TNT’s Dallas Styles: Marta’s Hair

‘Hedging Your Bets’

On TNT’s “Dallas,” there is no greater chameleon than Marta del Sol, the sexy siren who specializes in deceiving Ewing men. Bobby believes he’s selling Southfork to Marta and J.R. believes he’s buying it from her, but neither brother knows the truth: Marta is really plotting with John Ross to seize the ranch and the ocean of oil flowing beneath it.

‘Changing of the Guard’

“Dallas” uses two hairstyles to showcase Marta’s two faces. When Leonor Varela appears in scenes with Larry Hagman and Patrick Duffy, her hair is usually worn up. In scenes with Josh Henderson – with whom Varela has smoking chemistry, by the way – those gorgeous tresses almost always fall onto her shoulders.

It makes sense: John Ross is the only character who knows the truth about Marta – namely, that she isn’t really Marta del Sol, which is the big secret revealed at the end of “Hedging Your Bets.” Figuratively and literally, John Ross is the only person with whom Marta can let her hair down.

I’m amazed at how different Varela looks with each style. The first time I saw Marta with her hair down, at the end of “Changing of the Guard,” it took me a minute to realize I was looking at Marta. I thought some new femme fatale was being introduced.

Regardless of how she wears her hair, one thing is certain: Beware of Marta del Sol!

(Or whoever she is.)

The Art of TNT’s Dallas: ‘Hedging Your Bets’

Marta (Leonor Varela) is seen in this publicity shot from “Hedging Your Bets,” the second episode of TNT’s “Dallas.” Photo credit: Zade Rosenthal/TNT.

TNT’s Dallas Scene of the Day: ‘The Prettiest Girl at the Ball’

Dallas, Hedging Your Bets, Linda Gray, Sue Ellen Ewing, TNT

He’s right

In “Hedging Your Bets,” a first-season “Dallas” episode, J.R. (Larry Hagman) approaches Sue Ellen (Linda Gray) at the Cattle Baron’s Ball.

SUE ELLEN: J.R., what are you doing here? I thought you weren’t well enough to even leave your room.

J.R.: I just came by to congratulate you. And you deserve it, honey. Look at you. And look at me. You won, honey. And I couldn’t be happier. [Turns to walk away]

SUE ELLEN: Wait.

J.R.: If you ask me, you’d make a hell of a governor. And if I do say so, you are still the prettiest girl at the ball.

TNT’s Dallas Styles: J.R.’s Wristwatch

Watch out

The most poignant moment in “Changing of the Guard” finds Bobby visiting J.R. in the nursing home, where the older brother sits motionless and speechless, a captive of his own depression. Director Michael M. Robin ends the scene with a tight shot of Larry Hagman’s hands, and that’s when we see his character is wearing an elaborate gold wristwatch. Emblazoned on the band: the initials “J.R.”

The first time I glimpsed the watch, I didn’t like it. This didn’t seem like something J.R. would wear. After a tip from a reader (see below), I realized J.R. did in fact wear this watch – or at least one similar to it – during the original “Dallas’s” later years. For much of the show’s run, though, he was among its least flashiest dressers, favoring boring business suits and nondescript neckties.

Regardless, this isn’t who J.R. is anymore. When TNT’s “Dallas” begins, his career is over. He’s lost his fortune, his family and any semblance of his youth. J.R. is old now.

The watch symbolizes this. Yes, wearing a timepiece with your own name stamped on it is pretty gauche, but maybe it’s the only way J.R. has to hold onto his identity. It reminds him of who he used to be.

The wristwatch may offer a reality check, too. Watches are clocks after all, and maybe seeing “J.R.” on his wristband helps him understand the sad truth: Even J.R. Ewing can’t control the passage of time.

The Art of TNT’s Dallas: ‘Changing of the Guard’

Elena and John Ross (Jordana Brewster, Josh Henderson) defend their plan to drill for oil on Southfork in this publicity shot from “Changing of the Guard,” the first episode of TNT’s “Dallas.” Photo credit: Erik Heinila/TNT.

TNT’s Dallas Scene of the Day: ‘… To Be Like Us’

Bobby Ewing, Changing of the Guard, Dallas, Patrick Duffy, TNT

Brother, where art thou?

In “Changing of the Guard,” “Dallas’s” first episode, Bobby (Patrick Duffy) visits the nursing home, where he sits at the side of the motionless J.R. (Larry Hagman).

BOBBY: All those fights, J.R., over Ewing Oil and Southfork. Those fights changed me. Changed me in a way I don’t like. I worry about Christopher and John Ross. I want them to have a chance to be a family. Without all the bitterness and bad blood you and I had. I don’t want them to be like us. But, all that being said, I do miss you. [Winces, grabs his stomach] Well, I hope you know. I always loved you. [He rises, kisses J.R. on the head and leaves.]

Dallas Scene of the Day: ‘I’ve Got to Feel Useful Again’

Dallas, Digger Barnes, Keenan Wynn, Second Thoughts

Dead weight

In “Second Thoughts,” a third-season “Dallas” episode, Pam (Victoria Principal) walks into Cliff’s bedroom and finds Digger (Keenan Wynn) packing.

PAM: Daddy, you’re really going?

DIGGER: Yeah.

PAM: Why?

DIGGER: I’m not needed here. Nothing to keep me.

PAM: Well, there’s me. And Cliff. We’re family. We need each other.

DIGGER: Oh, now come on, Pam. You’re a big girl now. You’ve got your own life to live. I’m just a dead weight. God knows, Cliff would be better off without me hanging around.

PAM: Please don’t go, Daddy. You’re not well.

DIGGER: I’m better off away from here, where I can work. Keep myself occupied.

PAM: If you want something to do, maybe I can help.

DIGGER: The subject is closed. Don’t you see, Pam? I’ve got to go. I can’t keep hanging around, and feeling used up and worn out. I mean, if I can’t work the field anymore, well, I’ve gotta find something else. Work in an office. Drive a truck, anything. But I’ve got to feel useful again.

PAM: Well, would you like a ride to the airport – or were you going to walk your way to Galveston?

DIGGER: Well, now, if you’re offering me a lift, I guess I could hardly refuse. You could give me a lift to the bus station. I don’t fly unless I really have to.

They exit.

Dallas Scene of the Day: ‘Jock, We Love Each Other’

Dallas, Donna Culver, Sue Ellen's Choice, Susan Howard

A desperate plea

In “Sue Ellen’s Choice,” a third-season “Dallas” episode, Jock (Jim Davis) fixes a drink in J.R.’s office while Donna Culver (Susan Howard) sits on the sofa.

JOCK: It isn’t often anymore that a pretty girl like you calls and asks for an appointment. What can I do for you? [Rests on the desk’s edge]

DONNA: [Rises] It’s about Ray, Jock.

JOCK: Ray?

DONNA: Ray Krebbs. We’ve been seeing each other since Sam died.

JOCK: [Nods] Yes, I heard.

DONNA: I’m sorry. This is embarrassing. [Smiles]

JOCK: Well, now don’t be embarrassed. Something upset you enough to bring you here. What is it?

DONNA: Ray and I were planning on getting married as soon as it seemed respectable. And now, all of a sudden, he’s changed his mind. I want you to talk to him.

JOCK: Well, Donna, there just isn’t a whole lot that I can do about that.

DONNA: You don’t understand. He’s got some crazy idea that he’s not good enough for me. You know him, Jock. You know him better than anybody. You’ve been like a father to him. He respects you. He thinks the whole world of you. And I just want you to tell him that he’s good enough for anybody, anybody at all. Because I know he’d listen to you.

JOCK: Ray’s a pretty smart boy, Donna.

DONNA: Does that mean you won’t talk to him? [Smiles]

JOCK: I never even told my own boys how to live their lives, Donna. I can’t start with Ray.

DONNA: Jock, we love each other.

JOCK: Yes, yes, I believe you do. But Donna, a good marriage is based on a much more solid foundation than that.

DONNA: [Smiles] Well, I’m sorry if I bothered you.

JOCK: You didn’t bother me, Donna. Just wish I could’ve helped you, that’s all.

DONNA: I know. [Puts on her coat, grabs her purse, opens the door, faces Jock]

JOCK: Bye.

DONNA: Goodbye.

Dallas Drinks: The John Ross

This summer, the “Dallas” fans at Dallas Decoder and Cook In/Dine Out are offering “Dallas Drinks,” a series of cocktails inspired by the characters from TNT’s new series. First up: The John Ross, a drink as fiery as Josh Henderson’s performance.

Knots Landing Scene of the Day: ‘Stay, Lucy. Stay the Week.’

Charlene Tilton, Dallas, Gary Ewing, Home is For Healing, Joan Van Ark, Knots Landing, Lucy Ewing, Ted Shackelford, Valene Ewing

Surfside summit

In “Home is For Healing,” a first-season “Knots Landing” episode, Lucy and Valene (Charlene Tilton, Joan Van Ark) are having a heart-to-heart while strolling along the beach when they spot Gary (Ted Shackelford) running toward them.

GARY: Lucy! Lucy!

LUCY: Daddy.

GARY: I don’t want you to go. No, no. Just let me say this. I know I ran away from you and Mama a lot. I was weak. I let my brother and my father drive me away, and I ran. I was a drunk and a gambler and a loser. Well, I may not be all that terrific now, but I’m not a loser anymore. I’m working. And I’m not drinking and I’m not gambling. And instead of running away from the important things, I try to run toward them. Now, I may blow them every now and then, but at least I face them and look them in the eye. [He pauses.] Now, what happened the last couple of days is that we all had plans. You and Mama were gonna be little girl and tending mother. And I was gonna be a father, capital “F.” Well, I guess we just forgot to get to know each other.

LUCY: Daddy –

GARY: I said, “no credit cards” because using your grandfather’s credit cards would screw up your values and our future as a family. What I should have said was, “Please don’t use the credit cards because it makes me feel bad.”

LUCY: Daddy, I get it.

GARY: What?

LUCY: You were right. We forgot to get to know each other.

GARY: Stay, Lucy. Stay the week.

VAL: Hey, you know what I wanna do now?

GARY: What?

VAL: I’ve dreamed of doing this since we moved in here.

LUCY: What, Mama?

VAL: Go running in the ocean with you.

LUCY: We’ve been walking in it.

VAL: No, I mean really in it. Up to your knees and running.

LUCY: It’s too cold.

VAL: Oh, no it isn’t. Watch!

She runs into the surf, tosses her shoes onto the beach.

GARY: Come on. Come on, honey. [He rolls up his pants and walks into the ocean.]

LUCY: It’s too cold.

GARY: Hey, it’s only cold for a minute. [Lucy lays her shoes on the beach, grabs Gary’s extended hand] Right!

The three join hands and run through the waves.