Dallas Scene of the Day: ‘Nobody Beats Old J.R.’

Dallas, J.R. Ewing, Larry Hagman, No More Mr. Nice Guy Part 2, Who Shot J.R.?

True that

In “No More Mr. Nice Guy, Part 2,” a fourth-season “Dallas” episode, Sue Ellen (Linda Gray) enters the hospital room where J.R. (Larry Hagman) is sleeping.

SUE ELLEN: [Whispering] J.R.?

J.R.: [Awakens] Hi, sugar.

SUE ELLEN: Hi. [Sits on the bed]

J.R.: [Groggy] You been crying?

SUE ELLEN: [Smiles] No.

J.R.: Roclaire’s supposed to be the best in the business.

SUE ELLEN: I know.

A nurse opens the door and indicates it’s time for Sue Ellen to leave. Sue Ellen kisses J.R. and gets up from the bed. He holds onto her hand.

J.R.: Sue Ellen, nobody beats old J.R. You know that.

She turns and leaves.

Critique: ‘Dallas’ Episode 56 – ‘No More Mr. Nice Guy, Part 2’

Dallas, J.R. Ewing, Larry Hagman, No More Mr. Nice Guy Part 2, Who Shot J.R.?

Life and breath

“No More Mr. Nice Guy, Part 2” devotes a lot of time to Gary’s homecoming, allowing the “Dallas” producers to put off resolving the “Who Shot J.R.?” mystery a little longer. But even if this is just a delay tactic, it doesn’t feel like one.

Gary has matured a lot since he left “Dallas” for his “Knots Landing” spinoff, and it’s nice to see him return to Southfork a changed man. I especially like the scene where he confronts Sue Ellen about her drinking problem. “No More Mr. Nice Guy, Part 2” aired not long after Gary admitted his own alcoholism on “Knots Landing,” and I’m glad “Dallas” doesn’t ignore this.

Another highlight: the scene where the Ewing brothers reunite at J.R.’s bedside and recall the football games they played growing up. Aside from the fun that comes from imagining these men as boys playing ball on the Southfork lawn, I like how the characters behave exactly the way we would expect them to in this situation: J.R. is nice but not too nice, Gary is polite but cautious and Bobby is cheery and good-natured. They feel like real people here.

Of course, as much as I welcome heartwarming scenes like this, this episode doesn’t ignore the “Who Shot J.R.?” mystery altogether. By the time the closing credits roll, Alan and Vaughn have been cleared as suspects and Cliff and Kristin have each offered unconfirmed alibis, leaving poor Sue Ellen to continue fretting she pulled the trigger in a drunken rage.

Linda Gray does a nice job keeping Sue Ellen’s motivation unclear. Is the character hovering at J.R.’s bedside because she feels sorry for him, or because she feels guilty? Does she object to J.R.’s surgery because she’s afraid he won’t survive, or because she believes he’ll be less threatening if he’s permanently paralyzed? I’m never really sure.

Still, while I appreciate the ambiguity, my favorite moment of all comes when J.R. tries to reassure Sue Ellen before his risky surgery (“Nobody ever beats old J.R. You know that.”). It’s another small-but-sweet moment in an episode that’s full of them.

Grade: A

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Bobby Ewing, Dallas, Gary Ewing, No More Mr. Nice Guy Part 2, Patrick Duffy, Ted Shackelford, Who Shot J.R.?

Home again

‘NO MORE MR. NICE GUY, PART 2’

Season 4, Episode 2

Airdate: November 9, 1980

Audience: 31.1 million homes, ranking 1st in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Leonard Katzman

Synopsis: J.R. tells the police he doesn’t know who shot him and discovers the attack has left him paralyzed. The police question Cliff and clear Vaughn and Alan as suspects. Sue Ellen continues to believe she may be the shooter. Bobby agrees to run Ewing Oil in J.R.’s absence. J.R. has risky surgery to restore use of his legs.

Cast: Michael Alldredge (Detective Don Horton), Dan Ammerman (Dr. Kyle Roclaire), Tyler Banks (John Ross Ewing), Royce D. Applegate (Sergeant Crabbe), Tami Barber (Bev), Barbara Bel Geddes (Miss Ellie Ewing), Jeff Cooper (Dr. Simon Elby), Mary Crosby (Kristin Shepard), Jim Davis (Jock Ewing), Peter Donat (Dr. Miles Pearson), Patrick Duffy (Bobby Ewing), Fern Fitzgerald (Marilee Stone), Meg Gallagher (Louella), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Ken Kercheval (Cliff Barnes), Leigh McCloskey (Mitch Cooper), Jeanna Michaels (Connie), Randolph Powell (Alan Beam), Victoria Principal (Pam Ewing), Ted Shackelford (Gary Ewing), Charlene Tilton (Lucy Ewing), Janine Turner (Susan)

“No More Mr. Nice Guy, Part 2” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Drinks: The Rebecca

This summer, the “Dallas” fans at Dallas Decoder and Cook In/Dine Out are offering “Dallas Drinks,” a series of cocktails inspired by the characters from TNT’s new series. This week: The Rebecca, a drink that packs a lot of punch – just like Julie Gonzalo’s performance.

The Art of Dallas: ‘No More Mr. Nice Guy, Part 1’

Miss Ellie and Jock (Barbara Bel Geddes, Jim Davis) confer with Dr. Pearson (Peter Donat) about J.R.’s condition in this 1980 publicity shot from “No More Mr. Nice Guy, Part 1,” “Dallas’s” fourth-season opener.

Dallas Scene of the Day: ‘The Company Isn’t Worth My Family’

Barbara Bel Geddes, Dallas, Jim Davis, Jock Ewing. Miss Ellie Ewing, No More Mr. Nice Guy Part 1, Who Shot J.R.?

That’s that, Jock

In “No More Mr. Nice Guy, Part 1,” “Dallas’s” fourth-season opener, Miss Ellie and Jock (Barbara Bel Geddes, Jim Davis) talk while leaving Dallas Memorial Hospital.

ELLIE: Jock, now that Bobby’s back, you’ve got to find a way to keep him here.

JOCK: I don’t know how. He was mad as hell at me when he left.

ELLIE: Well, that was because he felt you’d given him a job to do and then you didn’t stand behind him.

JOCK: Well, I couldn’t. When he opened Ewing 23, he made Cliff Barnes a partner in the profits. After what that man’s done to us, no way.

ELLIE: Does Ewing Oil have to cost us another son? Jock, I know how important the company is to you, but I’ve lost Gary and now, unless you stop him, Bobby will leave again.

JOCK: Ewing Oil has been my life, Ellie.

ELLIE: And J.R. may be dying because of it. [Jock puts his hand on her shoulder.] I don’t think the company is worth my family. I want Bobby home, no matter what it costs Ewing Oil.

Critique: ‘Dallas’ Episode 55 – ‘No More Mr. Nice Guy, Part 1’

Dallas, Dr. Miles Pearson, No More Mr. Nice Guy Part 1, Peter Donat, Who Shot J.R.?

Hurry up, doc

The Ewings go through “No More Mr. Nice Guy, Part 1” not knowing who shot J.R. or whether he’ll survive the attempt on his life, and this uncertainty lends the episode a paranoid, almost Hitchcockian vibe. Poor Sue Ellen looks positively dazed. What frightens her more: the possibility that her husband will die – or that he’ll live?

I also can’t help but wonder if some of the worried looks on the actors’ faces aren’t real. Production on this episode began during the summer of 1980, when Larry Hagman was in seclusion while his agents renegotiated his contract. In Hagman’s absence, the “Dallas” set buzzed: If the actor’s salary demands weren’t met, would J.R. succumb to his gunshot wounds? Would he come out of surgery looking like Robert Culp? Either way, could “Dallas” survive without its biggest star?

No wonder Patrick Duffy is visibly sweating when Bobby arrives at the hospital.

The anxious atmospherics in “No Mr. Nice Guy, Part 1” help distract me from some of this episode’s flaws, beginning with the campy opening, when the shrieking cleaning lady discovers J.R. (By the way: Where’s the blood?) Also, the episode’s action sequences are curiously lethargic: The police car that arrives at the crime scene isn’t moving very fast, the paramedics who bring J.R. into the emergency room aren’t in much of a hurry and the doctors and nurses who treat him are downright plodding.

Of course, “No More Mr. Nice Guy, Part 1’s” biggest weakness is the void Hagman leaves. He appears in just two scenes, which were filmed after his contract was settled and he returned to work. (Extras fill in for Hagman in the scenes where J.R. is seen laying on ambulance stretchers and operating tables.) This makes the episode a kind of precursor to TNT’s “Dallas,” where Hagman’s role is similarly limited.

So even though I appreciate the raw honesty of Valene’s response to her brother-in-law’s shooting (“If J.R. was dead, I honestly could not mourn him.”), I can’t help but think she should bite her tongue. After all, if this episode proves anything, it’s that “Dallas” without J.R. just isn’t the same.

Grade: C

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Dallas, J.R. Ewing, Larry Hagman, No More Mr. Nice Guy Part 1, Who Shot J.R.?

Invisible man

‘NO MORE MR. NICE GUY, PART 1’

Season 4, Episode 1

Airdate: November 7, 1980

Audience: 29.7 million homes, ranking 2nd in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Leonard Katzman

Synopsis: J.R. is rushed to the hospital, where the Ewings keep vigil. Sue Ellen can’t remember what she did the night he was shot, but Kristin tells her she came to her condo, vowing to kill J.R. After J.R. has life-saving surgery, a detective asks who shot him and J.R. looks at Sue Ellen.

Cast: Michael Alldredge (Detective Don Horton), Tyler Banks (John Ross Ewing), Barbara Bel Geddes (Miss Ellie Ewing), Sarah Buchannan (Beth Forrester), Christopher Coffey (Professor Greg Forrester), Karlene Crockett (Muriel Gillis), Mary Crosby (Kristin Shepard), Maureen Crudden (candy striper), Jim Davis (Jock Ewing), Peter Donat (Dr. Miles Pearson), Patrick Duffy (Bobby Ewing), Linda Gray (Sue Ellen Ewing), Nik Hagler (Detective Frost), Larry Hagman (J.R. Ewing), Barbara Kain (Nurse), Steve Kanaly (Ray Krebbs), Ken Kercheval (Cliff Barnes), Virginia Peters (cleaning lady), Victoria Principal (Pam Ewing), Ted Shackelford (Gary Ewing), Charlene Tilton (Lucy Ewing), Joan Van Ark (Valene Ewing)

“No More Mr. Nice Guy, Part 1” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Drill Bits: For Patrick Duffy, Edits Go with the TV Territory

Ann Ewing, Bobby Ewing, Brenda Strong, Dallas, Patrick Duffy, Price You Pay, TNT

Don’t cut Bobby!

TNT’s “Dallas” has given audiences lots of great scenes this season, but some of the best moments – like J.R. and Sue Ellen’s dance at the Ewing barbecue in “The Last Hurrah” – have been left on the cutting room floor.

As Patrick Duffy sees it, that’s showbiz.

“Several of my favorite scenes didn’t make it to the show,” the actor told me during a conference call with bloggers and critics last month. “These scripts are so compact and so intense and every scene is so brilliantly done. You finish filming and you think I can’t wait to see that – and then it’s edited out. … You just can’t put everything in each episode.”

In some cases, scenes are merely shortened, not completely cut. “I had a scene with Jesse [Metcalfe] in a barn, which they only kept the lead-in scene for that,” Duffy said. “And they eliminated it. It was one of my favorite ones [from] that episode.”

TNT’s “Dallas” is the fourth weekly series for Duffy, who takes a Zen-like approach to the cuts. “I’ve learned to let those feelings go and just enjoy what I see,” he said.

Besides, the footage isn’t really lost. “It still exists somewhere,” Duffy said, adding the deleted scenes could wind up on TNT’s “Dallas” DVD releases.

Red, White and Ewing

TNT’s next “Dallas” episode, “Truth and Consequences,” will debut Wednesday, July 4, at 9 p.m. The cable channel had planned to pre-empt the show on Independence Day, when prime-time viewership levels tend to plummet, but reversed course and announced the schedule change yesterday. No reason was given for the about-face.

Speaking of ratings: “The Last Hurrah,” “Dallas’s” June 27 telecast, was seen by 4.1 million viewers, a small dip from the previous episode’s numbers. This week’s audience included 1.4 million adults between the ages of 18 and 49, the viewers advertisers covet.

Hopefully “Dallas’s” numbers will hold steady on July 4. Before “Truth and Consequences” premieres that evening, TNT plans to show back-to-back reruns of “Dallas’s” first four hours, beginning at 5 p.m.

And in case you’re wondering: No, this won’t be “Dallas’s” first holiday premiere.

The old show aired fresh episodes on at least seven official or “almost official” holidays: “Barbecue Two” (New Year’s Day 1982), “Mama Dearest” (New Year’s Eve 1983), “Ray’s Trial” (Veteran’s Day 1983), “Dire Straits” (Valentine’s Day 1986), “Territorial Imperative” (Halloween 1986), “The Call of the Wild” (Veteran’s Day 1988) and “The Sting” (Inauguration Day 1989).

Line of the Week

“Rebecca, you strike me as an extremely resourceful woman. I’m sure you’ll figure that out.”

I loved John Ross’s comment to Rebecca in “The Last Hurrah” – not just because Josh Henderson’s delivery was so Hagman-esque, but also because the line kind of paid tribute to the enigmatic Rebecca, who is becoming one of my “Dallas” favorites. (By the way: If you thought Julie Gonzalo was terrific in this week’s episode, wait until you see next week’s installment.)

I also couldn’t help but notice John Ross’s line echoed the “compliment” J.R. gave his favorite sister-in-law (“You’re a very clever woman, Pam. You’ll think of something.”) in “Fallen Idol,” an episode from the original show’s second season.

Take a Shot of J.R.

A reminder: This week’s “Dallas Drinks” offering is The J.R., a shot of bourbon, peppermint schnapps and black-as-oil coffee liqueur. It’s mighty delicious – the recipe comes from Cook In/Dine Out – but it has a lot of kick. You’ve been warned.

While I’m shamelessly plugging my own stuff, a reminder that I’m in the midst of critiquing the original show’s “Who Shot J.R.?” episodes. My “A House Divided” critique was posted this week; I’ll get to the “No More Mr. Nice Guy” two-part episode next week, followed by “Nightmare” (Monday, July 9) and “Who Done It?” (Tuesday, July 10).

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

TNT’s Dallas Styles: Bobby’s Leather Coat

Full leather jacket

Bobby wears a brown leather coat in “The Last Hurrah,” but it’s not the same jacket he sported throughout the original “Dallas’s” 14-season run.

On the old show, Bobby rocked a snap-collared motorcross jacket that symbolized the character’s inherent coolness. The first time we see Bobby, in the first scene of “Dallas’s” first episode, “Digger’s Daughter,”he’s wearing the jacket while zooming down the highway in a red convertible with a beautiful redhead at his side. Back then, Bobby was kind of a badass; the jacket was part of that persona.

The coat Patrick Duffy wears in “The Last Hurrah” is more of a traditional western style. It drapes the actor’s broad frame, falling just past his waist. Unlike the tighter motorcross jacket from the old show, this coat is looser, reflecting Bobby’s maturity.

The new coat reminds me of the one Jim Davis wore during the original “Dallas’s” early seasons. This might not be a coincidence. Now that Bobby has succeeded Jock at the head of the Southfork dinner table, it seems possible the new coat is as much a tribute to Davis as it is to the more youthful version Duffy wore during “Dallas’s” first go round.

The Art of TNT’s Dallas: ‘The Last Hurrah’

J.R. (Larry Hagman) has breakfast at Southfork on the morning of the final Ewing Barbecue in this publicity shot from “The Last Hurrah,” the fourth episode of TNT’s “Dallas.” Photo credit: Zade Rosenthal/TNT.

TNT’s Dallas Scene of the Day: ‘I Will Never Stop Fighting’

Cliff Barnes, Dallas, Ken Kercheval, Last Hurrah, TNT

True colors?

In “The Last Hurrah,” a first-season “Dallas” episode, Sue Ellen (Linda Gray) is behind her desk when J.R. (Larry Hagman) knocks at the door.

SUE ELLEN: J.R.?

J.R.: I just wanted to drop off a little good luck charm, for your campaign. I found Miss Ellie’s pearls when I was packing up Southfork.

He hands her a box as Cliff [Ken Kercheval] enters.

CLIFF: Well, what do we have here? An angel talking to the devil.

J.R.: What’s he doing here?

SUE ELLEN: Well, not that it’s any of your business, J.R., but I heard he was in town and I figured I needed a little political advice.

CLIFF: And I was happy to oblige.

J.R.: Sure was an unpleasant surprise to see you at Southfork last week. You must have been out of your tiny mind to think that Bobby would ever sell the ranch to you.

CLIFF: I will never stop fighting for what is rightfully mine – and I know you are the same way.

J.R.: I’m a changed man, Cliff. Evidence of that is the fact that you’re not being wheeled out of here with two broken legs. Now that Bobby’s sold Southfork, you can go ahead and leave town. Nothing left for you to do in Dallas.

CLIFF: Well, when you have several billion dollars, J.R., you can do whatever you want to, wherever you want. [To Sue Ellen] Shall we?

J.R.: Are you really going to break bread with this lowlife?

SUE ELLEN: You lost your right to have a say with whom I lunch a long time ago.