The Art of Dallas: ‘The Split’

Miss Ellie (Barbara Bel Geddes) bikes home after retrieving the mail in this 1981 publicity shot from “The Split,” a fifth-season “Dallas” episode.

Dallas Scene of the Day: ‘You Do Like to Get Down in the Dirt’

American gladiators

American gladiators

In “Dallas’s” fifth-season episode “The Split,” a helicopter lands on the football field at the Cotton Bowl. Dusty (Jared Martin) exits and walks toward J.R. (Larry Hagman).

DUSTY: Ewing.

J.R.: Well, that was a very impressive entrance. You looking to see if I had any troops stationed outside?

DUSTY: I didn’t come here to play games, Ewing. What is it you wanted?

J.R.: Well, we got almost 72,000 empty seats there. [Motioning toward Dusty’s cane] You sure you wouldn’t like to sit down?

DUSTY: Look, why don’t we just get on with it, huh?

J.R.: All right. I suppose you think I came here to ask you to give me my boy back.

DUSTY: Yeah, that had occurred to me. So don’t even bother.

J.R.: Well, actually, I came here to do you a service.

DUSTY: Really?

J.R.: Ever since I found out about your … your problem – at the trial – well, I’ve been thinking about you.

DUSTY: I don’t know why you should think about me at all. Except for the fact that your wife is living with me.

J.R.: Well, in a sense, I suppose that’s true – technically. But how long she’s going to be living with you under the circumstances, I wouldn’t make a hazard to guess.

DUSTY: [Smiles] You do like to get down in the dirt, don’t you?

J.R.: I find it advantageous at times, yes.

DUSTY: All right, let’s get this over with.

J.R.: All right. My wife – and she is still my wife – is a lady of very tempestuous moods. Mostly sexual. Now I can give you a rundown of the names of her lovers if you’re really interested but –

DUSTY: No, not at all.

J.R.: There is a point here. I don’t want to be so crude as to call her a nymphomaniac, but all while she and I were enjoying a very healthy relationship, she was out looking for more elsewhere.

DUSTY: [Walks toward J.R., stands close to him] You are a disgusting man, Ewing. You think I don’t realize what kind of cheap trick you’re pulling here?

J.R.: Maybe a trick. But it’s certainly the truth. Hasn’t it occurred to you? Now surely you remember how she was before your accident. My bet is that you could hardly keep her out of bed. [Dusty backhands him] How long do you think she’s going to stay with a sexual washout? Hell, she can’t go without it forever. [Dusty turns and begins walking way; as J.R. continues speaking, he steadily raises his voice.] Maybe she won’t have to. I’ve seen your daddy. Maybe she’s staying with you because she’s not going without it. There’s only one person who’s man enough to keep that lady happy and on the Southern Cross. [Shouting] And that sure as hell ain’t you. [Chuckles as Dusty stops and looks down.]

Critique: ‘Dallas’ Episode 85 – ‘The Split’

Mind games

Mind games

Sending J.R. and Dusty to the Cotton Bowl for their big showdown at the end of “The Split” doesn’t make a whole lot of sense, but who cares? The sequence is a logistical feat, and Larry Hagman and Jared Martin deliver terrific performances. This is one of those moments from the classic “Dallas” series that fans still talk about.

Leonard Katzman, who wrote and directed “The Split,” opens the scene with J.R. arriving at the stadium in his Mercedes. He drives through the gate, down the ramp and parks at the edge of the AstroTurf. This is the sort of thing Ewings can get away with. As J.R. gets out of his car and walks onto the field, we hear whirring, and then Katzman switches to a wide shot as Dusty’s helicopter floats in from the Dallas skyline and touches down on the 50-yard line.

The arrival is another example of how the Farlows are constantly one-upping the Ewings. Southfork is grand, but the Southern Cross is grander. Jock’s relationship with his sons is full of angst, while Clayton and Dusty get along just fine. One family spends years obsessing over the birth of their first grandson, and after he finally arrives, the other family ends up raising him.

Interestingly, J.R. doesn’t summon Dusty to the stadium because he wants him to turn over John Ross. No, this is about Sue Ellen. J.R. wants his wife back, and he knows to get her, he must first drive a wedge between her and Dusty. Why else does J.R. go to the trouble of insulting Dusty’s manhood and insinuating Sue Ellen and Clayton are sleeping together? This whole sequence is confirmation that J.R. still loves Sue Ellen.

As for the setting of the scene, the only reason to have it take place at the Cotton Bowl is for metaphorical value. J.R. and Dusty are a couple of gladiators, after all. And while I’m generally not a fan of excess – please note this site isn’t called “Dynasty Decoder” – there are times when big moments are called for. J.R.’s confrontation with the man who stole his woman is one such instance.

You also have to admire “Dallas” for going to all this trouble, as Martin recalls in Barbara A. Curran’s “Dallas: The Complete Story of the World’s Favorite Prime-Time Soap:”

“[T]he chopper had to arrive on time and touch down at the right spot, the light had to be constant, with no wind, Larry and I would be standing on the right spot, with the cameras rolling and in focus and if either actor came up dry all the elaborate step-by-step mechanics would need to be repeated – at great cost.”

TNT’s “Dallas” memorably paid tribute to Hagman and Martin’s scene at the end of its first episode, “Changing of the Guard,” when John Ross went to Cowboys Stadium to meet with Marta del Sol. Having those characters meet in that setting made no more sense than having J.R. meet Dusty at the Cotton Bowl.

But I loved it all the same.

Grade: A

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He'll take his wife, please

He’ll take his wife, please

‘THE SPLIT’

Season 5, Episode 8

Airdate: November 27, 1981

Audience: 23.5 million homes, ranking 2nd in the weekly ratings

Writer and Director: Leonard Katzman

Synopsis: Jock divides control of Ewing Oil among the family. Bobby decides against running for re-election. Donna’s book about Sam Culver is published, while Ray’s development deal hits a snag. Afton stops moonlighting for J.R. and spills his secrets to Cliff. J.R. tells Dusty he’ll never make Sue Ellen happy.

Cast: Bernard Behrens (Haskell), Barbara Bel Geddes (Miss Ellie Ewing), Patrick Duffy (Bobby Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Art Hindle (Jeff Farraday), Susan Howard (Donna Krebbs), Andy Jarrel (Neal Hart), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Leigh McCloskey (Mitch Cooper), Dennis Patrick (Vaughn Leland), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Ted Shackelford (Gary Ewing), Barbara Stock (Heather Wilson), Robert Symonds (Martin Porter), Charlene Tilton (Lucy Cooper), Deborah Tranelli (Phyllis), David Tress (Walter Sher), Joan Van Ark (Valene Ewing), H.M. Wynant (Edward Chapman), Gretchen Wyler (Dr. Dagmara Conrad)

“The Split” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

The Art of Dallas: ‘Blocked’

J.R. (Larry Hagman) gets shoved into the Southfork swimming pool in this 1981 publicity shot from “Blocked,” a fifth-season “Dallas” episode.

Dallas Scene of the Day: ‘No Deal, J.R.’

Don't box him in

Don’t box him in

In “Dallas’s” fifth-season episode “Blocked,” Clayton (Howard Keel) arrives in a hotel suite for a meeting with J.R. (Larry Hagman).

J.R.: Well, I was beginning to think that you had changed your mind.

CLAYTON: I heard a lot of stories about you, J.R. I heard you were a snake – but I never realized just how low you’d sink.

J.R.: [Smiles] Did you come here to give me an evaluation of my character?

CLAYTON: No, J.R., I didn’t. I just want to know why you bought up all my crude – what your terms are so I can get back into business.

J.R.: Why don’t you have a little eye-opener. We can discuss this in a civilized manner.

CLAYTON: No, thank you. [Walks closer] And this is not a civilized situation. How much do you want for the oil?

J.R.: Oh, I think you’ll find my terms acceptable.

CLAYTON: You paid over market price. Otherwise you wouldn’t have got it. Now why would I find that acceptable?

J.R.: You have no choice. [Sits, smiles] See, I happen to know that you’re shutting down your refineries.

CLAYTON: You’ve invested a fortune trying to box me in. Why? Is it vengeance because I protected Sue Ellen?

J.R.: It’s business. Before I sell you a drop of my oil, I want Sue Ellen and John Ross off the Southern Cross ranch – away from you and your son.

CLAYTON: You’re holding my oil hostage in return for Sue Ellen?

J.R.: I don’t give a damn for Sue Ellen. I want my son back. And I’m willing to sell you that oil at the going market price – if you send those two packing.

CLAYTON: Then what? You think Sue Ellen’s going to return to Southfork? [Chuckles] She hates you so much she’d never do that.

J.R.: Well, Mr. Farlow, I know that woman a lot better than you do. She can’t make it on her own. Every time she runs away, it’s to another man. And what do you care anyway? [Rises, walks toward Clayton] With this deal you can keep your refineries open, your employees employed and not suffer any loss.

CLAYTON: No deal, J.R.

J.R.: Just how long do you think you’re going to be able to keep open?

CLAYTON: The terms you just offered me? Forever.

J.R.: She means nothing to you.

CLAYTON: You’re wrong. I respect her. And she means everything to my son. And the child belongs with her. [Turns and heads for the door]

J.R.: I’ll break you.

CLAYTON: Better men than you have tried it. No, J.R., you’re the one who’s going broke. I was late getting here because I stopped to find out the latest report on oil prices. Down almost a dollar a barrel and still falling. And you’re sitting on five million barrels. Now, your bankers are not going to be patient forever. [Reaches the door, stops, turns] By the time your daddy gets back from South America, there just might not be a Ewing Oil.

He exits, leaving J.R. looking worried.

Critique: ‘Dallas’ Episode 84 – ‘Blocked’

The gentleman from San Angelo

The gentleman from San Angelo

Howard Keel makes his ninth “Dallas” appearance in “Blocked,” but this is the first time we get a sense of who his character, Clayton Farlow, is. By the time the episode ends, two things are clear: Clayton has become a formidable foe for J.R. – and Keel has become the show’s best addition since Susan Howard arrived during the second season.

I always remembered Clayton as being the quintessential southern gentleman, so it’s been surprising to re-watch Keel’s first few episodes and be reminded that’s not how the character started out. Clayton is pretty gruff in the beginning. The best example is probably the Farlow family dinner scene in “Showdown at San Angelo,” when Clayton brusquely shoots down Sue Ellen’s suggestion that she and Dusty could go into town after their meal to see a movie.

“Blocked” marks the moment the Clayton I love emerges. In this episode, he learns someone has shut off the flow of oil to his refineries, yet he never loses his cool over it. The situation also reveals Clayton’s compassionate side: He dips into his company’s cash reserves to keep his employees from being pink-slipped, and once the Farlows realize J.R. is behind the shutdown, Clayton refuses Sue Ellen’s offer to leave the Southern Cross to spare the family further trouble.

Of course, Clayton may be kind, but he’s no pushover. In the final scene, J.R. tells Clayton he’ll release his crude – if Clayton kicks Sue Ellen and John Ross off the Southern Cross. Mr. Farlow is resolute: “No deal, J.R.” What a fantastic moment. Often when J.R. is backed into a corner, I sympathize with him, but in this instance, I root for Clayton – which is about as good an indication as any that he’s become a bona fide “Dallas” hero.

“Blocked” has other several good scenes: Senator Dickson chastises Bobby for missing several committee votes (nice of the show to remind viewers Bobby is a public official), Cliff and Afton trade barbs when he drops by the Stardust and Sue Ellen storms into J.R.’s office to confront him over his plot against the Farlows.

“Blocked” also includes the memorable moment where Donna pushes J.R. into the Southfork swimming pool. It’s a fun sequence, but after this episode, it’s pretty clear that if anyone is going to sink J.R., it’s going to be the gentleman from San Angelo.

Grade: B

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The skunk, sunk

The skunk, sunk

‘BLOCKED’

Season 5, Episode 7

Airdate: November 20, 1981

Audience: 24 million homes, ranking 1st in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Irving J. Moore

Synopsis: Clayton refuses J.R. offer to release the Farlows’ oil in exchange for John Ross. Bobby determines Jordan didn’t father Christopher and fears Pam won’t recover from her depression. Mitch accepts Dr. Waring’s job offer.

Cast: Gary Bayer (Don Martin), Barbara Bel Geddes (Miss Ellie Ewing), Deborah Benson (secretary), Patrick Duffy (Senator Bobby Ewing), Robert Ginnaven (Chuck Williamson), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Art Hindle (Jeff Farraday), Susan Howard (Donna Krebbs), Andy Jarrell (Neal Hart), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Jared Martin (Dusty Farlow), Leigh McCloskey (Mitch Cooper), Priscilla Pointer (Rebecca Wentworth), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Don Starr (Jordan Lee), Charlene Tilton (Lucy Cooper), David Tress (Walter Sher), Joseph Warren (Senator Dickson), Gretchen Wyler (Dr. Dagmara Conrad)

“Blocked” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Parallels: Fatal Falls

A beautiful woman feels mistreated by her Ewing lover. She is distressed, distraught, desperate. There’s a confrontation. Harsh words are exchanged. Before you know it, the woman has plunged to her death, leaving the police to sort out if this was a suicide or murder.

Sound familiar? This scenario has played out on “Dallas” more than once. More than twice, actually.

In the original show’s second-season episode “The Red File, Part 1,” J.R.’s ex-secretary and on-again/off-again mistress Julie Grey realizes he doesn’t love her, so she decides to give Cliff Barnes a copy of J.R.’s “red file,” which details his shady dealings with Jeb Ames and Willie Joe Garr. Dumb move, darlin’: When Jeb and Willie Joe find out what Julie’s up to, they show up at her apartment and chase her to the roof – and then they chase her off it.

Flash forward two seasons: In “Ewing-Gate,” Kristin Shepard, another of J.R.’s ex-mistresses/ex-secretaries, threatens to spill the beans about their secret love child if he doesn’t pay her more hush money. When J.R. refuses to give in to Kristin’s scheme, she shows up at Southfork and, after a confrontation with J.R., falls from the balcony and drowns in the swimming pool.

Now, flash forward three decades: In “Collateral Damage,” an episode of TNT’s “Dallas,” John Ross races to the high-rise hotel room of his ex-lover Marta del Sol, who has tricked him into believing she has kidnapped his girlfriend Elena. Once John Ross realizes this is a ruse, he leaves, passing two shadowy men on his way to the elevator. Marta ends up reaching the driveway before John Ross.

Echoes from both older episodes reverberate in the newer one. All three women feel used by the Ewing men in their lives, but they’re also victims of their own deceit: Julie secretly copied J.R.’s red file and Kristin fooled both J.R. and Jordan Lee into believing they fathered her child, while Marta cheated business partner Vicente Cano during their Southfork swindle.

There are other similarities: Marta dies at the hands of two men, just like Julie. The shot of Kristin’s dead body (in “Missing Heir,” the episode that follows “Ewing-Gate”) is creepily reminiscent of the haunting image of Marta’s bloodied corpse. The police briefly suspect J.R. killed Kristin, while John Ross is arrested for Marta’s murder.

Eventually, John Ross is cleared of wrongdoing, just like J.R. was in Kristin’s death. But did John Ross learn a lesson? Or like his daddy, will he continue to get involved with dangerous women? Most importantly: Will those women be smart enough to steer clear of heights?

 

‘What Do You Want?’

Baby daddy?

In “Ewing-Gate,” a fourth-season “Dallas” episode, J.R. (Larry Hagman) walks into his office, followed by the visiting Kristin (Mary Crosby).

J.R.: What ill wind blew you into Dallas? I thought we had a deal. [Sits his briefcase on his desk]

KRISTIN: The baby’s just fine, J.R. Thank you for asking. He looks just like his daddy.

J.R.: [Turns to face her] What do you want?

KRISTIN: More.

J.R.: Do you now?

KRISTIN: I’m tired of your little monthly checks, J.R. I picked up some very expensive habits in California – and I want you to pay for them.

J.R.: This is not the time to try to negotiate with me, Kristin.

KRISTIN: Well, now I think it’s the perfect time. Judging from what I read in the papers, you’re making the headlines everywhere. Poor Jock and Miss Ellie. They must be shattered. Think of how they’d feel if they read about a paternity suit on top of everything else.

J.R.: All right, but you gotta give me time. I can’t pull too much out of the bank right now.

KRISTIN: Don’t take too long, J.R. I’m not very patient.

J.R.: You’ll be hearing from me real soon. Where can I call you?

KRISTIN: [Rises] I’ll call you, J.R. Somehow, I’d feel safer that way. Don’t take too long now. [Walks toward the door, stops, turns to face him] Oh, and give my love to Sue Ellen.

 

‘What the Hell Do You Want?’

Oh daddy, what a babe!

In “Collateral Damage,” TNT’s seventh “Dallas” episode, John Ross and Marta (Josh Henderson, Leonor Varela) argue in her hotel room.

MARTA: Vicente froze my bank accounts. I have no money. And I really need to get out of the country.

JOHN ROSS: How much?

MARTA: What?

JOHN ROSS: Money. How much money?

MARTA: I don’t want money.

JOHN ROSS: Then what the hell do you want?

MARTA: I want you to take responsibility. You got me into this. You need to help me!

JOHN ROSS: Marta, I’m here to find Elena. Where the hell is she? [She stares at him silently.] You don’t have her.

MARTA: It was the only way to get you here.

JOHN ROSS: You stole that phone.

MARTA: [Goes to him] You need to help me. Please, John Ross. Please. [He notices a camera in the corner.]

JOHN ROSS: [Pushing her away] You’re filming this? What did you think was going to happen here? What is wrong with you?

MARTA: I have earned what I have. I’ve earned my way out of the slums of Caracas.

JOHN ROSS: Congratulations.

MARTA: I need to watch out for myself. I thought we had that in common. But you’re just a spoiled boy. You’re not entitled to anything. Not me. Not your girlfriend’s love. Nothing.

What do you think of J.R. and John Ross’s entanglements with Julie, Kristin and Marta? Share your comments below and read more “Dallas Parallels.”

The Art of Dallas: ‘The Big Shut Down’

Bev and Lucy (Tami Barber, Charlene Tilton) attend a garden party in this 1981 publicity shot from “The Big Shut Down,” a fifth-season “Dallas” episode.

Dallas Scene of the Day: ‘But It Was So Beautiful, Cliff’

Never upset this woman

Never upset this woman

In “Dallas’s” fifth-season episode “The Big Shut Down,” Cliff (Ken Kercheval) is in his office at Wentworth Tool and Die, discussing the hospitalized Pam with Rebecca and Katherine (Priscilla Pointer, Morgan Brittany), who’ve dropped by on their way to the airport.

CLIFF: You don’t need to worry about Pam. Mama and I will visit her. Although I must admit: I don’t relish bumping into a Ewing every time we go out there.

REBECCA: Cliff, the only Ewings who ever come to see Pam are Bobby and Ellie.

KATHERINE: [Smiling] I can understand why Pam fell in love with Bobby.

CLIFF: [Snickers] I’m sure you can. I must say, it wasn’t the greatest day in my life.

REBECCA: Cliff, I don’t want a replay of your problems with the Ewings. Besides, if we don’t hurry, we’re going to miss the plane. You know what the traffic’s like on the expressway in the mornings.

As Rebecca speaks, Katherine looks around the room quizzically.

KATHERINE: You know, everything in this office looks so different. I guess because I was three feet high the last time I saw it.

CLIFF: No, I don’t think so. It’s probably because I just had the whole place redecorated.

KATHERINE: Oh, I remember. [Pointing] Daddy had an antique cabinet right there. It was wood with a bold grain, probably oak or something.

CLIFF: Right, you’re right, yeah. I had it moved out because I just like kind of an openness.

KATHERINE: But it was so beautiful, Cliff.

CLIFF: It’s in the storeroom. If you want it, it’s yours.

KATHERINE: [Sighs] No, I’m just surprised you moved it. It always seemed to belong right there. [Smiles icily] Well, Mother, let’s go.

Katherine grabs her purse from a chair and she and Rebecca head for the door.

CLIFF: You all have a safe trip.

REBECCA: I’ll call you later.

After Rebecca and Katherine exit, Cliff surveys the room with raised eyebrows.

Critique: ‘Dallas’ Episode 83 – ‘The Big Shut Down’

Here he goes again

Here he goes again

“The Big Shut Down” is the first “Dallas” episode John Parker has scored since the third season, and it features many of the compositions he created during that era of the show, including Ray and Lucy’s musical signatures and Bobby and Pam’s love theme. It’s always nice to hear these classic numbers, but does the show have to recycle so many old plotlines to go with them?

J.R. spends “The Big Shut Down” conspiring to buy up the oil supply to Clayton Farlow’s refineries so he can hold the crude “hostage” in exchange for John Ross, who now lives with Sue Ellen and the Farlows at their Southern Cross ranch. To finance this scheme, J.R. turns to smarmy banker Vaughn Leland – just like he did two seasons ago, when Vaughn arranged J.R.’s outlandish ploy to secretly mortgage Southfork.

“The Big Shut Down’s” climax – when J.R. signs the paperwork for his loan – even echoes “The Kristin Affair” scene where J.R. approves the deal that puts ownership of Southfork at risk. Both sequences take place in J.R.’s office and both end with him dismissing Vaughn’s ominous warnings. It’s less homage than outright retread.

“The Big Shut Down’s” other subplots feel just as familiar. In “Dallas’s” previous episode, “The Sweet Smell of Revenge,” the show seemed to go out of its way to suggest Pam’s depression wasn’t linked to her fertility problems. But in this installment, Pam is once again bemoaning her inability to have children. In the third act, she even recalls for Dr. Conrad the whole third-season storyline about her obsession with John Ross, reminding us how we’ve seen all this before.

Of course, not everything here is old news. “The Big Shut Down” marks one of the first appearances of Katherine Wentworth, who’ll go on to become one of the great “Dallas” vixens. Morgan Brittany is sublime in the role, right from the start. In this episode, I especially love Katherine’s deliciously bitchy reaction when she discovers Cliff has redecorated her daddy’s old office at Wentworth Tool and Die.

It’s the first time we encounter what becomes one of “Dallas’s” most enduring truisms: Never upset Katherine Wentworth!

Grade: B

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Her too

Her too

‘THE BIG SHUT DOWN’

Season 5, Episode 6

Airdate: November 13, 1981

Audience: 23.7 million homes, ranking 1st in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Leonard Katzman

Synopsis: Vaughn agrees to finance J.R.’s plot to cut off the Farlows’ oil supply. Jeff Farraday, the mysterious caller who contacted Bobby, sells him more information about Christopher. Pam meets Katherine. Donna steps in as Ray’s partner when Punk drops out of their latest venture.

Cast: Phillip Allen (Lloyd Bettinger), Tami Barber (Bev), Barbara Bel Geddes (Miss Ellie Ewing), Deborah Benson (secretary), Morgan Brittany (Katherine Wentworth), Patrick Duffy (Senator Bobby Ewing), Tom Fuccello (Senator Dave Culver), Robert  Ginnaven (Chuck Williamson), Linda Gray (Sue Ellen Ewing), Laurence Haddon (Franklin Horner), Larry Hagman (J.R. Ewing), Art Hindle (Jeff Farraday), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Leigh McCloskey (Mitch Cooper), Dennis Patrick (Vaughn Leland), Priscilla Pointer (Rebecca Wentworth), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Charlene Tilton (Lucy Cooper), David Tress (Walter Sher), Edward Winter (Dr. Frank Waring), Morgan Woodward (Punk Anderson), Gretchen Wyler (Dr. Dagmara Conrad)

“The Big Shut Down” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.