The Dal-List: The 5 Most Egregious Ewing Arrests

Ann Ewing, Bobby Ewing, Brenda Strong, Christopher Ewing, Dallas, False Confessions, Jesse Metcalfe, Patrick Duffy, TNT

Family tradition

In “False Confessions,”  TNT’s latest “Dallas” episode, Bobby (Patrick Duffy) tries to protect Ann by telling the police he shot Harris. Like John Ross’s arrest for Marta’s murder last season, this latest incident is part of an old tradition of Ewings getting in trouble for crimes they didn’t commit. Here’s a look at the five most egregious Ewing arrests from the original “Dallas” and “Knots Landing.”

Cally Harper Ewing, Cathy Podewell, Dallas, J.R. Ewing, Larry Hagman

Under the gun

5. The Ewing: J.R. (Larry Hagman)

The crime: Cally Harper’s “rape”

The arrest: When J.R. went to Arkansas on a hunting trip, he met backwoods beauty Cally and became smitten. After they spent the night together, her shotgun-toting brothers showed up, followed quickly by Sheriff Hanks, who charged J.R. with rape.

The real criminal: J.R. was guilty of many things, but his relationship with Cally was consensual. The real bad guys were Hanks, who refused to allow J.R. to make a single phone call from jail, and the justice of the peace, who sentenced him to 10 years in prison. Of course, J.R. did himself no favors when he interrupted his trial to declare, “You people got to be kidding. Hell, I can buy this whole town with the change I got in my pocket!”

Level of egregiousness (scale of 1 to 10): J.R.’s arrest gets a 5, but the egregiousness of this silly storyline deserves a big, fat 10.

Dallas, Ray Krebbs, Steve Kanaly

Dial “M” for murder?

4. The Ewing: Ray Krebbs (Steve Kanaly)

The crime: Mickey Trotter’s death

The arrest: After Ray’s cousin Mickey was paralyzed in a car crash, someone pulled the plug on his life support system. The police arrested Ray, who had blocked the door to Mickey’s hospital room so the doctors and nurses couldn’t revive him.

The real criminal: In dramatic testimony at Ray’s trial, his aunt Lillian Trotter, Mickey’s mother, confessed she wanted her son to die with dignity and decided to pull the plug. Lil didn’t have the strength to do it, so she asked Ray to help her. Ever the obedient nephew, Ray obliged.

Level of egregiousness: 6. Ray was technically guilty and the judge sentenced him to five years in the state penitentiary – but immediately suspended the sentence because he said Ray was such a nice guy. Seems like sound legal reasoning to me.

Gary Ewing, Knots Landing, Ted Shackelford

He usually loves bars

3. The Ewing: Gary (Ted Shackelford)

The crime: Ciji Dunne’s murder

The arrest: Gary befriended Ciji, an aspiring singer, but when her star began to rise, his self-esteem began to plummet. Gary went on a bender and woke up the next morning on the Knots Landing beach, not far from Ciji’s seaweed-strewn body. The police suspected he killed her during a booze-fueled rage and hauled him off to jail.

The real criminal: Chip Roberts, Ciji’s boyfriend. Eventually the cops figured out Chip murdered Ciji when she became pregnant with his child and refused to have an abortion. Ciji had also discovered Chip was really a con artist named Tony Fenice.

Level of egregiousness: 7. The Knots Landing police should’ve known better than to arrest Gary. All they had to do was call Sheriff Washburn back in Braddock. He could’ve told them: Never arrest a Ewing!

Dallas, Linda Gray, Sue Ellen Ewing, Who Shot J.R.?

Ready for her close-up

2. The Ewing: Sue Ellen (Linda Gray)

The crime: J.R.’s shooting

The arrest: There was no shortage of suspects when an unseen assailant gunned down J.R. in his office. When Jock discovered the weapon in J.R. and Sue Ellen’s bedroom closet, he turned it over to the cops, who decided it was all the proof they needed to arrest Sue Ellen for the crime.

The real criminal: Kristin Shepard, Sue Ellen’s sister, who wanted to get back at J.R. for trying to run her out of town. Sue Ellen figured out Kristin had framed her by planting the gun in the closet. (But no one ever answered the question: How did Kristin know Jock would go snooping there?)

Level of egregiousness: 8. Arresting Sue Ellen was a travesty of justice! The only way she’d ever shoot J.R. would be if he – oh, I don’t know – tossed one of her lovers off a high-rise balcony. But what are the odds of something like that happening?

Dallas, Jim Davis, Jock Ewing

Jailhouse Jock

1. The Ewing: Jock (Jim Davis)

The crime: Hutch McKinney’s murder

The arrest: When Ray began building a home on Southfork, the construction crew uncovered the remains of the long-missing McKinney, one of Ray’s predecessors as ranch foreman. Sheriff Washburn’s investigation determined McKinney had been shot with Jock’s gun, not long after Jock and McKinney had had a knock-down-drag-out brawl in a local saloon.

The real criminal: Digger Barnes, who killed McKinney when he discovered he had impregnated Digger’s wife Rebecca and was planning to run away with her. Digger confessed his crime on his deathbed, where he also told Pam that McKinney was her biological father.

Level of egregiousness: 11. Throw Jock Ewing in jail? That’s something you just don’t do. When a reporter asked the old man how he felt about being arrested, Jock huffed, “I’m mad as hell, boy.” Who could blame him?

Which Ewing arrests do you consider the most egregious? Share your choices below and read more “Dal-Lists.”

Dallas Burning Questions: Season 2, Week 3

Caught

Will she get caught?

Here are the questions we’re pondering as we await tonight’s telecast of “False Confessions,” TNT’s latest “Dallas” episode.

Is Harris dead? At the end of “Sins of the Father,” last week’s installment, Ann (Brenda Strong) learned Harris (Mitch Pileggi) couldn’t be prosecuted for kidnapping their daughter Emma (Emma Bell) and went to his home to confront him. When Harris taunted Ann, she pulled a handgun from her purse and shot him, leaving him bleeding on the floor. Since Pileggi was added to “Dallas’s” opening credits three weeks ago, it seems unlikely Harris will die. Then again, this is the new “Dallas,” where anything can happen and usually does. So who knows?

What will happen to Ann? In a chat last week with Dallas Decoder and other bloggers, Strong said Ann was in “an altered state” when she plugged Harris. The trailer for tonight’s episode shows Bobby (Patrick Duffy) being arrested for the shooting. If Ann allows her husband to take the rap for a crime she committed, does that mean she’s still out of her mind?

• Will Pamela get caught? An update on “Dallas’s” other shooting storyline: After Pamela (Julie Gonzalo) gunned down Tommy last season, she turned to Frank (Faran Tahir) to dispose of the weapon and the body. Last week, the police discovered Tommy’s blood in Pamela’s old condo, and J.R. (Larry Hagman) urged Frank to expose her role in Tommy’s death. Will he?

• John Ross and Pamela: What will J.R. and Cliff say? Pamela believes she’ll snag a percentage of Ewing Energies during her divorce from Christopher, and she promised to share her piece of the company with her new lover/partner-in-crime John Ross (Josh Henderson). Meanwhile, John Ross seems to be falling for Pamela, unaware that J.R. is out to get her. Will John Ross be forced to choose between his father and his lover – and how will Cliff (Ken Kercheval) feel when he discovers his daughter has hooked up with J.R.’s son?

Will Christopher and Elena learn the truth about John Ross? Christopher (Jesse Metcalfe) is angling to win a lucrative contract to fuel the city’s municipal fleet, unaware that John Ross is trying to undermine him. Meanwhile, Sue Ellen (Linda Gray) has vowed to call in Elena’s loan if she doesn’t strike oil on the Henderson property. This prompted Elena to ask for drilling help from her brother Drew (Kuno Becker), who recently returned to town with a chip on his shoulder. What Elena doesn’t know: John Ross has bribed her foreman to sabotage the Henderson project. Will John Ross’s schemes succeed?

Where’s Becky? When Pamela got frustrated with Tommy’s demanding sister Becky (Alex McKenna), she urged Frank to pay her off once and for all. Later, Becky didn’t show up for the court hearing where she was supposed to recant her false testimony against Christopher. Did Frank run Becky out of town – or did he make her disappear forever?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

Brenda Strong: More ‘Twists and Turns’ Coming on ‘Dallas’

Brenda Strong - More Twists and Turns Coming to Dallas copy

Altered state?

Brenda Strong believes her “Dallas” character Ann Ewing was in “an altered state” when she shot sadistic ex-husband Harris Ryland at the end of the TNT serial’s most recent episode.

“I don’t know that she knew when she arrived that she was going to complete the intention of shooting him,” Strong told Dallas Decoder and other bloggers yesterday. “She had been pushed to such a degree of heartbreak that there was an altered state that she was in. It was the last thing that he said that allowed her to say, ‘Yes, he deserved it.’”

In the scene, Ann confronted Harris (Mitch Pileggi) after learning he wouldn’t be punished for kidnapping their daughter Emma and sending her to Europe to be raised by his mean mama Judith (Judith Light). When Harris taunted Ann by pointing out how she never got to see Emma grow up, Ann pulled a handgun from her purse, pointed it at him and pulled the trigger.

Strong’s knockout performance earned her rave reviews from critics and bloggers. The actress also heard from viewers who feel Harris had it coming. “I was very surprised by that, actually. Because I did not take it lightly, especially with what’s going on in the country. It’s a big deal,” Strong said.

No “Dallas” cast member is ever sure what’s next for their character (“We’re all page turning every time we get a new script because there are so many twists and turns”), but Strong predicted Ann ultimately will be redeemed. “I think our writers are absolutely holding the big picture in mind and know that as heinous of an act that shooting someone is, in the larger scope of a person’s life, and the opportunity that this kind of conflict presents, there are things that are redeemable.”

More “Dallas” dish from Strong:

• On “Dallas’s” ratings, which have softened in Season 2: “TNT is a formidable summer [network]. They normally air their shows in the summer, and they are starting to branch out into the winter months … and [“Dallas” is] definitely pioneering that. I think we’re right in line with what the network expected our numbers to be, so I don’t think anyone’s worried.”

On her last scene with Larry Hagman, which was shot in a courthouse: “Larry was in top form, cracking the gallery up. And he and Patrick [Duffy] and I sat around in between shots, telling stories. I actually have a beautiful picture of the three of us sitting there – and none of us knew that we were having our photo taken – but you see me listening to Larry telling a story to Patrick and then both of us laughing. Obviously none of us knew it would be the last time we worked with him, so I hold those memories dear.”

On Ann and Sue Ellen’s bond: “Their friendship may be tested. There’s a J.R. camp and there’s a Bobby camp, and John Ross belongs in the J.R. camp. And so with Sue Ellen needing to be protective of her son, Ann and Sue Ellen may end up on different sides of the fence, which I think will be very interesting considering what a strong, solid friendship they have.”

On Judith Light: “She’s been such a great addition to our show. Judith and Ann have an altercation in practically every episode she’s in, so it’s definitely something that the audience can look forward to. And as much as we’ve come to love hating Harris, I think the audience is going to feel the same way about her.”

What do you think of Ann’s shooting of Harris? Share your comments below and read more news from Dallas Decoder.

The Dal-List: Classic ‘Dallas’s’ 5 Most Shocking Shootings

Dallas, J.R. Ewing, Larry Hagman, Who Shot J.R.?

The one heard round the world

TNT’s “Dallas” delivered a shocker at the end of “Sins of the Father,” this week’s episode: Ann (Brenda Strong) shot her ex-husband Harris (Mitch Pileggi) and left him bleeding on his den floor. It was the latest example of “Dallas’s” long tradition of using gunplay to throw viewers for a loop. Here’s my list of the five most shocking shootings seen during the original series.

Dallas, Fat Lady Singeth, Linda Gray, Sue Ellen Ewing

She bangs

5. J.R. Ewing (1988). “Dallas’s” 12th season ended with Sue Ellen and boyfriend Nick Pearce (Linda Gray, Jack Scalia) bursting into a high-rise hotel room to confront J.R. (Larry Hagman) over his latest misdeeds. J.R. pulled a gun, Nick lunged at him and before you knew it, studly Mr. Pearce went tumbling over the balcony. That’s when Sue Ellen picked up J.R.’s gun, fired three shots at him and dialed the police to report “a double murder.” Even though this was the fourth (!) time J.R. was shot on the show – and even though there was no doubt he’d survive – you have to admit: Seeing Sue Ellen plug him was pretty surprising.

Dallas, Don Starr, Jordan Lee, Terminus

For whom the booth tolls

4. Jordan Lee. This longtime Ewing frenemy had a penchant for hooking up with shady women – we’re looking at you, Kristin – but when Jordan (Don Starr) got involved with mysterious Sheila Foley (Susan Lucci), he paid the ultimate price. Jordan helped Sheila with her convoluted scheme to masquerade as Bobby’s wife because he believed Sheila merely wanted to make a big speech criticizing OPEC at a Parisian oil conference. When he realized she had deadlier aims, he ducked into a phone booth to call J.R. for help – but before Jordan started dialing, one of Sheila’s goons shot him, ending his 12-year run on the show.

Bobby Ewing, Dallas, End Game, Patrick Duffy

Twist of fake

3. Bobby Ewing. The last episode of “Dallas’s” eighth season felt awfully familiar: The whole world was mad at J.R., and one by one, his enemies were vowing revenge. (Peter Richards: “I swear I’ll kill you!”) As the hour drew to a close, we were given a first-person perspective as someone entered the darkened Ewing Oil suite, walked into J.R.’s office and fired three shots into the back of his chair. A body slumped to the floor, but it wasn’t J.R. – it was Bobby (Patrick Duffy)! Was this a shameless rip-off of the “Who Shot J.R.?” cliffhanger from four years earlier? Absolutely. Was it also one of the show’s best-ever fake-outs? You bet it was.

Dallas, J.R. Ewing, Larry Hagman, No More Mr. Nice Guy Part 1, Who Shot J.R.?

Big shot

2. J.R. Ewing (1980). Hold your fire, fellow fans. I know what you’re thinking: How can this one not be ranked first on a list of shocking “Dallas” shootings? Because CBS spoiled the surprise. Before the network broadcast “A House Divided,” the serial’s most famous cliffhanger, it aired promos that showed J.R. getting shot. As if that wasn’t bad enough, CBS also ran a half-page ad in TV Guide with a screaming headline (“It Had to Happen – J.R. is Shot!”). So yes, even though J.R.’s shooting was a stroke of storytelling genius – and even though it cemented “Dallas’s” spot in the TV Hall of Fame – it wasn’t much of a shock.

April Ewing, Bobby Ewing, Dallas, Patrick Duffy, Sheree J. Wilson, Terminus

French twist

1. April Ewing. Did you see this one coming? I sure didn’t. Like Jordan’s death, this shooting was part of the storyline about Sheila masquerading as Bobby’s kidnapped wife April (Sheree J. Wilson) during their Parisian honeymoon. April was supposed to be released to Bobby’s custody at the OPEC conference – but when gunfire broke out, she got caught in the crossfire. The scene ended with Bobby weeping as he cradled his dead bride’s body. Wilson had become “Dallas’s” leading lady at this point, making this the first time the show had killed off one of its main characters (not counting Jock, of course). Her death remains one of the show’s boldest – and most heartbreaking – plot twists.

Which “Dallas” shootings shocked you most? Share your choices below and read more “Dal-Lists.”

TNT’s Dallas Scene of the Day: ‘A Rare and Beautiful Thing. …’

Dallas, J.R. Ewing, Larry Hagman, Sins of the Father, TNT

Night visitor

In “Sins of the Father,” a second-season “Dallas” episode, Frank (Faran Tahir) enters his darkened home and finds J.R. (Larry Hagman) seated there.

J.R.: You lost a step, Frank. It’s a sad day when an old man can sneak up on a super ninja.

FRANK: What are you doing here?

J.R.: Well, I heard they found some – what do you call it? – high velocity blood splatter at Pamela Barnes’s old condo. Word is it might belong to Tommy Sutter.

FRANK: I’m no detective, but whatever they found in Pamela’s condo is Pamela’s problem.

J.R.: Well, I’m no detective either, but it doesn’t take Sherlock Holmes to know you clean up whatever mess Cliff asks you to. And this certainly is a mess.

FRANK: It may be hard for an old, retired fellow like you to understand this, but I’m a busy man. I don’t have time to chat.

J.R.: Well, I’m retired, but not by choice. Getting pushed out of my place at the table stung like hell. But you know how that feels, don’t you Frank? After all the jams you’ve gotten Cliff out of, to be treated like a lapdog by that spoiled princess? You’re not a Barnes, Frank. No matter how much Cliff appreciates what you’ve done, when push comes to shove, he’s going to protect his daughter. Now we both know that rich folks don’t go to jail. However, the people that clean up after them do.

FRANK: What are you suggesting?

J.R.: Tell me where the body and the gun are. I’ll make sure they pop up. You can get your place back at the Barnes Global table, and I make sure that Barnes girl doesn’t get a piece of Ewing Energies. [Smiles]

FRANK: If there were a body, the moment it appeared, Cliff would know I sold him out.

J.R.: [Chuckles] Frank, I’m J.R. Ewing. I can make a body appear in the middle of a church social without anybody knowing how it got there.

FRANK: Why should I trust you?

J.R.: Because we both want to destroy Pamela. And it’s a rare and beautiful thing when enemies share the same enemy. [Rises] I’ll be expecting your call. [Walks past him] Make it soon.

Critique: TNT’s ‘Dallas’ Episode 13 – ‘Sins of the Father’

Dallas, J.R. Ewing, Larry Hagman, Sins of the Father, TNT

The master

Larry Hagman supplies “Sins of the Father” with its best moments, including the cool scene where J.R. pressures Frank to betray Cliff, as well as the surprisingly sentimental one where he vows to help Bobby get revenge against Ryland. But for once, Hagman isn’t the only great thing about the new “Dallas.” Every member of the ensemble shines in this episode, especially Brenda Strong, whose performances are pitch perfect. This is the first time I’ve cared about Ann’s storyline this season, and that’s mostly because Strong does such a beautiful job selling it.

Strong has always had the most thankless job on this show because Ann has been assigned a dual role previously occupied by two of the most beloved figures in the “Dallas” mythos. Not only has Ann succeeded Pam as Bobby’s wife, she’s also assumed Miss Ellie’s mantle as the first lady of Southfork. Now, in “Sins of the Father,” with all her secrets seemingly exposed, Ann finally begins to feel like her own woman. She repeatedly calls Harris a “son of a bitch,” lobs a few barbs at Judith, and then confesses to Emma her past addiction to tranquilizers. We’re not in Pam or Ellie territory anymore.

I applaud the “Dallas” writers for turning Ann into a flawed heroine, but Strong gets the credit for making the character so convincingly human. Ann’s tears during her reunion with Emma at the end of “Battle Lines,” the second-season premiere, seemed to exceed what the moment called for, but I never get that feeling watching her in “Sins of the Father.” Strong strikes the right balance between regret and resolve in this episode’s Ann/Emma scene, making me believe Ann is a woman who hasn’t forgotten her mistakes, even if she’s risen above them.

Strong is downright mesmerizing at the end of “Sins of the Father,” when Ann confronts Harris and shoots him. It’s unsettling to see Ann behave so coldly, although I can’t say the shooting shocked me since TNT’s second-season promos included a glimpse of her brandishing a gun. I also can’t help but notice how closely Ann’s shooting of Harris mirrors Pamela’s shooting of Tommy in last season’s “Family Business,” right down to the victim’s slow-motion fall to the floor. There’s one big difference, of course: Pamela’s shooting was an act of self-defense, while Ann shoots Harris in cold blood. How’s the show going to redeem her after this?

Even though Strong dominates “Sins of the Father,” this is a solid hour for all the “Dallas” women. For me, seeing Sue Ellen march into Ewing Energies and threaten to call in Elena’s loan was a little metaphysical: Suddenly it was the 1980s again and I was back in my parents’ living room, watching Sue Ellen square off against one of her rivals, except this time the fight was over her son, not J.R. The role of Mama Bear fits Linda Gray well, although I think this moment would’ve been more effective if Sue Ellen had taken it upon herself to go after Elena instead of being manipulated into it by John Ross. Regardless, I welcome the return of the take-no-prisoners Sue Ellen, and I’m thrilled to see her get involved with the family business. At long last, the new “Dallas” seems to have figured out how to put Gray’s gifts to good use.

As for Elena: How nice is it to see her do something besides moon over John Ross and/or Christopher? Jordana Brewster is an actress with tremendous poise and grace, and I’m glad the writers are turning Elena into such a smart, savvy businesswoman. She keeps her cool when Sue Ellen confronts her (Elena: “I’m not sure where all this anger is coming from, but if this is about something more personal, we should talk about it”), but Elena would be dull if she was perfect, and in “Sins of the Father” she isn’t. Brother Drew’s return rattles her, although I also feel the warmth between the characters during their heart-to-heart in the Southfork pasture. I hope the show will continue to develop Elena and Drew’s relationship with each other, as well as the one they share with mama Carmen. Between the three of them, Brewster, Kuno Becker (a promising addition to the show) and Marlene Forte have the potential to turn the Ramoses into a meaningful presence at Southfork.

Let’s also hear it for John Ross and Pamela. Their first scene in “Sins of the Father,” when they frolic in bed, arguing over who gets to be on top, is fun, and their repeated use of “Dallas’s” most enduring term of endearment – “darlin’” – is cute. On the other hand, John Ross’s worried expression over Pamela’s connection to Tommy’s death at the end of the episode feels a little out of place. I like the idea of him falling for Pamela, but isn’t it a little soon? For that matter, I also don’t buy the notion that the detective investigating Tommy’s death would call Christopher to the crime scene for a chit-chat (shouldn’t Christopher be a suspect too?), and I wonder if Harris would really be beyond punishment for kidnapping Emma. The criminal justice system on this show seems to be exist in another dimension.

Of course, every time “Dallas” offers head-scratchers like these, it usually cuts to something wonderful – like Hagman’s scenes. Director Jesse Bochco smartly shrouds Hagman and Faran Tahir in darkness during J.R.’s exchange with Frank, which makes it feel that much more mysterious. I also love how scriptwriter Bruce Rasmussen peppers J.R.’s dialogue with an extra dash of homey references (church socials, lapdogs), which allows Hagman to play off the suave Tahir. My gut tells me Frank isn’t long for this world, which is too bad because of all the new show’s villains, he’s the most menacing.

Hagman’s other highlight: the scene where Bobby asks J.R. to help him get revenge against Harris. Besides capitalizing on the chemistry between Hagman and Patrick Duffy, the scene also draws upon the deep familiarity between these characters. J.R.: “I’ve seen that look before. You go over there to get justice and you’re likely to beat him to death.” Bobby: “That’s why I need you. Help me find a way to bring him down.”

I wish the show had allowed the audience to savor the idea of J.R. and Bobby joining forces against a common enemy; instead, it cut to the scene of Ann shooting Harris, which kind of undermines any threat J.R. might pose. Then again, something tells me Mr. Ryland is going to be just fine (please note: Mitch Pileggi was added to this show’s opening credits two episodes ago), so J.R. might yet get his chance to stage his “masterpiece” against Harris. Rarely have I wanted to see anything more.

Grade: A

_______________________________________________________________________________________________________________________________________________

Ann Ewing, Brenda Strong, Dallas, Sins of the Father, TNT

Woman on the edge

‘SINS OF THE FATHER’

Season 2, Episode 3

Telecast: February 4, 2013

Writer: Bruce Rasmussen

Director: Jesse Bochco

Audience: 2.2 million viewers on February 4

Synopsis: When the police begin to suspect Pamela killed Tommy, J.R. urges Frank to betray her. After Christopher warns Becky she’s in danger, she receives a visit from Frank and disappears. At John Ross’s urging, Sue Ellen threatens to call in Elena’s loan, prompting Elena to turn to her estranged brother Drew for help striking oil. Ann tries to connect with Emma but is once again rejected. Bobby asks J.R. to help him get revenge against Harris, unaware Ann has shot him.

Cast: Amber Bartlett (Jill), Kuno Becker (Drew Ramos), Emma Bell (Emma Brown), Jordana Brewster (Elena Ramos), Patrick Duffy (Bobby Ewing), Marlene Forte (Carmen Ramos), Julie Gonzalo (Pamela Rebecca Barnes), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Josh Henderson (John Ross Ewing), Judith Light (Judith Ryland), Alex McKenna (Becky Sutter), Marcus M. Mauldin (Detective Ronnie Bota), Jesse Metcalfe (Christopher Ewing), Mitch Pileggi (Harris Ryland), Matthew Posey (Bubba), Brenda Strong (Ann Ewing), Faran Tahir (Frank Ashkani)

“Sins of the Father” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Burning Questions: Season 2, Week 2

Watch your back, honey

Watch your back, honey

Here are the questions we’re pondering as we await tonight’s telecast of “Sins of the Father,” TNT’s latest “Dallas” episode.

• John Ross and Pamela: What’s next? At the end of “Venomous Creatures,” the second half of last week’s two-hour season premiere, Pamela (Julie Gonzalo) agreed to give John Ross (Josh Henderson) 70 percent of her share of Ewing Energies, once she wins a piece of the company during her divorce from Christopher. John Ross and Pamela then sealed their deal by having sex. So will these two remain enemies with benefits – or are they going to develop real feelings for each other?

Will Christopher learn the truth? Frank (Faran Tahir), Pamela’s rival at Barnes Global, secretly sent Tommy’s cell phone to Christopher (Jesse Metcalfe), who played its voice mail messages and discovered: a) Pamela threatened Tommy for pushing her too hard, and b) Tommy’s sister Becky (Alex McKenna) was part of the con against Christopher. Will Christopher discover Pamela killed Tommy and had her father’s henchmen dispose of the body?

Is there more to Ann’s story? When Ann (Brenda Strong) was married to Harris (Mitch Pileggi), they had a daughter named Emma, who was kidnapped from her stroller at the Texas State Fair. After Harris told Ann he found Emma, Ann went to see the young woman, who coldly rejected her. Bobby (Patrick Duffy) did some digging and discovered Harris himself snatched Emma and sent her to Europe to live with his mother Judith (Judith Light). Clearly, there’s more to this story. Clue No. 1: After Emma (Emma Bell) rejected Ann, Ann began receiving injections from the Ewings’ family physician. Later, when Bobby met with Harris, Harris asked, “Did Ann ask you for a shot yet? Something to help take the edge off? That’s a slippery slope. Trust me, I’ve witnessed it firsthand.” Clue No. 2: When Bobby met Emma, he told her Harris “kidnapped you from your mother.” Emma’s cryptic response: “He saved me from my mother.” What’s really going on here?

Should Elena be worried? After Elena (Jordana Brewster) scored a big deal for Ewing Energies, Bobby, Christopher and John Ross made her an equal partner in the company. Later, John Ross reminded J.R. (Larry Hagman) that all of Elena’s assets – including her Ewing Energies shares – are vulnerable until she repays Sue Ellen (Linda Gray) the money she borrowed from her for an earlier deal. Are J.R. and John Ross going to use Sue Ellen and Elena in their plot to take over the company?

Are J.R. and Sue Ellen getting back together? Speaking of J.R. and Sue Ellen: After he got her off the hook with the prosecutor, J.R. showed up on her doorstep and received a sweet peck on the cheek. “If you can behave yourself, would you like to come in for some tea?” Sue Ellen asked. “I thought you’d never ask,” he said as he stepped inside. Did J.R. keep up his end of the bargain?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight. 

After ‘Dallas’: 7 Shows That Aired in TV’s Best Time Slot

Monday Mornings, TNT

Who the hell are these people?

Stick around after “Dallas” tonight and you’ll see the debut of “Monday Mornings,” a weekly medical drama that – in the words of TNT’s press release – “follows the lives of doctors as they push the limits of their abilities and confront their personal and professional failings.” Back in the ’80s, the post-“Dallas” time slot – Friday nights at 10 – was some of the hottest real estate in prime time. Do you remember the other shows that tried to ride J.R.’s coattails to the top of the Nielsen charts?

“Falcon Crest”

Vintage

Vintage

Well, of course you remember this one. “Falcon Crest” debuted December 4, 1981, and followed “Dallas” on Friday nights for almost its entire nine-season run. (CBS bumped the show to Thursdays for its final four episodes.) The series starred the great Jane Wyman as the indomitable Angela Channing, who ruled the Northern California wine country the way J.R. ruled Big D. Wyman’s co-stars included Lorenzo Lamas, whose playboy Lance Cumson was the John Ross Ewing of his day. “Falcon Crest” also starred Robert Foxworth, a fine actor who turned down the role of J.R. in 1978 because he feared the character wasn’t likable enough. For this, we thank him.

“Capitol”

Washington women

Women at war

Wasn’t “Capitol” a daytime soap opera, you ask? Yes it was. But on March 26, 1982, three days before the serial joined CBS’s afternoon lineup (where it was sandwiched between “As the World Turns” and “Guiding Light”), “Capitol” got a one-hour preview after “Dallas.” The show was set in Washington, D.C., and told the story of two families: the McCandlesses and the Cleggs, who fought over politics the way the Barneses and the Ewings feuded over oil. Instead of old coots like Jock and Digger, “Capitol” gave us two grand dames: Constance Towers as Clarissa McCandless and Carolyn Jones – a.k.a. Morticia Addams – as Myrna Clegg. How progressive!

“Knots Landing”

Three’s a crowd, Gary

Three’s a crowd, Gary

“Dallas” and “Knots Landing” were made to go together, but the spinoff followed its parent in CBS’s lineup exactly once: October 29, 1982. That evening, Gary (Ted Shackelford) visited “Dallas” for the reading of Jock’s will, and the story continued on a special “Knots Landing” episode in which J.R. (Larry Hagman) canoodled with his middle brother’s latest squeeze Abby (Donna Mills). If CBS’s goal was to goose “Knots Landing’s” numbers, the plan worked: That week, “Dallas” finished first in the ratings and “Knots Landing” finished fourth. It was “Knots Landing’s” most-watched episode ever and the first time the show cracked Nielsen’s top 10.

“The Mississippi”

All wet

All wet

When “Falcon Crest” finished its second season early, CBS used the post-“Dallas” time slot to try out “The Mississippi,” which began a six-week run on March 25, 1983. The series starred “The Waltons” dad Ralph Waite as Ben Walker, a tugboat captain who also fought crime with help from sidekick Stella McMullen (Linda G. Miller). “The Mississippi” was an instant hit and earned its own slot on CBS’s fall 1983 schedule: Tuesday nights at 8. But without the benefit of a “Dallas” lead-in, “The Mississippi’s” audience dried up. (Oh, stop groaning. You knew that was coming.) In 1997, Waite appeared on Hagman’s “Orleans,” another CBS riverboats-and-crime drama.

“Hard Copy”

Get them rewrite!

Get them rewrite!

“Hard Copy” starred Michael Murphy as Andy Omart, a scribe for the Los Angeles Morning Post; Wendy Crewson as fellow newshound Blake Calisher; and Dean Devlin as David Del Valle (or was it David Del Valle as Dean Devlin?), a cub reporter. Also featured: George O. Petrie – a.k.a. Ewing family consigliere Harv Smithfield – as Scoop Webster. CBS launched “Hard Copy” after Super Bowl XXI (Giants stomp the Broncos, 39 to 20) in January 1987, where it bombed. In May, the network moved the show to Fridays, where it followed summertime “Dallas” reruns and bombed again. CBS stopped the presses for good six weeks later.

“Beauty and the Beast”

Once upon a time

Once upon a time

If you remember “Beauty and the Beast” airing before “Dallas,” you’re right. But before the romantic fantasy/action show moved to the pre-Southfork slot, CBS aired its pilot after “Dallas’s” 11th season premiere on September 25, 1987. You’ll recall that was the night Pam was rescued from her fiery car crash. Perhaps CBS thought seeing Pam wrapped in bandages would help viewers mentally prepare to meet Vincent (Ron Perlman), the lion-like creature who made Catherine Chandler (Linda Hamilton) swoon. Vincent’s face was hidden in all the show’s pre-debut publicity, including TV Guide’s fall preview; the hairy mug wasn’t revealed until the premiere.

“Sons & Daughters”

Circle unbroken?

Circle unbroken?

“Dallas’s” final dance partner, “Sons & Daughters,” debuted January 4, 1991, four months before the Ewings rode off into the sunset. The “Parenthood”-style series starred Don Murray as Bing Hammersmith, the patriarch of a quirky family that included Lucie Arnaz as his eldest daughter Tess. CBS planned to call the show “The Hammersmiths” and pair it with Murray’s previous series, “Knots Landing,” on Thursdays, but when Fox shifted its red-hot “The Simpsons” to that night, CBS changed the title to “Sons & Daughters” and shifted it to Fridays. “Sons & Daughters” was set in Portland, Oregon – just like “Monday Mornings.” We’ve come full circle, folks.

What did you enjoy watching after “Dallas” on Friday nights? Share your memories below and read more features from Dallas Decoder.

The Dal-List: 10 Classic Clashes Between J.R. and Pam

Dallas, J.R. Ewing, Julie Gonzalo, Larry Hagman, Pamela Rebecca Barnes Ewing, TNT, Venomous Creatures

2 for 2?

The confrontation between J.R. and Pamela (Larry Hagman, Julie Gonzalo) in “Venomous Creatures,” one of this week’s new “Dallas” episodes on TNT, was an instant classic. The scene demonstrated how Gonzalo can hold her own against the legendary Hagman, but it also evoked memories of J.R.’s showdowns with the original Pam (Victoria Principal). Here’s a look at some of those moments.

Dallas, Digger's Daughter, Pam Ewing, Victoria Principal

Fight or flight

10. Let the games begin. J.R. and Pam’s first fracas set the stage for all the fights that followed. On the day she arrived at Southfork, he gave her a friendly tour of the ranch – then offered her a bribe to leave: “I’m willing to spend some money now to avoid any inconvenience. But if you insist upon being driven away – which you surely will be – you’re going to come out of this without anything, honey.” Pam ignored J.R.’s offer, but maybe she should’ve taken the money and run. Think of all the pain she would’ve been spared! (“Digger’s Daughter”)

Dallas, Barbecue, J.R. Ewing, Larry Hagman, Pam Ewing, Victoria Principal

Fall gal

9. Legend of the fall. J.R. and Pam’s most controversial encounter: During her first Ewing barbecue, pregnant Pam retreated to a Southfork hayloft for some much-deserved alone time. Suddenly, a drunken J.R. showed up, crawled (slithered?) toward her and apologized for “going too far” during her early weeks at Southfork. While trying to get away from him, Pam slipped, fell and lost her baby. Some fans remember J.R. pushing Pam, but when you watch this scene, it’s pretty clearly an accident. J.R. was bad, but he wasn’t evil. (“Barbecue”)

Dallas, J.R. Ewing, Larry Hagman, Love and Marriage, Pam Ewing, Victoria Principal

Stud or dud?

8. Stud finder? If there was sexual tension between J.R. and Pam, it was strictly one-sided. When he suggested her demanding job at The Store might prompt lonely Bobby to reclaim his reputation as Dallas’s top stud, Pam declared that Bobby “isn’t standing at stud anymore. … He left the field wide open for you. Of course, from what I hear, that still leaves the field wide open.” J.R.: “Anytime you want to find out, it can be easily arranged.” Pam: “Don’t bother, J.R. Even if I weren’t married to Bobby, you aren’t man enough.” OK then! (“Love and Marriage”)

Dallas, Pam Ewing, Quandary, Victoria Principal

Bag it, J.R.

7. Tea for one. When Bobby “died,” Pam joined Ewing Oil as J.R.’s new partner, bringing the animosity between them to new heights. Within minutes of her first day on the job, J.R. minced no words letting Pam know how he felt about her new career: “I don’t want you in my sight, much less my offices!” Pam didn’t miss a beat. She ignored J.R.’s huffing and puffing, buzzed her secretary Phyllis on the intercom and ordered “a cup of tea – a cup of herbal tea.” Pam then turned to J.R. and asked if he wanted anything. He didn’t. (“Quandary”)

Dallas, J.R. Ewing, Larry Hagman, Nothing's Ever Perfect

Dream on, Pam

6. Truce? In your dreams. After spending months fighting with J.R. at Ewing Oil, Pam decided their war wasn’t worth it and sold him the share of the company she controlled. After signing the papers, Pam told him, “It’s all yours, J.R. I hope this does mean that we can all live in peace now.” His response: “We’ve got nothing to fight about anymore.” Ha! This scene aired six months before Bobby stepped out of Pam’s shower. Looking back, the moment J.R. and Pam made nice should’ve been the first clue our heroine was dreaming. (“Nothing’s Ever Perfect”)

Dallas, Fallen Idol, J.R. Ewing, Larry Hagman

Hold the butter

5. Dining with the devil. For purely selfish reasons, J.R. didn’t want Bobby doing business with shady college chum Guzzler Bennett, so J.R. invited Pam to lunch to enlist her help in stopping Bobby and Guzzler’s project. When Pam wondered how she might persuade Bobby to call off the deal, J.R. told her, “You’re a very clever woman, Pam. You’ll think of something.” I also love her cutting response to his attempt to butter her up at the start of the scene: “J.R., please don’t make me lose this good food.” (“Fallen Idol”)

Dallas, Ewing Inferno, Pam Ewing, Victoria Principal

Sting like a bee

4. Slap! J.R. and Pam’s fights almost never turned physical. Emphasis on “almost.” While Pam waited alone for Bobby inside his office one day, J.R. popped in to say hello. She wasn’t in the mood for his insincerities. “Save that nonsense for somebody who doesn’t know you,” she said, then chastised him for his latest extramarital fling. “Climb down off your soapbox, honey,” J.R. responded before accusing her of sleeping around. Before all was said and done, Pam had stomped away, leaving J.R. with a big red mark on his cheek. (“Ewing Inferno”)

Dallas, If At First You Don't Succeed, J.R. Ewing, Larry Hagman

Change of tune

3. Get your feud on. When Cliff was arrested for Bobby’s shooting, Pam accused J.R. of framing her brother. Cue J.R.’s eye-roll: “I’m getting kind of tired of that old song. Mean, nasty J.R. beating up on poor, innocent Cliff Barnes.” Pam’s response: “I’ve never believed in the Barnes/Ewing feud, J.R., but now I’m going to join it. I’m going to do everything I can to help Cliff – and I’m not going to rest until all our family scores are settled!” Something tells me Pam’s namesake niece would be proud of auntie here. (“If at First You Don’t Succeed”)

Dallas, Legacy of Hate, Pam Ewing, Victoria Principal

Babble on, honey

2. True lies. Just to mess with her, J.R. sent Pam on a wild goose chase to the Caribbean to find her presumed dead lover Mark Graison. When she found out, she stormed into J.R.’s office and demanded an explanation. J.R. played dumb. “You’re babbling like a lunatic,” he said, adding: “I never liked you a hell of a lot, you know that, Pam? But I never thought you were stupid until now.” Principal is fantastic here – and so is Hagman. Pam knows J.R.’s lying. The audience knows he’s lying too. Yet somehow, we kinda believe him. (“Legacy of Hate”)

Dallas, J.R. Ewing, Larry Hagman, Long Goodbye, Pam Ewing, Victoria Principal

Choose or lose

1. The choice. J.R. rejoiced when Pam left Bobby, but when he found out she was thinking about reconciling with him, J.R. knew he needed to act fast. He showed up on Pam’s doorstep and tried to persuade her that a divorce was in her best interest. “How nice! You’re concerned about my happiness,” she said, sarcasm dripping from every word. J.R.’s matter-of-fact response: “Oh, no. I don’t give a damn about you or your happiness, honey. But I do care about what’s good for me.” As Pam stood with her back to him, J.R. circled her, explaining she had two options: divorce Bobby and bring the Barnes/Ewing feud to an end, or return to him and watch as “all hell [breaks] loose.” Hagman is downright chilling, and as Pam, Principal looks visibly shaken. We can sympathize; in this scene, J.R. scares us too! (“The Long Goodbye”)

What do you think are J.R. and Pam’s best confrontations? Share your choices below and read more “Dal-Lists.”

TNT’s Dallas Scene of the Day: ‘You’re Not the First Pam. …’

Dallas, Larry Hagman, J.R. Ewing, Venomous Creatures

Odds are in his favor

In “Venomous Creatures,” a second-season “Dallas” episode, J.R. (Larry Hagman) visits Pamela (Julie Gonzalo) in the Barnes Global boardroom.

PAMELA: What are you doing here, J.R.?

J.R.: I’m just here to look my enemy in the eye. And since your daddy is about 2 feet shorter than I am, I guess you’ll have to do.

PAMELA: I must have done something right to deserve a visit from you.

J.R.: Congratulations on your win in court. Now divorce court, if you want some tips, I can offer you a few. I’m an expert authority.

PAMELA: I already have my experts.

J.R.: Oh, and if you’ve got it in your pretty little head to go after Ewing Energies in the divorce, you won’t be dealing with Christopher. You’ll be dealing with me.

PAMELA: You’re not a part of that company.

J.R.: No, no. But I’m part of that family. You’re not the first Pam to fox her way into the henhouse. I’m 1 for 1 on flushing out Pamelas. And I plan on being 2 for 2.