved Bobby, and I was losing both. So the tears were genuine.

RENNARD She did lovely work on that scene. She always did excellent work on the show.

TRANELLI Deborah and I were good friends. So it was very touching to have someone that I trusted, as a friend and an actor, there sharing that very vulnerable moment with me.

Bobby Ewing, Dallas, Leonard Katzman, Patrick Duffy, Swan Song

Dallas, J.R. Ewing, Larry Hagman, Swan Song

Trail of tears

Scenes in each “Dallas” episode often were filmed out of order and then edited together before broadcast. With “Swan Song,” Katzman insisted the final scene shown — Bobby’s hospital deathbed farewell — should also be the last episode filmed. It was shot Friday, March 29, 1985.

DUFFY There was no way to film that scene and then shoot a scene of Bobby at the office, and then do J.R. coming home from work. [The deathbed scene] was the last scene of that episode, and we filmed it on the last day of production. Leonard knew that after that, everybody was going to be gone emotionally.

Bobby dies surrounded by his family, but there are two notable absences: Sue Ellen and Lucy.

GRAY I didn’t take it personally like, “Oh dear, Sue Ellen should be at the deathbed.” When you work on a show like “Dallas,” the hours are long, and so when you get a day off, you’re thrilled. And I was never one to go to Leonard and say, “I should be there.”

TILTON I was disappointed, but that’s the business.

The scene is filled with tears — especially from Ray, who holds Donna and sobs.

KANALY I was feeling both the pain of Bobby Ewing dying and the pain of losing my friend Patrick Duffy from the show. Those are real tears on my part. Reality and acting get all mixed up for awhile. I think that’s where I was. We all had a big cry.

Katzman arranged the actors around Bobby’s deathbed, placing the character’s two love interests — Pam and Jenna Wade (Priscilla Presley) — side by side.

DUFFY Leonard did that intentionally, because when Bobby says, “We wasted so much time,” you never know which one he’s talking to. It was brilliantly directed.

When Bobby takes his last breath, the monitor near his bed flat lines. The sound jolts Principal and prompts Hagman to step forward and deliver J.R.’s tearful plea, “Don’t do this to me, Bobby. Don’t leave me.”

DUFFY When the flat line happens, they actually had the sound on stage because Leonard wanted everybody’s reaction to that piercing, monotone note. And I knew the sound would go on for a while so Leonard could pan to each person for their reaction. But [the sound] kept going, and it kept going, and it kept going. And that’s because Leonard was crying and couldn’t cut the camera. He couldn’t bring himself to say the word “cut” and end the scene, and end his association with the show. He was the life of “Dallas.”

Dallas, Ray Krebbs, Swan Song, Steve Kanaly

Bobby Ewing, Clayton Farlow, Dallas, Donna Krebbs, Donna Reed, Howard Keel, Jenna Wade, J.R. Ewing, Larry Hagman, Miss Ellie Ewing Farlow, Pam Ewing, Patrick Duffy, Priscilla Beaulieu Presley, Ray Krebbs, Susan Howard, Swan Song

Death be proud

“Swan Song” aired May 17, 1985. The episode earned critical raves and was the week’s most-watched show — the last time “Dallas” ever hit No. 1 in the ratings.

DUFFY A day or so after it aired, I trucked off to the local supermarket to do my shopping and got accosted in the parking lot by a weeping, wailing woman. She was straddling two worlds of reality, telling me how sad she was that I was dead, and yet she was standing there in the parking lot, talking to me. She couldn’t, at that moment, divide herself and say, “Boy, what a devastating scene that was. I’m really going to miss your character.” No, she was actually talking to dead Bobby. And I realized television can be a very influential thing in somebody’s life. A lot of people responded that way to his death.

The following season, “Dallas” dropped out of Nielsen’s top 5 while Katzman’s new show, “Our Family Honor,” was canceled after 13 episodes. By the spring of 1986, Katzman agreed to return to “Dallas,” this time replacing Capice as executive producer, and Hagman persuaded Duffy to return as Bobby.

JACOBS When Leonard told me the [dream scenario] idea, I said, “That is horrible. I think that’s terrible.” And Leonard said, “Okay, give me a better one. He’s no good to me except as Bobby Ewing.” I knew from experience that he was right.

DUFFY [Fans] invested in that moment, and they were told that what they invested in wasn’t real. So they feel cheated a bit. But they stayed with us as an audience. And there was no other way to bring Patrick Duffy back on the show “Dallas” as Bobby Ewing. There was no other way.

Today, “Swan Song” is seen as a watershed moment for “Dallas.” Audiences continue to admire the performances and Katzman’s writing and directing.

KANALY If you look at all the episodes, I think it’s probably a real standout. It had everything that made the show so popular.

DUFFY “Dallas” was so big then. I felt very proud — and I don’t know, fulfilled — to take part in something that was as big as the death of Bobby Ewing. I don’t mean that in an arrogant way. It’s just that as huge as “Dallas” was, we knew this was going to be a big deal. And it was kind of fun to be a part of it.

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What do you love about “Swan Song”? Share your comments below and read more features from Dallas Decoder.

The Dal-List: ‘Dallas’s’ 35 Greatest Moments (So Far)

Barbara Bel Geddes, Bobby Ewing, Charlene Tilton, Dallas, Jim Davis, Jock Ewing, J.R. Ewing, Larry Hagman, Linda Gray, Lucy Ewing, Miss Ellie Ewing, Pam Ewing, Patrick Duffy, Sue Ellen Ewing, Victoria Principal

Icons

“Dallas” debuted 35 years ago today. To commemorate its anniversary, here’s my list of the franchise’s 35 greatest moments.

Dallas, Digger's Daughter, J.R. Ewing, Larry Hagman

Gripping grin

35. J.R. meets his match. “Dallas’s” first episode ends with Pam turning the tables on J.R. (Larry Hagman) after he tries to make it look like she was cheating on Bobby with Ray. “Looks like I underestimated the new Mrs. Ewing,” J.R. declares as he watches his baby brother and sister-in-law drive away. “I surely won’t do that again.” Hagman then smiles, ever so slightly. It lets us know J.R. has finally found a worthy adversary – and he couldn’t be happier about it.

Dallas, J.R. Ewing, Larry Hagman, TNT, Venomous Creatures

Here we go again

34. Rivalry redux. When the truth comes out that Rebecca Sutter Ewing is actually Pamela Rebecca Barnes, J.R. pops into her office for a tête-à-tête. She turns out to be as ballsy as her namesake aunt, telling J.R.: “I must have done something right to deserve a visit from you.” J.R., for his part, shows he hasn’t lost his step. “You’re not the first Pam to fox her way into the henhouse,” he tells her with a sly grin. “I’m 1 for 1 on flushing out Pamelas. And I plan on being 2 for 2.” Fabulous.

Cliff Barnes, Dallas, Full Circle, Ken Kercheval, Priscilla Pointer, Rebecca Wentworth

All is forgiven

33. The “licorice scene.” Cliff (Ken Kercheval) invites estranged mom Rebecca (Priscilla Pointer) to his apartment. Nervous small talk gives way to anger, as Cliff tells Rebecca how much her abandonment hurt him. She begins to leave, but Cliff stops her. “Mama,” he says, his voice cracking. “You didn’t take any licorice, and I remembered you liked it.” The music swells, mother and son embrace and we’re reminded why Cliff is the original “Dallas’s” most human character.

Ann Ewing, Brenda Strong, Dallas, TNT, Trial and Error

True confessions

32. Ann testifies. After shooting ex-husband Harris, Ann (Brenda Strong) goes on trial. In stirring testimony, she recalls how he and his mother Judith tormented her, but Ann also concedes her own failings – including how her pill addiction led to daughter Emma’s abduction. “God had punished me by taking my baby,” Ann says through tears. Before this scene, I wondered how we could forgive Ann for her crime. Afterward, I wondered how we couldn’t.

Barbara Bel Geddes, Bobby Ewing, Clayton Farlow, Dallas, Howard Keel, J.R. Ewing, Larry Hagman, Miss Ellie Farlow, Patrick Duffy, Ray Krebbs, Steve Kanaly, Sting

Adios, Ray

31. Ray rides into the sunset. After Ray (Steve Kanaly) returns to Southfork and helps the Ewings win a range war, they bid him adieu as John Parker’s piano music plays in the background. Ray’s final moments with Ellie, Clayton, Bobby and even J.R. are touching, but the most moving part comes when he looks around and declares, “There’s a part of me that’s never going to leave here.” When major characters depart “Dallas,” the show usually screws it up. Not this time.

Close Encounters, Dallas, Deborah Shelton, Linda Gray, Mandy Winger, Sue Ellen Ewing

Get smart

30. Sue Ellen meets Mandy. At the Ewing Rodeo, Sue Ellen (Linda Gray) runs into Mandy (Deborah Shelton), J.R.’s latest mistress, and offers her some advice: Get away while you can. It’s our first glimpse of a newly sober, newly wise Sue Ellen, but Mandy refuses to listen and turns to leave. That’s when Sue Ellen delivers a zinger: “Isn’t it strange how the mistress always thinks she’s smarter than the wife? If she’s so smart, why is she the mistress?” She’s got you there, darlin’.

Bobby Ewing, Dallas, Jim Davis, Jock Ewing, Pam Ewing, Reunion Part 2, Victoria Principal

Sale of the century

29. “Sold!” After Bobby marries Pam, a drunken Digger barrels onto Southfork and recounts everything Jock “took” from him – including Pam, for whom Digger demands $10,000. “She was a Barnes and now she’s a Ewing, just like the oil wells,” he says. Bobby and Pam watch in horror as Jock (Jim Davis) tosses a $100 bill at Digger, who scoops it up. “Sold!” he declares as he leaves. Harsh? Yes, but after this scene, there was no doubt which family Pam belonged with.

Charlene Tilton, Dallas, End of the Road Part 2, Leigh McCloskey, Lucy Ewing, Mitch Cooper

Pomp and circumstance

28. The royal wedding. The marriage of Lucy and Mitch (Charlene Tilton, Leigh McCloskey) was doomed from the start, but man, aren’t their nuptials fun? The two-part episode gives us lots of “Dallas” firsts, including the first Southfork wedding, the first time someone gets dunked in the pool (Lucy pushes Mitch) and the first appearance of Afton, who sleeps with J.R. during the reception – in his own marital bed! No wonder Sue Ellen still holds a grudge.

Dallas, Quality of Mercy, Ray Krebbs, Steve Kanaly

Have mercy

27. Who killed Mickey Trotter? When the plug is pulled on his comatose cousin Mickey, Ray blocks the door to his hospital room so the doctors can’t enter and revive him. It’s the beginning of a medical mystery that yields riveting performances from Kanaly, Tilton and Kate Reid as Lil, Mickey’s mom. Only at Ray’s murder trial do we learn the truth: He did disconnect Mickey’s life support, but only because Lil didn’t have the strength to do the mercy killing herself.

Barbara Bel Geddes, Dallas, Miss Ellie Ewing, Ray Krebbs, Steve Kanaly, Survival

Stop! Or Mom will shoot

26. Ellie grabs her gun. The Ewings are awaiting word on J.R. and Bobby after their plane crashed in Cato Swamp. Miss Ellie (Barbara Bel Geddes) answers the door to find a snoopy reporter. “Ray, get me the shotgun out of the hall closet,” she says, then tells the newshound: “Anybody on my land, without invitation, is a trespasser. So unless I see your tail heading out of here … I’m going to blow it off.” It’s classic “Dallas”: Modern Texans defending old traditions like land and family.

Barbara Bel Geddes, Dallas, Miss Ellie Farlow, Pam Ewing, Winds of Change, Victoria Principal

Queens’ speeches

25. Pam’s surprise. After Bobby’s “death,” Ellie eulogizes him at the Oil Baron’s Ball, followed by Pam (Victoria Principal), who stuns everyone by announcing she won’t sell her shares of Ewing Oil to Westar as planned. J.R. is overjoyed, assuming this means Pam will sell them to him. She sets him straight: “I’m not selling at all. From now on, it’s going to be you and me. I’ll see you at the office, partner.” It’s one of many great moments from the unjustly maligned “dream season.”

Barbara Bel Geddes, Dallas, Miss Ellie Ewing, Requiem

Southfork soothsayer

24. Mama sees all. In 1983, when Sue Ellen tried to justify J.R.’s latest quest for power, Ellie delivered a spot-on prophesy: “Think ahead, Sue Ellen. Think 25 or 30 years ahead. I won’t be here then. And the fight won’t be between J.R. and Bobby. It’ll be between John Ross and Christopher. … Your loyalty to your husband is a wonderful thing. But you’re a mother too. And where will this all end?” Impressive, huh? Too bad no one ever thought to ask her where Pam is.

Ann Ewing, Brenda Strong, Dallas, Revelations, TNT

Bra-vo!

23. Sting! When Harris tries to blackmail Sue Ellen into aiding his dirty dealings, Ann begs him to stop. Harris confirms his crimes and suggests he’ll ease up on Sue Ellen – if Ann sleeps with him. Slowly, Ann unbuttons her blouse … and reveals a hidden mic. “Extortion, blackmail and a confession to money laundering, all recorded,” she says triumphantly. Ann then slugs Harris and hints she’ll shoot him if he doesn’t leave the Ewings alone. She wasn’t kidding, was she?

Adoption, Dallas, Donna Krebbs, Susan Howard,

Armor on

22. Pow! Donna (Susan Howard) is none too happy when Ray begins an affair with barfly Bonnie. Fed up with his philandering, she dons her fur coat, heads to the saloon and offers Bonnie $15,000 to leave Texas. Bonnie agrees, so Donna cuts the offer by a third. “Now that we know what you are, let’s haggle over your fee,” she says. Bonnie tosses a drink in Donna’s face – and then Donna belts her. Who knew “Dallas’s” classiest leading lady possessed such a mean right hook?

Bobby Ewing, Dallas, Ray Krebbs, Road Back, Steve Kanaly

Open flames

21. Bobby to the rescue. “Dallas’s” sixth season ends with J.R., Sue Ellen, John Ross and Ray trapped inside Southfork as flames sweep through the house. We knew they’d survive; we just didn’t know how. The seventh-season premiere supplies our answer: In “Dallas’s” most thrilling opening, quick-thinking Bobby comes home, soaks himself in the pool and dashes into the house, where he rescues everyone. We should’ve known: Bobby always saves the day.

Dallas, Linda Gray, Sue Ellen Ewing, Tangled Web

Face of fear

20. Sue Ellen’s discovery. Sue Ellen doesn’t want to believe it when Holly Harwood tells her she’s sleeping with J.R., but she agrees to come by the vixen’s house, where Holly says Sue Ellen will find J.R. in her bed. The audience watches as the fur-clad Sue Ellen arrives at Holly’s, slowly crosses the driveway (click clack go the heels), turns the front door knob and finally reaches the bedroom, where her worst fears are confirmed. It’s a brilliant, devastating sequence.

Barbara Bel Geddes, Brother Can You Spare a Child?, Cliff Barnes, Dallas, Miss Ellie Farlow

Making peace

19. Cliff asks for forgiveness. After Dandy Dandridge accuses Cliff of trying to cheat him out of their big gas strike, Cliff begins to see his daddy’s feud with Jock in a new light. Summoning Ellie to a Dallas park, Cliff extends a long-overdue olive branch. “Digger was wrong, and I was wrong. If it’s not too late. I’d like to make peace. I’d like to ask you to forgive me,” he says. It’s my favorite performance from Kercheval and a consequential moment in “Dallas” history.

Bobby Ewing, Dallas, Jim Davis, Jock Ewing, J.R. Ewing, Larry Hagman, Patrick Duffy, Wheeler Dealer

Honor thy daddy

18. Molotov cocktails. “Dallas’s” best cocktail scene: Ellie worries Sue Ellen didn’t get enough to eat at dinner. J.R. waves around a liquor bottle and declares his wife “gets all the nourishment she needs from this.” He then declares Pam is “cracking up” and calls her daddy “a saddle tramp and a thief” and her mama “a whore.” That’s when Bobby (Patrick Duffy) punches J.R., forcing a furious Jock to separate them. Don’t you wish your family gatherings were this much fun?

Barbara Bel Geddes, Dallas, Jim Davis, Jock Ewing, Mastectomy Part 2, Miss Ellie Ewing

Great performances

17. Ellie gets cancer. Ellie gets breast cancer in the 1979 “Mastectomy” two-parter, which won Bel Geddes an Emmy. It’s a brave performance from the actress, who had been treated for the disease in real life. Davis is equally moving as Jock struggles to comfort his wife. In one scene, he tells her it “doesn’t matter” that she’s lost a breast. “Because I’m not young anymore?” she snaps. “Don’t you think I care the way I look?” Rarely has “Dallas” felt so real.

Dallas, Family Ewing

Bye, Bobby

16. Bobby’s funeral. After Bobby “dies” saving Pam, the Ewings bury him in a lush Southfork pasture, near the treehouse that Jock built for him as a boy. All of Bobby’s loved ones are there, including Pam, whose Jackie Kennedy-esque pillbox hat reinforces the idea that “Dallas’s” version of Camelot is ending. As the gathering disperses, J.R. movingly tells Bobby he wishes he’d taken the time to let him know how much he loved him. It’s one of the few times we see J.R. cry.

Dallas, John Ross Ewing, J.R. Ewing, Larry Hagman, Paternity Suit, Tyler Banks

Welcome to fatherhood

15. J.R. becomes a daddy. When the Ewings learn the results of the paternity test that proves J.R., not Cliff, fathered John Ross, J.R. enters the Southfork nursery, picks up his son, holds him close and kisses him. According to “Dallas” historian Barbara A. Curran, CBS received 10,000 positive letters in response to J.R.’s embrace of his son. Later, David Jacobs, the show’s creator, called it “Dallas’s” best scene: “Just a private moment between J.R. and 100 million people.”

Dale Midkiff, Dallas, Dallas: The Early Years, Jock Ewing, Miss Ellie Ewing, Molly Hagan

When they were young

14. In the beginning. “Dallas: The Early Years,” Jacobs’ 1986 prequel movie, ends at a 1951 Southfork barbecue, where Jock and Ellie (Dale Midkiff, Molly Hagan) embrace as a teenaged J.R. spars with bratty Cliff. Moments later, Cliff drags kid sister Pammy away from her new playmate: Little Bobby. Jerrold Immel’s theme swells, the camera pulls back for a bird’s eye view of the ranch and then the familiar shots from “Dallas’s” famous titles sweep across the screen. Perfect.

Barbara Bel Geddes, Dallas, Miss Ellie Ewing, Waterloo at Southfork

Mad mama

13. Mama vs. the cartel. When J.R.’s latest plot backfires and the cartel takes advantage of him, Ellie comes to junior’s defense. She summons the group to the Ewing Oil offices, where she blasts them, one by one. “I don’t apologize for what my son did,” Ellie says. “It’s a family matter. We may be wrong and we may be right, but we’re Ewings. We stick together – and that’s what makes us unbeatable.” Foolish oil barons. Shouldn’t they know better than to mess with mama?

Dallas, J.R. Ewing, Larry Hagman, Long Goodbye, Pam Ewing, Victoria Principal

Prey, meet hawk

12. A classic clash. During Bobby and Pam’s separation, J.R. tells her if she doesn’t go through with the divorce, he’ll destroy Bobby, Cliff and everyone else she cares about. “You’ve known me long enough to know I don’t make idle threats,” J.R. says as he circles her. The chilling moment tells us much about their rivalry. Cliff might have been J.R.’s most persistent enemy and Jeremy Wendell might have been the most powerful, but no one threatened J.R. quite like Pam.

Blast from the Past, Bobby Ewing, Dallas, Patrick Duffy,

Good morning indeed

11. Bobby’s back! (Or is he?). CBS announced Duffy would return to “Dallas” a few weeks before the 1985-86 season finale aired, but no one knew how he’d come back or who he’d play. In the episode’s last scene, Pam awakens and finds Bobby – or someone who looks an awful lot like him – lathering up in her shower. No matter how you feel about the notorious “dream” twist, you have to admit: It was nice to have Duffy back on the show – and in his birthday suit no less!

Changing of the Guard, Dallas, J.R. Ewing, Larry Hagman, Leonor Varela, Marta del Sol, TNT, Veronica Martinez

Welcome back

10. J.R. returns. TNT’s first episode ends with John Ross visiting J.R. in the nursing home. The younger man is dejected because Uncle Bobby just sold Southfork to conservationist Marta del Sol. But wait, what’s this? J.R. is sipping champagne with Marta! It turns out the two are in cahoots. “Bobby may not be stupid, but I’m a hell of a lot smarter,” J.R. tells his son as he doffs his Stetson and flashes his grin. For me, this is the moment I knew “Dallas” was truly back.

Dallas, J.R. Ewing, Larry Hagman, Linda Gray, New Beginnings, Sue Ellen Ewing

Two of a kind

9. J.R. and Sue Ellen reminisce. After putting John Ross to bed, J.R. and Sue Ellen retreat to their room, where they recall their courtship in warm, nostalgic terms. For a couple that is usually at war with each other, this scene is about the characters taking off their armor – symbolized by Sue Ellen’s dressing gown and J.R.’s removal of his coat and tie – and showing each other they still care. You can’t understand their love story until you’ve seen this moment.

Bobby Ewing, Check and Mate, Dallas, Larry Hagman, J.R. Ewing, Patrick Duffy

Lose some, win some

8. Bobby beats J.R. After a yearlong contest for control of Ewing Oil, Harv Smithfield declares J.R. the winner. But wait, what’s this? Here comes Thornton McLeish with news that Bobby’s Canadian fields have come in, making Bobby the victor. The twist concluded one of “Dallas’s” greatest storylines, an arc that touched all the characters and made “Tundra Torque” part of every “Dallas” diehard’s vocabulary. We never like to see J.R. get beat, but when Bobby does it, we let it slide.

Barbara Bel Geddes, Dallas, Ellie Saves the Day, Miss Ellie Ewing

To the rescue

7. Ellie saves Southfork. J.R. secretly mortgages Southfork to finance a risky deal, only to have it blow up in his face. With the loans due, the Ewings scramble to pay the banks but come up empty. After a stroll around the ranch, Ellie gathers everyone and announces she’ll raise the cash by allowing Ewing Oil to drill on the land. It’s an early example of an enduring “Dallas” theme: Sometimes you have to set aside your principles to protect your family.

Dallas, Fall of the House of Ewing, John Ross Ewing, J.R. Ewing, Larry Hagman, Omri Katz

Don’t forget it, boy

6. J.R. schools John Ross. J.R. is giving John Ross one last look around Ewing Oil when Wendell, the new owner, orders them off the premises. “Take this eyesore with you,” he says as he reaches for Jock’s portrait. J.R. is incensed: “Touch that painting and I’ll kill where you stand!” J.R. takes the picture off the wall, holds it aloft and – with trumpets blaring in the background – declares: “John Ross, this is Ewing Oil.” I dare you to watch this scene without getting chills.

Bobby Ewing, Dallas, Executive Wife, Jim Davis, Jock Ewing, Patrick Duffy

Word

5. Jock schools Bobby. Bobby, furious that Jock has yanked millions of dollars out of Ewing Oil without telling him, interrupts Daddy’s lunch at the Cattlemen’s Club. “You gave me the power to run that company, and damn it, I intend to run it,” Bobby fumes. “Let me tell you something, boy,” Jock huffs. “If I did give you power, you got nothing. Nobody gives you power. Real power is something you take!” Six words that sum up the Ewing creed – and “Dallas” itself.

Dallas, Family Business, J.R. Ewing, Larry Hagman, TNT

The man

4. The man comes around. The TNT episode “Family Business” ends on a thrilling note: With Johnny Cash’s “The Man Comes Around” playing in the background, Rebecca shoots Tommy, while back at the ranch, seriously ill Bobby collapses. The most poignant moment of all comes before the montage, when J.R. glances at Ellie’s picture, takes a shot of bourbon and signs the Southfork deed, returning ownership to Bobby. In that instant, our hero grows. So does “Dallas.”

Dallas, J.R.'s Masterpiece, Linda Gray, Sue Ellen Ewing, TNT

Farewell, J.R.

3. J.R.’s funeral. “Dallas” bids farewell to J.R. with a moving, instant-classic episode featuring Emmy-worthy performances from Gray and Duffy. Who’ll ever forget Sue Ellen getting drunk in J.R.’s bedroom the night before his burial, or her heartbreaking eulogy? What about the poignant final scene, when Bobby spots J.R.’s hat and tearfully declares, “I love you brother.” This is the moment the TNT series rose to the occasion – and then surpassed it.

Bobby Ewing, Dallas, Pam Ewing, Swan Song, Victoria Principal

Saving the day, again

2. “Swan Song.” Leonard Katzman’s masterpiece. Donna reveals her pregnancy to Ray. J.R. threatens to send Sue Ellen back in the sanitarium. Pam nobly tells Bobby to go back to Jenna, but he chooses Pam instead. It culminates with the dramatic driveway sequence in which Katherine runs over Bobby, followed by his deathbed farewell, the most moving scene in “Dallas” history. It’s all so beautifully done, it’s almost enough to make you regret it turned out be a dream.

Dallas, House Divided, J.R. Ewing, Larry Hagman

Top gun

1. “Who Shot J.R.?” “Dallas’s” most famous storyline is also its greatest extended moment, and not just because it sparked a worldwide phenomenon. Nothing better demonstrates the show’s ability to create multi-dimensional characters who fascinate audiences and make us care. Despite his dastardliness, after J.R. was shot, we couldn’t help but feel sympathetic toward him as he struggled to regain his ability to walk and cope with his exile from Ewing Oil. Likewise, once Kristin was identified as his assailant – in a broadcast watched by 83 million people – how could you not feel sorry for her, especially after J.R. vowed to “handle” her his “own way”? Will “Dallas” ever top this moment? Who knows? I just hope the people who make the show never stop trying.

Now it’s your turn. Share your choices for “Dallas’s” greatest moments below and read more “Dal-Lists.”

The Dallas Decoder Guide to Pamela’s Mother, Afton Cooper

Dallas Decoder Guide to Pamela's Mother, Afton Cooper 1

In “Battle Lines,” the first episode of the new “Dallas’s” second season, Pamela (Julie Gonzalo) reveals she’s the daughter of Cliff and Afton, portrayed by Ken Kercheval and Audrey Landers in the original series. Everyone knows Cliff’s story, but how well do you remember Afton? Here’s a refresher.

Hussy

Hussy

She started off as J.R.’s gal. Afton, a Mississippi girl of modest means, came to Southfork in 1981 to attend the wedding of her brother Mitch (Leigh McCloskey) to Lucy Ewing (Charlene Tilton). J.R. (Larry Hagman) was instantly smitten with hot-to-trot Afton – and the feeling was mutual. In fact, Afton was so fascinated with J.R., she slept with him during the wedding reception – in the bed he shared with Sue Ellen! Not cool, Afton!

Heroine

Heroine

With Cliff, Afton found true love. J.R. made Afton spy on his nemesis Cliff (Ken Kercheval), but she ended up falling in love with the poor schmuck. She quit working for J.R., ditched the bad girl act and became Cliff’s main squeeze, sticking by him through thick and thin. Although Cliff often took Afton for granted, she’d do anything for him. Once, she even slept with a creepy refinery owner to help Cliff seal a big deal. That’s love, people.

Girls

Pam’s pal

Afton and Pam: BFFs. As Cliff’s steady girlfriend, Afton grew close to his mom Rebecca (Priscilla Pointer) and sister Pam (Victoria Principal). But wise Afton was always suspicious of Cliff and Pam’s half-sister Katherine (Morgan Brittany). When she realized Katherine was trying to steal Bobby (Patrick Duffy), Afton warned Pam and everyone else, but no one took her seriously. Silly Barneses. When Afton speaks, you ought to listen!

Meow!

Best of enemies

Afton and Sue Ellen: Not BFFs. When Cliff began to fall in love with Sue Ellen (Linda Gray) again, Afton didn’t take it lying down. In one of the classic “Dallas” showdowns, she confronted Sue Ellen and told her to stay away from Cliff. Afton: “We both do seem to have the same taste in men.” Sue Ellen: “The fact that you were sleeping with my ex-husband doesn’t mean we have the same taste in anything.” She’s got you there, Afton.

Saving the day ... again

Saving the day … again

Bobby’s savior. When Afton went to the Ewing Oil offices late one night to confront J.R. over his latest scheme against Cliff, J.R. was nowhere to be found – but Bobby was bleeding on the floor! (He’d been shot by Katherine. See what I mean about Afton always being right?) She called an ambulance for Bobby – and then she went home, packed her bags and left town to get away from these drama addicts. This was her smartest move yet.

Ring

Otherwise engaged

Mommy? Yes. Wifey? No. A few years after she left him, Cliff discovered Afton had become a single mom to an adorable moppet named Pamela Rebecca (Jenna Pangburn). He became convinced the child was his and proposed to Afton, but she lied and told him another man was the father. Afton feared Cliff was still obsessed with the Ewings, and she didn’t want him anywhere near their daughter. Once again, Afton was right.

What pipes!

What pipes!

Oh, and girlfriend can sing too! You know how TNT’s “Dallas” features pop music and everyone thinks it’s so cool? Well, before Adele and Johnny Cash began supplying the Ewings with their own personal soundtrack, that was Afton’s job. She worked as a singer, which gave “Dallas” a clever excuse to showcase Landers’ gorgeous voice. Landers wrote the songs she performed on the show, including Afton’s signature, “Steal Me Away.”

Who’s that girl?

Who’s that girl?

Nothing to see here. Move along. The 1996 reunion flick “J.R. Returns” ends with Cliff finally giving up his fight with J.R. and reuniting with Afton and the teenaged Pamela Rebecca (Deborah Kellner). It now seems like the events of this movie didn’t really happen (was it another one of Pam’s dreams?), but fear not: Maybe Afton will get another shot at a happy ending when she visits the new “Dallas” later this season.

What do you remember about Afton Cooper? Share your comments below and read more “Dallas Decoder Guides.”

The Art of Dallas: ‘Waterloo at Southfork’

Mitch (Leigh McCloskey) speaks to a patient in this 1981 publicity shot from “Waterloo at Southfork,” a fifth-season “Dallas” episode.

Dallas Scene of the Day: ‘Now That I Just Won’t Take!’

Hear her roar

Hear her roar

In “Dallas’s” fourth-season episode “The Gathering Storm,” Lucy and Mitch (Charlene Tilton, Leigh McCloskey) argue in their living room.

MITCH: Lucy, do you realize what’s happening to us?

LUCY: No, but apparently you do.

MITCH: We’re like roommates. We pass each other either coming or going. We don’t have a marriage. We have a quick-change routine.

LUCY: And naturally, it’s my fault.

MITCH: Well, it certainly isn’t mine. I don’t have limousines calling for me at dawn every day and I don’t come dragging in at 10:30 at night.

LUCY: Oh, no. Oh, no. Now that I just won’t take! You said it, mister. You said it loud and clear. We’ll live on “our income.” [Does air quotes] Remember that?

MITCH: I didn’t say, “our income.” I said we’d live on mine.

LUCY: Oh, great. So you’re going to park cars and work at the lab for nickels and dimes. And we’re going to live happily ever after. Is that it?

MITCH: Yes, if we have to!

LUCY: I don’t believe this. What rulebook did you drag that out of? Something that was written in the Dark Ages?

MITCH: [Sighs] I don’t need a rulebook to tell me how I feel.

LUCY: Feel about what?

MITCH: Well, that damn gold chain for one thing. Don’t you know I wanna be able to give you things like that, but I can’t?

LUCY: Oh Mitch, stop it.

MITCH: Yeah, what, at nickels and dimes you’d have to wait 10 years.

LUCY: OK, I’m sorry I said that. But it’s not my money. And it’s not your money. It’s ours. What difference does it make who earns it?

MITCH: It makes all the difference in the world. Now, if you don’t see that, and if you can’t understand what’s wrong, then we’re in real trouble.

LUCY: You said it. Not me. Just remember that. [She turns and begins walking away.]

MITCH: Lucy, look.

LUCY: [Facing him, screaming] No, you look. I have had it up to here with this stupid macho act of yours. I work my butt off to bring money home so we can live decently and I’ll be damned if I’m gonna apologize for that!

MITCH: You really don’t see anything wrong then, do you?

LUCY: Not a thing!

MITCH: Well, then I guess there’s nothing left to be said. [Grabs his coat, leaves]

Critique: ‘Dallas’ Episode 73 – ‘The Gathering Storm’

Scene from a marriage

Scene from a marriage

I’ve always considered Charlene Tilton one of “Dallas’s” charismatic actresses, although I haven’t always been a fan of her character. In “The Gathering Storm,” Lucy stands up for herself in the face of husband Mitch’s sexism, which makes me want to stand up and cheer her on. This episode makes me love Lucy.

The character’s big moment comes in the second act, when Lucy comes home late after a lengthy photo shoot. Mitch is angry, not so much because his wife missed dinner, but because she now brings home a bigger paycheck than him.

“It’s not my money, and it’s not your money. It’s ours,” Lucy says. “What difference does it make who earns it?”

“It makes all the difference in the world,” Mitch snaps.

This is “The Gathering Storm’s” best scene, thanks to Tilton and Leigh McCloskey’s convincing performances and scriptwriter Robert J. Shaw’s realistic dialogue. Lucy and Mitch’s argument sounds like the kind of fight a real-life couple might have had in the early 1980s, when more women were moving into the work force and men like Mitch were learning to adjust.

I’m pretty sure “Dallas” wants us to “side” with Lucy during the argument, although the show goes out of its way to not vilify Mitch’s sexist attitude. In one scene, he says the reason he and Lucy are fighting is because they have “totally different values.” That’s true, but casting the character’s chauvinism as a “value” makes it seem nobler than it deserves.

Still, the dissolution of Mitch and Lucy’s marriage feels credible, based on what we know about these characters. This is true for Jock and Miss Ellie too. It’s difficult to watch them argue in “The Gathering Storm,” but I believe Ellie when she says she’s tired of Jock’s lack of sensitivity, just like I believe him when he expresses his frustration with her stubborn idealism.

Of course, the sadness I feel seeing Jock and Ellie separate is nothing compared to the pain that comes from watching Jim Davis’s performance in “The Gathering Storm.” The cancer-stricken actor’s health was deteriorating when this episode was filmed – and it shows. Like this episode’s title suggests, dark clouds are moving over “Dallas,” and not just in front of the camera.

Grade: B

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Runaway husband

Runaway husband

‘THE GATHERING STORM’

Season 4, Episode 19

Airdate: March 27, 1981

Audience: 25 million homes, ranking 1st in the weekly ratings

Writer: Robert J. Shaw

Director: Michael Preece

Synopsis: The Takapa fight continues: Jock moves out of Southfork and J.R. offers to sell the company to rival oil baron Jeremy Wendell to prevent it from being dragged into his parents’ looming divorce. Cliff begins snooping into the counter-revolution in Asia and receives a visit from Rebecca, who doesn’t reveal she’s his mother.

Cast: Tyler Banks (John Ross Ewing), Cherie Beasley (Tootie Smith), Barbara Bel Geddes (Miss Ellie Ewing), Ellen Bry (Jean Hallinan), Jim Davis (Jock Ewing), Patrick Duffy (Senator Bobby Ewing), Susan Flannery (Leslie Stewart), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Morgan Hart (Jenny Smith), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Monte Markham (Clint Ogden), Leigh McCloskey (Mitch Cooper), Hortense Petra (Maggie) Priscilla Pointer (Rebecca Wentworth), Victoria Principal (Pam Ewing), William Smithers (Jeremy Wendell), Christopher Stone (Dave Stratton), Charlene Tilton (Lucy Cooper), Deborah Tranelli (Phyllis)

“The Gathering Storm” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.