Dallas Scene of the Day: ‘… Until Our Scores Are Settled!’

Dallas, If at First You Don't Succeed, Pam Ewing, Victoria Principal

That’s Miss Barnes to you!

In “If at First You Don’t Succeed,” an eighth-season “Dallas” episode, J.R. (Larry Hagman) arrives at the Ewing Oil building, where Pam (Victoria Principal) is waiting for him.

J.R.: Well, you got a lot of nerve coming around here after what your brother did to mine.

PAM: What were you doing there yesterday when my brother was arrested?

J.R.: You consider that your business, do you?

PAM: Yes, I do, because I think you had something to do with it.

J.R.: Well, what on earth could I have to do with it?

PAM: How did you know he’d be arrested at that precise moment?

J.R.: Well, I have friends at the department. I went down there to see the expression on that worm’s face when the police arrested him for shooting my brother.

PAM: Let me tell you something, J.R. If he did shoot Bobby, it was because he thought it was you — and he had every reason to shoot you.

J.R.: You know, I’m getting kind of tired of that old song. Mean, nasty J.R. beating up on poor, innocent Cliff Barnes. You’re sounding more and more like him, you know that?

PAM: Well, that’s fine with me because I’m beginning to sound more and more like a Barnes, thanks to you. I’ve never believed in the Barnes-Ewing feud, J.R., but now I’m going to join it. I’m going to do everything I can to help Cliff. And I’m not going to rest until all our family scores are settled!

Watch this scene in “If at First You Don’t Succeed,” available on DVD and at Amazon and iTunes, and share your comments below.

Critique: ‘Dallas’ Episode 164 — ‘If at First You Don’t Succeed’

Dallas, If at First You Don't Succeed, Katherine Wentworth, Morgan Brittany

Take another shot

The final scene in “If at First You Don’t Succeed” is another example of how music helps tell the stories on “Dallas.” As Bobby sleeps in his hospital bed, Katherine enters the room, fills a syringe with poison and prepares to inject him. This is supposed to be the moment the audience realizes Katherine fired the gunshots that landed Bobby in the hospital in the first place, although I suspect most viewers who saw this episode in 1984 had long since figured that out. The revelation is gripping nonetheless, thanks mostly to composer Richard Lewis Warren, whose music conveys emotion in ways images alone cannot.

Consider how much work Warren’s score does here. The scene requires Morgan Brittany to enter the room, walk to the nightstand, set down her purse, retrieve the syringe, fill it with poison, squirt a little (an especially nice touch) and stare menacingly at Patrick Duffy. All of this takes a little less than a minute, which is longer than it sounds when you consider there’s no dialogue and we don’t see Katherine’s face until the last few seconds. Nevertheless, Warren’s visceral score — the whirring strings, the escalating keys — makes the scene positively Hitchcockian. The music holds our attention, every step of the way. Of course, don’t overlook Brittany, who has never looked more sinister. Also, during the freeze frame, notice how Philip Capice’s credit moves from its usual spot in the center of the screen to the lower third, as if Katherine has willed the show’s executive producer out of her way.

This climactic moment aside, the “Who Shot Bobby?” mystery turns out to be much less interesting than it seemed three decades ago. The storyline’s truest bright spot is the way it reignites Pam’s spark, giving Victoria Principal some of her best material since “Dallas’s” first two seasons. For example, when “If at First You Don’t Succeed” begins, Pam confronts J.R. outside the Ewing Oil building and accuses him of trying to frame Cliff for the shooting. It’s one of J.R. and Pam’s great clashes, especially when she vows to join Cliff’s side in the Barnes/Ewing feud. “I’m not going to rest until all our family scores are settled,” she says, leaving J.R. looking more than a little unnerved. Later, when Sue Ellen visits Pam at home and tries to defend her husband, Pam is aghast — and she doesn’t hesitate to show it. Sue Ellen becomes equally indignant and suggests it might be time for the Barneses and the Ewings to go their separate ways, prompting Pam to snap, “Then why don’t you start, Sue Ellen, by leaving here right now?”

Too bad Donna’s storyline doesn’t hold up as well. I like how the writers have Bobby name Donna his proxy at Ewing Oil, if only because it’s good to see a “Dallas” woman in a position of authority for a change. Unfortunately, Donna comes off as a bit of a nag when dealing with J.R. at the office. She does give him this episode’s most memorable line, though, when she wonders how Cliff’s arrest is affecting Pam. J.R.’s memorable response — “I don’t give a damn about Pam” — is one of those times you know exactly what he’s going to say before it rolls off his tongue. A nicer moment comes when Clayton visits the Krebbs’ home to say goodbye to Ray and Donna before leaving to join Miss Ellie on their honeymoon in Greece. Before Clayton climbs into his Rolls Royce to head to the airport, Donna tells him she loves him, and he says it back to her. I don’t know if this exchange was scripted or if Susan Howard and Howard Keel ad-libbed it, but I’m glad it’s here.

“If at First You Don’t Succeed” is also notable because it brings Deborah Shelton to “Dallas” as Mandy Winger, who arrives as Cliff’s love interest but ends up becoming J.R.’s longest-running mistress. This episode also marks the first appearance of Cliff’s painting of himself, an ideal accessory for Ken Kercheval’s self-centered character, along with the icky scene where J.R. seduces sweaty Sue Ellen in the Southfork exercise room. (Couldn’t these two find another spot in that big house to get it on?) Also, notice that when Katherine hears the radio bulletin that Cliff has been cleared in Bobby’s shooting, the newscaster (“John Shaw”) is the same one who announces Bobby’s shooting in this season’s first episode and his death during the season finale. Additionally, there are quite a few nods to “Dallas’s” past, including the scene where Sue Ellen tells Jenna about Dusty’s paralysis, a storyline from the fourth and fifth seasons, and Lucy’s visit to the Hot Biscuit, the roadside diner where Valene worked during the second season.

Scenes like these do more than reward the memories of longtime viewers. They also make “Dallas” seem like something more than a television show, as if the series has become its own little world. Aren’t you glad we get to inhabit it too?

Grade: B

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Dallas, If at First You Don't Succeed, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing

Get another room

‘IF AT FIRST YOU DON’T SUCCEED’

Season 8, Episode 3

Airdate: October 12, 1984

Audience: 24 million homes, ranking 7th in the weekly ratings

Writer: David Paulsen

Director: Leonard Katzman

Synopsis: Cliff is cleared in Bobby’s shooting when mystery woman Mandy Winger comes forward and reveals he spent the night with her. Bobby considers having risky surgery to restore his eyesight, upsetting Jenna. J.R. seduces Sue Ellen, who defends his actions to Clayton, Donna and Pam. Lucy is offered a waitressing job at a diner where Valene once worked. While Bobby sleeps, Katherine sneaks into his room and prepares to inject him with poison.

Cast: Norman Bennett (Al), Morgan Brittany (Katherine Wentworth), James L. Brown (Detective Harry McSween), Roseanna Christiansen (Teresa), Patrick Duffy (Bobby Ewing), Jenny Gago (Nurse), Gerald Gordon (Dr. Carter), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Omri Katz (John Ross Ewing), Ken Kercheval (Cliff Barnes), Shalane McCall (Charlie Wade), Bill Morey (Leo Wakefield), Joanna Miles (Martha Randolph), George O. Petrie (Harv Smithfield), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Donna Reed (Miss Ellie Farlow), Debbie Rennard (Sly), Sherril Lynn Rettino (Jackie Dugan), Marina Rice (Angela), Mitchell Ryan (Captain Merwin Fogerty), Deborah Shelton (Mandy Winger), Charlene Tilton (Lucy Ewing)

“If at First You Don’t Succeed” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

The Dal-List: 10 Classic Clashes Between J.R. and Pam

Dallas, J.R. Ewing, Julie Gonzalo, Larry Hagman, Pamela Rebecca Barnes Ewing, TNT, Venomous Creatures

2 for 2?

The confrontation between J.R. and Pamela (Larry Hagman, Julie Gonzalo) in “Venomous Creatures,” one of this week’s new “Dallas” episodes on TNT, was an instant classic. The scene demonstrated how Gonzalo can hold her own against the legendary Hagman, but it also evoked memories of J.R.’s showdowns with the original Pam (Victoria Principal). Here’s a look at some of those moments.

Dallas, Digger's Daughter, Pam Ewing, Victoria Principal

Fight or flight

10. Let the games begin. J.R. and Pam’s first fracas set the stage for all the fights that followed. On the day she arrived at Southfork, he gave her a friendly tour of the ranch – then offered her a bribe to leave: “I’m willing to spend some money now to avoid any inconvenience. But if you insist upon being driven away – which you surely will be – you’re going to come out of this without anything, honey.” Pam ignored J.R.’s offer, but maybe she should’ve taken the money and run. Think of all the pain she would’ve been spared! (“Digger’s Daughter”)

Dallas, Barbecue, J.R. Ewing, Larry Hagman, Pam Ewing, Victoria Principal

Fall gal

9. Legend of the fall. J.R. and Pam’s most controversial encounter: During her first Ewing barbecue, pregnant Pam retreated to a Southfork hayloft for some much-deserved alone time. Suddenly, a drunken J.R. showed up, crawled (slithered?) toward her and apologized for “going too far” during her early weeks at Southfork. While trying to get away from him, Pam slipped, fell and lost her baby. Some fans remember J.R. pushing Pam, but when you watch this scene, it’s pretty clearly an accident. J.R. was bad, but he wasn’t evil. (“Barbecue”)

Dallas, J.R. Ewing, Larry Hagman, Love and Marriage, Pam Ewing, Victoria Principal

Stud or dud?

8. Stud finder? If there was sexual tension between J.R. and Pam, it was strictly one-sided. When he suggested her demanding job at The Store might prompt lonely Bobby to reclaim his reputation as Dallas’s top stud, Pam declared that Bobby “isn’t standing at stud anymore. … He left the field wide open for you. Of course, from what I hear, that still leaves the field wide open.” J.R.: “Anytime you want to find out, it can be easily arranged.” Pam: “Don’t bother, J.R. Even if I weren’t married to Bobby, you aren’t man enough.” OK then! (“Love and Marriage”)

Dallas, Pam Ewing, Quandary, Victoria Principal

Bag it, J.R.

7. Tea for one. When Bobby “died,” Pam joined Ewing Oil as J.R.’s new partner, bringing the animosity between them to new heights. Within minutes of her first day on the job, J.R. minced no words letting Pam know how he felt about her new career: “I don’t want you in my sight, much less my offices!” Pam didn’t miss a beat. She ignored J.R.’s huffing and puffing, buzzed her secretary Phyllis on the intercom and ordered “a cup of tea – a cup of herbal tea.” Pam then turned to J.R. and asked if he wanted anything. He didn’t. (“Quandary”)

Dallas, J.R. Ewing, Larry Hagman, Nothing's Ever Perfect

Dream on, Pam

6. Truce? In your dreams. After spending months fighting with J.R. at Ewing Oil, Pam decided their war wasn’t worth it and sold him the share of the company she controlled. After signing the papers, Pam told him, “It’s all yours, J.R. I hope this does mean that we can all live in peace now.” His response: “We’ve got nothing to fight about anymore.” Ha! This scene aired six months before Bobby stepped out of Pam’s shower. Looking back, the moment J.R. and Pam made nice should’ve been the first clue our heroine was dreaming. (“Nothing’s Ever Perfect”)

Dallas, Fallen Idol, J.R. Ewing, Larry Hagman

Hold the butter

5. Dining with the devil. For purely selfish reasons, J.R. didn’t want Bobby doing business with shady college chum Guzzler Bennett, so J.R. invited Pam to lunch to enlist her help in stopping Bobby and Guzzler’s project. When Pam wondered how she might persuade Bobby to call off the deal, J.R. told her, “You’re a very clever woman, Pam. You’ll think of something.” I also love her cutting response to his attempt to butter her up at the start of the scene: “J.R., please don’t make me lose this good food.” (“Fallen Idol”)

Dallas, Ewing Inferno, Pam Ewing, Victoria Principal

Sting like a bee

4. Slap! J.R. and Pam’s fights almost never turned physical. Emphasis on “almost.” While Pam waited alone for Bobby inside his office one day, J.R. popped in to say hello. She wasn’t in the mood for his insincerities. “Save that nonsense for somebody who doesn’t know you,” she said, then chastised him for his latest extramarital fling. “Climb down off your soapbox, honey,” J.R. responded before accusing her of sleeping around. Before all was said and done, Pam had stomped away, leaving J.R. with a big red mark on his cheek. (“Ewing Inferno”)

Dallas, If At First You Don't Succeed, J.R. Ewing, Larry Hagman

Change of tune

3. Get your feud on. When Cliff was arrested for Bobby’s shooting, Pam accused J.R. of framing her brother. Cue J.R.’s eye-roll: “I’m getting kind of tired of that old song. Mean, nasty J.R. beating up on poor, innocent Cliff Barnes.” Pam’s response: “I’ve never believed in the Barnes/Ewing feud, J.R., but now I’m going to join it. I’m going to do everything I can to help Cliff – and I’m not going to rest until all our family scores are settled!” Something tells me Pam’s namesake niece would be proud of auntie here. (“If at First You Don’t Succeed”)

Dallas, Legacy of Hate, Pam Ewing, Victoria Principal

Babble on, honey

2. True lies. Just to mess with her, J.R. sent Pam on a wild goose chase to the Caribbean to find her presumed dead lover Mark Graison. When she found out, she stormed into J.R.’s office and demanded an explanation. J.R. played dumb. “You’re babbling like a lunatic,” he said, adding: “I never liked you a hell of a lot, you know that, Pam? But I never thought you were stupid until now.” Principal is fantastic here – and so is Hagman. Pam knows J.R.’s lying. The audience knows he’s lying too. Yet somehow, we kinda believe him. (“Legacy of Hate”)

Dallas, J.R. Ewing, Larry Hagman, Long Goodbye, Pam Ewing, Victoria Principal

Choose or lose

1. The choice. J.R. rejoiced when Pam left Bobby, but when he found out she was thinking about reconciling with him, J.R. knew he needed to act fast. He showed up on Pam’s doorstep and tried to persuade her that a divorce was in her best interest. “How nice! You’re concerned about my happiness,” she said, sarcasm dripping from every word. J.R.’s matter-of-fact response: “Oh, no. I don’t give a damn about you or your happiness, honey. But I do care about what’s good for me.” As Pam stood with her back to him, J.R. circled her, explaining she had two options: divorce Bobby and bring the Barnes/Ewing feud to an end, or return to him and watch as “all hell [breaks] loose.” Hagman is downright chilling, and as Pam, Principal looks visibly shaken. We can sympathize; in this scene, J.R. scares us too! (“The Long Goodbye”)

What do you think are J.R. and Pam’s best confrontations? Share your choices below and read more “Dal-Lists.”