Abby and J.R. (Donna Mills, Larry Hagman) are seen in this 1981 publicity shot from “A Family Matter,” a second-season “Knots Landing” episode.
Knots Landing Scene of the Day: ‘… But You’re a Royal Pain’

Battle royale
In “Knots Landing’s” second-season episode “A Family Matter,” Valene (Joan Van Ark) visits J.R. (Larry Hagman) in his hotel room.
J.R.: Well, it’s quite an honor.
VAL: I need to talk to you, J.R.
J.R.: All right. Shall I order up some drinks or some yogurt or something like that?
VAL: I wanna talk to you about Gary.
J.R.: What’s the matter with Gary?
VAL: He promised me last night that he wouldn’t make any deals with you.
J.R.: Oh, I see. And you came up here to see that he keeps his promise.
VAL: I wanna know what you’re getting my husband into.
J.R.: I’m not getting your husband into anything. The closest I’ve gotten to a Ewing since I left Dallas is right here with you.
VAL: Don’t do anything to him now, J.R. Now that things are finally going so right for him.
J.R.: You are a lovely lady, Valene. But you’re a royal pain. Gary’s never amounted to much in his life, and I think that’s because of you.
VAL: What?
J.R.: You think small, Valene. Real small. Gary’s got a noose around his neck, and you’re hanging onto the other end, dragging him down.
VAL: You are a vile, evil man.
J.R.: All right, all right, all right. The conversation’s over. I don’t wanna talk anymore. I’m kind of busy now. [Walks to the door, opens it]
VAL: [Begins leaving, stops and turns to him] I don’t blame whoever it was that shot you. I just wish I’d done it myself.
He shuts the door and sighs.
J.R.: I don’t need this.
Critique: ‘Knots Landing’ Episode 22 – ‘A Family Matter’

Look who’s lurking
The “Knots Landing” episode “A Family Matter” brings J.R. to Los Angeles, where he meets Abby Cunningham, his Southern California counterpart. This inaugural matchup between two of television’s greatest villains has its moments, but overall, it’s not as much fun as you might expect.
The problem: J.R. and Abby are too much alike. These characters are at their best when they’re clashing with principled do-gooders like Bobby or Karen Fairgate, not fawning over each other, which is what happens throughout “A Family Matter.” In one scene, J.R. tells Abby she is “wickedly clever.” In another, he calls her “the most delicious conniver it’s been my pleasure to encounter.” The love-fest gets boring pretty quickly.
J.R. previously visited Seaview Circle in “Community Spirit,” a first-season “Knots Landing” episode that found Gary and Karen rallying their neighbors to stop Ewing Oil from drilling near the local beach. That episode was a hoot because it took J.R. out of “Dallas’s” glamorous surroundings and plopped him into suburbia, where he was exposed to such foreign concepts as tuna fish sandwiches and housewives who pick up their husbands’ dry-cleaning.
J.R. is out of his element again in “A Family Matter,” but somehow, these scenes aren’t as much fun. A lot of this has to do with the context. In this episode, Abby is hoping to sink her claws into Gary, so she persuades J.R. to bail out his brother, who has gotten embroiled in a stolen-parts ring and needs $50,000 to pay off some underworld goons. It’s not quite as noble as stopping offshore oil drilling.
Maybe this is why my two favorite moments in “A Family Matter” don’t have much to do with the main storyline. In the first of these scenes, J.R. sits at Abby’s dinner party and boasts about how he’s going to bring Lucy’s fiancée Mitch “up to our standards,” which sends Valene off the rails. “How dare you meddle in my daughter’s life!” she fumes.
Later, Val, who doesn’t know about Gary’s underhanded dealings, visits J.R. and pleads with him to leave her and Gary alone. The insults soon start flying. J.R. declares Val is “a royal pain;” she calls him “a vile, evil man.”
Aside from showcasing the terrific chemistry between Larry Hagman and Joan Van Ark, these scenes remind us: Watching J.R. fight is much more fun than watching him fawn.
Grade: B
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When worlds collide
‘A FAMILY MATTER’
“Knots Landing” Season 2, Episode 9
Airdate: January 22, 1981
Audience: 15.4 million homes, ranking 26th in the weekly ratings
Writer: David Paulsen
Director: Edward Parone
Synopsis: When J.R. comes to Los Angeles for a convention, Gary and Val’s neighbor Abby Cunningham asks J.R. to give Gary $50,000 so he can pay off a debt to two shady characters. Gary reluctantly takes the money, but J.R. hints he wants Gary to help him squelch Sid’s plan to build an energy-efficient car engine.
Cast: Parley Baer (old man), William Boyett (Frank Kolbert), Tonya Crowe (Olivia Cunningham), Larry Hagman (J.R. Ewing), Steven Hirsch (Roy Lance), James Houghton (Kenny Ward), Bobby Jacoby (Brian Cunningham), Kim Lankford (Ginger Ward), Michele Lee (Karen Fairgate), Claudia Lonow (Diana Fairgate), Constance McCashin (Laura Avery), Donna Mills (Abby Cunningham), Don Murray (Sid Fairgate), Pat Petersen (Michael Fairgate), John Pleshette (Richard Avery), Ted Shackelford (Gary Ewing), Louise Vallance (Sylvie), Joan Van Ark (Valene Ewing)
“A Family Matter” is available on DVD. Watch the episode and share your comments below.
The Art of Dallas: ‘End of the Road, Part 1’
Afton (Audrey Landers) tempts J.R. (Larry Hagman) in this 1981 publicity shot from “End of the Road, Part 1,” a fourth-season “Dallas” episode.
Critique: ‘Dallas’ Episode 65 – ‘End of the Road, Part 1’

Look out, J.R.
Audrey Landers makes her “Dallas” debut in “End of the Road, Part 1,” and from the moment we lay eyes on her character Afton Cooper, there’s no doubt about it: This girl is going to be trouble.
Afton eventually becomes one of “Dallas’s” most popular heroines, but that’s not how she starts out. In this episode, she comes to town to attend her brother Mitch’s wedding to Lucy but spends most of her time slinking around Southfork and flirting with J.R.
At this point during “Dallas’s” run, the show had been vixen-less since Kristin’s departure at the beginning of the fourth season, and “End of the Road, Part 1” makes it clear Afton is here to pick up the slack. J.R. himself alludes to this when he wonders aloud to Jock, “You suppose Afton can type?”
When I watched “Dallas” as a kid, I didn’t pay much attention to Landers, but seeing this episode with fresh eyes made me appreciate how good she is as Afton. Landers was still a Hollywood newcomer when she joined “Dallas,” but she more than holds her own against Larry Hagman, with whom she shares several scenes.
When J.R. meets Afton during a Southfork cocktail hour, he ushers her over to his side of the room. It feels a little predatory, but then I listen as Afton coos to him about the roadside alligators and Spanish moss in her native Mississippi. J.R. is charmed, and suddenly it isn’t clear who is predator and who is prey.
Afton’s arrival signals the beginning of another transitional episode during “Dallas’s” fourth season. Lucy and Mitch are about to go from mismatched college sweethearts to mismatched spouses, J.R. and Sue Ellen’s marital bliss is crumbling and Bobby’s rocky tenure as Ewing Oil’s president is winding down.
Of course, the biggest transition of all was happening behind the scenes. Jim Davis was diagnosed with inoperable brain cancer in 1980, and “End of the Road, Part 1” marks the moment his illness begins to show on-screen. The actor doesn’t look well in this episode.
I watch today knowing Davis is coming to the end of his road – and man, does that make me sad.
Grade: B
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The end is nigh, Bobby
‘END OF THE ROAD, PART 1’
Season 4, Episode 11
Airdate: January 16, 1981
Audience: 26 million homes, ranking 1st in the weekly ratings
Writer: Leonard Katzman
Director: Irving J. Moore
Synopsis: Bobby does business with the cartel, even though Ewing Oil is having cash-flow problems. J.R. pulls strings to force Bobby to betray the independent gas station owners, knowing it will infuriate Jock. J.R. sleeps with his secretary Louella and flirts with Mitch’s sister Afton, who comes to town for the wedding.
Cast: Barbara Babcock (Liz Craig), Bel Geddes (Miss Ellie Ewing), Michael Bell (Les Crowley), David J. Bowman (Tom Selby), Harry Carey Jr. (Red), Jim Davis (Jock Ewing), Patrick Duffy (Bobby Ewing), Joel Fabiani (Alex Ward), Anne Francis (Arliss Cooper), Meg Gallagher (Louella), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Culver), Steve Kanaly (Ray Krebbs), Sherill Lynn Katzman (Jackie), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Leigh McCloskey (Mitch Cooper), Jeanna Michaels (Connie), Victoria Principal (Pam Ewing), William Smithers (Jeremy Wendell), Charlene Tilton (Lucy Ewing), Janine Turner (Susan), Morgan Woodward (Punk Anderson)
“End of the Road, Part 1” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.
The Art of Dallas: ‘Executive Wife’
J.R. and Sue Ellen (Larry Hagman, Linda Gray) are seen in this 1981 publicity shot from “Executive Wife,” a fourth-season “Dallas” episode.
Dallas Scene of the Day: ‘Real Power is Something You Take!’

Power tip
In “Dallas’s” fourth-season episode “Executive Wife,” Bobby (Patrick Duffy) enters the Cattlemen’s Club and begins questioning J.R. (Larry Hagman) about Jock’s business deal, while Jock (Jim Davis) looks on.
JOCK: Now, you just hold on Bobby. J.R. don’t discuss my business with you or anybody else unless I tell him. You understand?
BOBBY: Okay, Daddy, then why didn’t you tell me? Didn’t you think I should know?
JOCK: I was going to tell you tonight.
BOBBY: Tonight? I want those kind of things discussed with me before you act, not after! Your dealing behind my back is making me look like a fool.
JOCK: Now just what the hell are you talking about?
BOBBY: I called Les at the bank and asked him to transfer $12 million from the account.
JOCK: So what? We’ve got a hundred times that much.
BOBBY: I’m talking liquid assets. Cash, Daddy, cash — and we don’t have that amount! And you know why? Because you took $10 million.
JOCK: [Rises from his seat, faces Bobby] You damn right I took it. It’s mine!
BOBBY: That money belongs to Ewing Oil.
JOCK: And who in the hell do you think Ewing Oil is? It’s me! Ewing Oil belongs to me and don’t you forget it, boy.
BOBBY: And you gave me Ewing Oil to run, in writing! And that makes you obliged to consult me before you do anything that concerns that company.
JOCK: Obliged? You’re telling me that I’m obliged to ask you how to spend my own money any damn way I see fit?
BOBBY: That’s right. You gave me the power to run that company, and damn it, I intend to run it!
JOCK: So I gave you power, huh? Well, let me tell you something, boy. If I did give you power, you got nothing! Nobody gives you power. Real power is something you take!
BOBBY: Well, I’m going to remember that.
JOCK: You do that.
Bobby walks away.
The Art of Dallas: ‘Trouble at Ewing 23’
Bobby (Patrick Duffy) confronts J.R. (Larry Hagman) over the botched handling of a ransom demand in this 1980 publicity shot from “Trouble at Ewing 23,” a fourth-season “Dallas” episode.
Drill Bits: Ratings Rise Again for TNT’s ‘Dallas’

Viewers love Lucy
TNT’s “Dallas” isn’t pulling the kind of numbers it did on opening night, but the show continues to perform well. The July 18 telecast of the latest episode, “Collateral Damage,” was seen by 3.9 million viewers, making it that evening’s second most-watched cable program behind USA’s “Royal Pains.”
“Dallas’s” July 18 audience included 1.2 million viewers between the ages of 18 and 49, the group advertisers covet.
This is the second week “Dallas’s” audience grew. The July 11 telecast of “The Enemy of My Enemy” attracted 3.6 million viewers, ranking 26th in the weekly cable ratings. On July 4, “Truth and Consequences” was seen by 3.4 million viewers, finishing 16th.
“Dallas’s” numbers haven’t gone unnoticed by the press: Larry Hagman graces this week’s Entertainment Weekly cover, while USA Today, in an article this week about the broadcast networks’ summer struggles, called the series “a summer bright spot.”
Read All About It
Speaking of Entertainment Weekly: Karen Valby has penned a terrific spread that includes some juicy tidbits from the season’s remaining episodes (murder! near-death experiences! marriage proposals!).
Also featured: a preview of the second season’s overarching theme and sidebars on Patrick Duffy and Hagman’s bromance, Josh Henderson and Jesse Metcalfe’s rivalry and yes, J.R.’s eyebrows.
The other highlight: Jill Greenberg’s fantastic photos, including a cute recreation of this season’s best scene.
If you’re a “Dallas” fan, you owe it to yourself to purchase a copy (or two).
Strong Emmy Contenders
“Dallas” won’t be eligible for Emmys for another year – and if Hagman isn’t nominated, Dallas Decoder is going to raise hell – but Brenda Strong, a.k.a. Ann Ewing, received a nod yesterday for her voiceover work during the final season of ABC’s “Desperate Housewives.”
This is Strong’s second Emmy nomination for narrating “Desperate Housewives.” The award will be handed out during this year’s Creative Arts Emmys ceremony, which will be held Saturday, September 15.
What is Ann’s Secret?
While we’re on the subject of Brenda Strong: In a new interview with Celebuzz, the actress reveals Ann is “going to have a mini breakdown, and then it’s like a phoenix rising from the ashes. She’s going to come back stronger than she was before.”
To hear Strong describe it, “No Good Deed,” next week’s “Dallas” episode, will be essential viewing. “[B]y the time I got the script for episode eight, I couldn’t turn the pages fast enough,” she says. “I called our writer and said, ‘Thank you for giving me such an interesting woman to play.’”
Gray and Gonzalo in the News

Many faces of Rebecca
Two other “Dallas” leading ladies – Linda Gray and Julie Gonzalo – also gave revealing interviews in the press this week:
• In a chat with the McClatchy-Tribune newspapers, Gray recalls what it was like to balance the demands of fame, family and career during the original show’s heyday. “I was just kind of going along, this is part of the job and trying to fit it all in. And I couldn’t do it,” Gray says.
• Gonzalo tells the entertainment news site Collider.com she uses “different voices” to play the mysterious Rebecca. “The scenes that I have with Tommy and another member of the family, I’m changing faces all the time, but that’s the most fun I had,” Gonzalo says.
Hagman’s Ten Grand Ten Gallon
Larry Hagman wears a $10,000 Stetson and has a “personal costumer” who holds it for him between takes. These and other interesting tidbits – including cool insights from “Dallas” wardrobe designer Rachel Sage Kunin – are included in USA Today’s recent article on prime-time television headgear.
Line of the Week
“The first thing I thought was, ‘Yep, he’s his mama’s son.’”
Lucy Ewing (Charlene Tilton) in “Collateral Damages,” recalling the time she found John Ross drunk after he broke into the Southfork liquor cabinet as a child. Only on “Dallas” do sentimental childhood memories involve children getting soused.
Pow!
In “Truth and Consequences,” we saw Metcalfe’s character, Christopher Ewing, beat the stuffing out of brother-in-law Tommy Sutter (Callard Harris). Fittingly, The Christopher, the latest cocktail from Cook In/Dine Out, also packs a punch. If you like your “Dallas Drinks” spicy, be sure to give this one a try.
“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.














