Critique: TNT’s ‘Dallas’ Episode 30 — ‘D.T.R.’

Dallas, D.T.R., Linda Gray, Sue Ellen Ewing, TNT

Woman of the hour

Let’s get this out of the way first: “D.T.R.” stands for “define the relationship,” as Christopher’s new girlfriend Heather helpfully explains in the scene where they get to know each other better in the bar. I wasn’t familiar with the expression until recently and neither were a lot of “Dallas” fans, judging by the reactions I’m seeing on Twitter. But no matter. This episode is really about the “Dallas” characters trying to dominate their relationships. Everyone is vying for control of everyone else, demonstrating once again that the real commodity on this show is power, not oil.

At the center of it all is Sue Ellen, a woman who spent years struggling to take charge of her own life. Now she’s trying to reign in John Ross, not just because he’s beginning to remind her of J.R., but also because he’s beginning to remind her of herself. Sue Ellen sees her son becoming addicted to feeding his own ego, just like she’s hooked on the booze inside her flask. This point is underscored in the scene where she tells John Ross that he’s being “reckless” by cheating on Pamela. Sue Ellen might as well be describing the person she used to be, during her own self-destructive phase, before she became the much more functional alcoholic we see today.

John Ross ends this scene by accusing his mother of taking out on him her lingering anger toward J.R. “Guess what, Mama? I’m not J.R.,” he says. These are surprising words coming from a young man who struts around wearing Daddy’s wristwatch and belt buckle, but they show how John Ross has picked up another one of Sue Ellen’s old habits: her penchant for denying the truth. Indeed, what fascinates me most about John Ross and Sue Ellen’s relationship this season is how they’re both borrowing different pages from J.R.’s playbook in their quest for the upper hand in their relationship. In the previous episode, John Ross showed he could treat Sue Ellen as cruelly as J.R. once did; in “D.T.R.,” Sue Ellen blackmails McConaughey in a bid to undermine her son. J.R. Ewing lives on through the people he loved most.

But even without these allusions to our hero, Sue Ellen and John Ross’s storyline is absorbing and effective. Much of this has to do with Linda Gray and Josh Henderson, who do remarkable work in “D.T.R.” Gray enlivens every scene she’s in through the sheer force of her presence; it’s become cliché to say she lights up the screen each time she appears, but I can think of no better way to describe what she brings to this show. Henderson, in the meantime, is nothing less than outstanding: In his hands, John Ross has become dark and dangerous. It doesn’t hurt that both actors receive wonderful material from scriptwriter Aaron Allen, who helps make the characters feel real and knowable. Strip away all the references to “fracking” and the “Arctic play” and it’s easy to see this is the story of a mother trying to save her son from himself.

Allen — who also wrote “Let Me In,” the episode where Harris stifles Emma’s bid for independence — uses “D.T.R.” to return to the power struggles within the Ryland family too. As John Ross points out, Emma is supposed to control Judith, who is supposed to control Harris, although it’s hard to figure out who really runs the show. Here’s what I find most interesting about these characters: As deceptive as they are, they use the truth to emotionally bludgeon each other. In “D.T.R.,” when Ann declares her “role” at Southfork is to care for her loved ones, Emma reminds her mother that she “lied to her husband about my very existence.” It’s harsh, but is it inaccurate? Similarly, in the tense scene where Judith and Emma haggle over Harris’s files, is Judith wrong when she tells Emma that she “degrades” herself by sleeping around?

The Rylands always give us plenty to ponder, but there’s no questioning the quality of the actors’ performances. Judith Light makes it clear Judith loves her rebellious granddaughter, while Emma Bell never lets us forget her character has vulnerabilities, no matter how wicked she behaves. I also love Brenda Strong, who knocks me out in the scene where Ann angrily kicks Emma off Southfork, although she’s equally good when Ann warily welcomes her daughter home. It’s also nice to see Steven Weber take another turn as the slick Governor McConaughey, as well as Todd Terry, who returns as hapless State’s Attorney Peter Bedford, one of the last people to have the honor of being blackmailed by J.R. Ewing. Speaking of J.R.’s victims: The “D.T.R.” scene where Cliff calls Pamela and tries to mend fences with her restores a shred of humanity to the character, but I mostly love the scene because it allows Ken Kercheval to revive his mantra from the second season: “I did not kill J.R.!”

There’s much more to like about “D.T.R.,” especially where Patrick Duffy is concerned. I love how cinematographer Rodney Charters, who doubles as this episode’s director, gives us a shot of solemn, solitary Bobby on horseback watching the smug John Ross inspect the Southfork drill site. It makes Bobby’s end-of-the-episode speech about upholding the Southworth traditions that much more poignant. It’s also a kick to see Bobby and Sue Ellen in the back of the van, eavesdropping on McConaughey, as well as the big reveal at the press conference, when Bobby steps forward as the new railroad commissioner. (Between this scene and the one in “Playing Chicken” where Bobby steps out of Rhonda’s car, Duffy is becoming “Dallas’s” master of the grand entrance.)

“D.T.R.’s” use of the J.R. Ewing Bourbon bottle is also inspired: The revelation that the cork is bugged is the third season’s best twist yet, but I also love how the bottle practically becomes a stand-in for J.R. himself. Gray has a Hagman-esque twinkle in her eye when Sue Ellen gives the bourbon to McConaughey at the top of the hour and reminds him that “good blackmail never sours.” The twinkle is there at the end of the episode too, when Sue Ellen reveals the dirt on McConaughey and he slides the bottles across his desk toward her and says, “This is why politicians should never accept gifts — especially gifts with J.R.’s name on them.”

The only thing missing from this scene is seeing J.R.’s smile, although I must say: Sue Ellen’s sly grin is pretty wonderful too. Of course, that’s always been true, hasn’t it?

Grade: A

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Bobby Ewing, Dallas, D.T.R., Patrick Duffy

The steward

‘D.T.R.’

Season 3, Episode 5

Telecast: March 24, 2014

Audience: 1.79 million viewers on March 24

Writer: Aaron Allen

Director: Rodney Charters

Synopsis: Sue Ellen blackmails McConaughey into removing Babcock from the Railroad Commission and replacing him with Bobby. Emma blackmails Judith into giving John Ross access to Ryland Transport’s ships and tells him she wants a piece of the Arctic drilling venture. Harris blackmails the CIA into giving his family extra protection. Cliff urges Elena and Nicolas to turns John Ross against Pamela, and when Nicolas examines photographs of J.R.’s autopsy, he notices an unusual incision on his chest. Christopher learns Heather is divorced from Bo and that they have a young son, Michael.

Cast: Amber Bartlett (Jill), Emma Bell (Emma Ryland), Donny Boaz (Bo McCabe), Jordana Brewster (Elena Ramos), Candace (Jude Demorest), Juan Pablo Di Pace (Nicolas Treviño), Patrick Duffy (Bobby Ewing), Julie Gonzalo (Pamela Ewing), Linda Gray (Sue Ellen Ewing), Josh Henderson (John Ross Ewing), Ken Kercheval (Cliff Barnes), AnnaLynne McCord (Heather McCabe), Jesse Metcalfe (Christopher Ewing), Gino Anthony Pesi (George Tatangelo), Mitch Pileggi (Harris Ryland), Brenda Strong (Ann Ewing), Todd Terry (State’s Attorney Peter Bedford), Steven Weber (Governor Sam McConaughey)

“D.T.R.” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

TNT’s Dallas Recap: ‘D.T.R.’

Bobby Ewing, Dallas, D.T.R., Linda Gray, Patrick Duffy, Sue Ellen Ewing, TNT

Ewings united

Here’s what happened in “D.T.R.,” TNT’s latest “Dallas” episode:

• Sue Ellen struck back (part 1): Sue Ellen (Linda Gray) visited Governor McConaughey (Steven Weber) and gave him a bottle of J.R. Ewing Bourbon, hoping it would persuade him to replace Stanley Babcock, the corrupt railroad commissioner, with an appointee who would agree to revoke John Ross’s Southfork drilling permit. Of course, the wily McConaughey was in no mood to grant Sue Ellen a favor and rejected her suggestion. Dumb move, governor: It turned out Sue Ellen had bugged the bottle, which allowed her and Bobby (Patrick Duffy) to eavesdrop on McConaughey’s conversations — including one with Babcock (Currie Graham), who promised to illegally funnel money to the governor’s 2016 presidential campaign. “The bug in the bourbon cork. I think J.R. would see the humor in that,” Bobby said.

• Sue Ellen struck back (part 2). After John Ross and Pamela (Josh Henderson, Julie Gonzalo) returned from their honeymoon, Sue Ellen told her son to stop cheating on his wife, but he paid Sue Ellen no heed. “This is all about you wanting to punish J.R. for the way he treated you. Well, guess what, Mama? I’m not J.R.,” John Ross said. Dumb move, junior: Once Sue Ellen played McConaughey her recording of his conversation, he agreed to replace Babcock with a new railroad commissioner — Bobby. (Said the governor upon discovering Sue Ellen’s scheme: “This is why politicians should never accept gifts — especially gifts with J.R.’s name on them.”) Sue Ellen let her son know she was behind the appointment when she sent him a text message that read, “I couldn’t look the other way.” He responded in kind, leaving her a nasty voice mail message in which he shouted, “Now I know I’ve got another enemy I’ve got to look out for. I ain’t going to forget this.”

• Emma gained the upper hand against Judith. John Ross returned from his honeymoon with a gift for his mistress: a necklace, which he gave to Emma (Emma Bell) during one of their clandestine meetings in her bedroom. When Ann (Brenda Strong) saw the jewelry, she and Emma got into a fight and Ann kicked her off the ranch. But Emma wasn’t down for long: She told Judith (Judith Light) she knows all about her prostitution business and used the information to blackmail Grandma into agreeing to give John Ross control of Ryland’s ships for his Arctic drilling venture. After Judith gave her granddaughter some advice (“Never let a man screw you for nothing”), Emma told John Ross she wants a piece of the “Arctic play,” but that’s probably the least of his worries: Judith, fuming over being blackmailed, let Harris know she was frustrated with the slow pace of his scheme to frame John Ross for a sex crime. “How hard is it to get that Ewing boy to drop his pants?” Judith asked.

• Harris gained the upper hand against the CIA. After Ann told Harris that Emma left the ranch, he worried for his daughter’s safety and told CIA agent George Tatangelo (Gino Anthony Pesi) that he wanted out of the agency’s sting operation against the Mendez-Ochoa drug cartel. Tatangelo told Harris it was too late to walk away (“You bought the ticket. You take the ride.”), so Harris threatened to expose expose the illegal “black ops” operations Tantangelo has been conducting on the side. “If you won’t stop the ride, the least you can do is re-route some of those resources and get my family a little extra protection,” Harris said. Meanwhile, Harris and Ann continued to soften toward each other during their search for Emma, who eventually came home to Southfork and told Ann she would stop seeing John Ross — a promise Emma had no intention of keeping.

• Elena and Nicolas got a clue. Pamela was unsettled to see Candace (Jude Demorest) flirting with John Ross, but that was nothing compared to the distressing phone call she received from Cliff (Ken Kercheval), who tried unsuccessfully to mend fences with her. Cliff realized his daughter believes he really did kill J.R., and so he huddled with Elena and Nicolas (Jordana Brewster, Juan Pablo Di Pace) and urged them to tell Pamela the truth. “Turn her against John Ross and she will help you get your justice … and mine,” Cliff said. He also warned Elena to keep an eye on Nicolas. Meanwhile, Nicolas persuaded Peter Bedford (Todd Terry), the state’s attorney whom J.R. once blackmailed, into showing him and Elena the files from the Mexican police’s investigation into J.R.’s murder. While examining the autopsy photos, Nicolas noticed an unusual incision on J.R.’s body.

• Christopher grew closer to Heather — and clashed with John Ross. Christopher and Heather (Jesse Metcalfe, AnnaLynne McCord) grew closer, and he learned her secret: She was once married to Bo (Donny Boaz) and the two of them have a young son, Michael. Christopher and the boy bonded over Transformers when they met, but Bo made it clear he doesn’t think much of Christopher. Or maybe Bo was just stressed because John Ross, his boss at the Southfork drilling site, has been riding the crew so hard. Buckle up, Bo, because things aren’t going to get any easier: After John Ross found out about Bobby’s new position on the railroad commission, he vowed to keep fighting until he taps the oil under the ranch. As John Ross told Bobby and Christopher, “You want to build a roadblock between me and drilling Southfork? Go ahead. If I’m as bad as my father ever was, then I’ll blow right past it.”

What did you think of “D.T.R.”? Share your comments below and look for Dallas Decoder’s critique later this week.