2 for 2?

The confrontation between J.R. and Pamela (Larry Hagman, Julie Gonzalo) in “Venomous Creatures,” one of this week’s new “Dallas” episodes on TNT, was an instant classic. The scene demonstrated how Gonzalo can hold her own against the legendary Hagman, but it also evoked memories of J.R.’s showdowns with the original Pam (Victoria Principal). Here’s a look at some of those moments.

Fight or flight

10. Let the games begin. J.R. and Pam’s first fracas set the stage for all the fights that followed. On the day she arrived at Southfork, he gave her a friendly tour of the ranch – then offered her a bribe to leave: “I’m willing to spend some money now to avoid any inconvenience. But if you insist upon being driven away – which you surely will be – you’re going to come out of this without anything, honey.” Pam ignored J.R.’s offer, but maybe she should’ve taken the money and run. Think of all the pain she would’ve been spared! (“Digger’s Daughter”)

Fall gal

9. Legend of the fall. J.R. and Pam’s most controversial encounter: During her first Ewing barbecue, pregnant Pam retreated to a Southfork hayloft for some much-deserved alone time. Suddenly, a drunken J.R. showed up, crawled (slithered?) toward her and apologized for “going too far” during her early weeks at Southfork. While trying to get away from him, Pam slipped, fell and lost her baby. Some fans remember J.R. pushing Pam, but when you watch this scene, it’s pretty clearly an accident. J.R. was bad, but he wasn’t evil. (“Barbecue”)

Stud or dud?

8. Stud finder? If there was sexual tension between J.R. and Pam, it was strictly one-sided. When he suggested her demanding job at The Store might prompt lonely Bobby to reclaim his reputation as Dallas’s top stud, Pam declared that Bobby “isn’t standing at stud anymore. … He left the field wide open for you. Of course, from what I hear, that still leaves the field wide open.” J.R.: “Anytime you want to find out, it can be easily arranged.” Pam: “Don’t bother, J.R. Even if I weren’t married to Bobby, you aren’t man enough.” OK then! (“Love and Marriage”)

Bag it, J.R.

7. Tea for one. When Bobby “died,” Pam joined Ewing Oil as J.R.’s new partner, bringing the animosity between them to new heights. Within minutes of her first day on the job, J.R. minced no words letting Pam know how he felt about her new career: “I don’t want you in my sight, much less my offices!” Pam didn’t miss a beat. She ignored J.R.’s huffing and puffing, buzzed her secretary Phyllis on the intercom and ordered “a cup of tea – a cup of herbal tea.” Pam then turned to J.R. and asked if he wanted anything. He didn’t. (“Quandary”)

Dream on, Pam

6. Truce? In your dreams. After spending months fighting with J.R. at Ewing Oil, Pam decided their war wasn’t worth it and sold him the share of the company she controlled. After signing the papers, Pam told him, “It’s all yours, J.R. I hope this does mean that we can all live in peace now.” His response: “We’ve got nothing to fight about anymore.” Ha! This scene aired six months before Bobby stepped out of Pam’s shower. Looking back, the moment J.R. and Pam made nice should’ve been the first clue our heroine was dreaming. (“Nothing’s Ever Perfect”)

Hold the butter

5. Dining with the devil. For purely selfish reasons, J.R. didn’t want Bobby doing business with shady college chum Guzzler Bennett, so J.R. invited Pam to lunch to enlist her help in stopping Bobby and Guzzler’s project. When Pam wondered how she might persuade Bobby to call off the deal, J.R. told her, “You’re a very clever woman, Pam. You’ll think of something.” I also love her cutting response to his attempt to butter her up at the start of the scene: “J.R., please don’t make me lose this good food.” (“Fallen Idol”)

Sting like a bee

4. Slap! J.R. and Pam’s fights almost never turned physical. Emphasis on “almost.” While Pam waited alone for Bobby inside his office one day, J.R. popped in to say hello. She wasn’t in the mood for his insincerities. “Save that nonsense for somebody who doesn’t know you,” she said, then chastised him for his latest extramarital fling. “Climb down off your soapbox, honey,” J.R. responded before accusing her of sleeping around. Before all was said and done, Pam had stomped away, leaving J.R. with a big red mark on his cheek. (“Ewing Inferno”)

Change of tune

3. Get your feud on. When Cliff was arrested for Bobby’s shooting, Pam accused J.R. of framing her brother. Cue J.R.’s eye-roll: “I’m getting kind of tired of that old song. Mean, nasty J.R. beating up on poor, innocent Cliff Barnes.” Pam’s response: “I’ve never believed in the Barnes/Ewing feud, J.R., but now I’m going to join it. I’m going to do everything I can to help Cliff – and I’m not going to rest until all our family scores are settled!” Something tells me Pam’s namesake niece would be proud of auntie here. (“If at First You Don’t Succeed”)

Babble on, honey

2. True lies. Just to mess with her, J.R. sent Pam on a wild goose chase to the Caribbean to find her presumed dead lover Mark Graison. When she found out, she stormed into J.R.’s office and demanded an explanation. J.R. played dumb. “You’re babbling like a lunatic,” he said, adding: “I never liked you a hell of a lot, you know that, Pam? But I never thought you were stupid until now.” Principal is fantastic here – and so is Hagman. Pam knows J.R.’s lying. The audience knows he’s lying too. Yet somehow, we kinda believe him. (“Legacy of Hate”)

Choose or lose

1. The choice. J.R. rejoiced when Pam left Bobby, but when he found out she was thinking about reconciling with him, J.R. knew he needed to act fast. He showed up on Pam’s doorstep and tried to persuade her that a divorce was in her best interest. “How nice! You’re concerned about my happiness,” she said, sarcasm dripping from every word. J.R.’s matter-of-fact response: “Oh, no. I don’t give a damn about you or your happiness, honey. But I do care about what’s good for me.” As Pam stood with her back to him, J.R. circled her, explaining she had two options: divorce Bobby and bring the Barnes/Ewing feud to an end, or return to him and watch as “all hell [breaks] loose.” Hagman is downright chilling, and as Pam, Principal looks visibly shaken. We can sympathize; in this scene, J.R. scares us too! (“The Long Goodbye”)

What do you think are J.R. and Pam’s best confrontations? Share your choices below and read more “Dal-Lists.”