Critique: ‘Dallas’ Episode 147 — ‘Some Do … Some Don’t’

Barbara Bel Geddes, Clayton Farlow, Dallas, Howard Keel, Miss Ellie Ewing, Some Do ... Some Don't

Limited engagement

The first scene in “Some Do … Some Don’t:” Donna and Lucy are making muffins in the Southfork kitchen and listening to Miss Ellie and Clayton tease each other about their recent misadventures in Jamaica. Clayton recalls taking Ellie to a French restaurant, where she mistakenly ordered a head of veal instead of a veal chop but ate the whole thing because she was too stubborn to admit her error. Ellie, in the meantime, describes how Clayton accidentally lost his swim trunks on the beach in front of a group of New Jersey schoolteachers. “I would imagine I’m quite famous in Paramus,” he says.

The last scene in “Some Do … Some Don’t:” Clayton brings Ellie home after escorting her to the opening of Jenna Wade’s boutique. The mood is as light and as jovial as the earlier kitchen scene — until Clayton suggests he’d like to stay over so he and Ellie can spend their “first night together.” Suddenly, Ellie becomes rattled, begins to cry and calls off their wedding. “I can’t marry you. I can’t marry anyone,” she says as she runs upstairs. In the freeze frame, Clayton stands at the bottom of the steps, looking more than a little bewildered.

The two sequences serve as the emotional bookends in “Some Do … Some Don’t,” the strongest episode yet from “Dallas’s” seventh season. The opening scene does nothing to advance the show’s storylines, but it’s essential to the episode because it showcases the warm, effortless chemistry between Barbara Bel Geddes and Howard Keel. Together, these actors have charm to spare, and watching their characters gently chide each other allows the audience to feel emotionally invested in their relationship. By the time the hour is over and Ellie has called off the wedding, we can’t help but feel concerned for them.

I also love how “Dallas” doesn’t shy away from the idea that Ellie and Clayton, who are probably supposed to be in their late 60s or early 70s, are capable of having an intimate relationship. I find this subplot even more provocative than Sue Ellen’s May/December romance with Peter Richards. (Frankly, I’m also a little surprised Clayton wanted to sleep with Ellie before their wedding. Who knew the old chap was so modern?) When I watched these episodes when I was younger, I’m sure it never occurred to me to think of Ellie and Clayton as sexual beings, but now it’s not such a hard thing to wrap my head around. Bel Geddes was still a beautiful, vibrant woman when this episode was filmed in 1983, retaining more than a hint of the sauciness she exhibited in her early film roles. Meanwhile, Keel was dashing as ever. In this episode’s final shot, when Clayton stands at the bottom of the Southfork staircase with his hand on his hip, I’m reminded of Clark Gable striking a similar pose in “Gone With the Wind.” I’m sure this was intentional.

Indeed, “Some Do … Some Don’t” is full of flourishes like this. This comes as no surprise: This episode is helmed by Larry Hagman, who always brings an eye for detail to the director’s chair. For example, in one of the Ewing Oil scenes, Bobby tells J.R. about a company he wants to buy. Hagman could easily have started the exchange with J.R. seated in his office, but instead, he opens the sequence with a shot of Kendall at the reception desk, answering a phone call. In the background, J.R. steps off the elevator and walks through the room, stopping by Sly’s desk to pick up his phone messages. As he heads into his office, Phyllis buzzes Bobby on the intercom to let him know that J.R. has arrived, and then Bobby pops into J.R.’s office to tell him about the potential purchase. Maybe this was Hagman’s way of making sure the actresses who played the Ewing Oil secretaries each got a few lines in this episode — too often these performers toil silently in the background — but it nonetheless makes Ewing Oil feel like a real, functional workplace.

More details: The scene where Pam and Mark visit Cliff and Afton at their townhouse begins with Cliff sitting on the sofa, playing a videogame. It’s another small point, but isn’t it just like Cliff to get so wrapped up in a game that he would ignore his guests? (Also: Notice how John Beck seems to be limping as Mark crosses the living room, a subtle throwback to the previous episode, when the character pulled a muscle while playing tennis with Pam.) Additionally, I love when Cliff arrives at the dive bar for another clandestine meeting with Sly and steals the fries off her plate. In another great restaurant scene, J.R. brings Edgar Randolph to lunch at his favorite French eatery, where J.R. threatens to ruin Edgar’s life in one breath and enthusiastically orders him the bouillabaisse in the next. “Oh, you’re just going to love it. It’s really good,” J.R. says with a smile. I dare you to watch this scene without doing the same thing.

The scene where J.R. and Katherine sleep together for the first time is more wicked fun, and so is Pam’s confrontation with Marilee Stone. Pam is clearly out of line when she orders Marilee to stay away from Cliff, but who cares? Isn’t it nice to see Pam exhibit a little backbone and do something besides whine about being torn between Bobby and Mark? It also turns out that Pam and Marilee make good sparring partners. What a shame Victoria Principal and Fern Fitzgerald don’t have more scenes together on this show.

Surprisingly, I also like Sue Ellen and Peter’s scenes in “Some Do … Some Don’t.” Their once promising storyline took a turn for the ridiculous in the two episodes that preceded this one, but heaven help me, I find the couple’s outing to the ice rink kind of charming. I also like when Sue Ellen and Peter run into his classmates from the university and they mistake Sue Ellen for his mother. This feels like the kind of thing that might happen to a woman who dates a younger man, and Sue Ellen and Peter’s reactions to the situation ring true. Sue Ellen, ever the lady, is aghast at the thought that Peter’s friends are gossiping about them, while Peter couldn’t care less. I still have trouble believing Sue Ellen’s attraction to Peter, but at least it’s nice to see the show bring the couple back to a place that resembles reality.

Some more thoughts about Sue Ellen and Peter’s encounter with his friends: Besides Linda Gray, the actor who impresses me most during the scene is Lee Montgomery, who plays Peter’s pal Jerry Hunter. Watch Montgomery’s sly smile when Jerry spots Sue Ellen and Peter; it’s very subtle, but it lets us know he realizes there’s more to their relationship than meets the eye. It’s also worth noting this scene’s two young actresses, who both became science-fiction stars: Kate Vernon played Ellen Tigh on “Battlestar Galactica,” while Claudia Christian was Ivanova on “Babylon 5.” According to IMDb.com, Vernon and Christian are slated to appear together in a forthcoming film called “Chicanery” along with three other “Dallas” actresses: Colleen Camp, who originated the role of Kristin Shepard in 1979; Patty McCormack, who played Mitch Cooper’s friend Evelyn Michaelson during Season 5; and Michelle Scarabelli, who appeared during the 11th season as Connie, Ray’s stalker.

I have a lot of fun finding these connections. I’ve always appreciated how “Dallas” offered steady work to older performers like Barbara Bel Geddes and Howard Keel, but until I started this website, I didn’t realize how many young actors appeared on the show at the beginning of their careers. None of these up-and-comers have become as famous as Brad Pitt, who appeared on “Dallas” a few times in 1987 and will probably always be its most famous alumnus, but it’s impressive to see how so many actors who got their start on the show continue to find work.

This realization has made me watch TNT’s sequel series in a whole other light. Pay attention to all the actors who appear in small roles on the new show. Chances are some of them will still be entertaining us years from now.

Grade: A

_______________________________________________________________________________________________________________________________________________

Dallas, Linda Gray, Some Do ... Some Don't, Sue Ellen Ewing

Not the mama

‘SOME DO … SOME DON’T’

Season 7, Episode 16

Airdate: January 20, 1984

Audience: 22 million homes, ranking 5th in the weekly ratings

Writer: Leonard Katzman

Director: Larry Hagman

Synopsis: J.R. sleeps with Katherine, allows Cliff to steal another deal from Ewing Oil and continues to pressure Edgar to unseal the offshore oil lease bids. Jenna celebrates the opening of her boutique by sleeping with Bobby. Clayton suggests he wants to be intimate with Miss Ellie, who is rattled and calls off their wedding. Mark checks into the hospital for tests without telling Pam.

Cast: Denny Albee (Travis Boyd), Christopher Atkins (Peter Richards), John Beck (Mark Graison), Barbara Bel Geddes (Miss Ellie Ewing), Morgan Brittany (Katherine Wentworth), Martin E. Brooks (Edgar Randolph), Claudia Christian (Peter’s friend), Patrick Duffy (Bobby Ewing), Eric Farlow (Christopher Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Sherril Lynn Katzman (Jackie Dugan), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Anne Lucas (Cassie), Shalane McCall (Charlie Wade), Lee Montgomery (Jerry Hunter), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Danone Simpson (Kendall), Charlene Tilton (Lucy Ewing), Deborah Tranelli (Phyllis), Kate Vernon (Peter’s friend)

“Some Do … Some Don’t” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Tonight, Let’s Wheel and Deal on #DallasChat

Dallas, J.R. Ewing, Larry Hagman, TNT

How he rolled

You’re invited to join Dallas Decoder’s next #DallasChat on Twitter, which I’ll hold Monday, January 13, from 9 to 10 p.m. Eastern time. The theme: “Wheelers and Dealers.”

New to #DallasChat? Here’s how it works: For one hour, I tweet a series of questions to my fellow “Dallas” fans. Each question is numbered and includes the hashtag #DallasChat, and so your answers should do the same. I also encourage everyone to include the show’s official hashtag, #DallasTNT, in their #DallasChat tweets.

Here’s a sample exchange:

Q1. Who was a better businessman: J.R. or Bobby? #DallasTNT #DallasChat

A1. Sorry, J.R., but Bobby was better at business. He won the contest for Ewing Oil, after all! #DallasTNT #DallasChat

Here are two tips:

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Be sure to include #DallasChat in your tweets. This allows the other participants to see your contributions to the conversation.

This will be a fun discussion. Don’t miss it!

Dallas Scene of the Day: ‘Now Get Out’

Dallas, Linda Gray, Offshore Crude, Sue Ellen Ewing

… And stay out!

In “Offshore Crude,” a seventh-season “Dallas” episode, Sue Ellen (Linda Gray) stands and looks out her bedroom window as J.R. (Larry Hagman) enters the room.

J.R.: Sue Ellen? Well, I expected to see you lying down with an ice pack on your head.

SUE ELLEN: [Turns to face him] What are you doing in my room?

J.R.: [Steps forward] Oh, well. They told me downstairs that you weren’t feeling well. [Slides his hands in his pockets]

SUE ELLEN: Are you suddenly concerned about my health?

J.R.: Well, of course I’m concerned, honey. I came up here to make sure you were resting comfortably and you’re not resting at all, are you?

SUE ELLEN: I will when you leave.

J.R.: Well, why aren’t you downstairs entertaining your young admirer? Acne’s not contagious, is it?

SUE ELLEN: You are really revolting. What do I have to do, put a lock on my door to keep you out of my room? [Turns toward the window]

J.R.: [Chuckles] It was just a joke.

SUE ELLEN: [Faces him] Well, your jokes aren’t funny. They are disgusting and boring.

J.R.: Well, I get the distinct impression I’m not wanted. Not even you can get me down, Sue Ellen. My life’s moving on just the way I like it to. [Walks toward the door]

SUE ELLEN: I’m very happy for you. Now get out.

He shakes his head as he exits, closing the door behind him.

Critique: ‘Dallas’ Episode 146 — ‘Offshore Crude’

Christopher Atkins, Dallas, Linda Gray, Offshore Crude, Peter Richards, Sue Ellen Ewing

Wrong turn, darlin’

The “Offshore Crude” scene where Sue Ellen goes to Peter’s apartment to break up with him is one of “Dallas’s” sillier moments. When she arrives, Peter is wearing nothing but a towel and a face full of shaving cream, so he excuses himself and returns to the bathroom to finish freshening up. While he’s at the sink, Sue Ellen stands with her back to him and pours out her heart, explaining why the two of them can no longer see each other. She finishes her speech and is surprised to see Peter is unfazed, until she realizes he didn’t hear a word she said because the water was running. Sue Ellen, who apparently is too drained to repeat herself, allows the none-the-wiser Peter to hug her tightly and gush about how important she is to him. “I love you. I really do love you,” he says.

Oh, good grief. Linda Gray and Christopher Atkins do their best to sell this scene, but there’s only so much they can do. Sue Ellen’s confession that she only slept with Peter to persuade him to go back to college isn’t credible, and I don’t believe she’d deliver such important news while he’s shaving and she’s facing the other direction. Frankly, I’m even a little surprised to discover the baby-faced Peter shaves. Like Bobby and Pam’s breakup at the beginning of “Dallas’s” seventh season, this is another example of how the writers rely on misunderstanding and miscommunication to drive their storytelling. Sometimes this show has more in common with “Three’s Company” than I care to admit.

Nothing else about “Offshore Crude” is quite this fatuous, except for the shots that depict the Ewings spending a leisurely Saturday afternoon by the Southfork swimming pool. These scenes were filmed on “Dallas’s” Hollywood soundstage, where the pool is noticeably smaller than its real-life Texas counterpart. So why does the show concoct a race between Bobby, Ray and Peter? It only takes Patrick Duffy, Steve Kanaly and Atkins a few strokes each to go from one end of the pool to the other. Bradford May, the show’s seventh-season cinematographer, makes the outdoor sets look a little more convincing than they did in previous seasons, although there’s still no mistaking them for the real thing. Scenes like this make me so happy the new “Dallas” films its exterior scenes outdoors.

The rest of “Offshore Crude” is standard-issue, mid-1980s “Dallas.” J.R. and Sue Ellen have a couple of good fight scenes, including one where he enters her bedroom and wonders if she’s avoiding Peter because she’s afraid his acne is contagious. I love how Gray hisses Sue Ellen’s response: “Your jokes aren’t funny. They are disgusting and boring.” (I predict I’ll spend the next week quoting that line to anyone who will listen.) Larry Hagman is also wonderfully diabolical in “Offshore Crude’s” final scene, when J.R. summons Edgar Randolph to his office and tells him he’s glad Edgar rejected his recent attempt to bribe him: “If my money can’t buy you, nobody else’s can either.” No matter how much time I spend with J.R., he always manages to surprise me.

I also like the scene where Cliff and Marilee sneak off to a bar on a Saturday night to plot their latest business deal. Fern Fitzgerald delivers another one of her delicious performances as the wine-sipping Marilee, who is clearly savoring this opportunity to mix business with pleasure. I also love seeing Cliff trade in his flashy suit for that nifty electric blue shirt. “Offshore Crude” also includes a fun scene between Miss Ellie and Clayton, who skip the usual family dinner at Southfork to take in a meal at the Oil Baron’s Club. The conversation is mostly designed to lay the groundwork for the arrival of his sister Jessica at the end of the season, but it also plays on the charming rapport between Barbara Bel Geddes and Howard Keel and ends with Clayton asking for the check so he can whisk Ellie away to the city’s last big-band dance club.

This turns out to be the only time Bel Geddes and Keel appear in “Offshore Crude.” What a shame. I’d much rather see Ellie and Clayton on the dance floor than watch the rest of the Ewings frolicking around that tiny pool.

Grade: B

_______________________________________________________________________________________________________________________________________________

Dallas, Edgar Randolph, J.R. Ewing, Larry Hagman, Martin E. Brooks, Offshore Crude

Unbought

‘OFFSHORE CRUDE’

Season 7, Episode 15

Airdate: January 13, 1984

Audience: 20.3 million homes, ranking 6th in the weekly ratings

Writer: David Paulsen

Director: Ray Danton

Synopsis: Cliff decides to bid on the offshore oil leases after Sly lies and tells him that J.R. is planning to bid too. J.R. lets Edgar know he has damaging information about him. Peter tells Sue Ellen he loves her. After failing to find Naldo in Rome, Katherine returns to Dallas.

Cast: Mary Armstrong (Louise), Christopher Atkins (Peter Richards), John Beck (Mark Graison), Barbara Bel Geddes (Miss Ellie Ewing), Morgan Brittany (Katherine Wentworth), Martin E. Brooks (Edgar Randolph), Roseanna Christiansen (Teresa), Patrick Duffy (Bobby Ewing), Eric Farlow (Christopher Ewing), Fern Fitzgerald (Marilee Stone), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Sherril Lynn Katzman (Jackie), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Anne Lucas (Cassie), Shalane McCall (Charlie Wade), Alberto Morin (Armando Sidoni), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Charlene Tilton (Lucy Ewing)

“Offshore Crude” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Parallels: Requiems for the Heavyweights

Dallas Parallels - Requiems for the Heavyweights 1

The funerals of J.R. and Bobby Ewing were filmed 28 years apart, but they draw upon similar themes, including the idea that grief and anger are sometimes indistinguishable. The episodes also show how each brother becomes unmoored when he loses the other, demonstrating how essential their relationship is to the “Dallas” mythology.

Bobby’s funeral is seen in “The Family Ewing,” the original show’s ninth-season opener, and even though his death later turns out to be part of Pam’s dream, it still packs punch. The episode begins with the Ewings returning home from the hospital after Bobby said goodbye to them from his deathbed. The characters retreat to different corners of the ranch (Miss Ellie and Clayton to their bedroom, Donna and Ray to their living room, etc.), where they begin to cope with the painful reality that the family’s favorite son is gone. Barbara Bel Geddes, who returns to “Dallas” in this episode after relinquishing her role to Donna Reed during the previous season, delivers an especially moving portrait of quiet resolve as Ellie begins making Bobby’s funeral preparations.

Of course, no one is more devastated than J.R., who sits in the Southfork living room and silently buries his head in his hands. Moments later, when Sue Ellen arrives home from a shopping spree, cheerfully unaware of the tragedy that took place in her absence, J.R. becomes enraged. For him, breaking the news of Bobby’s death to his wife becomes an opportunity to vent his pent-up marital frustrations. “All you ever think about is yourself!” he shouts. (I also love how Larry Hagman unleashes his Texas accent when J.R. asks Sue Ellen, “Where the hell were yew?”) J.R.’s cruel tendencies are also on display when he encounters Gary and Ray the next day, but Hagman wisely balances his character’s hostility with tender performances, including the scene where J.R. goes into John Ross’s bedroom to be near his son.

“J.R.’s Masterpiece,” last year’s exquisite funeral episode from TNT’s “Dallas,” continues the franchise’s grand tradition of sending its characters off in style. The episode includes a sequence where the Ewings return to Southfork after confirming J.R.’s death in the Mexican morgue (shades of “The Family Ewing” scene that shows the Ewings coming home from the hospital). Later, as the characters prepare for J.R.’s funeral, Bobby exhibits the same kind of behavior that J.R. did in “The Family Ewing.” Bobby is terse with Gary when he sees him at Southfork, and he’s unusually cool to Ray when he runs into him at the memorial service. J.R.’s death also prompts Bobby to finally acknowledge his lingering resentment toward Ann for keeping so many secrets from him during their marriage. In a powerful performance from Patrick Duffy, Bobby erupts (“I’m pissed!”) at Ann on the night before J.R.’s funeral, leaving her feeling as stunned as Sue Ellen did when J.R. shouted at her in “The Family Ewing.”

The two funeral scenes also share similarities, although the differences might outweigh the parallels. Bobby’s burial takes place in a Southfork pasture and includes all of the Texas Ewings, except for Lucy. (Charlene Tilton had departed the series at the end of the previous season and wasn’t invited back for “The Family Ewing.”) J.R.’s burial also takes place on Southfork, and even though the crowd at his funeral is smaller than Bobby’s, I’m less surprised by who’s absent (James, Cally), than by who’s present (no offense Carmen and Drew, but you’re not family; I’ll give Elena and Emma a pass since they’re linked to Christopher and Ann). Also, we don’t see any of the eulogies for Bobby, while J.R.’s mourners deliver one memorable tribute after another, including Sue Ellen’s heartbreaking speech.

Perhaps most notably, “The Family Ewing” and “J.R.’s Masterpiece” both end with one brother paying tribute to the other when no one else is around. In the 1985 episode, after the mourners have left Bobby’s burial site, J.R. stands alone at his brother’s casket, expresses regrets for “all the fights” and finally tells him, “I love you. I do.” Flash forward to “J.R.’s Masterpiece.” After Bobby receives the mysterious letter that J.R. wrote before he died, he retreats to his empty bedroom, pours himself a glass of his brother’s bourbon and says he knew J.R. would have one more trick up his sleeve. “It is a good one. I love you, brother,” he says.

It’s every bit as haunting and as beautiful as J.R.’s tribute to Bobby almost three decades earlier. How I wish it were just another dream.

 

‘I Love You. I Do.’

Dallas, Family Ewing, J.R. Ewing, Larry Hagman

Sad dream

In “The Family Ewing,” a ninth-season “Dallas” episode, J.R. (Larry Hagman) stands alone near Bobby’s casket at the end of his funeral.

J.R.: Bobby, I never told you how much you meant to me. All the fights, all the time butting heads with one another … I’m sorry we were never closer. I wish … I wish I’d taken the time to tell you how much I love you. I do. And tell Daddy I love him too. Bye, Bobby. I’ll miss you.

 

‘I Love You, Brother’

Bobby Ewing, Dallas, J.R.'s Masterpiece, Patrick Duffy, TNT

Hard truth

In “J.R.’s Masterpiece,” a second-season “Dallas” episode, Bobby (Patrick Duffy) enters J.R.’s bedroom after reading a letter he wrote before he died, pours himself a glass of bourbon and sits at the foot of the bed.

BOBBY: I knew you’d have at least one more left up your sleeve, J.R. It is a good one. [Chuckles softly] I love you, brother. [Sobs, takes a drink]

 

 

How do you think J.R. and Bobby’s funerals compare to each other? Share your comments below and read more “Dallas Parallels.”

Tonight, You Choose the Questions on #DallasChat

Dallas, J.R. Ewing, Larry Hagman, TNT

A time for choosing

You’re invited to join Dallas Decoder’s next #DallasChat on Twitter, which I’ll hold Monday, January 6, from 9 to 10 p.m. Eastern time. The theme: “Chatter’s Choice II.” Like last year’s “Chatter’s Choice” session, you’ll help decide the topics we discuss.

Leave your suggested questions in the comments section below, tweet them to me @DallasDecoder or post them to my Facebook timeline. I’ll choose the best questions and ask them during tonight’s discussion.

If you’re new to #DallasChat, here’s how it works: For one hour, I tweet a series of questions to my fellow “Dallas” fans. Each question is numbered and includes the hashtag #DallasChat, and so your answers should do the same. (The topics are generally centered around a single theme, such as the Barnes-Ewing feud or the Ryland family, although tonight’s “Chatter’s Choice” session means we’ll touch on a variety of subjects.)

Starting this week, I’m asking everyone to add the show’s official hashtag, #DallasTNT, to their #DallasChat tweets. The goal: to help promote TNT’s “Dallas” as we gear up for the third season, which begins Monday, February 24.

Here’s a sample exchange:

Q1. Who is your favorite Ewing cousin, John Ross or Christopher? #DallasChat #DallasTNT

A1. I’m Team John Ross. He’s just like his daddy, and J.R. was always my favorite Ewing brother. #DallasChat #DallasTNT

Here are two tips:

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Be sure to include #DallasChat in your tweets. This allows the other participants to see your contributions to the conversation.

This is the first #DallasChat of 2014, so let’s get the year off to a good start. See you tonight!

Critique: ‘Dallas’ Episode 145 — ‘Peter’s Principles’

Christopher Atkins, Dallas, Peter Richards, Peter's Principles

What principles?

Since I began re-watching “Dallas’s” seventh season for the first time in years, I’ve been surprised by how interesting I find Sue Ellen’s affair with college student Peter Richards. I used to dismiss their romance as hopelessly gimmicky — J.R.’s wife chases a younger man! — but now that I’m older and hopefully a little wiser, the relationship makes perfect sense. I can see how Sue Ellen might turn to a man like Peter to regain her confidence after all those years of being mistreated by J.R. Or at least that’s how I felt before “Peter’s Principles.” This is the episode where Sue Ellen and Peter sleep together for the first time, but instead of illuminating the reasons these characters are attracted to each other, the love scene reveals the storyline’s flaws. It turns out there are quite a few.

When “Peter’s Principles” begins, Sue Ellen is worried because the Ewings haven’t heard from Peter in several days. She suspects he is upset because she recently told him their flirtation can’t continue, so she contacts one of his classmates and learns Peter has dropped out of school. When Sue Ellen finally tracks down Peter, he doesn’t want to speak to her, but she doesn’t give up on him. She goes to his apartment the next day and urges him not to abandon his studies. Peter tells Sue Ellen that if he can’t have her, college no longer matters to him. She hesitates for a moment, then says, “If I were with you, if we saw each other, would you go back to the university?” Peter’s response: “Yes, it would all be completely different then.” Before you know it, Sue Ellen is kissing Peter as he lays her down on the bed.

Groan. Until this scene, which is the last one in “Peter’s Principles,” I liked how Arthur Bernard Lewis’s script depicted Sue Ellen as a woman with determination and purpose. She works hard to find Peter and persuade him to go back to school, displaying the kind of gumption we haven’t seen from her since “The Oil Baron’s Ball,” the episode where she treats J.R. like a sexual plaything. By the end of “Peter’s Principles,” though, Sue Ellen has reverted back to her old habit of allowing men to dominate her. When she asks Peter if he’ll go back to school if she starts a relationship with him, what does she expect him to say? Sue Ellen doesn’t just allow Peter to pull her strings; she puts the controls in his hand.

Besides undermining Linda Gray’s character, the scene suggests “Dallas” is chickening out on the entire storyline. For a show dominated by alpha males, Sue Ellen and Peter’s relationship has been refreshingly different. The last time “Dallas” depicted a May/December romance, an aging man (Jock Ewing) became involved with a younger woman (Julie Grey). This time around, the gender roles are reversed: Sue Ellen, who is in her 40s, flirts with Peter, who is in his 20s. But instead of showing her going to bed with him merely to fulfill her own sexual desires, Lewis’s script tries to cast Sue Ellen’s choice as some kind of noble sacrifice. She essentially tells Peter, “OK, I’ll have sex with you if you promise to go back to school and study hard.” Why can’t Sue Ellen have a carefree fling like the men on this show?

I suppose all of this can be viewed as another example of Sue Ellen’s self-delusion. Maybe she can’t bring herself to admit her attraction to Peter, so she fools herself into believing she’s merely providing him with the incentive he needs to get an education. But then what are we to make of the fact that we never see these characters in bed together? In the final shot, as Peter moves Sue Ellen onto the bed, the screen goes black and the closing credits flash, making this one of the few times “Dallas” skips its traditional freeze frame. It’s as if the producers can’t quite bring themselves to showing this relationship being consummated.

Then again: Maybe we’ve seen enough. Leonard Katzman, “Dallas’s” executive producer, once called this storyline the show’s “biggest mistake” because Christopher Atkins looked too young to play Peter. It’s not fair to lay the blame at Atkins’ feet, although the actor was too boyish to be believable as Sue Ellen’s lover. Don’t get me wrong: Atkins is a good actor who does a nice job conveying his character’s awkward transition into adulthood. Peter can be charming one minute and petulant the next, just like a lot of real-life college students. Atkins’ youthfulness also works well in his scenes with Larry Hagman, where Peter is the fair-haired Luke Skywalker to J.R.’s black-hearted Darth Vader. But whenever the script calls for Peter and Sue Ellen to share a romantic moment, I can’t help but wish he looked a little older.

But even if Sue Ellen and Peter’s love scene in “Peter’s Principles” worked better, it still wouldn’t be the most provocative moment in this episode. No, that distinction belongs to the wonderful exchange where Miss Ellie admits to Donna that she’s nervous about marrying Clayton because she hasn’t “been” with a man since Jock died. This conversation, which takes place while Ellie and Donna are exercising in the Southfork fitness room, lets us know Ellie remains a sexual creature. This would be a progressive idea for television to address today, so I can only imagine how extraordinary it must have seemed 30 years ago. Both actors are quite good here: Barbara Bel Geddes conveys Ellie’s quiet anxiety without sacrificing the character’s dignity, while Susan Howard’s gentle responses signal Donna’s respect for the Ewing matriarch. I especially like when Ellie says that she and Clayton “never had any real physical contact … beyond a kiss and a hug,” and Donna responds, “Yes, ma’am. I understand.” This is exactly how I would expect Donna to treat a woman like Ellie.

“Peter’s Principles” also shows Clayton confiding in Ray his own unease about marrying Ellie and moving onto “another man’s ranch and into another man’s house.” This marks the beginning of Clayton and Ray’s friendship, a relationship that makes a lot of sense given the outsider status both men occupy in the family Ewing. I also like the “Peter’s Principles” scene where Bobby and Pam have dinner because it makes them seem like two mature people who have remained friends despite the fact they are ex-spouses. This exchange is also useful because it helps the audience understand how much risk is involved in Cliff’s offshore oil venture, which is one of the major subplots in the coming episodes. As Bobby explains to Pam, it can cost as much as $300,000 to tow a rig to a drilling site, $40,000 a day to rent the rig and $20,000 a day to operate it. These numbers boggle my mind today; imagine how big they must have seemed three decades ago.

There’s also a lot of humor in “Peter’s Principles,” beginning with J.R.’s quips about Clayon’s son (“Dusty or Steve or what the hell ever that rodeo rider calls himself nowadays”) and Ray’s wife (“You sure married a winner”). I also like when Clayton announces he’s taking Ellie to see a revival of “Camelot” — a sly reference to one of Howard Keel’s famous stage roles. Other funny moments are unintentional: The exterior shot of Peter’s apartment is the same one used for Mitch Cooper’s residence during the fourth season; look closely and you’ll even see Mitch’s Mustang parked near the curb. Also, as much as I love Ellie and Donna’s scene in the fitness room, I can’t help but notice that despite all of Howard’s huffing and puffing while doing her character’s leg lifts, there’s no weight on the bar.

Poor Donna. Perhaps she would benefit from some professional training at Pam’s aerobics studio. Come to think of it, whatever became of that place?

Grade: B

_______________________________________________________________________________________________________________________________________________

Dallas, Peter's Principles, Philip Capice

Fade to black

‘PETER’S PRINCIPLES’

Season 7, Episode 14

Airdate: January 6, 1984

Audience: 21.3 million homes, ranking 1st in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Patrick Duffy

Synopsis: Sue Ellen learns Peter has dropped out of school but persuades him to return by sleeping with him. J.R. continues digging for dirt on Clayton and confirms a dark secret about Edgar. Clayton and Ellie harbor private reservations about marrying each other. Marilee expresses interest in joining Cliff’s offshore oil venture and comes between him and Afton. Bobby and Pam have dinner, upsetting Jenna and Mark.

Cast: Christopher Atkins (Peter Richards), John Beck (Mark Graison), Barbara Bel Geddes (Miss Ellie Ewing), Martin E. Brooks (Edgar Randolph), James L. Brown (Detective Harry McSween), Pat Colbért (Dora Mae), Roseanna Christiansen (Teresa), Patrick Duffy (Bobby Ewing), Al Dunlap  (decorator), Fern Fitzgerald (Marilee Stone), David Gale (Melvin), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Sherril Lynn Katzman (Jackie), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Anne Lucas (Cassie), Lee Montgomery (Jerry Hunter), Louis R. Plante (Robert)Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Julie Ronnie (student), Don Starr (Jordan Lee), Charlene Tilton (Lucy Ewing)

“Peter’s Principles” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

The Dal-List: What’s In and What’s Out for ‘Dallas’ in 2014?

Christopher Ewing, Dallas, Elena Ramos, Jesse Metcalfe, Jordana Brewster, J.R. Ewing, Larry Hagman, TNT

Two thousand fourteen is here, and that means it’s time to gaze into Dallas Decoder’s crystal ball to see what the new year holds for “Dallas” fans. Here’s what we think will be in and what will be out, based on the clues we’ve been gathering from spoilers and social media. Check back in 12 months to see what we got right.

IN | OUT

Christopher Ewing, Dallas, Jesse Metcalfe, TNT

In: Scruff

Christopher Ewing, Dallas, Jesse Metcalfe, TNT

Out: Smooth

Beards | Baby faces

Female ranch hands |
Male secretaries

Mistresses | Wives

Midseason cliffhangers | Midseason rewrites

Proxies | Protégés

Dallas, John Ross Ewing, Josh Henderson, TNT

In: Mimicry

Dallas, John Ross Ewing, Josh Henderson, TNT

Out: Mourning

Emulating Daddy |
Grieving Daddy

“You stole my land!” |
“You stole my heart!”

Judith’s cane |
Ann’s gun

Home makeovers |
Corporate takeovers

Dallas, Elena Ramos, Jordana Brewster, TNT

In: Avenging

Dallas, Elena Ramos, Jordana Brewster, TNT

Out: Angelic

Elena: So scary! |
Elena: So sweet!

Wrecks | Races

#LiveChatWithLinda |
Any tweet from anyone else

R.I.P., Pam | Pam, M.I.A.

“Who’ll Be J.R.?” |
“Who Killed J.R.?”

Now it’s your turn. Share your ins and outs for 2014 below and read more “Dal-Lists.”

‘Dallas’ 2013: Hail and Farewell to Those We Lost

Ben Stivers, Dale Robertson, Dallas, Frank Crutcher, Franklin Horner, Joan Van Ark, Julie Harris, Knots Landing, Laurence Haddon, Lillimae Clements, Ray Krebbs, Steve Forrest, Steve Kanaly, Valene Ewing, Wes ParmaleeIn 2013, “Dallas” fans said goodbye to several people who contributed to the original series. Here’s a list of those we lost, along with a few notable deaths that occurred among the show’s extended family. Click on each person’s name to learn more about his or her career at IMDb.com.

Bruce Baron, Dallas, Linden Chiles, Martin Cassidy, Marc Breaux

Deanne Barkley

Died April 2 (age 82)

Barkley wrote “Curiosity Killed the Cat,” a ninth-season episode. She also produced several television movies.

Bruce Baron

Died April 13 (age 63)

In the eighth-season episode “Shattered Dreams,” Baron played the Texan who tried to chat with Sue Ellen and Pam during their visit to Hong Kong. He also headlined several Asian B-movies in the 1980s and ’90s.

Marc Breaux

Died November 19 (age 89)

Breaux is best known as the choreographer of “The Sound of Music” and “Mary Poppins.” He also acted, including appearing in the fourth-season episode “End of the Road, Part 1” as Mark Harrelson, Jordan Lee’s attorney.

Martin Cassidy

Died August 26 (age 75)

Cassidy played Frank Carp, the private detective J.R. hired to learn more about Mandy Winger, in the eighth-season episode “Shadows.” Cassidy also played various roles in four “Knots Landing” episodes in 1983 and 1990.

Linden Chiles

Died May 15 (age 80)

Chiles played Christopher Mainwaring Sr., father of Lucy’s closeted fiancé Kit, in the second-season episode “Royal Marriage.” His other roles include the dad on the acclaimed ’70s family drama “James at 15.” Chiles continued to work until his death; his final role will be in “Road to Paloma,” a film slated for release next year.

Charles Cooper

Died November 29 (age 87)

Cooper played Herb Reynolds in the second-season episode “The Heiress.” “The Heiress.” In “The Crucible,” a 13th-season episode, he played Curley Morrison, one of the men murdered by Jessica Montford. Cooper also did several episodes of “The Practice” and made appearances in “Star Trek V: The Final Frontier” and “Star Trek: The Next Generation.”

Ben Stivers, Dallas, Dan Gerrity, Franklin Horner, Julie Harris, Knots Landing, Laurence Haddon, Lillimae Clements, Steve Forrest, Wes Parmalee

Steve Forrest

Died May 18 (age 87)

After starring in the ’70s cop show “S.W.A.T.,” Forrest joined “Dallas” at the end of the 1985-86 “dream season” as mysterious ranch hand Ben Stivers. When Pam woke up, Forrest stayed with the show, except now his character was named Wes Parmalee, who claimed to be the presumed-dead Jock Ewing. Forrest appeared in 15 episodes altogether.

Dan Gerrity

Died November 20 (age 59)

In the 13th-season episode “Sex, Lies and Videotape,” Gerrity played Mike, the bartender who served Cliff in the scene where he meets and flirts with Rose McKay. Gerrity also played a maitre’d on “Knots Landing” and became a stage actor in Los Angeles and a public radio journalist in Santa Fe, New Mexico.

Laurence Haddon

Died May 10 (age 91)

Haddon played Franklin Horner, the Ewings’ banker, in 17 episodes from 1980 to 1986. He also played Mitch Ackerman, the doctor who delivered Val’s twins and helped arrange their kidnapping, during “Knots Landing’s” sixth season. The character was named after the production supervisor for “Dallas,” “Knots Landing” and “Falcon Crest.” Haddon was also a regular on “Mary Hartman, Mary Hartman,” playing one of television’s first non-stereotypical gay men.

Julie Harris

Died August 24 (age 87)

Harris, the most celebrated actress in Broadway history, played Lillimae Clements, Lucy Ewing’s other grandmother, on “Knots Landing” from 1980 until 1987. (The 1982 episode “Daniel” briefly reunited her with Larry Hagman, her co-star in the 1959 Broadway production of “The Warm Peninsula.”) Harris received six Tonys, an Oscar nomination and an Emmy nomination during her storied career.

Arthur Malet, Dale Robertson, Dallas, Jane Kean, Paul Mantee

Jane Kean

Died November 26 (age 90)

In the third-season episode “Mastectomy, Part 1,” Kean played Mitzi, the waitress at the diner where Sue Ellen and Dusty Farlow have a secret rendezvous. Kean is probably best known as Joyce Randolph’s replacement in “The Honeymooners” revivals of the 1960s and ’70s. She also did two guest spots on the David Jacobs-produced ’80s western “Paradise.”

Dudley Knight

Died June 27 (age 73)

Knight played the Dallas hotel shop manager where Val signed copies of “Capricorn Crude” in “New Beginnings,” the fourth-season “Knots Landing” episode that also featured appearances by Hagman, Patrick Duffy and Eric Farlow.

Arthur Malet

Died May 18 (age 85)

During the fifth season, Malet appeared twice as Forest, the Herbert Wentworth loyalist who tipped off Rebecca to Cliff’s embezzlement scheme. The actor returned during the 13th and 14th seasons as Ryan, one of the inmates who befriend J.R. during his stint in the sanitarium.

Paul Mantee

Died November 7 (age 82)

Mantee played Cochran, the Air Force general who told J.R. about Holly Harwood’s contract to supply the military with fuel, in the sixth-season episode “A Ewing is a Ewing.” He later became a regular on “Cagney & Lacey” and “Hunter.”

Shirley Mitchell

Died November 11 (age 94)

Mitchell played the woman who let Jenna into the missing Jack Ewing’s apartment in the ninth-season episode “Twenty-Four Hours.” Mitchell’s career spanned six decades and included guest spots on “I Love Lucy,” “Petticoat Junction,” “Three’s Company,” “CHiPs” and “The Fresh Prince of Bel-Air.”

Dale Robertson

Died February 27 (age 89)

During the sixth season, Robertson appeared in five episodes as Frank Crutcher, the first man to court Miss Ellie after Jock’s death. He is best known for his many western roles, including starring in the 1960s television series “Tales of Wells Fargo.” Robertson joined “Dallas” after appearing as a regular during “Dynasty’s” first season.

Mann Rubin

Died October 12 (age 85)

Rubin wrote two episodes of “Knots Landing,” including “New Beginnings,” which drew 21.3 million homes, becoming the most-watched broadcast in the show’s history. (It’s the only “Knots Landing” episode to follow an original episode of “Dallas” on CBS’s Friday night schedule.) Rubin’s TV writing credits date to the 1940s.

Bea Silvern, Dallas, Jane Sincere, Kirk Scott, Valentin de Varas

Kirk Scott

Died November 16 (age 77)

Scott played Ewing Oil’s public relations chief in the sixth-season episode “Barbecue Three” and one of the private eyes J.R. hired to find Jenna after she jilted Bobby in the eighth-season entry “Déjà Vu.” During Season 13, he made three appearances as Mr. Spangler, the lawyer who executed Atticus Ward’s estate.

Bea Silvern

Died August 23 (age 87)

In the 10th-season episode “The Ten Percent Solution,” Silvern played Senator Dowling’s maid. Two years later, she returned in “Fathers and Other Strangers” as Sarah Ewing, one of the Jews rescued by Jock Ewing during World War II. She was also a regular on “The Secrets of Midland Heights,” one of the Lorimar-produced nighttime soaps of the early ’80s.

Jean Sincere

Died April 3 (age 93)

In 14th-season episode “Heart and Soul,” Sincere played the hotel maid who discovered Johnny Danzig’s dead body. She began her career in the 1940s and continued to perform after she turned 90, including a recurring role on “Glee” as a librarian.

Valentin de Vargas

Died June 10 (age 78)

De Vargas played Patrick Wolfe, the first prosecutor in Jenna Wade’s murder trial, in two eighth-season episodes. His first role was as a Latino student in the “Blackboard Jungle” in 1955.

What do you remember about these artists? Share your memories below and read more features from Dallas Decoder.

Drill Bits: TV Hall of Fame Won’t Induct Larry Hagman in 2014

Dallas, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing, TNT

Let him in

Sorry to deliver bad tidings during the holidays, but it looks like Larry Hagman won’t be inducted into the Television Academy’s Hall of Fame next year.

The academy announced its 2014 honorees before Christmas and Hagman wasn’t on the list. The inductees will be Jay Leno, Julia Louis-Drefus, producer David E. Kelley, media mogul Rupert Murdoch, programming executive Brandon Stoddard and sound engineer Ray Dolby, who’ll be honored posthumously.

Like a lot of Hagman’s fans, I’ve been hoping the late actor would finally get his spot in the Hall of Fame, which the academy’s chairman and chief executive, Bruce Rosenblum, refers to as the organization’s “highest honor” in its announcement. Hagman should have been inducted a long time ago, but including him in 2014 might have helped make amends with fans who were justifiably outraged when the academy excluded him from the special tributes during this year’s Primetime Emmys broadcast.

I’m not the only one who thought this could have been Hagman’s year. Chris Beachum, senior editor of the awards website Gold Derby, listed Hagman among 24 possible inductees for 2014, along with journalist Ed Bradley and filmmaker Ken Burns. (Louis-Dreyfus and Kelley were on Beachum’s list too.)

According to the Hall of Fame announcement, candidates are submitted by academy members to a selection committee chaired by Peter Roth, president of Warner Bros. Television Group, which includes the studio that produces TNT’s “Dallas.” Presumably, the committee reviews the nominations, weighs each individual’s contributions to television and chooses the final selections.

I suppose it’s possible no one submitted Hagman’s name this year, but that seems mighty unlikely, especially after the brouhaha that erupted over his snub during the Emmy tributes. No matter where the blame lies, isn’t it a shame Hagman is once again being overlooked by the medium he helped shape?

Vote for ‘Dallas’

TNT’s “Dallas” is one of the choices in TV.com’s race for this year’s best nighttime soap opera. The show was in the lead until a few days ago, when it slipped to second place behind FX’s “Sons of Anarchy.” (If you’re puzzled by “Sons of Anarchy’s” inclusion in the soap opera category, get in line.)

Cast your votes here. The polls close Wednesday, January 2.

OWN It, Darlin’

Dallas, Linda Gray, Sue Ellen Ewing, TNT

Encore, encore!

Did you miss Linda Gray’s recent appearance on “Oprah: Where Are They Now?” You have another opportunity to catch it: OWN is scheduled to repeat the episode Friday, January 3, at 6 p.m. (Sue Ellen Ewing is back on Friday night, at least for one week.) Also, if you missed it, be sure to check out my recent tribute to Gray, who is Dallas Decoder’s Woman of the Year for 2013.

Life on the D-List

’Tis the season for list-making, and so TV Guide has published its ranking of the 60 best series of all time. The good news: “Dallas” makes the cut. The bad news: It’s in 47th place.

Look, I love lists and understand the tough calls that go into making them, but shouldn’t “Dallas” rank a little higher? After all, the series ran 14 seasons, pioneered serialized storytelling, produced the biggest prime-time cliffhanger of all time, held the top spot in the Nielsens for three seasons and inspired a sequel that’s about to begin its third year.

If nothing else, couldn’t TV Guide have ranked “Dallas” 38th instead of “Buffy the Vampire Slayer”? Or 46th, instead of “Barney Miller”?

Elsewhere, Entertainment Weekly is out with its list of the best and worst episodes for 50 shows, including TNT’s “Dallas.” As EW sees it, the second-season finale, “Legacies,” was the show’s finest hour in 2013 while “Trial and Error” was the worst, although the magazine doesn’t seem to have many complaints about it. Neither do I.

Return Engagement?

Will “Knots Landing’s” Gary and Valene pay another visit to TNT’s “Dallas” anytime soon? Ted Shackelford and Joan Van Ark have different opinions, she tells Showbiz 411. Says Van Ark: “Ted’s not sure if we’re ever going back. But I’m convinced we are. I’d like to mix it up with Sue Ellen some more.”

You said it, honey. “Dallas” fans are spoiling for a Sue Ellen/Val rematch after this year’s showdown.

#DallasChat Returns January 6

Reminder: #DallasChat, my Monday evening Twitter discussion of all things “Dallas,” is taking a break for the holidays. The next #DallasChat will be held January 6 at 9 p.m. Eastern time. Don’t miss it.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.