Dallas Scene of the Day: ‘I Never Stopped Loving You’

Bobby Ewing, Dallas, Deliverance, Pam Ewing, Patrick Duffy, Victoria Principal

Close encounter

In “Deliverance,” an eighth-season “Dallas” episode, Bobby and Pam (Patrick Duffy, Victoria Principal) sit on her sofa after dinner.

BOBBY: The evening was perfect.

PAM: Yes, it was. I’m just sorry it had to be this way.

BOBBY: What do you mean, this way?

PAM: Well, under these circumstances. Our being together because Jenna’s in prison.

BOBBY: Pam, that’s not why I’m here. I’m here because you and Christopher are my family.

PAM: Oh, Bobby. When Jenna comes back home, we won’t be spending any more nights together like this.

BOBBY: No. No, not exactly.

PAM: Well, that makes me sad.

BOBBY: I know.

PAM: And I’m sorry for us. Maybe I shouldn’t say that, but it’s how I feel.

BOBBY: Pam, if things could have just been different for us.

PAM: [Sighs] Oh, Bobby. If anything were any different. If Jenna weren’t in prison, I wouldn’t let you out of my house tonight. I wouldn’t let you out of my sight. I’d never let you out of my life again. I love you. I love you more than I ever did before, and I didn’t think that was possible.

BOBBY: Pam.

PAM: Oh, I’m not ashamed of loving you. And I’m not sorry for it. Maybe it’s not fair to say it to you, but I couldn’t go on without telling you. I love you, Bobby. [He hugs her. She sobs.] I love you so much, my heart hurts.

BOBBY: I know, I know.

PAM: Do you? Do you know?

BOBBY: I never stopped loving you. And I never will.

PAM: Oh. [They kiss.]

Watch this scene in “Deliverance,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘I’m So Sorry’

Dallas, Deeds and Misdeeds, John Ross Ewing, Linda Gray, Omri Katz, Sue Ellen Ewing

Significant mother

In “Deeds and Misdeeds,” an eighth-season “Dallas” episode, Sue Ellen (Linda Gray) enters a hospital room, where John Ross (Omri Katz) lies in bed.

SUE ELLEN: Hello, sweetheart.

JOHN ROSS: [Turns to face her] Mama.

SUE ELLEN: [Strokes his hair] My poor baby.

JOHN ROSS: Where were you?

SUE ELLEN: Well, I’m here.

JOHN ROSS: Were you here when they operated on me?

SUE ELLEN: No. Mommy was out. I didn’t even know about the operation until it was all over.

JOHN ROSS: Oh.

SUE ELLEN: I’m so sorry. It was a mistake. Mommy should have been here.

JOHN ROSS: That’s okay. You didn’t know.

SUE ELLEN: How’s your tummy? Does it hurt?

JOHN ROSS: A little bit. But not like it did when Grandma brought me to the hospital.

SUE ELLEN: Well, it hurts right now because of the operation, but it’ll go away soon.

JOHN ROSS: I know. [Reaches up and hugs her]

SUE ELLEN: Sweetheart, easy. Don’t strain yourself. [Kisses him] I’m so sorry. Mommy should have been here so you didn’t have to go through that operation alone.

JOHN ROSS: It wasn’t your fault.

SUE ELLEN: [Crying] Yes, it was. [Kisses him] Yes, it was. I’m so sorry. [Kisses him]

Watch this scene in “Deeds and Misdeeds,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘Pam, I’m Sorry’

Bobby Ewing, Dallas, Ewing Connection, Pam Ewing, Patrick Duffy

Sorry, not sorry

In “The Ewing Connection,” an eighth-season “Dallas” episode, Bobby and Pam (Patrick Duffy, Victoria Principal) sit and drink on her living room sofa.

PAM: You know, right now, I can’t help but think about all those times we talked about moving away from Southfork.

BOBBY: [Sighs] It is peaceful here.

PAM: I think things would have worked out differently for us if we’d gotten away from the Ewing family.

BOBBY: And if I hadn’t gotten so involved in the company.

PAM: Well, after J.R. was shot, nothing was ever the same, was it?

BOBBY: You and I were on our way to California. And the family found us and asked us to come back. And I took over control of the company until J.R. got better.

PAM: And after that, you never got the company out of your blood.

BOBBY: I guess not.

PAM: We could have gotten a house of our own. I think it would have been better for us.

BOBBY: Well, we shouldn’t sit around here and play what might have been, huh? [Sets down his drink, rises]

PAM: No.

BOBBY: It’s late. I’d better be going.

PAM: I guess so.

They kiss.

BOBBY: Pam, I’m sorry.

PAM: [Puts her hand to his lips, smiles] No, no, no.

BOBBY: Good night.

PAM: Good night.

Watch this scene in “The Ewing Connection,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘You Can’t Lose’

Dack Rambo, Dallas, Jack Ewing, Terms of Estrangement

True Ewing

In “Terms of Estrangement,” an eighth-season “Dallas” episode, J.R. (Larry Hagman) meets a stranger (Dack Rambo) at the Oil Baron’s Club, unaware that it’s his cousin, Jack.

JACK: Well, Mr. Ewing, I’m glad you could find time to make this meeting. I think you’ll find it time well spent.

J.R.: Well, I certainly hope so. I haven’t got a hell of a lot left.

JACK: First, I’d like to discuss the terms of our agreement.

J.R.: All right, shoot.

Cassie (Anne C. Lucas) approaches with J.R.’s drink.

CASSIE: Here you are, Mr. Ewing.

J.R.: Thank you, thank you, Cassie.

JACK: If I could stop Jason Ewing’s daughter and Digger Barnes’s son from stealing two-thirds of Ewing Oil, I think maybe a fair compensation would be 10 percent of Ewing Oil for myself.

J.R.: Oh, really? Well, I can give you a lot of money, but nobody but a Ewing is ever going to own Ewing Oil.

JACK: Cliff Barnes is not a Ewing. Unless you make a deal with me, Cliff Barnes is going to be sitting in your office.

J.R.: No way, and I’m not going to give you a piece of my company.

JACK: [Chuckles] Mr. Ewing, I’m saving you 66 percent and asking for 10 in return. Now I could ask for 20, 30, it’d still be a good deal for you. I’m just trying to be reasonable. [Sips his drink]

J.R.: And if I say no?

JACK: You lose control of Ewing Oil to Barnes.

J.R.: And you lose too.

JACK: [Chuckles] Not quite. No, I’ll sell my silence to Barnes. Let him destroy the information that proves he has no legal claim on Ewing Oil.

J.R.: Well, I could go to trial and win.

JACK: No, you could go to trial and gamble away your inheritance.

J.R.: Are you telling me that the papers Barnes has are not real?

JACK: Oh, no, they’re very real. But I think I’ve got something better. Look at it this way. If what I’m selling doesn’t hold up in court, you don’t owe me a dime. You can’t lose.

J.R.: Who are you?

JACK: Well, who I am doesn’t really matter. What does matter is whether or not we have a deal. [Reaches inside his jacket pocket, takes out a pin, scribbles on a napkin] Now, here is my number. If I don’t hear from you real soon, Cliff Barnes will hear from me. [Hands J.R. the napkin] See you.

Watch this scene in “Terms of Estrangement,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘I Want You to Explain Mandy Winger’

Dallas, J.R. Ewing, Larry Hagman, Linda Gray, Sentences, Sue Ellen Ewing

Seeing is believing

In “Sentences,” an eighth-season “Dallas” episode, J.R. (Larry Hagman) comes home and enters his bedroom, where Sue Ellen (Linda Gray) is sitting on the bed.

J.R.: Well, good evening.

SUE ELLEN: Hello, J.R.

J.R.: It’s kind of a surprise, seeing you sitting there on my bed waiting for me. Have you suddenly been gripped by an uncontrollable passion?

SUE ELLEN: [Scoffs] No, I just thought it was time for us to have a little talk.

J.R.: Good, good. It’s been a long time coming. Aside from one brief venomous attack, you have hardly said a word to me since you got back from the Far East.

SUE ELLEN: We didn’t have anything to talk about, but now we have.

J.R.: All right.

SUE ELLEN: Do you remember when Jamie saw you with Congressman Hooker’s daughter, and you were trying to explain it to me? Telling me who she was and how you were sending her around the world?

J.R.: Yes.

SUE ELLEN: And how I didn’t want to hear an explanation because I was so hurt? Well, now I’m ready for an explanation.

J.R.: About Congressman Hooker’s daughter? Darlin’, we’ve been through all this. It’s in the past. Forget about it.

SUE ELLEN: [Sighs, gets up, approaches him] I am not interested in the congressman’s daughter. I want you to explain Mandy Winger — and this time, I’m ready to listen.

J.R.: Mandy Winger? Well, what’s to explain? I hardly know the girl.

SUE ELLEN: But you do know her?

J.R.: Yes, of course I do.

SUE ELLEN: In the biblical sense, J.R.?

J.R.: [Turns, walks to the dresser, begins emptying his pockets] Don’t be ridiculous, Sue Ellen. Really.

SUE ELLEN: Ridiculous? Me? You’re the one who gets into a public brawl with Cliff Barnes over her.

J.R.: I suppose you picked up that little tidbit from our cousin Jamie.

SUE ELLEN: It would have been a lot less embarrassing if I had. I heard it right from that loudmouth, Marilee Stone.

J.R.: So?

SUE ELLEN: You make a fool of yourself with that tramp at the Oil Baron’s, and all you can say is “so”?

J.R.: [Faces her] She’s no tramp.

SUE ELLEN: Oh. So Dallas’s renowned stud has been smitten?

J.R.: [Leans against the dresser] Sue Ellen, why are you carrying on like this? You drew up the rules. I’m playing by them. You wanted to live separate lives, and now you seem surprised that I don’t choose to live like a monk. Now don’t be naïve.

SUE ELLEN: Oh, I’m not naïve. I expected you to be with other women. You always have been. But I did think, however, that you would be smart enough to be discreet, and not to flaunt your little tart in public. Oh, I’m sorry. Or is it your “lady friend”? Or maybe your “lover”? Hmm?

J.R.: What Mandy is in my life is none of your business.

SUE ELLEN: When you go public with her, it is my business. But just remember, J.R., two can play that little game, if that’s what you want.

J.R.: If you don’t like what’s going on, you can change it. You started this arrangement, and you can end it. You can divorce me, Sue Ellen. It’s as simple as that.

SUE ELLEN: So you can be free for Mandy Winger?

J.R.: Why do you care?

SUE ELLEN: I don’t care. And I may do just that, except this time it will be for good. [Turns, walks toward the door]

J.R.: Sue Ellen. [She turns, faces him.] Remember, no matter what, John Ross stays here with me. And I mean that. [She exits.]

Watch this scene in “Sentences,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘I Don’t Think So’

Dallas, Jenna Wade, Priscilla Beaulieu Presley, Scotty Demarest, Stephen Elliott, Verdict

Stretch

In “The Verdict,” an eighth-season “Dallas” episode, Scotty (Stephen Elliott) is in court, where he pulls a handgun from an evidence bag and approaches Jenna (Priscilla Beaulieu Presley) on the witness stand.

SCOTTY: A Beretta 380. A very interesting weapon. You knew Naldo was carrying this, didn’t you?

JENNA: Yes, he showed me in the corridor.

SCOTTY: Assuming that you could get hold of it — now that’s a large assumption, since he was much bigger, much stronger than you, wasn’t he?

JENNA: Yes.

SCOTTY: Well, let us forget it. Just say you were able to get hold of it. What would be the first thing that you would do?

JENNA: [Flustered] I don’t know. Shoot it.

SCOTTY: Well, if he had it in his belt, he’d probably have the safety on, don’t you think?

JENNA: I guess so.

SCOTTY: Yeah, I think so. So the first thing you’d do would be to take the safety off. Here, why don’t you do that? [Hands her the gun, walks toward the jury box, leans against it]

JENNA: [Examining the gun] Where is it?

SCOTTY: Well, don’t you know?

JENNA: Well, there are all kinds of levers and things on both sides here.

SCOTTY: You were raised on a ranch. Now, you must have fired a gun before.

JENNA: [Flustered] I’ve shot a rifle and I’ve shot shotguns. I’ve never shot a handgun. This is completely different!

SCOTTY: [Approaches her again] Oh, yes. It’s very different. Very different indeed. [Takes back the gun, addresses the jury] This is a very complicated weapon, and yet the prosecution wants you to believe that under the effects of chloroform, this little lady here can grab it away from a man bigger, stronger than she, find the safety, release it, shoot it, before he could stop her? I don’t think so. I don’t think anyone with any common sense would think so. That stretches the imagination a bit too far.

Dallas Scene of the Day: ‘I Miss Her Too’

Bobby Ewing, Christopher Ewing, Dallas, Patrick Duffy, Trial and Error

Dad of night

In “Trial and Error,” an eighth-season “Dallas” episode, Bobby (Patrick Duffy) enters Christopher’s darkened bedroom at Southfork, where the child (Eric Farlow) sits on the bed.

CHRISTOPHER: Mommy?

BOBBY: Hi. [Sits on the bed, turns on a lamp] Come here, come here. [Picks him up, embraces him] Oh, there we go. Mama’s not here right now.

CHRISTOPHER: I want Mommy.

BOBBY: I know. She’s gone away for a little while, but I’m here.

CHRISTOPHER: Daddy?

BOBBY: Yeah, did you have a bad dream?

CHRISTOPHER: I want Mommy.

BOBBY: I know. I miss her too. Boy, life sure has gotten twisted around, hasn’t it? Sometimes you live with her, sometimes you live with me. It must be hard on you, buddy. It’s sure not the way we had things planned for you. Or for ourselves.

CHRISTOPHER: Mommy.

BOBBY: [Kisses him] Go to sleep.

Watch this scene in “Trial and Error,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘I’m Very Rich, and Very Determined’

Dallas, Dead Ends, Pam Ewing, Victoria Principal

Rhymes with “rich”

In “Dead Ends,” an eighth-season “Dallas” episode, Pam and Sue Ellen (Victoria Principal, Linda Gray) sit in a restaurant overlooking the Hong Kong skyline.

PAM: Quite a view, isn’t it?

SUE ELLEN: Oh, it’s beautiful. It’s almost a shame that we have to leave. Pam, I’m really sorry about how it turned out for you. But maybe we should make our return reservations.

PAM: Oh, I don’t think so. Not just yet.

SUE ELLEN: Are you serious?

PAM: Yes, I am. In fact, I think it’s time that I went on the offensive. [Motions for a nearby servant.] Waiter, may I have the phone, please? Thank you. [The waiter brings a phone to the table, plugs it into a wall jack. Pam dials a number.] Hello, may I speak with Mr. Chan? This is Pamela Ewing. Good morning, Mr. Chan. No, I’m not calling to say goodbye. I’m calling to say that I won’t be leaving Hong Kong until I see Mark Graison, because I’m convinced that Mr. Swanson is Mark Graison. You see, I’m very rich, and very determined. And if I have to, I’ll buy that damned clinic and walk in as the owner. Oh, but I would do that. So Mr. Chan, you can tell your Mr. Swanson that he can see me now or he can see me later, but he is going to see me. Goodbye, Mr. Chan. [Hangs up]

SUE ELLEN: Well, I am very impressed. Remind me never to cross you again. [Smiles]

PAM: [Sighs] Well, what good is the Ewing name and all that power if I don’t occasionally use it?

SUE ELLEN: I’ll remember that.

PAM: [Looks at the menu] Let me buy you lunch.

SUE ELLEN: I’m afraid to say no.

PAM: [Laughs] Come on.

Watch this scene in “Dead Ends,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘Give Our Regards to Waco’

Dallas, Linda Gray, Pam Ewing, Shattered Dreams, Sue Ellen Ewing, Victoria Principal

Bar girls

In “Shattered Dreams,” an eighth-season “Dallas” episode, Sue Ellen and Pam (Linda Gray, Victoria Principal) are sitting in a Hong Kong restaurant when a man (Bruce Baron) approaches.

MAN: Howdy. Did I hear that Chinese fellow call you ladies Ewing?

SUE ELLEN: Why?

MAN: Well, excuse me, ma’am. I’m forgetting all my manners. My name’s Benjamin Alan Moody. I’m from Waco. [Extends his hand, which Sue Ellen doesn’t shake] Well, you know, the name Ewing’s not entirely unfamiliar to us in Waco, ma’am, and I was wondering if you all might be related to ol’ J.R.

SUE ELLEN: [Glances at Pam, then turns back to the man] We’re distant cousins. But my family hasn’t spoken to his family for several years.

MAN: I’m sorry, ma’am, to hear that, but since we’re all from Texas, maybe I can buy y’all a drink anyway.

SUE ELLEN: [Smiles] I don’t drink, and neither does my friend. [Pam, about to take a sip from her wine glass, puts it down.] But thanks, and give our regards to Waco. [The man walks back to his table. Pam chuckles. Sue Ellen rolls her eyes and sips from her glass.] Perfect timing. Are you all right?

PAM: Yeah. You really handled that well.

SUE ELLEN: Well, it wasn’t hard. It’s amazing you have to fly halfway across the world to run into a jerk like that.

Watch this scene in “Shattered Dreams,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘This is No Gentleman’s Game’

Brothers Ewing, Dallas, J.R. Ewing, Larry Hagman

There will be mud

In “The Brothers Ewing,” an eighth-season “Dallas” episode, J.R. (Larry Hagman), Bobby (Patrick Duffy) and Ray (Steve Kanaly) stand in the Southfork living room.

J.R.: Well, gentlemen, I don’t know what you two are thinking, but I figure we got a good chance of losing this lawsuit that’s coming up.

RAY: It sure seems like things are going from bad to worse.

BOBBY: Well, I’ve been working with Harv, helping him prepare the case. We still have all those investigators on the payroll, digging into people’s backgrounds. Hopefully they’ll come up with something.

J.R.: I know all about that, Bobby. But what if none of that works? What if all this searching and legal maneuvering comes to nothing? Can you see turning two-thirds of Daddy’s company over to Cliff Barnes and our beloved cousin?

RAY: I just can’t believe it would come to that.

J.R.: Well, I hope not. But if it does, I’m going to be prepared.

BOBBY: What do you mean?

J.R.: I’m going to protect our interests, but I have to know if you two are going to help.

RAY: What do you have in mind?

J.R.: Well, there’s a number of things I can do, but before I tell you about them, I want to know where you stand. Because with you or without you, I’m going to do what has to be done. Of course, it’d be a lot easier if we’re all fighting this thing together.

BOBBY: We are fighting this together. What are you talking about?

J.R.: I’m talking about getting down in the mud and slugging it out. This is no gentlemen’s game. Barnes is not going to pull any punches, and we can’t either. Now I don’t need your answers tonight, but I want you to think about it. And while you’re at it, think about this: You see that painting hanging up there? Daddy’s picture used to hang in that spot before it got shoved off to Ewing Oil. How long do you think his picture’s going to hang at Ewing Oil if Cliff Barnes and Jamie Ewing take over?

Watch this scene in “The Brothers Ewing,” available on DVD and at Amazon and iTunes, and share your comments below.