Dallas Drinks: The Ann

This summer, the “Dallas” fans at Dallas Decoder and Cook In/Dine Out are offering “Dallas Drinks,” a series of cocktails inspired by the characters from TNT’s new series. This week: The Ann, a drink as classy as Brenda Strong.

Dallas Scene of the Day: ‘Don’t Try and Play His Game’

Bobby Ewing, Dallas, Jock's Trial Part 1, Patrick Duffy

He should know

In “Jock’s Trial, Part 1,” a third-season “Dallas” episode, Bobby and Sue Ellen (Patrick Duffy, Linda Gray) chat on the Southfork patio while little John plays in his crib.

BOBBY: Sue Ellen, you’ve been spending an awful lot of time by yourself lately. Is there anything I can do?

SUE ELLEN: Oh, I don’t think so. [She looks at little John, then at Bobby.] Bobby, you don’t really believe that I’ve started drinking again, do you?

BOBBY: I don’t wanna believe it.

SUE ELLEN: I need someone on my side.

BOBBY: [Leans toward her] I am on your side. Sue Ellen, I’ve always been on your side.

SUE ELLEN: J.R. has done everything he can to put me back in that sanitarium.

BOBBY: Why? Everything’s been going so well between you two.

SUE ELLEN: No, it hasn’t. I just made it seem that way. I wanted to be the perfect wife so everyone would forget my past.

BOBBY: I don’t understand. Why all this game playing then?

SUE ELLEN: To try to get custody of little John. [She looks at the baby.]

BOBBY: What?

SUE ELLEN: Bobby, I can’t live with J.R. anymore. I want a divorce.

BOBBY: You’re telling me you’re not drinking and J.R.’s trying to make you look like a drunk?

SUE ELLEN: [Nodding, tearing up] Yes.

BOBBY: Sue Ellen, if you feel you have to leave J.R., then do it. But do it in the open. Don’t try and play his game. Honey, he’s too good at it. And don’t rush into anything.

SUE ELLEN: But what about little John?

BOBBY: Well, that’s a … that’s a choice you may have to make. You’re gonna have to take your chances.

Critique: ‘Dallas’ Episode 51 – ‘Jock’s Trial, Part 1’

Dallas, Jim Davis, Jock Ewing, Jock's Trial Part 1

Face of a killer?

“Jock’s Trial, Part 1” comes toward the conclusion of “Dallas’s” third season, and it very much feels like the beginning of an ending. By the time this episode’s closing credits roll, Digger is dying, Dusty is dead and those skeletal remains discovered on Southfork nine episodes ago have finally been identified.

Hutch McKinney’s 28-year-old murder dominates “Jock’s Trial, Part 1,” making the episode feel a bit like “CSI: Dallas.” Although Cliff is motivated by his suspicion the Ewings are implicated in the death, his investigative skills – including his embrace of forensics – turn out to be pretty sharp. Maybe Cliff has finally found his calling.

I also like how J.R. and Bobby, after spending much of this episode sniping at each other, stop squabbling and join forces the moment it looks like Jock might be fingered for Hutch’s murder. The Ewings are fun to watch when they’re at each other’s throats, but it’s also satisfying to see them circle the wagons when a family member is threatened. These are the moments I wish I was a Ewing.

“Jock’s Trial, Part 1” also offers a terrific scene between Bobby and Sue Ellen that showcases the nice chemistry between Patrick Duffy and Linda Gray. I love Duffy’s impassioned delivery when Bobby warns Sue Ellen against emulating J.R. “Don’t try and play his game,” Bobby says. “Honey, he’s too good at it.”

I’m less enthralled with Miss Ellie’s storyline here. Barbara Bel Geddes is wonderful as always, but Matt Devlin’s declaration that he’s fallen in love with Ellie – and that he knows she has feelings for him, too – seems rather sudden. I don’t object to having Ellie be tempted by another man, but wouldn’t it have made more sense if that man was Digger, a character with whom she already has a rich history?

Imagine how much more poignant Digger’s looming death would seem if Ellie had been flirting with him at the end of the third season instead of with Matt. The title “Jock’s Trial” would have taken on a whole other meaning.

Grade: B

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Cliff Barnes, Dallas, Jock's Trial Part 1, Ken Kercheval

Hmmm

‘JOCK’S TRIAL, PART 1’

Season 3, Episode 22

Airdate: February 22, 1980

Audience: 17.5 million homes, ranking 16th in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Irving J. Moore

Synopsis: Cliff, now an assistant district attorney, determines skeletal remains found on Southfork belong to onetime foreman Hutch McKinney, whom Jock fired decades earlier. After a bender, Digger is hospitalized. Dusty dies in a plane crash, sending Sue Ellen back to the bottle. Matt tells Miss Ellie he loves her. Jock is arrested for Hutch’s murder.

Cast: Barbara Bel Geddes (Miss Ellie Ewing), Christopher Coffey (Professor Greg Forrester), Jeff Cooper (Dr. Simon Elby), Barry Corbin (Sheriff Fenton Washburn), Nicolas Coster (Assistant District Attorney Lyle Sloan), Mary Crosby (Kristin Shepard), David Cryer (Professor Wilbur Calder), Jim Davis (Jock Ewing), Patrick Duffy (Bobby Ewing), Fern Fitzgerald (Marilee Stone), Meg Gallagher (Louella), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Dennis Holahan (Tiny Voight), Al Hopson (Merdo Ferris), Steve Kanaly (Ray Krebbs), Ken Kercheval (Cliff Barnes), Joan Lancaster (Linda Bradley), Joel Lawrence (Gene), Don Porter (Matt Devlin), Dan Priest (Newly), Victoria Principal (Pam Ewing), Charlene Tilton (Lucy Ewing), Keenan Wynn (Digger Barnes)

“Jocks’ Trial, Part 1” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Scene of the Day: ‘I Was Just Living Mama’s Dreams’

Dallas, Divorce Ewing Style, Linda Gray, Sue Ellen Ewing

Wake up, darlin’

In “Divorce, Ewing Style,” a third-season “Dallas” episode, Sue Ellen (Linda Gray) has lunch at a restaurant with Kristin (Mary Crosby), unaware Kristin is only pretending to be nice to her.

KRISTIN: Thank you for coming, Sue Ellen.

SUE ELLEN: I came because I was curious. I can’t imagine what you think we have to talk about.

KRISTIN: I don’t blame you for feeling the way you do.

SUE ELLEN: Really?

KRISTIN: I’ve been terrible. I’ve done everything I could to break you and J.R. up. I even let him … we became lovers. I’ve done nothing but cause you trouble, and I’m truly ashamed.

SUE ELLEN: Why this sudden confession?

KRISTIN: Because I couldn’t stand it anymore when I saw you and J.R. together at your anniversary party. It made me realize just how dreadful I’ve been.

SUE ELLEN: Now that we both know that, so what?

KRISTIN: So, I’m leaving Dallas, Sue Ellen. I’m going to school in California. But before I left, I had to see you, to try to make it up to you somehow.

SUE ELLEN: It doesn’t matter anymore, Kristin. I no longer care what J.R. does.

KRISTIN: I tried to figure out why I did it. It just comes down to one thing. It’s what Mama taught me to do. I was only doing what I’ve been brought up to do.

SUE ELLEN: You are so smart, Kristin. I was much older than you before I figured out I was just living Mama’s dreams.

KRISTIN: I’m trying to change, Sue Ellen, and I hope that we can at least be friends.

SUE ELLEN: Why not?

KRISTIN: To friendship? [Raises her glass]

Sue Ellen clinks glasses with Kristin, who spills her drink in Sue Ellen’s lap. When Sue Ellen leaves to dry herself off, Kristin offers a self-satisfied smirk.

Critique: ‘Dallas’ Episode 50 – ‘Divorce, Ewing Style’

Bobby Ewing, Dallas, Divorce Ewing Style, J.R. Ewing, Larry Hagman, Linda Gray, Pam Ewing, Patrick Duffy, Sue Ellen Ewing

Domestic disturbance

“Divorce, Ewing Style” focuses on the collapse of J.R. and Sue Ellen’s marriage. It’s a heavy subject, but the preposterous plotting makes it hard to take things very seriously.

The episode gets off to a silly start when J.R. comes home from work and walks into the darkened Southfork foyer, only to have the lights suddenly turn on, revealing the rest of the Ewings and a handful of extras exclaiming, “Happy anniversary!” Surprise parties, a sitcom staple, feel out of place on a show like “Dallas.” Besides, who throws a surprise party to celebrate a wedding anniversary?

Sue Ellen and Kristin’s restaurant scene is another eye-roller. Leonard Katzman’s dialogue is nice – I love Sue Ellen’s line about “living mama’s dreams” – but the ending is downright absurd. Kristin’s plan is to “accidentally” spill a cocktail onto Sue Ellen’s dress so the Ewings will smell alcohol on her and suspect she’s resumed drinking – and the execution proves as absurd as the idea itself. When Kristin and Sue Ellen toast their renewed friendship, Mary Crosby extends her arm across the length of the table and pretty much pours her drink into Linda Gray’s lap. Is Sue Ellen really supposed to believe this is an accident?

Speaking of Kristin: Why is she so awful? The character is a villainess, so the audience isn’t required to like her, but it would be nice if her motivations were a little clearer. Unlike J.R., whose actions are rooted in his desperate need for Jock’s approval, it seems Kristin is bad simply because that’s what “Dallas” needs her to be. The plot dictates her character development, when it really should be the other way around.

“Divorce, Ewing Style” concludes with Sue Ellen showing Jock and Miss Ellie the reports her private detective compiled on J.R.’s affairs, but she doesn’t realize J.R. has switched the documents with “clean” versions. Sue Ellen is humiliated, and Jock, Ellie, Bobby and Pam are embarrassed for her. After watching this episode, I know how they feel.

Grade: C

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Dallas, Divorce Ewing Style, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing

Marriage 101

‘DIVORCE, EWING STYLE’

Season 3, Episode 21

Airdate: February 15, 1980

Audience: 19.4 million homes, ranking 6th in the weekly ratings

Writer and Director: Leonard Katzman

Synopsis: J.R. discovers Sue Ellen has hired a private detective to follow him and pays the man to scrub his reports to her. With Kristin’s help, J.R. also convinces the family Sue Ellen has started drinking again, part of his plot to return her to the sanitarium. After J.R. has Alan fired, Alan invites Kristin to join forces with him against J.R. Miss Ellie finds herself charmed by Matt Devlin, a developer whose housing project she opposes.

Cast: Barbara Bel Geddes (Miss Ellie Ewing), Stephanie Blackmore (Serena), James L. Brown (Detective Harry McSween), Jeff Cooper (Dr. Simon Ellby), Barry Corbin (Sheriff Fenton Washburn), Mary Crosby (Kristin Shepard), Jim Davis (Jock Ewing), Patrick Duffy (Bobby Ewing), John Christy Ewing (Tom Fuller), Meg Gallagher (Louella), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Jeanna Michaels (Connie), Don Porter (Matt Devlin), Randolph Powell (Alan Beam), Victoria Principal (Pam Ewing), Charlene Tilton (Lucy Ewing)

“Divorce, Ewing Style” is available on DVD and at Amazon.com and at iTunes. Watch the episode and share your comments below.

Drill Bits: TNT’s ‘Dallas’ Wrangles Big Audience

Ann Ewing, Brenda Strong, Changing of the Guard, Dallas, Linda Gray, Sue Ellen Ewing, TNT

Reason to celebrate

The June 13 debut of TNT’s “Dallas” drew 6.9 million viewers, becoming the year’s most-watched premiere of a cable drama or comedy. The audience included a healthy 1.9 million viewers between the ages of 18 and 49, the group advertisers pay a premium to reach.

“Dallas’s” two-hour premiere drew more viewers than any program on the broadcast networks between 9 and 11 p.m. and made TNT the evening’s most-watched basic cable channel.

Also worth noting: “Dallas’s” opening night drew a bigger crowd than the first episodes of other top cable dramas, including “Mad Men” (1.65 million viewers in 2007), “Breaking Bad” (1.35 million, 2008) and “Walking Dead” (5.3 million, 2010).

Yes, “Dallas’s” 6.9 million number is nowhere near the 83 million viewers who saw the old show’s most-watched episode: “Who Done It?”, the 1980 broadcast that revealed the identity of J.R.’s shooter. But c’mon, there were only three networks back then!

Comparing TNT’s two-hour premiere to other episodes from the original “Dallas” series is trickier. In those days, Nielsen usually counted the number of households that watched television, not individual viewers.

For example, the fourth-season episode “No More Mister Nice Guy, Part 2,” the old show’s second highest-rated broadcast, was seen in 31.1 million homes. “Dallas’s” lowest-rated episode, “Fathers and Sons and Fathers and Sons,” which aired during the final season, was seen in 8.9 million homes, ranking 52nd for the week.

And in case you’re wondering, “Digger’s Daughter,” the original “Dallas’s” first episode, was seen in 15.7 million homes, ranking 18th in the weekly ratings, while “Conundrum,” its 1991 finale, was seen in 20.5 million homes, ranking 2nd.

Metcalfe’s Favorite Scenes

Christopher Ewing, Dallas, Jesse Metcalfe

Jesse speaks

In my “Changing of the Guard,”critique, I praised Jesse Metcalfe’s terrific performance in the scene where Christopher and Elena finally come clean with each other on the day of his wedding to Rebecca.

When I spoke to Metcalfe during a conference call with bloggers last month, he told me he likes that scene, too. So does he have favorite moments from other episodes?

“I probably have a favorite moment from every episode,” Metcalfe said. “It’s really difficult for me to pick just one scene. I mean, the fun thing about this show is that it’s a magnificent ensemble.”

We agree!

‘Dallas,’ Then and Now

How does “Digger’s Daughter,” “Dallas’s” first episode from 1978, compare to “Changing of the Guard,” the first hour of TNT’s “Dallas” series?

• First line of dialogue

1978: “Bobby James Ewing, I don’t believe you!” (Pam)

2012: “John Ross, wake up!” (Elena)

• Saltiest language

1978: “You jackass!” (Jock)

2012: “It’s bullshit!” (John Ross)

• J.R. loves red …

1978: Files

2012: Jell-O

• Bobby’s reason to celebrate

1978: A wedding!

2012: A birthday!

• Words spoken by Sue Ellen

1978: 38

2012: 120 (approximate)

• Get a room! (But not that one!)

1978: Lucy and Ray in the hayloft

2012: Christopher and Rebecca in the locker room

• Last line of dialogue

1978: “Well, I surely won’t do that again.” (J.R.)

2012: “The fun is just beginning.” (John Ross)

Line of the Week

“You are still the prettiest girl at the ball.”

There were a lot of great lines in the back-to-back “Dallas” episodes TNT telecast June 13, but if I had to pick a favorite, it was J.R.’s parting words to Sue Ellen at the end of their long-awaited reunion in “Hedging Your Bets.”

In the first episode of “Dallas Round-Up,” TNT’s post-show webcast, “Dallas’s” executive producer and head writer Cynthia Cidre revealed the line was suggested by another of the show’s writers, Robert Rovner.

When Rovner pitched the line to her and the other writers, “we all got misty-eyed,” Cidre recalled.

Diva Declared

The arrival of TNT’s “Dallas” wasn’t the only big event in the Ewing-verse this week: A few hours before the show debuted, Katherine Wentworth was crowned the winner of the Dallas Divas Derby race.

David W., whom I interviewed last month, created the derby, which pitted 32 of the original show’s heroines and villainesses against each other in a two-month brackets-style competition. The final race came down to Katherine (Morgan Brittany) and Sue Ellen (Linda Gray); when all was said and done, Katherine received 2,494 votes, or 424 more than Sue Ellen.

Be sure to also check out David’s insightful review of the TNT series, as well as his sentimental introductory post, in which he recalls his childhood love of “Dallas.”

Get Your Drink On

A reminder: This week, my husband Andrew and I began offering “Dallas Drinks,” a series of cocktails inspired by the characters on the TNT show. First up: The John Ross; we’ll post another recipe next week.

Be sure to visit Andrew’s blog, Cook In/Dine Out, too. As you’ll see, he’s an amazing cook. Heck, he could probably teach Carmen Ramos (Marlene Forte) a thing or two!

“Drill Bits,” a roundup of news about TNT’s “Dallas,” will be published regularly. Share your comments below.

TNT’s Dallas Styles: Marta’s Hair

‘Hedging Your Bets’

On TNT’s “Dallas,” there is no greater chameleon than Marta del Sol, the sexy siren who specializes in deceiving Ewing men. Bobby believes he’s selling Southfork to Marta and J.R. believes he’s buying it from her, but neither brother knows the truth: Marta is really plotting with John Ross to seize the ranch and the ocean of oil flowing beneath it.

‘Changing of the Guard’

“Dallas” uses two hairstyles to showcase Marta’s two faces. When Leonor Varela appears in scenes with Larry Hagman and Patrick Duffy, her hair is usually worn up. In scenes with Josh Henderson – with whom Varela has smoking chemistry, by the way – those gorgeous tresses almost always fall onto her shoulders.

It makes sense: John Ross is the only character who knows the truth about Marta – namely, that she isn’t really Marta del Sol, which is the big secret revealed at the end of “Hedging Your Bets.” Figuratively and literally, John Ross is the only person with whom Marta can let her hair down.

I’m amazed at how different Varela looks with each style. The first time I saw Marta with her hair down, at the end of “Changing of the Guard,” it took me a minute to realize I was looking at Marta. I thought some new femme fatale was being introduced.

Regardless of how she wears her hair, one thing is certain: Beware of Marta del Sol!

(Or whoever she is.)

The Art of TNT’s Dallas: ‘Hedging Your Bets’

Marta (Leonor Varela) is seen in this publicity shot from “Hedging Your Bets,” the second episode of TNT’s “Dallas.” Photo credit: Zade Rosenthal/TNT.

TNT’s Dallas Scene of the Day: ‘The Prettiest Girl at the Ball’

Dallas, Hedging Your Bets, Linda Gray, Sue Ellen Ewing, TNT

He’s right

In “Hedging Your Bets,” a first-season “Dallas” episode, J.R. (Larry Hagman) approaches Sue Ellen (Linda Gray) at the Cattle Baron’s Ball.

SUE ELLEN: J.R., what are you doing here? I thought you weren’t well enough to even leave your room.

J.R.: I just came by to congratulate you. And you deserve it, honey. Look at you. And look at me. You won, honey. And I couldn’t be happier. [Turns to walk away]

SUE ELLEN: Wait.

J.R.: If you ask me, you’d make a hell of a governor. And if I do say so, you are still the prettiest girl at the ball.

Critique: TNT’s ‘Dallas’ Episode 2 – ‘Hedging Your Bets’

Bobby Ewing, Dallas, Hedging Your Bets, John Ross Ewing, Josh Henderson, Patrick Duffy, TNT

Whole new ball

“Hedging Your Bets,” the second of the two episodes TNT telecast on “Dallas’s” opening night, was solidly entertaining, even if it wasn’t quite as satisfying as the first hour, “Changing of the Guard.” The story continued to take unexpected twists, but I found myself hoping things would slow down so the audience could get better acquainted – or reacquainted – with the characters.

The best scenes in “Hedging Your Bets” were set at the Cattle Baron’s Ball, which looked far cooler than the stuffy black-tie galas the Ewings attended on the old show. I loved how director Michael M. Robin opened this sequence: John Ross and J.R. arrived in a black Suburban while “I’m a Man,” a tune by Swedish rockers the Blue Van, boomed in the background. It was another reminder this isn’t daddy’s “Dallas.”

Inside the ballroom, J.R. – using a walker to gin up his family’s sympathy – made amends with Bobby. This scene, which was nicely written by Cynthia Cidre, allowed Larry Hagman and Patrick Duffy to demonstrate how their chemistry remains unaltered by the passage of time.

I was particularly impressed with Hagman. He still has an uncanny knack for making the audience want to believe J.R., even when we know the character is lying. I long ago stopped trying to figure out the actor’s secrets and decided to just sit back and enjoy his performances. He amazes me.

J.R.’s long-awaited first scene with Sue Ellen was well written and performed, too. He ran into her at the ball, and even though it was probably the first time the characters had seen each other in years, Cidre didn’t go overboard with a big, emotional reunion. Still, while J.R.’s last line (“You’re still the prettiest girl at the ball”) was sweet, I wish Linda Gray had been given a little more to do here. She had just 18 words of dialogue, which felt a little insufficient.

On the other hand, I very much liked the scene where Sue Ellen loaned Elena the money she needs to buy the oil leases. Gray looked like she enjoyed showing off her character’s confidence and success. The role of mentor fits Sue Ellen well, although she shouldn’t be limited to serving as a cheerleader for other characters. Sue Ellen needs her own storyline, and I’m hopeful her looming gubernatorial run will give Gray an opportunity to strut her stuff.

The other highlight of “Hedging Your Bets:” the scene where Elena confronted John Ross over the e-mail that broke up her and Christopher two years earlier. Jordana Brewster beautifully expressed Elena’s confusion and outrage, but don’t overlook Josh Henderson, whose pained expression made me believe John Ross really cares for Elena.

This is important because as I wrote in my “Changing of the Guard” critique, I’m not quite sure what makes John Ross tick. Right now, it feels like he’s the antagonist because that’s what the plot demands, so John Ross’s relationship with Elena has the potential to make him a more dimensional character.

By the way, I’m really enjoying the scenes set in Elena’s little house on the Souhfork grounds. The shabby chic decor makes it feel like a real home, which is appropriate, since Brewster does such a good job making Elena feel like a real person.

In many ways, Elena’s home serves the same function Ray Krebbs’ rambler did on the original “Dallas.” This probably isn’t a coincidence. Like Ray, Elena is poised to become the “everyperson” who serves as the audience’s eyes and ears in the world of the Ewings. She might be the most pivotal character of all, at least among the younger players.

Finally, a word about Rebecca, the Ewing clan’s newest addition. Of the eight principal characters on TNT’s “Dallas,” she received the least development in “Changing of the Guard,” and after seeing “Hedging Your Bets,” I understand why. Rebecca is supposed to be enigmatic. In this episode, her cryptic conversation with her brother Tommy made it clear the siblings (they are siblings, right?) are up to something nefarious, although we don’t know what.

I welcome this. The mystery surrounding Rebecca and Tommy feels like it’s going to be crucial, and it deserves to unravel at its own pace. After all, if TNT’s “Dallas” is going to be around awhile – and I sure hope it will be – there’s no point in rushing through every storyline.

Grade: B

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Dallas, Elena Ramos, Hedging Your Bets, John Ross Ewing, Jordana Brewster, Josh Henderson, TNT

Mailman?

‘HEDGING YOUR BETS’

Season 1, Episode 2

Telecast: June 13, 2012

Writer: Cynthia Cidre

Director: Michael M. Robin

Audience: 8.3 million viewers (including 6.9 million viewers on June 13, ranking 1st in the weekly cable ratings)

Synopsis: Bobby tells his wife Ann he has cancer and rejects Christopher’s plea to not sell Southfork. Elena breaks up with John Ross, who has sex with Marta and is extorted by Bobby’s duplicitous lawyer, Mitch Lobell, who is secretly aiding John Ross and J.R. in their plot to seize Southfork. John Ross’s mother Sue Ellen loans Elena money for her oil business and encounters ex-husband J.R., who wants to makes amends with her. Rebecca’s brother Tommy tells her she shouldn’t become too comfortable in her new role as Christopher’s wife. J.R. learns Marta is an imposter.

Cast: Jordana Brewster (Elena Ramos), Brett Brock (Clyde Marshall), Richard Dillard (Mitch Lobell), Patrick Duffy (Bobby Ewing), Marlene Forte (Carmen Ramos), Julie Gonzalo (Rebecca Ewing), Linda Gray (Sue Ellen Ewing), Castulo Guerra (Carlos del Sol), Larry Hagman (J.R. Ewing), Josh Henderson (John Ross Ewing), Jesse Metcalfe (Christopher Ewing), Leanna Pareja (Marta Realidad), Brenda Strong (Ann Ewing), Audrea Ulmer-Cowan (Candy), Leonor Varela (Marta del Sol)

“Hedging Your Bets” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.