Dallas Scene of the Day: ‘Nobody Beats Old J.R.’

Dallas, J.R. Ewing, Larry Hagman, No More Mr. Nice Guy Part 2, Who Shot J.R.?

True that

In “No More Mr. Nice Guy, Part 2,” a fourth-season “Dallas” episode, Sue Ellen (Linda Gray) enters the hospital room where J.R. (Larry Hagman) is sleeping.

SUE ELLEN: [Whispering] J.R.?

J.R.: [Awakens] Hi, sugar.

SUE ELLEN: Hi. [Sits on the bed]

J.R.: [Groggy] You been crying?

SUE ELLEN: [Smiles] No.

J.R.: Roclaire’s supposed to be the best in the business.

SUE ELLEN: I know.

A nurse opens the door and indicates it’s time for Sue Ellen to leave. Sue Ellen kisses J.R. and gets up from the bed. He holds onto her hand.

J.R.: Sue Ellen, nobody beats old J.R. You know that.

She turns and leaves.

Dallas Drinks: The Rebecca

This summer, the “Dallas” fans at Dallas Decoder and Cook In/Dine Out are offering “Dallas Drinks,” a series of cocktails inspired by the characters from TNT’s new series. This week: The Rebecca, a drink that packs a lot of punch – just like Julie Gonzalo’s performance.

The Art of Dallas: ‘No More Mr. Nice Guy, Part 1’

Miss Ellie and Jock (Barbara Bel Geddes, Jim Davis) confer with Dr. Pearson (Peter Donat) about J.R.’s condition in this 1980 publicity shot from “No More Mr. Nice Guy, Part 1,” “Dallas’s” fourth-season opener.

Dallas Scene of the Day: ‘The Company Isn’t Worth My Family’

Barbara Bel Geddes, Dallas, Jim Davis, Jock Ewing. Miss Ellie Ewing, No More Mr. Nice Guy Part 1, Who Shot J.R.?

That’s that, Jock

In “No More Mr. Nice Guy, Part 1,” “Dallas’s” fourth-season opener, Miss Ellie and Jock (Barbara Bel Geddes, Jim Davis) talk while leaving Dallas Memorial Hospital.

ELLIE: Jock, now that Bobby’s back, you’ve got to find a way to keep him here.

JOCK: I don’t know how. He was mad as hell at me when he left.

ELLIE: Well, that was because he felt you’d given him a job to do and then you didn’t stand behind him.

JOCK: Well, I couldn’t. When he opened Ewing 23, he made Cliff Barnes a partner in the profits. After what that man’s done to us, no way.

ELLIE: Does Ewing Oil have to cost us another son? Jock, I know how important the company is to you, but I’ve lost Gary and now, unless you stop him, Bobby will leave again.

JOCK: Ewing Oil has been my life, Ellie.

ELLIE: And J.R. may be dying because of it. [Jock puts his hand on her shoulder.] I don’t think the company is worth my family. I want Bobby home, no matter what it costs Ewing Oil.

TNT’s Dallas Styles: Bobby’s Leather Coat

Full leather jacket

Bobby wears a brown leather coat in “The Last Hurrah,” but it’s not the same jacket he sported throughout the original “Dallas’s” 14-season run.

On the old show, Bobby rocked a snap-collared motorcross jacket that symbolized the character’s inherent coolness. The first time we see Bobby, in the first scene of “Dallas’s” first episode, “Digger’s Daughter,”he’s wearing the jacket while zooming down the highway in a red convertible with a beautiful redhead at his side. Back then, Bobby was kind of a badass; the jacket was part of that persona.

The coat Patrick Duffy wears in “The Last Hurrah” is more of a traditional western style. It drapes the actor’s broad frame, falling just past his waist. Unlike the tighter motorcross jacket from the old show, this coat is looser, reflecting Bobby’s maturity.

The new coat reminds me of the one Jim Davis wore during the original “Dallas’s” early seasons. This might not be a coincidence. Now that Bobby has succeeded Jock at the head of the Southfork dinner table, it seems possible the new coat is as much a tribute to Davis as it is to the more youthful version Duffy wore during “Dallas’s” first go round.

The Art of TNT’s Dallas: ‘The Last Hurrah’

J.R. (Larry Hagman) has breakfast at Southfork on the morning of the final Ewing Barbecue in this publicity shot from “The Last Hurrah,” the fourth episode of TNT’s “Dallas.” Photo credit: Zade Rosenthal/TNT.

TNT’s Dallas Scene of the Day: ‘I Will Never Stop Fighting’

Cliff Barnes, Dallas, Ken Kercheval, Last Hurrah, TNT

True colors?

In “The Last Hurrah,” a first-season “Dallas” episode, Sue Ellen (Linda Gray) is behind her desk when J.R. (Larry Hagman) knocks at the door.

SUE ELLEN: J.R.?

J.R.: I just wanted to drop off a little good luck charm, for your campaign. I found Miss Ellie’s pearls when I was packing up Southfork.

He hands her a box as Cliff [Ken Kercheval] enters.

CLIFF: Well, what do we have here? An angel talking to the devil.

J.R.: What’s he doing here?

SUE ELLEN: Well, not that it’s any of your business, J.R., but I heard he was in town and I figured I needed a little political advice.

CLIFF: And I was happy to oblige.

J.R.: Sure was an unpleasant surprise to see you at Southfork last week. You must have been out of your tiny mind to think that Bobby would ever sell the ranch to you.

CLIFF: I will never stop fighting for what is rightfully mine – and I know you are the same way.

J.R.: I’m a changed man, Cliff. Evidence of that is the fact that you’re not being wheeled out of here with two broken legs. Now that Bobby’s sold Southfork, you can go ahead and leave town. Nothing left for you to do in Dallas.

CLIFF: Well, when you have several billion dollars, J.R., you can do whatever you want to, wherever you want. [To Sue Ellen] Shall we?

J.R.: Are you really going to break bread with this lowlife?

SUE ELLEN: You lost your right to have a say with whom I lunch a long time ago.

Dallas Drinks: The J.R. Shot

This summer, the “Dallas” fans at Dallas Decoder and Cook In/Dine Out are offering “Dallas Drinks,” a series of cocktails inspired by the characters from TNT’s new series. This week: The J.R., a shot as smooth as Larry Hagman himself.

Dallas Styles: J.R.’s Vest

‘The Wheeler Dealer’

Is there something symbolic about the vest J.R. is wearing when he gets shot at the end of “A House Divided,”“Dallas’s” famous third-season finale?

The vest, which appears to be gray flannel with a silk paisley-printed back, goes with one of J.R.’s three-piece suits, a style that had been back in vogue for awhile when this episode debuted in 1980. Three years earlier, John Travolta famously rocked a three-piece white suit in “Saturday Night Fever,” while Steve Martin adopted a similar look during many of his late ’70s standup routines.

J.R. sports several three-piece suits during “Dallas’s” third season. In “The Wheeler Dealer”and “A House Divided,” he is seen wearing a vest without the jacket, which could signify how J.R. is no one-dimensional villain. His personality, like his wardrobe, is layered. In “A House Divided,” the vest could also be seen as having an ironic effect: The garment is like an extra layer of armor, which does J.R. absolutely no good once that intruder steps out of the shadows and pumps two bullets into him.

Whatever symbolic value J.R.’s vest offers, one thing is certain: Larry Hagman has never looked better. In his 2001 autobiography “Hello Darlin’,” the actor recalls how he went on a diet on New Year’s Day 1980 and began jogging two miles daily, eventually shedding 35 pounds. By the time “A House Divided” was filmed, Hagman is noticeably thinner. The formfitting vest accentuates his newly trim frame. He looks positively dapper.

Hagman’s physique really works in his character’s favor, too. J.R. struts his way through “A House Divided,” cockier than ever. At one point, Jordan Lee, angry that J.R. has suckered him into buying worthless oil leases, bursts into his office and sneers, “You must be mighty proud J.R. You must be on top of the world!”

Jordan is right: J.R. is on top of the world – at least until the episode’s final scene, when he almost leaves it.

The Art of Dallas: ‘A House Divided’

Vaughn (Dennis Patrick) gives J.R. one last shot at making restitution in this 1980 publicity shot from “A House Divided,” “Dallas’s” third-season finale.