Nightmare – Dallas Decoder

The Dal-List: Kristin Shepard’s 13 Greatest Moments

October 11, 2012 by Chris Baker 11 Comments

Thanks for the memories, darlin’

Dallas Decoder kicks off its newest periodic feature, “The Dal-List,” with a look back at the 13 most memorable moments featuring “Dallas” vixen Kristin Shepard, played by the magnificent Mary Crosby.

Dallas, Kristin Shepard, Mary Crosby, Rudy Millington, Terry Lester

Clothes call

13. Leaving Rudy. Feeling neglected by J.R. (Larry Hagman), Kristin turned to old flame Rudy Millington (Terry Lester) – and for a moment, it looked like she was going to allow him to make an honest woman of her. Then J.R. showed up, interrupting their post coital bliss. Before this embarrassing scene was over, Kristin had chosen J.R., leaving poor Rudy with a broken heart, no job – and possibly no pants. (“Return Engagements”)

Conundrum, Dallas, Kristin Shepard, Mary Crosby

Of vice and men

12. Scamming Judge Smith. A decade after Kristin’s death, an “angel” showed J.R. what life would have been like if he had never been born, including the revelation that Kristin became a cop. J.R. watched her bust grandfatherly Judge Smith (James T. Callahan) for solicitation – but it turned out the badge was fake: Kristin was really a con artist who preyed on powerful men. Guess she was destined to be bad. (“Conundrum”)

Dallas, Don Starr, Jordan Lee, Kristin Shepard, Mary Crosby

Daddy day scare

11. Bilking Jordan. After giving birth in California, Kristin sashays back to Dallas and makes a phone call. “The baby … looks just like you,” she coos. The audience is led to believe the person on the other end of the line is J.R. – so imagine our surprise when it turns out to be rival oilman Jordan Lee (Don Starr). It seems Kristin lied to Jordan, telling him he was her child’s father – just so she could bilk him for hush money. (“Full Circle”)

Bobby Ewing, Colleen Camp, Dallas, Kristin Shepard, Sue Ellen's Sister

Buckle up, Bob

10. Charming Bobby. Kristin (Colleen Camp) paid her first visit to Southfork just as Bobby and Pam (Patrick Duffy, Victoria Principal) were hitting a rough patch – so J.R. naturally encouraged his wife’s little sister to seduce his baby brother. Kristin obliged, charming Bobby with her clever wit and tight sweaters. Then Bobby and Pam made up, leaving Kristin free to pursue the brother she wanted all along. (“Sue Ellen’s Sister”)

Dallas, Kristin Shepard, Mary Crosby, Power Play

See what develops

9. Exposing Lucy. The only person Kristin despised more than Lucy (Charlene Tilton) was J.R.’s protégé Alan Beam (Randolph Powell), so when Kristin saw Lucy and Alan canoodling at a roller disco, she did what came naturally: She reached for the nearest Polaroid and started snapping pictures. Kristin hoped exposing Lucy and Alan’s secret affair would get them in trouble. It didn’t work out that way, but it still caused lots of drama. (“Power Play”)

Dallas, Knots Landing, Krisitn Shepard, Joan Van Ark, Mary Crosby, Valene Ewing

Lap it up, Val

8. Befriending Val. After wearing out her welcome in Dallas, Kristin headed to Knots Landing, where she got busy wrecking the marriage of those nice young suburbanites, Kenny and Ginger Ward (James Houghton, Kim Lankford). Soon, Valene (Joan Van Ark) was confronting Kristin, who confessed she was pregnant and afraid for her future. It was a rare and moving glimpse into Kristin’s soul. Who knew she even had one? (“Kristin”)

Dallas, Kristin Shepard, Linda Gray, Mary Crosby, Silent Killer

Sister, sister

7. Taunting Sue Ellen. Sue Ellen (Linda Gray) was suffering major post-partum depression when Kristin started flirting with J.R. So you couldn’t blame big sis for being suspicious when Kristin popped into her bedroom one evening to see if she’d be joining the rest of the family for dinner. “Were you thinking of occupying my chair?” Sue Ellen seethed. “Somebody will if you don’t pull yourself together,” Kristin sneered. (“The Silent Killer”)

Dallas, Divorce Ewing Style, Kristin Shepard, Linda Gray, Mary Crosby, Sue Ellen Ewing

Spill life

6. Drenching Sue Ellen. Oh, look: Sue Ellen and Kristin are in a posh restaurant, toasting their renewed friendship. Nice to see them getting along, isn’t it? Whoops, klutzy Kristin just spilled her cocktail in Sue Ellen’s lap. If she’s not careful, the Ewings are going to smell the booze and begin to suspect Sue Ellen has fallen off the wagon. Wait, what’s that you say? That was Kristin’s plan all along? What a hussy! (“Divorce, Ewing Style”)

Dallas, J.R. Ewing, Kristin Shepard, Larry Hagman, Mary Crosby

If smirks could kill

5. Seducing J.R. Once J.R. hired Kristin as his new secretary, it didn’t take her long to figure out his scheme to secretly mortgage Southfork. She threatened to spill the beans to Jock and Bobby – unless J.R. slept with her. Turns out she didn’t need to ask twice. “Kristin,” J.R. said as he took her in his arms, “with your mind and your body, it just might take me a lifetime to figure you out.” Cost him his life is more like it. (“The Kristin Affair”)

Dallas, Kristin Shepard, Mary Crosby, Nightmare

Move over, Florence Nightingale

4. Mocking J.R. While recovering in the hospital from his shooting, J.R. was surprised to receive a visit from Kristin, who was still in town after his goons failed to run her off. “Don’t you worry, Kristin. When I get out of here, you’ll get yours,” J.R. warned. “I know I will,” she smirked as she looked his paralyzed body up and down. “But not from you. That’s for sure.” J.R.’s under-his-breath response after she left the room: “Bitch.” (“Nightmare”)

Cliff Barnes, Dallas, Gone But Not Forgotten, J.R. Ewing, Ken Kercheval, Kristin Shepard, Larry Hagman, Mary Crosby

Is it really that black and white?

3. Scandalizing J.R. After giving birth to the son she claimed was J.R.’s, Kristin showed up at Southfork demanding more “child support.” Next thing you know, Cliff was fishing her dead body out of the swimming pool and claiming J.R. had murdered her. Before all was said and done, J.R. was being hauled into court to prove his innocence. Even in death, Kristin was still causing him trouble. That’s our girl! (“Gone But Not Forgotten”)

Dallas, Kristin Shepard, Mary Crosby, Who Done It?, Who Shot J.R.?

She bangs

2. Shooting J.R. No one knew whodunit when J.R. was gunned down in his office. Then the weapon was discovered in his bedroom closet. The cops arrested Sue Ellen, who figured out Kristin was framing her and made little sister confess. Of course, Kristin had a get-out-of-jail card: She was pregnant with J.R.’s love child. Fed up with her drama, J.R. finally exiled Kristin to California. Too bad she didn’t stay there. (“Who Done It?”)

Wait ’til you see him grown up!

1. Birthing Christopher. OK, we never actually saw this on screen, but so what? After miscarrying J.R.’s baby, Kristin got pregnant by sleazy Jeff Farraday (Art Hindle), who sold their child, Christopher, to Bobby after Miss Shepard took her deadly dive into the Southfork swimming pool. So when you think about it, Kristin is responsible for giving us Jesse Metcalfe on TNT’s “Dallas.” If that’s not a crowning achievement, I don’t know what is.

What do you consider Kristin Shepard’s greatest moments? Share your choices below and read more “Dal-Lists.”

Filed Under: Dal-Lists, Features Tagged With: Art Hindle, Charlene Tilton, Colleen Camp, Conundrum, Divorce Ewing Style, Don Starr, Full Circle, Gone But Not Forgotten, James Hougton, James T. Callahan, Jesse Metcalfe, Joan Van Ark, Ken Kercheval, Kim Lankford, Knots Landing, Kristin, Kristin Affair, Larry Hagman, Linda Gray, Mary Crosby, Nightmare, Patrick Duffy, Power Play, Randolph Powell, Return Engagements, Silent Killer, Sue Ellen’s Sister, Terry Lester, TNT, Victoria Principal, Who Done It?, Who Shot J.R.?

Linda Gray is Speaking Up — Just Like Sue Ellen Would

July 10, 2012 by Chris Baker 5 Comments

Dallas, Linda Gray, Sue Ellen Ewing, TNT

Still our girl

Atta girl, Linda Gray.

In a candid interview with Ultimate Dallas last week, the actress expressed her disappointment with the amount of screen time her character, the indomitable Sue Ellen Ewing, has received on TNT’s “Dallas” revival. The cable channel has telecast five hours so far, and Gray has been missing from two of them.

“I’m not happy not to be in an episode. I’m not a happy camper,” Gray told the fan site, adding viewers should “go and rattle cages” if they want to see more of Sue Ellen.

Let’s be clear: Gray doesn’t sound at all angry during the interview. In fact, she seems pretty enthusiastic about the show overall. (In addition to a transcript, Ultimate Dallas has posted an audio recording of its conversation with the actress.)

Still, I suspect it took more than a little courage for Gray to admit she’d like to be given more to do. We’ve all seen Hollywood sideline older actresses, and I’m sure there are plenty of people in the entertainment industry who will look at Gray and think she should be happy to have a steady gig, even if she isn’t getting as many scenes as she’d like.

That’s why I’m proud of the actress. Gray is demonstrating she’s learned a thing or two from her “Dallas” alter ego, who has always had to fight to make her own way in the world.

Think about it: Sue Ellen has been part of our popular culture since the Carter era, and in that time she’s gone from an alcoholic Stepford wife to a confident, independent woman. In the history of prime-time television, few characters have endured as long as Sue Ellen, and fewer still have changed as much.

‘Dallas’s’ Secret Weapon

Make no mistake: “Dallas” is Sue Ellen’s story as much as it is J.R. and Bobby’s – and Linda Gray has always been the show’s secret weapon.

Since I began re-watching the original series for Dallas Decoder, I’ve been struck by the quiet power of Gray’s performances. I marvel at her work in classic early episodes like “John Ewing III, Part 2,” when Sue Ellen confesses her affair with Cliff in a heartbreaking, four-and-a-half-minute monologue. Her work later in the series, particularly during the unfairly maligned “dream season,” blows me away too.

Most surprisingly, Gray dominates the famous “Who Shot J.R.?” episodes, more so than Larry Hagman. She is mesmerizing in “A House Divided,” the season-ending cliffhanger where J.R. is shot, and she absolutely owns “Who Done It?” the most-watched “Dallas” episode ever.

Gray still impresses me. She hasn’t been given much to do on TNT’s “Dallas,” but when she appears, she lights up the screen. With the exception of Hagman, no one on the new show is as charismatic as Gray.

Sue Ellen is Us

Of course, I’ve had a soft spot for Sue Ellen since I was a kid. I’ve come to see the character as an avatar for the gay rights movement, but the truth is, Sue Ellen serves as a stand-in for anyone who has ever had to stand up for themselves. In other words: Sue Ellen is us.

I think that’s why she’s always been a fan favorite. Remember, “Dallas” was prime-time television’s 26th most popular series until the 1989-90 season, when Gray left and it plunged to 43rd.

To be fair, because Sue Ellen is so beloved – and because she’s changed so much over the years –I would imagine the character is tough to write for. I wish TNT’s writers had made more of an effort during the new show’s early episodes, but as we head into the first season’s home stretch, Sue Ellen seems poised to get more screen time.

The character is featured in several pivotal scenes in “The Enemy of My Enemy,” the episode TNT will telecast tomorrow night. As audiences will see, some of Sue Ellen’s old habits endure, a revelation I welcome. I’m glad Sue Ellen has changed with the times, but it’s also good to see she’s still human.

And as much as I appreciate Gray’s suggestion that fans “rattle cages” and demand to see more Sue Ellen in the future, I don’t believe television scripts should be crowd-sourced. Cynthia Cidre, the creative force behind TNT’s “Dallas,” has a vision for the series, and she deserves an opportunity to fulfill it.

But let’s face it: Unless that vision includes Sue Ellen, it won’t really be “Dallas.”

Do you want to see more of Sue Ellen on “Dallas”? Share your comments below and read more opinions from Dallas Decoder.

Filed Under: Opinion, Opinion Tagged With: Cynthia Cidre, John Ewing III Part 2, Larry Hagman, Linda Gray, Nightmare, Price You Pay, TNT, Ultimate Dallas, Who Done It?, Who Shot J.R.?

The Art of Dallas: ‘Nightmare’

July 9, 2012 by Chris Baker Leave a Comment

J.R. (Larry Hagman) is seen in this 1980 publicity shot from “Nightmare,” a fourth-season “Dallas” episode.

Filed Under: Art of Dallas, Art of Dallas (Classic), Features Tagged With: Larry Hagman, Nightmare, Who Shot J.R.?

Dallas Scene of the Day: ‘If You Need Me, I’m Here’

July 9, 2012 by Chris Baker 1 Comment

Dallas, J.R. Ewing, Larry Hagman, Ray Krebbs, Steve Kanaly, Who Shot J.R.?

Cold shoulder

In “Dallas’s” fourth-season episode “Nightmare,” Ray (Steve Kanaly) visits J.R. (Larry Hagman), who is seated in his wheelchair in the hospital’s rehabilitation center.

RAY: Look, something I gotta say, J.R. Been quite a few differences between you and I over the past couple years. Before that, we were friends for a long time. I just wanted to tell you, that if you need me, I’m here.

J.R.: Thank you, Ray. Thanks. [Begins wheeling away]

RAY: Hey. [Touches J.R.’s shoulder] I just keep thinking of all those good times we had.

J.R.: Like in Waco?

RAY: Yeah, like in Waco. Or how about that time down in Houston when you had them all convinced that you were the talent scout for the Miss Texas contest and I was the front man. [Laughs]

J.R.: [Chuckling] Yeah, they almost killed us with kindness, didn’t they? Yeah, we’ve had some pretty good times, haven’t we, Ray?

RAY: Yeah, you helped me out of some pretty tough scrapes, J.R. More than once. I just wanted you to know, you can count on me if you need to.

J.R.: Well, Ray, I don’t want to ever have to count on anybody but myself. Thank you.

J.R. wheels away.

Filed Under: Dallas Scenes of the Day, Dallas Scenes of the Day (Classic), Features Tagged With: Larry Hagman, Nightmare, Steve Kanaly, Who Shot J.R.?

Critique: ‘Dallas’ Episode 57 – ‘Nightmare’

July 9, 2012 by Chris Baker 5 Comments

Dallas, J.R. Ewing, Larry Hagman, Nightmare, Who Shot J.R.?

Exposed

“Nightmare” refers to the bad dreams that plague Sue Ellen in this episode, but the title also describes J.R.’s change of fortunes. The shooting has weakened him, physically and otherwise. His friends pity him; his enemies taunt him.

As “Nightmare” gets underway, we learn J.R.’s surgery has restored feeling to his legs, but he’ll have to learn to walk again. In the episode’s most memorable scene, Jock and Miss Ellie stand in the back of the hospital’s physical rehabilitation room and watch J.R., clad in a bathrobe and black orthopedic shoes, struggle to put one foot in front of the other. It proves too heartbreaking for Ellie, who turns away.

If J.R. knew his parents were in the room, he undoubtedly would be embarrassed, which is how he feels when Ray visits. At first, the onetime friends wax nostalgic about their days carousing and chasing skirts. Then Ray turns serious, puts his hand on J.R.’s shoulder and tells him he can count on him if he needs a friend. “Well, Ray, I don’t want to ever have to count on anybody but myself,” J.R. says before wheeling away.

The hits keep coming. Jordan, who raged at J.R. before the shooting, now provokes him. Bobby, who quit Ewing Oil in disgust over J.R.’s tactics, now runs the company. Kristin, whom J.R. tried to run out of town, now looks him up and down as he lies in his hospital bed and declares, “You’re just not man enough anymore.” (J.R.’s muttered response – “Bitch” – must have been pretty provocative back in 1980.)

You have to hand it to the “Dallas” creative team. At this point during the show’s run, J.R. was something of a national folk hero. Americans by the tens of millions watched “Dallas” each week to see him do despicable things. Exposing the character’s vulnerabilities made for rich storytelling, but there’s no doubt the show risked alienating his fans.

And the worst is yet to come. For J.R., the single silver lining since his shooting has been his reconnection with Sue Ellen, who has barely left his side. But in “Nightmare’s” final moments, that crumbles, too. On the night J.R. returns to Southfork, Horton, the cop investigating his shooting, arrives and reveals J.R.’s own gun was used in the crime – and Sue Ellen’s fingerprints are all over the weapon.

For J.R. and Sue Ellen, the nightmare is just beginning.

Grade: B

________________________________________________________________________________________________________________________________________________

Uh-oh

‘NIGHTMARE’

Season 4, Episode 3

Airdate: November 14, 1980

Audience: 27.8 million homes, ranking 1st in the weekly ratings

Writer: Linda B. Elstad

Director: Irving J. Moore

Synopsis: J.R., while learning to walk again, interferes with Bobby’s efforts to run Ewing Oil. Cliff tells Pam he went to J.R.’s office to shoot him, only to find someone else beat him to it. The police find the gun used to shoot J.R. – and Sue Ellen’s fingerprints are on it.

Cast: Michael Alldredge (Detective Don Horton), Tyler Banks (John Ross Ewing), Barbara Babcock (Liz Craig), Barbara Bel Geddes (Miss Ellie Ewing), David J. Bowman (Tom Selby), Christopher Coffey (Professor Greg Forrester), Jeff Cooper (Dr. Simon Elby), Mary Crosby (Kristin Shepard), Jim Davis (Jock Ewing), Patrick Duffy (Bobby Ewing), Meg Gallagher (Louella), Hugh Gorrian (Gil), Linda Gray (Sue Ellen Ewing), Laurence Haddon (Franklin Horner), Larry Hagman (J.R. Ewing), Ken Kercheval (Cliff Barnes), Leigh McCloskey (Mitch Cooper), Jeanna Michaels (Connie), Victoria Principal (Pam Ewing), Don Starr (Jordan Lee), Charlene Tilton (Lucy Ewing)

“Nightmare” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (Classic), Opinion Tagged With: Nightmare, Who Shot J.R.?

Drill Bits: For Patrick Duffy, Edits Go with the TV Territory

June 29, 2012 by Chris Baker 2 Comments

Ann Ewing, Bobby Ewing, Brenda Strong, Dallas, Patrick Duffy, Price You Pay, TNT

Don’t cut Bobby!

TNT’s “Dallas” has given audiences lots of great scenes this season, but some of the best moments – like J.R. and Sue Ellen’s dance at the Ewing barbecue in “The Last Hurrah” – have been left on the cutting room floor.

As Patrick Duffy sees it, that’s showbiz.

“Several of my favorite scenes didn’t make it to the show,” the actor told me during a conference call with bloggers and critics last month. “These scripts are so compact and so intense and every scene is so brilliantly done. You finish filming and you think I can’t wait to see that – and then it’s edited out. … You just can’t put everything in each episode.”

In some cases, scenes are merely shortened, not completely cut. “I had a scene with Jesse [Metcalfe] in a barn, which they only kept the lead-in scene for that,” Duffy said. “And they eliminated it. It was one of my favorite ones [from] that episode.”

TNT’s “Dallas” is the fourth weekly series for Duffy, who takes a Zen-like approach to the cuts. “I’ve learned to let those feelings go and just enjoy what I see,” he said.

Besides, the footage isn’t really lost. “It still exists somewhere,” Duffy said, adding the deleted scenes could wind up on TNT’s “Dallas” DVD releases.

Red, White and Ewing

TNT’s next “Dallas” episode, “Truth and Consequences,” will debut Wednesday, July 4, at 9 p.m. The cable channel had planned to pre-empt the show on Independence Day, when prime-time viewership levels tend to plummet, but reversed course and announced the schedule change yesterday. No reason was given for the about-face.

Speaking of ratings: “The Last Hurrah,” “Dallas’s” June 27 telecast, was seen by 4.1 million viewers, a small dip from the previous episode’s numbers. This week’s audience included 1.4 million adults between the ages of 18 and 49, the viewers advertisers covet.

Hopefully “Dallas’s” numbers will hold steady on July 4. Before “Truth and Consequences” premieres that evening, TNT plans to show back-to-back reruns of “Dallas’s” first four hours, beginning at 5 p.m.

And in case you’re wondering: No, this won’t be “Dallas’s” first holiday premiere.

The old show aired fresh episodes on at least seven official or “almost official” holidays: “Barbecue Two” (New Year’s Day 1982), “Mama Dearest” (New Year’s Eve 1983), “Ray’s Trial” (Veteran’s Day 1983), “Dire Straits” (Valentine’s Day 1986), “Territorial Imperative” (Halloween 1986), “The Call of the Wild” (Veteran’s Day 1988) and “The Sting” (Inauguration Day 1989).

Line of the Week

“Rebecca, you strike me as an extremely resourceful woman. I’m sure you’ll figure that out.”

I loved John Ross’s comment to Rebecca in “The Last Hurrah” – not just because Josh Henderson’s delivery was so Hagman-esque, but also because the line kind of paid tribute to the enigmatic Rebecca, who is becoming one of my “Dallas” favorites. (By the way: If you thought Julie Gonzalo was terrific in this week’s episode, wait until you see next week’s installment.)

I also couldn’t help but notice John Ross’s line echoed the “compliment” J.R. gave his favorite sister-in-law (“You’re a very clever woman, Pam. You’ll think of something.”) in “Fallen Idol,” an episode from the original show’s second season.

Take a Shot of J.R.

A reminder: This week’s “Dallas Drinks” offering is The J.R., a shot of bourbon, peppermint schnapps and black-as-oil coffee liqueur. It’s mighty delicious – the recipe comes from Cook In/Dine Out – but it has a lot of kick. You’ve been warned.

While I’m shamelessly plugging my own stuff, a reminder that I’m in the midst of critiquing the original show’s “Who Shot J.R.?” episodes. My “A House Divided” critique was posted this week; I’ll get to the “No More Mr. Nice Guy” two-part episode next week, followed by “Nightmare” (Monday, July 9) and “Who Done It?” (Tuesday, July 10).

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.