The Dal-List: Classic ‘Dallas’s’ 8 Most Moving Funerals

Dallas, Family Ewing, J.R. Ewing, Larry Hagman

Texas mourn

J.R. Ewing will be laid to rest in “J.R.’s Masterpiece,” a special “Dallas” episode that TNT will telecast on Monday, March 11. Raise a glass of bourbon (and don’t forget the branch!) as we recall the most moving funerals from the original series, as well as two Ewing funerals seen on its “Knots Landing” spinoff.

Dallas, J.R. Ewing, J.R. Returns, Larry Hagman

Surprise, surprise

8. J.R. Ewing. It’s easy to forget that J.R. (Larry Hagman) already had one funeral. In “J.R. Returns,” a 1996 “Dallas” reunion movie, he faked his death as part of a convoluted plot to wrest control of Ewing Oil from Cliff. The memorial service brought Bobby, Sue Ellen, John Ross and Christopher together at Southfork, along with Cliff, who announced, “I just came to make sure he was dead.” While John Ross (Omri Katz) was eulogizing his father, J.R. himself arrived – on the back of a truck hauling pigs, no less. “Hey, what’s going on? Bobby throwing a party?” he asked. It was silly, but what I wouldn’t give to have J.R. turn up as a surprise guest in “J.R.’s Masterpiece.”

Chris Weatherhead, Dallas, Fathers and Sons and Fathers and Son, J.R. Ewing, Larry Hagman, Meg Callahan

Black cat down

7. Blackie Callahan. Blackie who? As “Dallas” neared the end of its run, the producers cast Denver Pyle as Blackie, an aging wildcatter who helped J.R. find oil in the town where Jock had his first strike. In the 1991 episode “Fathers and Sons and Fathers and Sons,” one of “Dallas’s” final hours, J.R. attended Blackie’s funeral, where his daughter Meg (Chris Weatherhead) realized J.R. had been paying Blackie royalties out of his own pocket. The scene was surprisingly touching, not just because it showcased J.R.’s softer side, but also because of Meg’s poignant dialogue: “I guess that’s what life’s all about. The young taking over from the old, shaping things their way.” How prophetic.

Abby Ewing, Dallas, Donna Mills, Knots Landing, Finishing Touches

Black widow

6. Gary Ewing. “Knots Landing” fans were stunned when Gary (Ted Shackelford) was suddenly murdered in 1984. Everyone on the cul-de-sac turned out for his funeral, which was seen at the end of the episode “Finishing Touches.” The sad affair brought out the best in everyone – except for Gary’s widow Abby (Donna Mills), who refused to make peace with his ex-wife Valene. As the minister read from Ecclesiastes, a lone guitarist strummed in the background and we saw Gary’s friends and neighbors mourning him quietly. Then the camera cut to … Gary, seated in what looked like a police station. It turned out he was alive and in a witness protection program. Thank goodness Miss Ellie never heard about any of this!

Dallas, Gary Ewing, Knots Landing, Love and Death, Ted Shackelford

Bachelor father

5. Valene Ewing. When Joan Van Ark left “Knots Landing” in 1992, the producers “killed off” Valene in a fiery car crash. CBS had slashed the show’s budget, so no departed stars came back for her funeral, which was seen in the episode “Love and Death.” But two important figures in Val’s were mentioned, at least: Lilimae was said to be not up for the trip, while Lucy was traveling in Europe and couldn’t be reached. At the memorial service, Val’s best friend Karen MacKenzie eulogized her as “the little engine that could.” It proved too much for Gary and Val’s little girl Betsy, who ran away in tears. She missed her mommy, but she was probably also afraid Karen was going to break into her “Pollyanna” speech.

Bobby Ewing, Cliff Barnes, Dallas, Jock's Trial Part 2, Ken Kercheval, Pam Ewing, Patrick Duffy, Victoria Principal

Digger departed

4. Digger Barnes. Poor, old Digger. After a life of hard livin’, Keenan Wynn’s tragic character was laid to rest in the last scene of the 1980 episode “Jock’s Trial, Part 2.” It was a fittingly humble affair. When the minister asked Digger’s sister Maggie if she’d like him to say anything special, she wearily responded, “No, please. Just the 23rd Psalm. It’s all he’d have had patience for.” The funeral was difficult for Pam (Victoria Principal), who had just discovered that Digger wasn’t her “real” daddy, and Cliff (Ken Kercheval), who slowly walked away from the gravesite before the final freeze frame. Maybe Cliff was sad – or maybe he was just ticked that so many Ewings showed up.

Bobby Ewing, Dallas, Katherine Wentworth, Morgan Brittany, Pam Ewing, Patrick Duffy, Requiem, Victoria Principal

Fit for a queen

3. Rebecca Wentworth. Priscilla Pointer’s grande dame received a grand sendoff in “Requiem,” a 1983 episode directed by Hagman. He memorably showed three black limos arriving at the cemetery and allowed us to watch as the Barneses and Ewings exited the cars, one by one. In true “Dallas” style, Pam was accompanied by Bobby (Patrick Duffy) and half-sister Katherine (Morgan Brittany), who was secretly plotting to steal him for herself. The crowd also included a slew of recurring characters – including Punk and Mavis Anderson and Marilee Stone – and a throng of paparazzi. It felt like the kind of funeral that a Texas society matron would receive – but what was up with all those palm trees in the background?

Bobby Ewing, Dallas, Patrick Duffy, Tunnel of Love

Cry Bobby

2. April Ewing. When Bobby’s wife April (Sheree J. Wilson) was killed during their Parisian honeymoon, he buried her in the City of Lights. This always struck me as odd. Shouldn’t April have been laid to rest in Dallas or maybe Ohio, where she grew up? On the other hand, you can’t deny that the funeral, seen in the 1990 episode “Tunnel of Love,” is as sad as April’s death. Bobby is the only mourner there, although young cyclist Mark Harris (played by Duffy’s son Padraic and named for his “Man From Atlantis” character), who tried to help Bobby rescue April, watches from the distance. The fact that priest conducts the service in French reinforces the sense of isolation. Never before has our hero seemed so alone.

Dallas, Family Ewing, J.R. Ewing, Larry Hagman

Good grief

1. Bobby Ewing. Bobby’s burial in 1985’s “The Family Ewing” is exquisite. Everything feels right: It’s a fairly intimate gathering in a lush Southfork pasture, attended by the Ewings, the Barneses and close associates like Harv Smithfield. Even the wardrobe is perfect, right down to Pam’s Jackie Kennedy-esque pillbox hat. Director Nick Havinga allows us to hear the minister deliver the 23rd Psalm under Jerrold Immel’s solemn score, and then after the family disperses, we’re left with J.R. delivering his memorable speech at Bobby’s gravesite. “I wish I’d take the time to tell you how much I love you,” he says with wet eyes. Does it matter that this scene turned out to be part of Pam’s dream? Yes, but only a little.

What “Dallas” funerals moved you most? Share your choices below and read more “Dal-Lists.”

Critique: TNT’s ‘Dallas’ Episode 6 – ‘The Enemy of My Enemy’

Dallas, Enemy of My Enemy, Linda Gray, Sue Ellen Ewing, TNT

Compromised integrity? Check.

At long last, Sue Ellen.

Linda Gray comes off the sidelines in “The Enemy of My Enemy” – and not a moment too soon. Last week, in a candid interview with Ultimate Dallas, Gray politely – but pointedly – expressed her disappointment with the limited amount of screen time she’s received on TNT’s “Dallas.” As she reminded fans, Sue Ellen’s fate rests with the new show’s writers, who are now working on the second-season scripts.

Although “The Enemy of My Enemy” was filmed months ago, it serves as Exhibit A in the case for giving Sue Ellen a more prominent role on the show. Gray makes this one of TNT’s strongest episodes yet. She only appears in three scenes, but she dominates each one – not by chewing scenery but through the force of her grace and elegance. The actress has inherited Barbara Bel Geddes’ mantle as “Dallas’s” elder stateswoman, and that’s why I hope TNT will keep her front and center. This show needs her.

The nice thing about “The Enemy of My Enemy” is how it gets Sue Ellen involved in the fight over Southfork while finally delving into the subplot about her gubernatorial run, which has been simmering on the back burner all season.

In the storyline, John Ross asks his mama to use her political connections to persuade trucking magnate Harris Ryland to ship the oil being pumped out of Southfork. Initially, Sue Ellen resists (“John Ross, if I go down that road….”), but she eventually gives in and visits Ryland, offering him a coveted appointment in her administration if he’ll help her son. Ryland, played with wicked charm by Mitch Pileggi, rejects the offer because he says he doesn’t want Sue Ellen to compromise her integrity. Nevertheless, he agrees to help John Ross – and to demonstrate his admiration for Sue Ellen, he cuts a big check to her campaign.

The first time I watched this episode, seeing Sue Ellen sell out made me cringe. This didn’t feel like something the new, improved version of our beloved heroine would do. But then I thought about Sue Ellen’s guilt over her shortcomings as a mother when John Ross was younger. I can see how her judgment might be clouded where he’s concerned.

Besides, let’s face it: A saintly Sue Ellen is a boring Sue Ellen. Like I wrote earlier this week, I’m happy the character has changed with the times, but the show needs to reveal Sue Ellen’s humanity, and her foibles in “The Enemy of My Enemy” feel credible. It’s worth noting Sue Ellen’s actions also place her squarely in the tradition of other “Dallas” mothers (Miss Ellie, Rebecca Wentworth) who make questionable choices on behalf of their adult sons.

In addition to finally giving Sue Ellen a meaningful storyline, I like how scriptwriter Gail Gilchriest brings Elena and Rebecca together in “The Enemy of My Enemy.” Having Elena drive Rebecca to the doctor is a clever way to highlight the uneasy bond developing between these characters, whose relationship is beginning to recall the one shared by “Dallas’s” ultimate frienemies, Sue Ellen and Pam.

I also appreciate how director Jesse Bochco showcases some of the lighter moments in “The Enemy of My Enemy.” At the end of the episode, I love when Bobby and Christopher storm into John Ross’s room, prompting his exasperated, “What now?” There’s also an amusing scene before the opening credits, when the roughneck Earl interrupts Bobby and John Ross’s argument on the Southfork patio.

“Mr. Ewing?” Earl says.

“Yeah?” Bobby answers.

“I meant John Ross.”

Of course, I’d be remiss if I didn’t point out this episode’s big historical inaccuracy: The discovery that Miss Ellie’s father left her sons the mineral rights to Southfork contradicts long-established “Dallas” lore. In the past, major storylines have hinged on the fact Ellie controlled the ranch’s mineral rights.

The other eye-roller comes when Bobby discovers his grandfather’s prized pistol in the safe deposit box. During the original show’s classic “Jock’s Trial” episodes, we learned Ellie’s father had given the gun to Jock before his death, signaling he had finally accepted the young oil baron as a member of his family.

Or is that why Bobby seems to smile mischievously when he pulls the gun out of the lockbox in this episode? In that instant, does he realize his granddaddy pulled a fast one on Jock, all those years ago?

Maybe the Southworths were more like the Ewings than they cared to admit.

Grade: B

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Dallas, Enemy of My Enemy, John Ross Ewing, Josh Henderson, Linda Gray, Sue Ellen Ewing, TNT

Empire of the son

‘THE ENEMY OF MY ENEMY’

Season 1, Episode 6

Telecast: July 11, 2012

Writer: Gail Gilchriest

Director: Jesse Bochco

Audience: 5.3 million viewers (including 3.6 million viewers on July 11, ranking 26th in the weekly cable ratings)

Synopsis: With Rebecca’s help, Bobby and Christopher find an old legal document that will give Bobby control of Southfork’s mineral rights. After business partner Vicente Cano threatens him, John Ross turns to Sue Ellen, who persuades Harris to transport the oil pumped out of Southfork. Bobby punches Harris after he sends Ann a locket that upsets her. John Ross fears Marta is stalking Elena. In Las Vegas, J.R. tries to muscle in on Cliff’s high-stakes poker game. Rebecca tells Tommy she’s pregnant.

Cast: Carlos Bernard (Vicente Cano), Jordana Brewster (Elena Ramos), Patrick Duffy (Bobby Ewing), Marlene Forte (Carmen Ramos), Julie Gonzalo (Rebecca Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Callard Harris (Tommy Sutter), Josh Henderson (John Ross Ewing), Jesse Metcalfe (Christopher Ewing), Kevin Page (Bum), Mitch Pileggi (Harris Ryland), Matthew Posey (Earl), Brenda Strong (Ann Ewing), Faran Tahir (Frank), Leonor Varela (Marta del Sol)

“The Enemy of My Enemy” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Scene of the Day: ‘You Were Jock’s Girl All Along’

Barbara Bel Geddes, Dallas, Miss Ellie Ewing, Jock's Trial Part 2

She had to be taken care of

In “Jock’s Trial, Part 2,” a third-season “Dallas” episode, Miss Ellie and Bobby (Barbara Bel Geddes, Patrick Duffy) join Pam (Victoria Principal), Cliff (Ken Kercheval) and Maggie (Sarah Cunningham) at the hospital bedside of Digger (Keenan Wynn), who is dying.

DIGGER: Ellie.

ELLIE: Hello, Digger.

DIGGER: I wanna talk to you. Cliff?

CLIFF: I’m right here, Daddy.

DIGGER: Cliff, I wanna know if everything I say now is legal.

CLIFF: [Perplexed] I don’t know what you’re trying to say.

DIGGER: Ellie, I wasn’t gonna say anything. I was gonna let Cliff get his final revenge against Jock for me. He’ll probably ask, do I still love you? [Smile and nods his head, weakly] I do. [She smiles.] Even though I do, and you were Jock’s girl all along.

ELLIE: Digger.

DIGGER: I can’t let Cliff do this to you.

ELLIE: What do you mean?

Digger recalls how he discovered his wife Becky had been impregnated by her lover Hutch McKinney, who pulled a gun on him. After a struggle, Digger shot and killed Hutch and buried him on Southfork. The Barneses moved to Corpus Christi, where Becky died.

ELLIE: Digger.

DIGGER: I couldn’t let Jock for what happened to Hutch. Ellie [struggles to breath] … you had to be taken care of.

PAM: Daddy, what about the baby?

DIGGER: Baby?

BOBBY: The baby McKinney fathered.

DIGGER: I always loved you, Pam.

PAM: [Crying] Me?

DIGGER: Just like you were my own.

He takes his last breath and the hospital monitor flatlines. Cliff closes his eyes, Ellie turns away, Maggie ushers in a nurse and Bobby holds Pam.

Critique: ‘Dallas’ Episode 52 – ‘Jock’s Trial, Part 2’

Dallas, Jim Davis, Jock Ewing, Jock's Trial Part 2

Rush to judgment

Digger dies at the end of “Jock’s Trial, Part 2,” and this is not an insignificant thing. The character appeared on “Dallas” just 14 times, but his shadow loomed large when he wasn’t around. After all, Digger’s name is included in the title of “Dallas’s” first episode, even though he shows up just once in that installment.

Appropriately, while Digger’s death produces several touching scenes in “Jock’s Trial, Part 2,” he isn’t present during the moment I find most poignant: when Cliff approaches Miss Ellie in the courtroom and tells her Digger is dying and asking for her.

No matter how often I see this scene, it always moves me. There’s something profound about the idea that no matter how hard the Barnes and Ewing children fight each other, their families are forever bound by the relationships their parents forged decades earlier.

The deathbed scene itself is also touching, particularly when Digger finally acknowledges Ellie was always “Jock’s girl.” How sad he wasn’t able to admit this until his final moments of life.

I’m also struck by how closely Digger’s death mirrors Bobby’s heart-wrenching deathbed scene at the end of the eighth season, right down to the sound of the flat-lining monitor. Keenan Wynn is quite good during Digger’s farewell, and so are the women at his side: Barbara Bel Geddes, Victoria Principal and the wonderful Sarah Cunningham, who plays Digger’s sister Maggie.

“Jock’s Trial, Part 2” is also elevated by its other guest stars, including Barry Corbin, who is perfectly cast as the perfectly named Fenton Washburn, Braddock’s big-bellied sheriff. I also like Nicolas Coster and Stephen Elliott as dueling lawyers Lyle Sloan and Scotty Demarest, although their courtroom theatrics aren’t quite as entertaining as those seen in the second-season episode “The Red File, Part 2.”

Of course, not everything about “Jock’s Trial, Part 2” works. The sepia-toned flashbacks are pretty campy, but I don’t dwell on them because the rest of this episode is so monumental. Digger had probably run his course on “Dallas,” but that doesn’t mean the character won’t be missed, even if he wasn’t around that much to begin with.

Grade: A

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Dallas, Digger Barnes, Keenan Wynn, Jock's Trial Part 2

Dead end

‘JOCK’S TRIAL, PART 2’

Season 3, Episode 23

Airdate: February 29, 1980

Audience: 20.7 million homes, ranking 6th in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Irving J. Moore

Synopsis: Miss Ellie tells Matt she doesn’t love him. The state indicts Jock, but moments before Digger dies, Digger confesses he killed Hutch after discovering Hutch was sleeping with his wife. Digger also reveals Hutch was Pam’s biological father.

Cast: Barbara Bel Geddes (Miss Ellie Ewing), Kale Brown (reporter), Barry Corbin (Sheriff Fenton Washburn), Nicolas Coster (Assistant District Attorney Lyle Sloan), David Cryer (Professor Will Calder), Sarah Cunningham (Maggie Monahan), Jim Davis (Jock Ewing), Patrick Duffy (Bobby Ewing), Stephen Elliott (Scotty Demarest), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Steve Kanaly (Ray Krebbs), Susan Keller (reporter), Ken Kercheval (Cliff Barnes), Jeanna Michaels (Connie), William Munson (judge), George O. Petrie (Harv Smithfield), Don Porter (Matt Devlin), Victoria Principal (Pam Ewing, Rebecca Barnes), Tom Spratley (Virgil Tuttle), Charlene Tilton (Lucy Ewing), William Watson (Hutch McKinney), Keenan Wynn (Digger Barnes), John Zaremba (Dr. Harlan Danvers)

“Jock’s Trial, Part 2” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.