Audrey Landers – Dallas Decoder

The Best & Worst of Dallas: Season 5

January 24, 2013 by Chris Baker 2 Comments

“Dallas’s” fifth season was dandy, save for a few disappointments.

Performances

Barbara Bel Geddes, Dallas, Miss Ellie Ewing

Walk to remember

Barbara Bel Geddes delivers one tour-de-force performance after another as the grieving Miss Ellie. Everyone remembers the scene where Mama smashes the dishes in the Southfork kitchen, but Bel Geddes also shines in quiet moments like the one where Ellie takes that mournful stroll across the ranch. I’ve said it before, but it bears repeating: Bel Geddes can say more with one look than most actors can with a whole script.

Ewing blues

Runners up: Larry Hagman and Patrick Duffy both break my heart as the brothers Ewing struggle – in very different ways – to deal with Jock’s death (J.R. falls apart, Bobby falls in line). Meanwhile, Linda Gray does a beautiful job conveying Sue Ellen’s conflicting emotions as a recent divorcee. I understand her confusion: It’s nice to see Sue Ellen on her own, but I also want her to reunite with the soul mate she’s left behind at Southfork.

Storylines

I love to watch J.R. scheme his way back into Sue Ellen’s heart. This is another fascinating performance from Hagman, who keeps us guessing about J.R.’s motivation: Does he really love his ex-wife, or is he merely trying to get his hands on John Ross’s Ewing Oil voting shares? My guess is it’s a little from Column A and a little from Column B. One thing is certain: Seeing J.R. pick off Sue Ellen’s suitors (Dusty, Clayton, Cliff), one by one, is a hoot.

Weakest storyline: Pam’s mental breakdown. Victoria Principal does a nice job depicting her character’s despair, but this isn’t the heroic Pam I fell in love with during “Dallas’s” early years. Thankfully, she gets her groove back toward the end of the season, when she lays down the law to creepy Roger and helps Bobby solve the mystery of Christopher’s paternity. And while we’re on the subject: They may not be Nick and Nora, but isn’t it fun watching Bobby and Pam figure out that J.R. didn’t father Christopher? (The season’s best plot twist, by the way.)

Episodes

Adoption, Bobby Ewing, Dallas, Linda Gray, Patrick Duffy, Sue Ellen Ewing

Adopt or cry

“Adoption” is one classic scene after another. Donna socks it to Bonnie. Bobby asks Sue Ellen to sign the affidavit. Sue Ellen tosses the necklace at J.R. and proclaims their relationship is “sick, sick, sick!” This is another great script from Howard Lakin, but don’t overlook Hagman, who sat in the director’s chair for this episode and once again proved he’s as gifted behind the camera as he is in front of it.

My least favorite episode: “The Maelstrom,” in which Lucy discovers Roger’s shrine to her and responds by making love to him. Come on, “Dallas.” Charlene Tilton deserves better. So do we.

Scenes

This is always the toughest category to choose a winner, and Season 5 is no exception. Among the contenders: J.R. and Dusty’s Cotton Bowl showdown, Ellie’s confrontation with the cartel and J.R.’s soliloquy in front of Jock’s painting. In the end, I’m going with “The Search” scene where the Ewing sons break the news to Mama that Daddy isn’t coming home. I don’t know who moves me more here: Bel Geddes, Hagman, Duffy or Steve Kanaly. Beautiful performances all around.

Supporting Players

Hot stuff

No one impresses me as much as Audrey Landers. This is the season Afton breaks J.R.’s grip and comes into her own as one of the show’s heroines. There’s no doubt she deserves a better mate than Cliff, but I love how Afton humanizes him – and you can’t deny Landers’ chemistry with Ken Kercheval. As an added bonus, Landers delivers several hot musical numbers this year, including that sultry rendition of “All of Me” in “The Phoenix.”

Runners up: Morgan Brittany, who debuts in Season 5 as scheming Katherine Wentworth and begins laying the groundwork for the havoc she’ll wreak in later years; Fern Fitzgerald, whose Marilee Stone becomes J.R.’s equal in every way; Barry Nelson as Sue Ellen’s sympathetic lawyer Arthur Elrod; Claude Earl Jones as Wally Hampton, J.R.’s co-conspirator in the plot to sabotage Cliff’s career; and Lindsay Bloom as Bonnie, the sad-sack barfly who beds Ray.

Costumes

Hello, handsome

Virtually every “Dallas” diva sports a fur coat during Season 5, but the full-length number Susan Howard dons during Donna’s barroom brawl is the most meaningful. Among the dudes, no one wears suits better than dapper Howard Keel. I especially love when Clayton shows up at Sue Ellen’s townhouse in pinstripes and an open collar shirt, the same look Josh Henderson often sports on TNT’s “Dallas.”

At the other end of the spectrum: What’s with Sue Ellen’s culottes during Season 5? You get the feeling the character spent every episode standing in front of her closet, trying to decide between skirts and pants and choosing to compromise by wearing both. No wonder she became a politician.

Quips

“You getting good mileage on Donna’s car?” – J.R.’s cheery query to Ray in “Five Dollars a Barrel” cracked me up. Only Larry Hagman could turn a throwaway line into a hilarious putdown.

What do you love and loathe about “Dallas’s” fifth season? Share your comments below and read more “Best & Worst” reviews.

Filed Under: Best & Worst, Best & Worst (Classic), Opinion Tagged With: Adoption, Audrey Landers, Barbara Bel Geddes, Barry Nelson, Claude Earl Jones, Fern Fitzgerald, Howard Keel, Howard Lakin, Josh Henderson, Ken Kercheval, Larry Hagman, Linda Gray, Lindsay Bloom, Morgan Brittany, Patrick Duffy, Phoenix, Search, Steve Kanaly, Susan Howard, TNT

Critique: ‘Dallas’ Episode 98 – ‘The Prodigal’

January 4, 2013 by Chris Baker 21 Comments

Welcome back

“The Prodigal” marks the triumphant return of Pam Ewing. What’s that you say? You didn’t realize she had gone away? Well, consider this: The Pam who emerges during “Dallas’s” third season – the one who cries a lot and obsesses over having children – doesn’t bear much resemblance to the strong-willed, independent-minded heroine we meet when the show begins. That’s the Pam we see again in “The Prodigal.” It’s nice to have her back.

Pam’s “return” comes toward the end of the episode, when a frightened Lucy tells her that Roger has become obsessed with her. (Lucy leaves out the detail about having sex with Roger after discovering the shrine he’s built to her.) Pam springs into action and asks for the location of Roger’s studio. “Don’t you think you should wait for Bobby?” Lucy asks. Pam ignores the question. “Lucy, what’s the address?”

The next time we see Pam, she’s entering Roger’s studio, where she introduces herself as Lucy’s aunt and explains she’s there to deliver “a warning.” Roger smirks. “A warning? You’re too pretty to give warnings,” he says. Pam tells him to “cut out the phony charm” and orders him to stay away from Lucy. He responds by asking if she plans to “sic the Ewing family” on him if he fails to obey. “Maybe, but I don’t think I’ll have to,” Pam says. “I can take care of people like you myself.”

See what I mean? This is the Pam I fell in love with during early “Dallas” episodes like “Lessons,” when she rescues Lucy from her high school blackmailer, and “Black Market Baby,” when she stands up to Bobby’s chauvinism. Victoria Principal always delivers great performances – even when Pam is weepy and preoccupied with children – but the actress is at her best during moments like these. In this scene, Pam is calm and direct, which makes her seem genuinely intimidating. Principal makes me believe Pam is a woman you don’t want to mess with.

Pam and Roger’s encounter is one of several great confrontations in “The Prodigal.” I also love when Katherine and Cliff get in a screaming match over his management of her father’s company (Katherine: “You disgusting little man!” Cliff: “I might be a disgusting little man, but I am president of Wentworth Tool and Die now!”), as well as Afton’s visit to Sue Ellen’s townhouse, where they exchange deliciously bitchy barbs (Afton: “We both do seem to have the same taste in men.” Sue Ellen: “The fact that you were sleeping with my ex-husband doesn’t mean we have the same taste in anything.”).

I also like the scene where Clayton visits Afton in her dressing room to learn more about Cliff, his rival for Sue Ellen’s affections. Howard Keel and Audrey Landers are two of my favorite “Dallas” performers, and it’s nice to see them share screen time. But I also can’t help but think: Since these two have such gorgeous singing voices, wouldn’t it have been nice if this scene had been set to music?

Grade: A

_______________________________________________________________________________________________________________________________________________

Just duet

‘THE PRODIGAL’

Season 5, Episode 21

Airdate: March 5, 1982

Audience: 28.4 million homes, ranking 2nd in the weekly ratings

Writer: David Paulsen

Director: Michael Preece

Synopsis: J.R. uncovers evidence Christopher is his son. Bobby threatens Farraday when he returns to Dallas and demands hush money. Pam warns Roger to stay away from Lucy. While researching her new book, Donna learns Jock and Sam once staged a land grab that resulted in another man’s suicide. Afton tells Sue Ellen that Clayton is in love with her. Katherine clashes with Cliff and cozies up to J.R.

Cast: Lewis Arquette (Dr. Kensington) Tyler Banks (John Ross Ewing), Barbara Bel Geddes (Miss Ellie Ewing), Peter Brandon (Lowell Greer), Morgan Brittany (Katherine Wentworth), Patrick Duffy (Bobby Ewing), Bill Erwin (Abel Greeley), Tom Fuccello (Senator Dave Culver), Fern Fitzgerald (Marilee Stone), Phyllis Flax (Mrs. Chambers), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Art Hindle (Jeff Farraday), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Gary Pagett (Murphy), Priscilla Pointer (Rebecca Wentworth), Victoria Principal (Pam Ewing), Dennis Redfield (Roger Larson), Debbie Rennard (Sly), Charlene Tilton (Lucy Cooper), Deborah Tranelli (Phyllis), Ray Wise (Blair Sullivan)

“The Prodigal” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (Classic), Opinion Tagged With: Audrey Landers, Black Market Baby, Howard Keel, Lessons, Prodigal, Victoria Principal

Critique: ‘Dallas’ Episode 93 – ‘The Phoenix’

December 12, 2012 by Chris Baker 9 Comments

Rising son

Two great scenes bookend “The Phoenix.” In the first, J.R. brings John Ross to Ewing Oil on a Sunday morning so the little boy can see where Daddy works. This is Larry Hagman at his most charming – and mischievous. As J.R. carries his son through the reception area, he points out where “Daddy’s pretty secretaries” sit, then nods toward the hallway and says, “That’s your Uncle Bobby’s office, where he does whatever he does around here.”

Moments later, J.R. shows John Ross his oil derrick model, then plops the child in his desk chair, gives it a few spins and waxes sentimental. “Your granddaddy taught me everything I know about this business,” J.R. says. “He’d be so proud if he knew I was doing the same with you.” It’s an unabashedly sweet moment.

In “The Phoenix’s” final scene, J.R. wanders into Jock’s office and delivers a stirring monologue while gazing at the Ewing patriarch’s famous portrait, which is seen for the first time since its debut before the closing credits in “The Search.” I’ve watched this scene a lot over the years, and the combination of Hagman’s conviction – especially when he delivers the final line (“By God, I’m going to make you proud of me”) – and Bruce Broughton’s rousing score never fails to give me chills.

(Of course, even though J.R.’s speech is moving, I can’t help but wonder why this is the first time we’ve seen Jock’s office. Did the producers build the set just so they could introduce the painting, which becomes “Dallas’s” most iconic prop? Also, pay attention to the nameplate on Jock’s office door. It reads “Jock Ewing” in the close-up and “J. Ewing” in the wide shot.)

Overall, “The Phoenix” is another solid hour from “Dallas’s” fifth season. I especially like Ray’s storyline. In this episode, he sleeps with Bonnie, the barfly who’s been keeping him company while he spends his nights wallowing in self-pity at the Longview bar. I used to find Ray’s marital lapse shocking, but now I realize it’s perfectly in keeping with his character. Ray has always struggled with feelings of self worth. By cheating, he’s not trying to hurt Donna. He’s trying to hurt himself.

The other highlight of “The Phoenix” is Afton’s mesmerizing rendition of “All of Me” at the fancy nightclub where Cliff has gotten her a job. I always love hearing Audrey Landers perform on the show, and this might be her best number. It doesn’t hurt that Landers looks positively glamorous in that slinky blue sequined gown.

More than anything, I like how Afton stands up for herself when she realizes Cliff still pines for Sue Ellen. It makes me wonder: Does the title of this episode refer to J.R., who is rising from the ashes of his despair over Jock’s death – or is it meant to describe Afton, who is beginning to take flight as one of the great “Dallas” heroines?

Grade: A

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Lady sings in blue

‘THE PHOENIX’

Season 5, Episode 16

Airdate: January 29, 1982

Audience: 23.1 million homes, ranking 2nd in the weekly ratings

Writer: David Paulsen

Director: Harry Harris

Synopsis: J.R. decides he doesn’t want Jock’s will read because he fears John Ross could lose a portion of his inheritance. Ray sleeps with old flame Bonnie. Cliff dates Afton while pining for Sue Ellen. Pam urges Bobby to learn more about Christopher’s real parents. Roger stalks Lucy.

Cast: Robert Ackerman (Wade Luce), Tyler Banks (John Ross Ewing), Barbara Bel Geddes (Miss Ellie Ewing), Lindsay Bloom (Bonnie), Morgan Brittany (Katherine Wentworth), Susan Damante-Shaw (Carolyn Carter), Patrick Duffy (Bobby Ewing), Fern Fitzgerald (Marilee Stone), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Dan Hamilton (Eric), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Leigh McCloskey (Dr. Mitch Cooper), Priscilla Pointer (Rebecca Wentworth), Victoria Principal (Pam Ewing), Dennis Redfield (Roger Larson), Debbie Rennard (Sly), Paul Sorensen (Andy Bradley), Don Starr (Jordan Lee), Charlene Tilton (Lucy Cooper), Vernon Weddle (McGregor), K.C. Winkler (Melinda)

“The Phoenix” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (Classic), Opinion Tagged With: Audrey Landers, Bruce Broughton, Larry Hagman, Phoenix, Search

Drill Bits: TNT’s ‘Dallas’ Saddles Up for Season 2

October 9, 2012 by Chris Baker 10 Comments

Battle Lines, Bobby Ewing, Christopher Ewing, Dallas, Elena Ramos, Jesse Metcalfe, John Ross Ewing, Jordana Brewster, Josh Henderson, J.R. Ewing, Larry Hagman, Patrick Duffy, TNT

Mark your calendars

TNT’s “Dallas” won’t return with new episodes until January 28 – that’s 113 days from today, not that I’m obsessive enough to keep track of such things – but details about the second season are beginning to emerge:

• Casting. Yesterday, TV Line reported Judith Light will join the cast as “an authoritative and controlling battle-ax who will fight to the death to protect the people she loves.” Speculation is the recurring character, whose name hasn’t been announced, will be the mother of Brenda Strong’s Ann Ewing.

It seems Ann’s wing of the family tree is growing: In the summer, TNT announced plans to elevate first-season guest star Mitch Pileggi, who plays Ann’s ex-husband/punching bag Harris Ryland, to a regular cast member in Season 2. And in a recent Ultimate Dallas chat, showrunner Cynthia Cidre confirmed another new character – Emma Brown, played by “Walking Dead” actress Emma Bell – will be Ann’s daughter.

Still no word on who’ll portray Drew Ramos, Elena’s brother, who Cidre discussed in an August TV Guide interview.

• Storylines. In a press release last week, TNT revealed what we’ll see during the show’s two-hour season premiere:

Sue Ellen’s run for governor will be threatened by the secret that she bribed a medical examiner to help get John Ross off the hook for murder. Ryland will come to Ann claiming to have news about her daughter. Christopher will head to Des Moines to find the real Becky Sutter, while the woman he married will start to show her true colors as Cliff Barnes’ daughter. And J.R. will team up with John Ross to take over Sue Ellen’s loan to Elena and, in turn, gain total control over Christopher and John Ross’ new startup company, Ewing Energies.

Dallas, Enemy of My Enemy, Harris Ryland, Linda Gray, Mitch Pileggi, Sue Ellen Ewing

Back for more

Elsewhere, during a red carpet interview last month, Jesse Metcalfe said the second season will offer “some unexpected deaths” (egad!), while Patrick Duffy told TV Guide the aforementioned Becky Sutter will be “jumping into bed with people.”

Meanwhile, tweets from Texas, where production on the second season began two weeks ago, suggest Christopher and Elena (Metcalfe and Jordana Brewster) will have a Southfork swimming pool scene, while John Ross (Josh Henderson) and Christopher will be spending plenty of time at the nifty new offices of Ewing Energies.

Also: the Dallas Morning News spotted Strong and Henderson filming a scene at a Dallas art gallery, where Ann “commissioned a painting for her new offices,” as well as a sequence where one of the new characters takes a helicopter ride.

• Returning favorites. Dallas Decoder readers will recall Ken Kercheval recently told us he’ll appear in at least one second-season episode. There also have been reports Audrey Landers will reprise her role as Afton, the mother of Julie Gonzalo’s character, Pamela Rebecca Barnes. Cidre has also promised Linda Gray will be in all 15 second-season episodes.

Sue Ellen vs. Carrie

TNT will show “Dallas’s” second season on Monday nights at 9, where its competition will include the CW’s “The Carrie Diaries,” which is slated to take over “Gossip Girl’s” time slot in January. The “Sex and the City” prequel follows Carrie Bradshaw’s teenage years in the 1980s and stars hyphenate-phobic AnnaSophia Robb as the title character. In the Sue Ellen-vs.-Carrie showdown, our money is on Miss Texas.

‘Dallas’ on DVD

If you need a refresher on the first season of TNT’s “Dallas,” don’t worry: the DVD will go on sale beginning January 8 (that’s just 92 days from today – again, not that we’re keeping track).

Extras will include deleted scenes, audio commentary on the “Changing of the Guard” pilot, “Ewing Family Love Oak” and “Dressing Dallas” featurettes and a “Who Shot J.R.?” retrospective.

In addition, TNT will show episodes from “Dallas’s” first season during the weekend before Season 2 starts.

Cidre Speaks

In a new profile, Cidre tells the Hollywood Reporter the show that inspired her most when she was younger was “The Avengers,” while her guilty pleasure is “The People’s Court.”

The “Dallas” executive producer also reveals she doesn’t “love” writing. “It’s a language thing, it comes out backwards. I know exactly what I want to say, it’s just hard for me to find the words.”

Honey, we know the feeling.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Filed Under: Drill Bits, News Tagged With: Audrey Landers, Brenda Strong, Changing of the Guard (2012), Cynthia Cidre, Emma Bell, Jesse Metcalfe, Jordana Brewster, Josh Henderson, Judith Light, Julie Gonzalo, Ken Kercheval, Linda Gray, Mitch Pileggi, Patrick Duffy, TNT

The Dallas Decoder Guide to That Darned Barnes Family

August 13, 2012 by Chris Baker 23 Comments

Christopher Ewing, Dallas, Jesse Metcalfe, Julie Gonzalo, Pamela Rebecca Barnes Ewing, Revelations, TNT

Pamela redux

The Barneses are back: In “Revelations,” the first-season finale of TNT’s “Dallas,” we learned Rebecca Sutter Ewing is Pamela Rebecca Barnes, Cliff’s daughter. Need a refresher on the rest of the Barneses? Here’s a look at who’s who, how they’re related to each other and the Ewings and some of their family traditions, including their penchant for interesting headgear and shooting people. Also listed: the actors who portrayed the characters on the two “Dallas” series.

The Elders

Dallas, David Wayne, Digger Barnes, Keenan Wynn

Double Diggers

• WILLARD “DIGGER” BARNES: Boozy wildcatter who claimed Jock Ewing cheated him out of his share of Ewing Oil and stole his girl, Miss Ellie. Liked hats. Remembered for two deathbed confessions: 1. He shot and killed wife Rebecca’s lover, Hutch McKinney; 2. McKinney was Pam’s real dad. Played by David Wayne and Keenan Wynn.

Dallas, Priscilla Pointer, Rebecca Barnes Wentworth

Runaway Rebecca

• REBECCA BARNES WENTWORTH: Digger’s wife and Cliff and Pam’s mama. After lover Hutch McKinney’s murder, ran away, became a secretary and married her boss, Houston tycoon Herbert Wentworth. Was believed dead for many years until Pam found her. Died (for real this time) from injuries sustained in a plane crash while waging corporate warfare against the Ewings. Favorite candy: black licorice. Played by Priscilla Pointer and Victoria Principal (in a flashback).

Cliff’s Corner

Presto-chango

• CLIFF BARNES: Digger and Rebecca’s son. Inherited mama’s money and daddy’s genetic disorder, hatred for Ewings. Unfortunate tendencies to pursue women involved with archenemy J.R., marry blondes to snag a piece of Ewing Oil. Frequent career-changer: lawyer-turned-politician-turned-bureaucrat-turned-prosecutor-turned-oilman-turned-evil mastermind. Regularly accused of murder and shooting Ewings, but known to have killed only one man: mobster Johnny Dancer. Sharp dresser. Favorite food: Chinese. Favorite activity: revenge. Played by Ken Kercheval.

Steal her away

• AFTON COOPER: Sexy southern songbird who dreamed of a better life. Seduced J.R., then fell for Cliff. In-law to the Ewings: brother Mitch married and divorced Lucy, then married and divorced her again. After longing for someone to steal her away, Afton finally left town on her own carrying Cliff’s child, whom she named Pamela Rebecca. Married and divorced alcoholic gambler/con artist Harrison Van Buren III. Despite questionable taste in men, probably the smartest character among this bunch. Played by Audrey Landers.

Dallas, Jenna Pangburn, Julie Gonzalo, Pamela Rebecca Barnes, TNT

Daddy’s girl

• PAMELA REBECCA BARNES: Cliff and Afton’s daughter. Like Aunt Katherine, broke up a relationship with forged correspondence (an e-mail). Like Aunt Pam, married a Ewing (Christopher). Like Granddaddy Digger and Daddy Cliff, shot and killed a man (ex-lover/fake brother/hat wearer Tommy Sutter). Pregnant with Ewing spawn. Played by Julie Gonzalo. Previously played by Jenna Pangburn.

Daddy’s boy

• FRANK ASHKANI: Real name: Raheed Durani. Cliff’s right hand/driver/designated disposer of dead bodies. Not a fan of Tommy Sutter. According to J.R.’s private eye Bum, Cliff plucked Frank off the streets of Islamabad 30 years ago and paid for his fancy education, nice wardrobe and – presumably – frequent trips to the barber. Sometimes referred to as “Smiling Frank.” Doesn’t actually smile. Played by Faran Tahir.

Pam’s Portion

Dallas, Margaret Michaels, Pam Ewing, Victoria Principal

Pam-o-rama

• PAMELA BARNES EWING: Daughter of Rebecca Barnes Wentworth and lover Hutch McKinney; raised by Digger and Aunt Maggie Monahan. Super heroine. Suffered bouts of mental instability and at least one 31-hour nightmare. Occasional wearer of hats. Bad driver. Like her mama, abandoned her own family. Probably dead, but hopefully not. Played by Victoria Principal, Margaret Michaels and at least one heavily bandaged extra.

Ewing-in-law

• BOBBY EWING: Golden son. Fell in love with Pam and thought she was so nice, married her twice. Usually a supportive spouse, but not always. Not a fan of brother-in-law Cliff in the beginning, but eventually became his pal and made him a partner in Ewing Oil. The lingering warmth will probably fade when Bobby discovers Cliff is once again plotting against the Ewings. Additional potential complicating factor: new wife/gun fetishist Ann may or may not have had a one-night stand with Cliff in 1987. Played by Patrick Duffy.

Christopher Ewing, Dallas, Jesse Metcalfe, Joshua Harris, TNT

Half-breed

• CHRISTOPHER EWING: Golden son’s golden son. Adopted, making marriage to cousin Rebecca Barnes only slightly less icky than it might be otherwise. May not have Barnes blood coursing through his veins, but inherited the family’s gun habit: as a boy, Christopher shot at John Ross. Dream meal: eggs and toast. Played by Jesse Metcalfe. Previously played by Eric Farlow and Joshua Harris.

The Wentworth Wing

Dallas, Katherine Wentworth, Morgan Brittany

She’s all hat

• KATHERINE WENTWORTH: Herbert and Rebecca Wentworth’s daughter. Television journalist/Christopher’s babysitter/ultimate diva. Hated Cliff. Not a big Pam fan, either: wanted Bobby for herself, so Katherine broke up his first marriage to Pam with a forged letter. Later shot him. Known for visiting sick relatives in hospital and making threatening comments/trying to kill them while they sleep. Most amazing hat collection ever. Disliked tomato juice. Played by Morgan Brittany.

Monahan Members

Dallas, James Canning, Maggie Monahan, Philip Levien, Sarah Cunningham

The lost ones

• AUNT MAGGIE MONAHAN and COUSIN JIMMY MONAHAN: Maggie was Digger’s long-suffering sister who helped raise Cliff and Pam. Rocked hats with the best of them. Her son: Jimmy, the Chuck Cunningham/Judy Winslow of “Dallas.” After two appearances in 1978, never seen nor mentioned again. Aunt Maggie was played by Sarah Cunningham; Cousin Jimmy was played by James Canning and Philip Levien.

What do you remember about the Barneses? Share your comments below and read more “Dallas Decoder Guides.”

Filed Under: Dallas Decoder Guide to ..., Features Tagged With: Audrey Landers, David Wayne, Eric Farlow, Faran Tahir, James Canning, Jenna Pangburn, Jesse Metcalfe, Joshua Harris, Julie Gonzalo, Keenan Wynn, Ken Kercheval, Margaret Michaels, Morgan Brittany, Patrick Duffy, Philip Levien, Priscilla Pointer, Sarah Cunningham, TNT, Victoria Principal

The Art of Dallas: ‘End of the Road, Part 1’

July 30, 2012 by Chris Baker 5 Comments

Afton (Audrey Landers) tempts J.R. (Larry Hagman) in this 1981 publicity shot from “End of the Road, Part 1,” a fourth-season “Dallas” episode.

Filed Under: Art of Dallas, Art of Dallas (Classic), Features Tagged With: Audrey Landers, End of the Road Part 1, Larry Hagman

Critique: ‘Dallas’ Episode 65 – ‘End of the Road, Part 1’

July 30, 2012 by Chris Baker 8 Comments

Look out, J.R.

Audrey Landers makes her “Dallas” debut in “End of the Road, Part 1,” and from the moment we lay eyes on her character Afton Cooper, there’s no doubt about it: This girl is going to be trouble.

Afton eventually becomes one of “Dallas’s” most popular heroines, but that’s not how she starts out. In this episode, she comes to town to attend her brother Mitch’s wedding to Lucy but spends most of her time slinking around Southfork and flirting with J.R.

At this point during “Dallas’s” run, the show had been vixen-less since Kristin’s departure at the beginning of the fourth season, and “End of the Road, Part 1” makes it clear Afton is here to pick up the slack. J.R. himself alludes to this when he wonders aloud to Jock, “You suppose Afton can type?”

When I watched “Dallas” as a kid, I didn’t pay much attention to Landers, but seeing this episode with fresh eyes made me appreciate how good she is as Afton. Landers was still a Hollywood newcomer when she joined “Dallas,” but she more than holds her own against Larry Hagman, with whom she shares several scenes.

When J.R. meets Afton during a Southfork cocktail hour, he ushers her over to his side of the room. It feels a little predatory, but then I listen as Afton coos to him about the roadside alligators and Spanish moss in her native Mississippi. J.R. is charmed, and suddenly it isn’t clear who is predator and who is prey.

Afton’s arrival signals the beginning of another transitional episode during “Dallas’s” fourth season. Lucy and Mitch are about to go from mismatched college sweethearts to mismatched spouses, J.R. and Sue Ellen’s marital bliss is crumbling and Bobby’s rocky tenure as Ewing Oil’s president is winding down.

Of course, the biggest transition of all was happening behind the scenes. Jim Davis was diagnosed with inoperable brain cancer in 1980, and “End of the Road, Part 1” marks the moment his illness begins to show on-screen. The actor doesn’t look well in this episode.

I watch today knowing Davis is coming to the end of his road – and man, does that make me sad.

Grade: B

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The end is nigh, Bobby

‘END OF THE ROAD, PART 1’

Season 4, Episode 11

Airdate: January 16, 1981

Audience: 26 million homes, ranking 1st in the weekly ratings

Writer: Leonard Katzman

Director: Irving J. Moore

Synopsis: Bobby does business with the cartel, even though Ewing Oil is having cash-flow problems. J.R. pulls strings to force Bobby to betray the independent gas station owners, knowing it will infuriate Jock. J.R. sleeps with his secretary Louella and flirts with Mitch’s sister Afton, who comes to town for the wedding.

Cast: Barbara Babcock (Liz Craig), Bel Geddes (Miss Ellie Ewing), Michael Bell (Les Crowley), David J. Bowman (Tom Selby), Harry Carey Jr. (Red), Jim Davis (Jock Ewing), Patrick Duffy (Bobby Ewing), Joel Fabiani (Alex Ward), Anne Francis (Arliss Cooper), Meg Gallagher (Louella), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Culver), Steve Kanaly (Ray Krebbs), Sherill Lynn Katzman (Jackie), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Leigh McCloskey (Mitch Cooper), Jeanna Michaels (Connie), Victoria Principal (Pam Ewing), William Smithers (Jeremy Wendell), Charlene Tilton (Lucy Ewing), Janine Turner (Susan), Morgan Woodward (Punk Anderson)

“End of the Road, Part 1” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.