J.R. (Larry Hagman) has breakfast at Southfork on the morning of the final Ewing Barbecue in this publicity shot from “The Last Hurrah,” the fourth episode of TNT’s “Dallas.” Photo credit: Zade Rosenthal/TNT.
TNT’s Dallas Scene of the Day: ‘I Will Never Stop Fighting’
June 28, 2012 by 2 Comments
True colors?
In “The Last Hurrah,” a first-season “Dallas” episode, Sue Ellen (Linda Gray) is behind her desk when J.R. (Larry Hagman) knocks at the door.
SUE ELLEN: J.R.?
J.R.: I just wanted to drop off a little good luck charm, for your campaign. I found Miss Ellie’s pearls when I was packing up Southfork.
He hands her a box as Cliff [Ken Kercheval] enters.
CLIFF: Well, what do we have here? An angel talking to the devil.
J.R.: What’s he doing here?
SUE ELLEN: Well, not that it’s any of your business, J.R., but I heard he was in town and I figured I needed a little political advice.
CLIFF: And I was happy to oblige.
J.R.: Sure was an unpleasant surprise to see you at Southfork last week. You must have been out of your tiny mind to think that Bobby would ever sell the ranch to you.
CLIFF: I will never stop fighting for what is rightfully mine – and I know you are the same way.
J.R.: I’m a changed man, Cliff. Evidence of that is the fact that you’re not being wheeled out of here with two broken legs. Now that Bobby’s sold Southfork, you can go ahead and leave town. Nothing left for you to do in Dallas.
CLIFF: Well, when you have several billion dollars, J.R., you can do whatever you want to, wherever you want. [To Sue Ellen] Shall we?
J.R.: Are you really going to break bread with this lowlife?
SUE ELLEN: You lost your right to have a say with whom I lunch a long time ago.
Critique: TNT’s ‘Dallas’ Episode 4 – ‘The Last Hurrah’
June 28, 2012 by 12 Comments
Fence and sensibility
I like “The Last Hurrah,” but I can’t help but feel a little disappointed by it. This episode brings together more characters from the original “Dallas” than any TNT entry so far – in addition to J.R., Bobby and Sue Ellen, we get to see Lucy, Ray and Cliff – yet none of these old favorites have much interaction with each other.
This feels like a missed opportunity when you consider the episode climaxes at the “final” Ewing barbecue, which would seem like an ideal setting to bring together the old gang. Indeed, Bobby organizes the party so friends and family can bid Southfork farewell before he completes the sale of the ranch to the del Sol conservancy. “If you are here, it’s because you have a connection to this ranch and the people who’ve lived on it,” Bobby declares in his speech to the partygoers, but as director Marc Roskin pans the crowd, we see more anonymous extras than familiar faces.
How fun would it have been to watch J.R. trade barbs again with Lucy, or to see Bobby and Ray reminisce about the ranch that has meant so much to them? According to William Keck’s recent TV Guide cover story, Roskin filmed a scene where J.R. and Sue Ellen share a sentimental dance at the party, but it was left on the cutting-room floor. What a shame.
While this might not have been a rollicking Ewing barbecue like days of yore, J.R.’s big scheme in “The Last Hurrah” is as convoluted as some of the eye-rollers he came up with during the old show’s more exasperating moments. To get Bobby’s crooked lawyer Mitch Lobell to call off his extortion scheme and draw up new legal papers making J.R. the sole owner of Southfork, J.R. hatches a plot to photograph Lobell’s son Ricky, a recovering addict with prior convictions, doing drugs. J.R. then threatens to expose Ricky’s lapse unless Lobell cooperates.
J.R. also arranges to have Marta discover John Ross and Elena are getting chummy again because he needs Marta to get angry so she’ll work with him to secretly cut John Ross out of the Southfork deal – but doesn’t this plan seem kinda reckless? J.R. knows Marta is bipolar and has a history of violence; at one point, he calls her “crazier than an outhouse rat.” Is this really the kind of person you want to become mad at your son?
Look, I love seeing TNT’s “Dallas” pay tribute to the original series, but I want it to honor the old show’s best storytelling traditions, not its outlandish impulses.
Of course, there are several solid moments in “The Last Hurrah,” beginning with Bobby and Christopher’s father/son chats, which showcase the nice chemistry developing between Patrick Duffy and Jesse Metcalfe. I also like the scene where John Ross blackmails Rebecca – Josh Henderson delivers the line about her being “an extremely resourceful woman” with a Hagman-esque twinkle – as well as Julie Gonzolo’s performance as the increasingly desperate Rebecca.
I even appreciate scriptwriter Taylor Hamra’s subplot about the birth of the calf, which offers a nice contrast to the sense of finality that hangs over Southfork in the days before the barbecue. It’s probably coincidental, but the calf’s arrival also recalls the birth of a foal in “Bypass,” a classic episode from the original series.
The producers also deserve applause for upholding another longstanding “Dallas” practice: casting great character actors in supporting roles. Leonor Varela seems destined to join the long line of mentally unhinged villainesses in the “Dallas” hall of fame, while veteran Texas actor Richard Dillard is perfectly sleazy as Lobell. Dillard reminds me of Dennis Patrick, who was wonderfully smarmy as Vaughn Leland on the old show.
My favorite part of “The Last Hurrah”: the final moments in the scene where Sue Ellen expresses her concern about John Ross’s reconciliation with his father. After John Ross abruptly ends the conversation, Sue Ellen picks up the box containing Miss Ellie’s pearls, opens it and slowly caresses the beads.
Perhaps this gesture shows how Sue Ellen now understands the pain adult children are capable of causing their aging mamas, or maybe it’s just an expression of how much Sue Ellen misses Ellie and wishes she were still around to dispense motherly advice. Whatever the reason, it’s a lovely reminder that Miss Ellie remains part of “Dallas,” if only in spirit.
Grade: B
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Less hair, lots of harebrained schemes
‘THE LAST HURRAH’
Season 1, Episode 4
Telecast: June 27, 2012
Writer: Taylor Hamra
Director: Marc Roskin
Audience: 5.7 million viewers (including 4.1 million viewers on June 27, ranking 15th in the weekly cable ratings)
Synopsis: J.R. blackmails Lobell into calling off his extortion plot and cutting John Ross out of the Southfork sale, making J.R. the ranch’s sole owner. John Ross tries to blackmail Rebecca into helping him with a scheme, but she refuses and resolves to tell Christopher the truth about the e-mail that broke up him and Elena. John Ross and Elena grow closer. Cliff offers to fund Sue Ellen’s gubernatorial campaign, arousing J.R.’s jealousies. Bobby hosts Southfork’s final barbecue, where Rebecca begins her confession to Christopher.
Cast: Margaret Bowman (Miss Henderson), Jordana Brewster (Elena Ramos), Richard Dillard (Mitch Lobell), Patrick Duffy (Bobby Ewing), Marlene Forte (Carmen Ramos), Julie Gonzalo (Rebecca Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Callard Harris (Tommy Sutter), Josh Henderson (John Ross Ewing), Steve Kanaly (Ray Krebbs), Ken Kercheval (Cliff Barnes), Jason London (Ricky Lobell), Jesse Metcalfe (Christopher Ewing), Kevin Page (Bum), Brenda Strong (Ann Ewing), Charlene Tilton (Lucy Ewing), Leonor Varela (Marta del Sol)
“The Last Hurrah” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.
Dallas Drinks: The J.R. Shot
June 26, 2012 by 2 Comments
This summer, the “Dallas” fans at Dallas Decoder and Cook In/Dine Out are offering “Dallas Drinks,” a series of cocktails inspired by the characters from TNT’s new series. This week: The J.R., a shot as smooth as Larry Hagman himself.
Dallas Styles: J.R.’s Vest
June 26, 2012 by 11 Comments
‘The Wheeler Dealer’
Is there something symbolic about the vest J.R. is wearing when he gets shot at the end of “A House Divided,”“Dallas’s” famous third-season finale?
The vest, which appears to be gray flannel with a silk paisley-printed back, goes with one of J.R.’s three-piece suits, a style that had been back in vogue for awhile when this episode debuted in 1980. Three years earlier, John Travolta famously rocked a three-piece white suit in “Saturday Night Fever,” while Steve Martin adopted a similar look during many of his late ’70s standup routines.
J.R. sports several three-piece suits during “Dallas’s” third season. In “The Wheeler Dealer”and “A House Divided,” he is seen wearing a vest without the jacket, which could signify how J.R. is no one-dimensional villain. His personality, like his wardrobe, is layered. In “A House Divided,” the vest could also be seen as having an ironic effect: The garment is like an extra layer of armor, which does J.R. absolutely no good once that intruder steps out of the shadows and pumps two bullets into him.
Whatever symbolic value J.R.’s vest offers, one thing is certain: Larry Hagman has never looked better. In his 2001 autobiography “Hello Darlin’,” the actor recalls how he went on a diet on New Year’s Day 1980 and began jogging two miles daily, eventually shedding 35 pounds. By the time “A House Divided” was filmed, Hagman is noticeably thinner. The formfitting vest accentuates his newly trim frame. He looks positively dapper.
Hagman’s physique really works in his character’s favor, too. J.R. struts his way through “A House Divided,” cockier than ever. At one point, Jordan Lee, angry that J.R. has suckered him into buying worthless oil leases, bursts into his office and sneers, “You must be mighty proud J.R. You must be on top of the world!”
Jordan is right: J.R. is on top of the world – at least until the episode’s final scene, when he almost leaves it.
Dallas Scene of the Day: ‘You’re a Drunk and an Unfit Mother’
June 26, 2012 by 6 Comments
Can’t a brother have breakfast in peace?
In “A House Divided,” “Dallas’s” third-season finale, Sue Ellen (Linda Gray) follows J.R. (Larry Hagman) into the Southfork dining room, where Jock (Jim Davis) comforts Miss Ellie (Barbara Bel Geddes), who is seated at the table.
SUE ELLEN: [To J.R.] You drove Gary away. And now Bobby. You tried to bribe Valene. You cheated your friends. You’ve done everything in your power to get what you wanted. Well, you did it. Congratulations, J.R. You are now the Ewings’ only son.
J.R.: [To Ellie] Mama, I don’t want Bobby to leave. You know that.
ELLIE: All I know is, J.R., he’s gone. [She gets up and leaves the room, followed by Jock.]
J.R.: You’ve had your last say in this house, Sue Ellen. You think you can get away talking about me in front of my mama and daddy like that? You’ve caused me enough humiliation. You’re a drunk and an unfit mother, and I honestly think you’ve lost your reason. I’m going to call Dr. Rogers. The sooner we have you put away in that sanitarium, the better off you’re going to be. [He turns and leaves.]
Critique: ‘Dallas’ Episode 54 – ‘A House Divided’
June 26, 2012 by 33 Comments
The divider
One school night in 1988, when I should’ve been asleep, I stumbled across a late-night cable showing of “A House Divided,” the third-season “Dallas” finale that famously ends with J.R. getting shot. This was probably the first time I’d seen the episode since 1980, so I was overjoyed. I recorded the rerun on the living room VCR and watched the cassette so many times in the years that followed, the tape eventually warped.
Today, I know “A House Divided” the way other people know “Star Wars.” I have memorized virtually every line from every scene, and I’ve been known to go around the house reciting them for my own amusement, if no one else’s.
It was crooked!
I’d have done the same thing, Bobby. The same thing.
You’re a drunk and an unfit mother, and I honestly think you’ve lost your reason.
My memories of “A House Divided,” together with the weight of its pop culture significance, have always made me think this is one of “Dallas’s” greatest entries. I’m pretty sure it really is among the show’s finest hours, although I’m also the first to admit it’s hard to sweep aside my nostalgia and judge it simply as a “Dallas” episode.
Whether or not it’s one of the best, “A House Divided” is certainly unique. The producers famously constructed the story in reverse: First, they came up with the idea of having J.R. get shot and then they worked backwards, establishing the suspects and their motives along the way.
The result is an episode with a furious rhythm. The action begins with the frenzied press conference in J.R.’s office at the top of the hour and never lets up, propelled not just by scriptwriter Rena Down’s narrative, but also by Bruce Broughton’s driving score.
Hagman’s Zenith
Oh, the humanity!
The actors keep things zipping along, too. Among the regular cast, no one delivers more than Larry Hagman, whose portrayal of J.R. reaches its gleefully villainous zenith in “A House Divided.”
Given all the despicable things J.R. does in this episode, I used to feel guilty cheering him on – until I realized I’m not rooting for the character as much as I am the actor who plays him. Hagman is full of zest in “A House Divided” – and he’s never looked trimmer and sexier – yet the actor never allows his performance to devolve into camp or self-awareness.
Consider the scene where J.R. enters the Southfork dining room and finds Miss Ellie in tears because Bobby, fed up with his older brother’s schemes, has finally fled the ranch. “Mama, I don’t want Bobby to leave. You know that,” he says. The sincerity in Hagman’s voice lets us know J.R. means it.
Director Irving J. Moore probably deserves credit for humanizing J.R., too. When the character is waiting for Harry McSween to bring Alan Beam to his office, we see him alone at his desk, shrouded in darkness and holding the framed picture of Sue Ellen he keeps nearby. This fleeting moment invites the audience to wonder what J.R. is thinking. Does he regret the way he’s treated her?
J.R. looks at the picture again in the final scene, right before the unseen assailant enters the office and shoots him. I don’t know if Hagman picked up the frame on his own or if Moore instructed him to do it, but it’s a clever touch. In those seconds before the gun is fired, having him look at the photograph of Sue Ellen reminds us that J.R. is a husband, a father, a man. Yes, he’s also a bastard, but he doesn’t deserve what’s about to happen to him.
Great Performances
Those eyes
Patrick Duffy is also impressive in “A House Divided,” particularly in the scene where a frustrated Bobby bids farewell to Ellie. In the episode’s DVD commentary, Duffy credits Barbara Bel Geddes with making his performance better in this sequence, and while she is indeed wonderful, he needn’t be so modest. Duffy has always brought a lot of heart to his role, and in this scene, he gives as good as he gets. As his eyes redden, her sobs intensify. Both actors play off each other really well.
“A House Divided’s” other standout is Linda Gray, who is mesmerizing during Sue Ellen’s big confrontation with J.R. in the dining room, where she calls him out for his misdeeds in front of Jock and Ellie. Notice how Sue Ellen’s expression changes during the course of the sequence, shifting from disgust at J.R.’s behavior to fear when he threatens to put her back in the sanitarium. Over the years, more than one “Dallas” observer has suggested Gray acts with her eyes. In this scene, that’s really true.
Gray has another moment I absolutely love. In the scene where Sue Ellen and J.R. fight in their bedroom, she gets swept up in her own fury and asks him “which slut” he plans to spend the night with. The instant she says this, Gray’s lips part and her angry expression melts, as if the harsh words have jolted the onetime Miss Texas into reality. How did her perfect marriage come to this?
The guest stars in “A House Divided” are terrific, too. I especially like Dennis Patrick, whose indignation is palpable in the scene where Vaughn Leland demands restitution from J.R., and Ann Nelson, who plays the little old lady Pam encounters during her visit to Corpus Christi. Down, the scriptwriter, gives Nelson some charmingly homespun dialogue (“She was pregnant. Big with it she was!”), and the actress delivers every line beautifully.
Great Scenes
Purple rage
I’ve given J.R. and Sue Ellen’s dining room encounter today’s “Scene of the Day” honors, but truthfully, almost any sequence from this episode qualifies. “A House Divided” is one great moment after another.
Every scene has a memorable line, too. Bobby declares he’s leaving Southfork by telling Pam, “I’ve put up with all the wheeling and dealing and backstabbing that I’m going to.” After Kristin vows to kill J.R., Alan tells her to “take a number. There are a few of us ahead of you.” When Sue Ellen asks J.R. which slut he plans to spend the night with, he responds, “What difference does it make? Whoever it is has got to be more interesting than the slut I’m looking at right now.”
“A House Divided” isn’t perfect, of course. The press conference that opens the episode isn’t very credible, especially since the reporter’s last question (“Did Ewing Oil invest all of its capital in those leases and does nationalization mean the end of the Ewing empire?”) really should have been the first.
Also, as good as J.R. and Sue Ellen’s dining room confrontation is, I can’t help but notice Hagman delivers J.R.’s menacing threat (“The sooner we have you put away in that sanitarium, the better off you’re going to be.”) while holding a slice of bacon.
Surprise, Surprise
Down, but not out
For me, part of the fun of watching “A House Divided” today is wondering what it must have been like to see this episode when CBS aired it for the first time in 1980. I was 6 at the time and already a “Dallas” fan, so I probably was among the millions of people who watched that broadcast, although I have no memory of it.
Modern audiences likely assume J.R.’s shooting was a surprise, but CBS actually gave away the episode’s pivotal final scene in promos leading up to the broadcast. What a shame. Imagine how shocking the cliffhanger would have been if CBS hadn’t spoiled it.
Then again, when you think about it, the shooting itself really isn’t all that important. What matters is all the great drama that comes before those bullets are fired. In the end, the most surprising thing about “A House Divided” isn’t that J.R. gets gunned down, it’s how entertaining this episode remains, even when you have the whole thing memorized.
Grade: A+
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Mr. Big Shot
‘A HOUSE DIVIDED’
Season 3, Episode 25
Airdate: March 21, 1980
Audience: 24.9 million homes, ranking 1st in the weekly ratings
Writer: Rena Down
Director: Irving J. Moore
Synopsis: The Asian oil fiasco bankrupts Vaughn Leland. Pam finds no evidence her mother is dead. J.R. shuts down Ewing 23 after learning Cliff is entitled to a share of the proceeds. Bobby and Pam, disgusted with J.R.’s tactics, leave Southfork. Sue Ellen, Cliff, Kristin, Alan and Vaughn vow to stop J.R., who is shot twice by an unseen assailant.
Cast: Barbara Bel Geddes (Miss Ellie Ewing), Kale Brown (reporter), Christopher Coffey (Professor Greg Forrester), Jeff Cooper (Dr. Simon Elby), Mary Crosby (Kristin Shepard), Jim Davis (Jock Ewing), Patrick Duffy (Bobby Ewing), Meg Gallagher (Louella), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), John Hart (Dr. David Rogers), Ron Hayes (Hank Johnson), Susan Keller (reporter), Ken Kercheval (Cliff Barnes), Jeanna Michaels (Connie), Ann Nelson (woman), Dennis Patrick (Vaughn Leland), Randolph Powell (Alan Beam), Victoria Principal (Pam Ewing), Don Starr (Jordan Lee), Charlene Tilton (Lucy Ewing)
“A House Divided” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.
Drill Bits: Another Ratings Win for TNT’s ‘Dallas’
June 22, 2012 by Leave a Comment
Viewers came back too
The real test for new TV shows isn’t the number of people who tune in for the premiere – it’s the number who come back during the second week. If a series holds onto enough of its audience during week two, it’s a good sign viewers like what they see and will keep coming back for more.
TNT’s “Dallas” didn’t just pass its second-week test – it aced it!
The series premiered June 13 with 6.9 million viewers, including 1.9 million adults between the ages of 18 to 49, the group advertisers prize above all others.
One week later, TNT’s June 20 “Dallas” episode, “The Price You Pay,” drew 4.8 million viewers, becoming the evening’s most-watched cable show. Here’s what’s really impressive: This audience included 1.7 million viewers between 18 and 49.
In other words: Almost all the 18-to-49-year-olds who watched “Dallas” during week one came back during week two.
This doesn’t guarantee “Dallas” another season, but it’s an encouraging sign. Hopefully TNT will renew the series soon.
More Numbers
While we’re on the subject of “Dallas’s” June 13 debut, it’s now official: The two-hour premiere was cable television’s most-watched telecast last week, boosting TNT to a first-place finish among all cable channels.
And when you include the number of viewers who watched “Dallas” on DVRs within three days of the original telecast, the show’s total viewership rises from 6.9 million viewers to 7.8 million viewers.
By the way: This is the first time “Dallas” has finished first in a weekly ratings race since “Swan Song,” the 1985 episode that ended with Bobby’s “death.”
Hagman’s Advice to Henderson
Enjoy the ride
In “The Price You Pay,” J.R. dispenses a lot of wisdom to John Ross, including Jock’s famous maxim that “real power is something you take.”
In real life, what advice has Larry Hagman offered advice Josh Henderson?
“You know, the first thing he ever said to me when we were on set was, ‘Enjoy the ride.’ He literally just said, ‘Have fun,’” Henderson told me and a group of other bloggers and critics during a conference call last month.
“I think what made the original [series] so special was that Larry, Linda, Patrick – the original cast – they truly had fun and they really like each other. And I think that when that happens, you can trust your coworker or the actor that you’re with in the scene more, meaning that you can go deeper with the characters to make a better TV show.”
Line of the Week
“Bullets don’t seem to have much an effect on me, darlin’.”
J.R.’s comment to Ann in “The Price You Pay’s” storage barn scene was a winking nod to his tendency to get shot on the original “Dallas.” Everyone knows J.R.’s sister-in-law/mistress/secretary Kristin pumped lead into him in 1980, but casual fans might have forgotten he also got plugged during a hunting trip (1979’s “The Dove Hunt”), by Sue Ellen (1988’s “The Fat Lady Singeth”) and by a crazed business rival (the 1998 reunion movie “War of the Ewings”).
Speaking of plugs: Dallas Decoder will critique the 1980 “Who Shot J.R.?” episodes, beginning next week. If you need a refresher on “Dallas’s” most famous storyline, be sure to check them out.
Power Trip
Are you playing “Rise to Power,” TNT’s online “Dallas” game?
Each week, fans are asked to align themselves with the character who has what it takes to “rise to power” during TNT’s next “Dallas” episode. Players earn points based on each character’s weekly “power ranking,” but additional points can be earned by touting the show on Facebook and Twitter.
The grand prize is a trip to Southfork. Weekly prizes include autographed posters, Ewing Oil hardhats and a collection of TNT’s “Dallas Quickies” tweets in book form.
That’s One Strong Drink
A reminder to check out the “Dallas Drinks” cocktail recipes from Cook In/Dine Out. This week’s drink is inspired by Ann Ewing, played by the awesome Brenda Strong. Make sure you serve it in a tall glass!
“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.
TNT’s Dallas Styles: J.R.’s Sweaters
June 21, 2012 by 2 Comments
Mr. Ewing’s Neighborhood
In “The Price You Pay,”J.R. comes home to Southfork, presumably for the first time in many years. The house has changed a bit and so has J.R. – or at least that’s what he wants Bobby to think.
The older brother tricks the younger into welcoming him back to the ranch by pretending to be down and out. What Bobby doesn’t know: J.R. is secretly scheming with John Ross to seize control of Southfork and its vast oil reserves.
J.R.’s wardrobe appears to be part of his charade. At the ranch, he wears cardigan sweaters in muted colors, including when Ann finds him in the storage barn looking at an old family photo album and when he shuffles around the Southfork kitchen making breakfast for the family.
The Mister Rogers-style cardigans make Larry Hagman look soft, even a little cuddly. They also evoke memories of the sweater J.R. wore in “Conundrum,” the old show’s final episode, when the character was drunk, depressed and suicidal.
J.R.’s cardigans are a far cry from the days when he telegraphed his predatory nature by donning safari shirts. But don’t worry. The Mister Nice Guy act doesn’t last long; it remains to be seen if the sweaters do.
TNT’s Dallas Scene of the Day: ‘I Feared My Daddy’
June 21, 2012 by 7 Comments
It’s a cutthroat business, son
In “The Price You Pay,” a first-season “Dallas” episode, J.R. and John Ross (Larry Hagman, Josh Henderson) are each seated in barber chairs getting shaved. A towel covers John Ross’s eyes.
J.R.: Feels good, doesn’t it?
JOHN ROSS: Almost sinful.
J.R.: [Chuckles] Your granddaddy Jock took me here the day I closed my first big deal. That man taught me everything I know about business. [Rises from the chair, tips the barber, tells him to “get going,” walks toward John Ross] When I was 8 years old, I asked my daddy for a horse, and he says when I came up for the money, he’d sell me one. [Snaps at John Ross’s barber, who gives him his razor, takes J.R.’s money and leaves] So, all that summer, I worked in the oil fields, digging trenches and such, 12 hours a day. [Begins shaving John Ross] And true to his word, daddy sold me a horse. Now, I learned quick enough, that horse was blind. Now, I loved my daddy, and I respected my daddy, but most importantly, I feared my daddy. [J.R. pulls away the towel covering John Ross’s eyes; John Ross sees J.R. is now holding the straight blade to his neck] I went down to Mexico and talked to Mr. del Sol about the Southfork deal. I know Marta is not Marta. Were you going to cut your daddy out of 2 billion barrels worth of oil? Hmm?
Dallas Decoder 