Let’s Party Tonight on #DallasChat

Bobby Ewing, Charlene Tilton, Dallas, Lucy Ewing, Patrick Duffy, Ray Krebbs, Steve Kanaly

Party people

I’ll host Dallas Decoder’s next #DallasChat on Twitter on Monday, July 1, from 9 to 10 p.m. Eastern time. Our theme: “Parties, People, Places.”

I’ll tweet a question every few minutes. Each question will be numbered and include the hashtag #DallasChat, so your responses should do the same. A sample exchange:

Q1. On the original #Dallas, which tradition did you prefer: the Oil Baron’s Ball or the Ewing Barbecue? #DallasChat

A1. Neither! I preferred the Ewing Rodeo. Love them cowboys. #DallasChat

Feel free to respond to what other people are saying and to engage in “side conversations” of your own.

Two tips:

• During the chat, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Don’t forget to include the hashtag #DallasChat in each tweet you send so others can see your contributions to the conversation.

I look forward to hearing your thoughts. See you tonight!

The Art of Dallas: ‘Post Nuptial’

Cliff Barnes, Ken Kercheval, Linda Gray, Post Nuptial, Sue Ellen Ewing

Cliff and Sue Ellen (Ken Kercheval, Linda Gray) share an eye-raising dance in this 1982 publicity shot from “Post Nuptial,” a sixth-season “Dallas” episode.

Dallas Scene of the Day: ‘No Other Women, No Games’

Linda Gray, Post Nuptial, Sue Ellen Ewing

Better late than never

In “Post Nuptial,” a sixth-season “Dallas” episode, J.R. and Sue Ellen (Larry Hagman, Linda Gray) are on the patio of their honeymoon suite, where she leans on a table as he pours himself a cup of coffee.

SUE ELLEN: I rode over to the boat dock yesterday and I thought maybe we could take a boat out for a sail this afternoon.

J.R.: Oh, you know me and water. Unless it’s cooped up in a swimming pool, I have a definite aversion to it.

SUE ELLEN: [Giggles, touches his face] I’ll protect you.

J.R.: More than enough to wet my bourbon, it scares the devil out of me, honey.

SUE ELLEN: That’s not true.

J.R.: No, the truth is, I have a meeting in town today.

SUE ELLEN: [Exasperated] J.R.!

J.R.: I couldn’t get out of it.

SUE ELLEN: Well, this is my honeymoon!

J.R.: Well, it’s mine too. [Reclines in his seat] This is an important meeting. It really is. Vital to our future, as a matter of fact. [Sips his coffee]

SUE ELLEN: Then I’m going with you.

J.R.: It’s business!

SUE ELLEN: When we started our new life together, I wanted to make sure that that included both family — and business.

J.R.: You sound like a different woman.

SUE ELLEN: [Smiles] I am. And I want you to be different too. I’m going to do everything in my power to make sure it works this time.

J.R.: So am I.

SUE ELLEN: If you really do mean that, then I want a commitment from you. No other women, no games. A total commitment, all the way.

J.R.: That’s what I did when I married you this time, Sue Ellen.

SUE ELLEN: I certainly hope so. Because I couldn’t handle it any other way.

J.R.: [Leans forward, sets down his cup] You won’t have to. [Kisses her] I promise you.

Critique: ‘Dallas’ Episode 114 — ‘Post Nuptial’

Dallas, Linda Gray, Post Nuptial, Sue Ellen Ewing

December bride

“Post Nuptial” picks up where the previous “Dallas” episode left off, as the Ewings and their guests wait to see what will happen after Cliff stands up during the middle of J.R. and Sue Ellen’s wedding ceremony. The answer: Not much. After a few moments of cringe-worthy silence, Cliff walks to the bar and pours himself a drink while the minister completes the vows and announces that J.R. and Sue Ellen are once again husband and wife. If there’s a lesson here for “Dallas” fans, it might be this: Lackluster cliffhangers are bound to produce underwhelming resolutions.

Of course, Cliff hasn’t caused his last scene. At the reception, he refuses Pam and Afton’s pleas to leave, then asks Sue Ellen to dance. Sue Ellen looks rattled and reluctantly accepts Cliff’s offer, which stretches credibility a little too thinly for my taste. It was one thing for Sue Ellen to quietly renew her relationship with Cliff while she was a divorcee, but to dance with him on the day she remarries J.R.? That seems like a lot for the audience to swallow. Don’t forget: This is the man who once sued J.R. and Sue Ellen for custody of John Ross, claiming he was the child’s biological father.

More than anything, Cliff and Sue Ellen’s scene at the reception is a plot device to squeeze a fight scene into this episode. When J.R. spots his wife and his enemy on the dance floor, he approaches Cliff and punches him, which leads to a brawl that ends with almost every lead actor on the show falling or being pushed into the Southfork swimming pool. A confession: I’ve never loved these “dunkings” as much as other fans seem to. It’s always seemed a little silly to me, and by the end of the series, the pool fights had become pretty predictable. Since this is one of the first, though, I can appreciate how much fun it must have been in 1982 to see the tuxedo-clad Ewings and Cliff splashing around the pool. The best part is when Mickey Trotter joins the fracas, seemingly for the hell of it.

(You also have to enjoy J.R. and Mickey’s encounter earlier at the reception, when the young ranch hand makes the mistake of asking J.R. about Lucy’s whereabouts. Larry Hagman and Timothy Patrick Murphy both have charm to spare and good chemistry together; what a shame this is one of the few scenes their characters share during Murphy’s too-brief tenure on the show.)

The wedding scenes in “Post Nuptial” are limited to the first act, allowing scriptwriter David Paulsen to devote the remainder of the hour to advancing the season’s storylines. Naturally, J.R. remains the center of the action and keeps the audience guessing. He whisks Sue Ellen away on a quick honeymoon to a waterfront resort, where she tells him she wants “a total commitment” from him. “No other women, no games,” she says. This seems like the kind of conversation the couple should have had before they walked down the aisle, but no matter. J.R. assures Sue Ellen he’s not going to repeat the mistakes he made during their first go-round as husband and wife. “I promise you,” he says.

Does he mean it? I believe he does. After all, J.R. resisted the temptation to cheat with Holly in “The Ewing Touch,” one of the previous episodes. The audience is less sure of J.R.’s sincerity at the end of “Post Nuptial,” when Bobby — having snooped around into J.R.’s business dealings — confronts him with evidence that suggests J.R. is selling oil to countries on the government’s embargo list. “You’re talking about an illegal act, Bob. … I assure you, a thought like that never crossed my mind,” J.R. says. He sounds sincere, but since “Dallas” hasn’t revealed the reason he’s pumping so much extra oil, we can’t quite be sure if he’s telling the truth this time.

I also like the “Post Nuptial” scene where Afton vows to leave Cliff after the brouhaha he caused at the wedding. In a tense moment, she also comes close to confessing her recent indiscretion with Gil Thurman, only to chicken out at the last minute and collapse into Cliff’s arms. I’m a fan the Ken Kercheval/Audrey Landers pairing over the long haul, but this is one point in their relationship where I don’t understand why she sticks with him.

Thank goodness we have Sue Ellen around to cheer on. In addition to the scene where she demands that “total commitment” from J.R., we get to see her accompany him to the refinery he wants to buy. When the refinery owner informs the couple his business isn’t for sale, Sue Ellen pipes up with, “You haven’t even heard our offer yet.” It’s an early glimpse of the shrewd energy executive she’ll one day become. Too bad it takes a few decades for it to happen.

Grade: B

_______________________________________________________________________________________________________________________________________________

Bobby Ewing, Dallas, Patrick Duffy, Post Nuptial

Who do you trust?

‘POST NUPTIAL’

Season 6, Episode 11

Airdate: December 10, 1982

Audience: 21.8 million homes, ranking 2nd in the weekly ratings

Writer: David Paulsen

Director: Michael Preece

Synopsis: After J.R. and Sue Ellen are married, Afton decides to leave Cliff but doesn’t follow through. Holly tells Bobby about her connection to J.R. Bobby fears J.R. may be illegally selling oil to countries on the State Department’s embargo list. Donna, now a member of the Texas Energy Commission, vows to rescind J.R.’s variance to pump excess oil. Lucy rejects the advances of her client, Bill Johnson.

Cast: E.J. André (Eugene Bullock), Parley Baer (minister), Tyler Banks (John Ross Ewing), Barbara Bel Geddes (Miss Ellie Ewing), Ivan Bonar (Perkins), Lois Chiles (Holly Harwood), Jon Cypher (Jones), Patrick Duffy (Bobby Ewing), Fern Fitzgerald (Marilee Stone), Tom Fuccello (Senator Dave Culver), Gerry Gibson (Jimmy Otis), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Nicholas Hammond (Bill Johnson), Alice Hirson (Mavis Anderson), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Timothy Patrick Murphy (Mickey Trotter), Priscilla Pointer (Rebecca Wentworth), Victoria Principal (Pam Ewing), Paul Sorensen (Andy Bradley), Don Starr (Jordan Lee), Charlene Tilton (Lucy Ewing), Deborah Tranelli (Phyllis), Morgan Woodward (Punk Anderson)

“Post Nuptial” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Cliffhanger Classics: Season 5

Dallas Decoder celebrates “Dallas’s” classic cliffhangers with weekly summertime flashbacks. Collect all 14 images and share them with your friends.

Dallas Cliffhanger Classics 5

The Art of Dallas: ‘The Wedding’

Dallas, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing, Wedding

J.R. and Sue Ellen (Larry Hagman, Linda Gray) prepare to exchange marital vows — again — in this 1982 publicity shot from “The Wedding,” a sixth-season “Dallas” episode.

Dallas Scene of the Day: ‘Butt Out, Bob!’

Barbara Bel Geddes, Bobby Ewing, Clayton Farlow, Dallas, Howard Keel, J.R. Ewing, Larry Hagman, Linda Gray, Miss Ellie Ewing, Pam Ewing, Patrick Duffy, Sue Ellen Ewing, Victoria Principal, Wedding

All in the family

In “The Wedding,” a sixth-season “Dallas” episode, J.R. and Clayton (Larry Hagman, Howard Keel) pour drinks in the Southfork living room.

CLAYTON: What do you think of the season, so far?

J.R.: Which one, football or hunting?

CLAYTON: Football!

J.R.: Oh, well, I’m not too thrilled with their draft choices this year, that’s for sure. You know they could have picked up that backfield. [Chooses an appetizer from a servant’s plate] They should’ve done it years ago.

On the other side of the room, Pam (Victoria Principal) chats with Miss Ellie and Sue Ellen (Barbara Bel Geddes, Linda Gray).

PAM: You know, I don’t care what anyone wears to exercise class, but this girl showed up today wearing a string bikini, the size of a stamp.

ELLIE: Did you say anything?

PAM: Well, no.

Bobby (Patrick Duffy) storms into the room, tosses his briefcase onto the sofa and exclaims, “J.R.!”

J.R.: [To Clayton] I tell you, I don’t think they have a chance. They’re out in the cold.

BOBBY: Here. [Hands a folder to J.R.]

J.R.: What’s that?

BOBBY: Reports from our geologists and our accountants. Read them if you have the nerve.

J.R.: [Sets down his drink, looks through the folder] I don’t have to read this stuff.

BOBBY: Well, I think you’d better. You can’t pretend that everything is normal anymore. Every one of those men think that what you’re trying to do is going to ruin the future of Ewing Oil.

ELLIE: Bobby, I’d like it better if you discussed this with J.R. in private.

BOBBY: I have tried, Mother. And I know how you feel about all this too: “Let’s not argue about business in front of the family.” But don’t you understand that when we’re quiet about things like this, it plays right into his hands? It becomes a cover-up for J.R. I’m not going to do it anymore. I want everything out in the open!

J.R.: I don’t care what the geologists say. Or the accountants. And I certainly don’t need any advice from you on how to run an oil company.

PAM: Well, maybe this is one time that you do need some.

SUE ELLEN: Pam, why don’t we let our men settle the business problems?

PAM: Sue Ellen, can’t you see what J.R.’s trying to do?

SUE ELLEN: Yes. He’s protecting what’s rightfully his.

PAM: [Angrily] Well, what about what’s rightfully Bobby’s?

J.R.: I’m simply trying to carry out the terms of Daddy’s will.

BOBBY: Daddy never thought that you’d try and use that will to destroy Ewing Oil.

J.R.: Butt out, Bob!

BOBBY: Butt out of a business — ?

Clayton steps between the brothers, followed by Ellie.

ELLIE: All right, now that’s enough. Stop it! Tomorrow, there’s going to be a wedding in this house. Tonight we were supposed to have a quiet family dinner together.

J.R.: Mama, that’s exactly what I wanted.

ELLIE: J.R., I’m very pleased that you and Sue Ellen and John Ross will be reunited under this roof. But I am not pleased to stand by and see this family torn apart because of the terms of Jock’s will.

J.R.: Daddy’s will is crystal clear. And because of that will, the chips will have to fall where they may.

Critique: ‘Dallas’ Episode 113 — ‘The Wedding’

Dallas, Cliff Barnes, J.R. Ewing, Ken Kercheval, Larry Hagman, Linda Gray, Sue Ellen Ewing, Wedding

What is she thinking?

“The Wedding” is a strong episode with a silly ending. In the final scene, J.R. and Sue Ellen stand under a big tent in the Southfork driveway, where a minister is conducting their second marriage ceremony. He asks “if there be any man” who can say why the couple shouldn’t be remarried. Cliff, who is seated in the audience, suddenly springs to his feet. The camera zooms in on Ken Kercheval, the music swells and Philip Capice’s closing credit flashes onto the screen. That’s it.

This is less of a cliffhanger than a pause. Since there was no doubt in 1982 that J.R. and Sue Ellen were indeed going to be remarried, I wonder: What about this scene was supposed to be suspenseful? How big of a jackass Cliff would make of himself when the story resumed the following week? Indeed, most of what everyone remembers about J.R. and Sue Ellen’s second trip to the altar — her dance with Cliff, J.R. and Cliff’s fistfight, the scene where half the actors wind up in the Southfork swimming pool — happens in the follow-up segment, “Post Nuptial.” Couldn’t the “Dallas” producers have put some of that good stuff in “The Wedding”?

Of course, even if the final scene is underwhelming, you have to appreciate the lavishness of J.R. and Sue Ellen’s ceremony. At this point during “Dallas’s” run, Southfork had hosted only one other wedding: Lucy and Mitch’s, which was shot on the show’s Hollywood soundstage. J.R. and Sue Ellen’s nuptials were filmed at the “real” ranch. This makes their event look and feel like an honest-to-goodness outdoor affair, with real blue skies and actual wind blowing through the actors’ hair. When it comes to Southfork, there’s no substitution for the real thing.

“The Wedding” also reminds us how much TV weddings have changed over the years. Director Leonard Katzman shows us every step of Sue Ellen’s walk down the aisle and allows us to hear all the vows recited by the minister (who, by the way, is played by Parley Baer, the veteran character actor who portrayed the hard-of-hearing man J.R. encounters in the “Knots Landing” episode “A Family Matter”). Three decades later, when Christopher and Pamela Rebecca were married in the first episode of TNT’s “Dallas,” their ceremony was depicted in a musical montage set to an Adele song. There was no need to hear the wedding march or the vows because at this point, TV audiences have been “trained” to understand how weddings work.

Besides the ending, my only other gripe with “The Wedding” is the lack of attention paid to Sue Ellen. Here’s a woman who is about to remarry a man who has caused her tremendous pain, yet we never see her question if she’s doing the right thing or reflect on what she learned during the season-and-a-half she spent away from him. Don’t get me wrong: “Dallas” makes a smart decision by reuniting these characters, who are always more entertaining together than they are apart. I just wish Will Lorin’s script had given us a clearer understanding of what’s going on inside Sue Ellen’s head. Then again, maybe she isn’t sure either.

Besides, Miss Ellie and Clayton are the real star attraction of “The Wedding.” He comes to Southfork to escort Sue Ellen down the aisle but winds up spending most of his time with Ellie. Their scenes together showcase the warm rapport between Barbara Bel Geddes and Howard Keel and make it clear to the audience how well-suited their characters are for each other: Clayton laments never having a large family, while Ellie confides her fear that J.R. and Bobby’s contest will tear the Ewings apart. The only moment that rings false occurs when Ellie tells Clayton how much he reminds her of Jock. If you ask me, Keel was an ideal replacement for Jim Davis because their characters were so different. Whereas Jock was rough around the edges, Clayton was a refined gentleman. And yet isn’t it impressive how easily Clayton slides into Jock’s place? By the end of the hour, Clayton is stepping between J.R. and Bobby to keep them from scuffling during a rowdy Southfork cocktail hour and standing at Ellie’s side as she greets the wedding guests. These are things Jock once did, but Clayton handles them well.

Other highlights of “The Wedding” include Lucy’s encounter in the Southfork kitchen with Mickey, where the ranch’s resident rebels take an instant dislike to each other. (Except not really. Like Ellie and Clayton, it’s pretty clear Lucy and Mickey are destined for romance.) I also like J.R.’s visit to Holly, where he recommends she sell one of her company’s divisions to Petro State. Notice that Lorin doesn’t feel obligated to remind us what Petro State is; the “Dallas” producers trust the audience to remember J.R. set up this dummy corporation a few episodes ago. And even though Cliff’s big move at the end of “The Wedding” isn’t all that dramatic, I can’t help but enjoy the scene where J.R. invites his nemesis to the ceremony. Yes, it’s a cruel thing for J.R. to do, but how can you not love seeing the delicious smile Larry Hagman flashes when he encourages Cliff to come watch him marry the woman who dumped him?

The other actor to watch in “The Wedding:” the bearded extra who pops up throughout this episode. He first appears as a patron in the restaurant where Punk summons J.R. for a drink. Later, when Bobby, Pam, Ray and Donna head to the nightclub, we see the bearded man boogeying on the dance floor. Finally, he plays one of the guests at J.R. and Sue Ellen’s wedding. (In the image above, you can see the man’s face behind Sue Ellen’s right shoulder.) Forget whether or not Cliff is going to disrupt the wedding; the real cliffhanger is: Who is this bearded man, and why is he stalking the Ewings?

Grade: A

_______________________________________________________________________________________________________________________________________________

Barbara Bel Geddes, Clayton Farlow, Dallas, Miss Ellie Ewing, Wedding

Golden couple

‘THE WEDDING’

Season 6, Episode 10

Airdate: December 3, 1982

Audience: 23.6 million homes, ranking 1st in the weekly ratings

Writer: Will Lorin

Director: Leonard Katzman

Synopsis: Clayton visits Southfork and spends time with Miss Ellie, which hurts Rebecca. At J.R.’s behest, Holly prepares to sell part of her company, unaware the buyer is J.R.’s dummy corporation. Dave persuades Donna to join the new Texas Energy Commission. Lucy and Mickey meet and instantly dislike each other. At J.R. and Sue Ellen’s wedding, when the minister asks for objections, Cliff rises.

Cast: Parley Baer (minister), Tyler Banks (John Ross Ewing), Barbara Bel Geddes (Miss Ellie Ewing), Lois Chiles (Holly Harwood), Patrick Duffy (Bobby Ewing), Tom Fuccello (Senator Dave Culver), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Alice Hirson (Mavis Anderson), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Doug McGrath (Gentry), Timothy Patrick Murphy (Mickey Trotter), Priscilla Pointer (Rebecca Wentworth), Victoria Principal (Pam Ewing), Danone Simpson (Kendall), Don Starr (Jordan Lee), Charlene Tilton (Lucy Ewing), Deborah Tranelli (Phyllis), Ray Wise (Blair Sullivan), Morgan Woodward (Punk Anderson)

“The Wedding” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Tonight on Twitter: ‘Dallas’s’ Greatest Love Story

Bobby Ewing, Dallas, J.R. Ewing, Larry Hagman, Linda Gray, Pam Ewing, Patrick Duffy, Sue Ellen Ewing

Love is all around

I’ll host Dallas Decoder’s next #DallasChat on Twitter on Monday, June 24, from 9 to 10 p.m. Eastern time. Our topic: “The Greatest Love Story Texas Has Ever Known.”

The theme refers to one of the couples pictured here. Join the chat to find out which one.

As always, each question will be numbered and include the hashtag #DallasChat, so your responses should do the same.

Two tips:

• Enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Don’t forget to include the hashtag #DallasChat in each tweet you send so others can see your contributions to the conversation.

See you tonight on Twitter!

Dallas Scene of the Day: ‘That’s Funny. You Never Showed It.’

Dallas, Fringe Benefits, Linda Gray, Pam Ewing, Sue Ellen Ewing, Victoria Principal

Doing it for themselves

In “Fringe Benefits,” a sixth-season “Dallas” episode, Sue Ellen and Pam (Linda Gray, Victoria Principal) leave a dress shop together. 

PAM: Have you decided on the color of your dress yet?

SUE ELLEN: Mhmm.

PAM: [Playfully] Well, you’re not going to tell me, are you?

SUE ELLEN: Well, I would like it to be a surprise. But, um…. Well, one thing I can you is it won’t be white.

PAM: Well, I can’t imagine why not. [They giggle.]

SUE ELLEN: I’m so glad you’re here with me today.

PAM: [Locks arms with her] Well, I enjoy being with you, Sue Ellen.

SUE ELLEN: Despite the rivalry between Bobby and J.R.?

PAM: [Seriously] Have you been thinking about that too?

SUE ELLEN: It’s odd how relationships change. I hated you when Bobby first brought you to Southfork.

PAM: That’s funny. You never showed it.

SUE ELLEN: [Smiles, touches Pam’s hand] But then you were so wonderful to me when J.R. and I were fighting over John Ross.

PAM: Well, I think you’d do the same thing for me.

SUE ELLEN: [Nods, smiles] I don’t want us to lose our friendship.

PAM: Well, there’s no reason for that to happen. It’s up to us.

SUE ELLEN: We have to try hard to not get into their fights.

PAM: I think it would be ironic after hating each other for so long and finally being friends that we lose our friendship over their fight.

SUE ELLEN: Well, we just have to make sure that doesn’t happen.

PAM: And I know we’ll try.