In Memoriam: Our 2016 ‘Dallas’ Tributes

Barry Jenner, Dallas, George Kennedy, Jim Gough, Maj Hagman

Dallas Decoder remembers the “Dallas” actors, crew members and other contributors who died in 2016. Click on each person’s name to learn more about his or her career at IMDb.com.

 

Anthony Addabbo, Dallas, Jeff Peters

Anthony Addabbo

Anthony Addabbo

Died October 18 (age 56)

In the 14th-season episode “Smooth Operator,” Addabbo played John, a Hollywood wannabe who pitched Bobby on a TV series that sounded suspiciously like “Twin Peaks.” Eight episodes later, in the series finale “Conundrum,” Addabbo appeared as Sue Ellen’s slimy Hollywood agent, Jeff Peters.

 

Dallas, Janine, Patricia Barry

Patricia Barry

Patricia Barry

Died October 11 (age 93)

Barry made guest appearances on many episodic series from the 1950s through the early 2000s. In the 14th-season “Dallas” episode “Lock, Stock and Jock,” she played Janine, a married woman who refused to provide Carter McKay with an alibi after his arrest for Johnny Dancer’s murder.

 

Dallas, Peter Brown, Tom Flintoff

Peter Brown

Peter Brown

Died March 21 (age 80)

In the fifth-season episode “Denial,” Brown, a veteran of the 1960s western “Laredo,” played Tom Flintoff, the creep who tried to force himself on Sue Ellen shortly after her divorce from J.R. Brown’s nephew, Phillip Brown, played architect Brian Johnston on “Knots Landing.”

 

Dallas, Dr. McWright, Paul Comi,

Paul Comi

Paul Comi

Died August 26 (age 84)

Comi played Dr. McWright, the pediatrician who examined baby Christopher in “Waterloo at Southfork.” Comi logged many other TV guest shots during his 50-year career, including three episodes of “Knots Landing” and a memorable turn in the “Star Trek” classic “Balance of Terror.”

 

Dallas, Lydia, Ronnie Claire Edwards

Ronnie Claire Edwards

Ronnie Claire Edwards

Died June 14 (age 83)

Edwards, who is best known for her role as Corabeth on “The Waltons,” appeared in the eighth-season “Dallas” episode “Barbecue Five” as Lydia, the tarot card reader that Pam consults during her search for Mark. Edwards also did guest spots on “Falcon Crest” and “Dynasty,” among many other shows.

 

Knots Landing, Zsa Zsa Gabor

Zsa Zsa Gabor

Zsa Zsa Gabor

Died December 18 (age 99)

Gabor played herself in “Svengali,” a 1982 “Knots Landing” episode in which Valene appears on Mike Douglas’s TV talk show to promote “Capricorn Crude,” her fictionalized book about the Ewings. In real life, Gabor and Larry Hagman once appeared together on a 1979 episode of “The Mike Douglas Show.”

 

Congressman Oates, Dallas, Jim Gough

Jim Gough

Jim Gough

Died June 7 (age 85)

Gough appeared on “Dallas” as Senator Lee in “Barbecue” (Season 1), Congressman Oates in “Runaway” (Season 2) and the rodeo announcer in “Close Encounters” (Season 9). His other notable credits include a role in the film “JFK” and a guest spot on the Leonard Katzman-produced “Walker Texas Ranger.”

 

Dallas, Rick F. Gunter

Rick F. Gunter

Rick F. Gunter

Died August 31 (age 65)

Gunter served as “Dallas’s” cinematographer during most of the original show’s final three seasons. He later served as director of photography for several other series, including “Beverly Hills 90210,” “Charmed” and “The Wizards of Waverly Place,” for which he received an Emmy nomination in 2011.

 

Dallas, Maj Hagman

Maj Hagman

Maj Hagman

Died May 31 (age 88)

Hagman was married to Larry Hagman from 1954 until his death in 2012. Their daughter Kristina appeared in several episodes on the original “Dallas” and this year wrote a book, “The Eternal Party,” about her family, including her mother’s talent as a fashion designer, hostess extraordinaire and devoted spouse.

 

Dallas, John Hostetter, Paul Derber

John Hostetter

John Hostetter

Died September 2 (age 69)

Hostetter appeared in the 11th-season episode “Lovers and Other Liars” as Paul Derber, a poker buddy of Nicholas Pearce. He also did two guest spots as police offers on “Knots Landing,” was a semi-regular on “Murphy Brown” and voiced Bazooka on the 1980s “G.I. Joe” animated series.

 

Barry Jenner, Dallas, Dr. Jerry Kenderson

Barry Jenner

Barry Jenner

Died August 9 (age 75)

From 1984 through 1986, Jenner appeared on “Dallas” as Dr. Jerry Kenderson, Mark Graison’s physician and a Sue Ellen’s suitor. He also appeared in four “Knots Landing” entries as Jeff Cunningham, Abby’s ex-husband, and he was a semi-regular on “Family Matters” and “Star Trek: Deep Space Nine,” among many other roles.

 

Carter McKay, Dallas, George Kennedy

George Kennedy

George Kennedy

Died February 28 (age 91)

Kennedy, who won a best supporting actor Oscar for his role in 1967’s “Cool Hand Luke,” played villainous oil baron and Southfork neighbor Carter McKay during “Dallas’s” 12th, 13th and 14th seasons and two reunion movies, “J.R. Returns” and “War of the Ewings.” Dallas Decoder published a tribute to him in March.

 

Archie Lang, Dallas

Archie Lang

Archie Lang

Died February 17 (age 95)

Lang played a banking associate of Franklin Horner in the fifth-season episode “The Big Shut Down,” then returned for a five-episode stint in the 13th season as Senator Lee, a member of the panel that investigated the Ewing Oil tanker accident. Lang’s other credits include guest spots on “Knots Landing” and “The Waltons.”

 

Dallas, Leslie H. Hartinson

Leslie H. Martinson

Leslie H. Martinson

Died September 3 (age 101)

Martinson directed four episodes during “Dallas’s” early years: the classic “Julie’s Return” and the campier “Call Girl,” “The Heiress” and “Power Play.” He also helmed episodes of many other series, including “Maverick,” “Batman,” “The Brady Bunch,” “Eight is Enough,” “Wonder Woman” and “Small Wonder.”

 

James Sheldon, Knots Landing

James Sheldon

James Sheldon

Died March 12 (age 95)

Sheldon directed two episodes of “Knots Landing,” including the second installment, “Community Spirit,” which featured Larry Hagman. His many other directing credits include “Echoes of Love,” a “Family” episode written by David Jacobs, and episodes of “M*A*S*H” and the Katzman-produced “Petrocelli.”

 

Agnes, Barbara Tarbuck, Dallas

Barbara Tarbuck

Barbara Tarbuck

Died December 27 (age 74)

Tarbuck played Agnes, Cliff’s secretary at the Office of Land Management, in three episodes during the 1978-79 season. Her many other credits include guest spots on “Knots Landing” and “Dynasty” and recurring roles on “Falcon Crest,” “General Hospital” and “American Horror Story: Asylum.”

 

What do you remember about these individuals? Share your memories below and read our tributes from 20152014 and 2013.

Critique: ‘Dallas’ Episode 159 — ‘Love Stories’

Dallas, John Beck, Love Stories, Mark Graison

Leaving his mark

I don’t remember how I felt about Mark Graison’s death when I saw “Love Stories” as a kid, but I’ll be damned if it doesn’t move me now. John Beck’s character was never one of my favorites; his shameless pursuit of Pam while she was still married to Bobby was a turnoff during Mark’s earliest appearances, and then he never grew much once he got together with Pam. Mark was more plot device than person — just another detour on Romeo and Juliet’s road to reunion. Nevertheless, he receives the kind of graceful, dignified exit that eludes so many of “Dallas’s” most iconic figures. (Yes, Pam, I’m looking at you.)

Much of the power in Mark’s farewell lies in how quiet it is. At the end of the second act, Mark confronts his best friend and physician, Jerry Kenderson, about the mystery surrounding Pam’s surprise decision to marry him. “I got some questions that need answering. I think you’ve got the answers,” Mark tells Jerry. Cut to a darkened restaurant, where we find the two men sitting together as Mark absorbs the news that he’s dying. The stillness of this scene is striking: The dialogue is spare, there’s virtually no underscore and Beck and Barry Jenner deliver nicely measured performances. This could easily have been a maudlin moment, but it plays instead like something from real life — a sad conversation between two longtime friends.

We next see Mark toward the end of the episode, when he’s lying in bed with Pam. Now the tables have turned: For the first time since this storyline began, Mark has more information than his fiancée — he knows he has a terminal illness and that she’s marrying him out of obligation, if not pity. He keeps her blissfully in the dark, telling her how much he loves her, how happy she’s made him, how much he regrets the years they didn’t know each other. I would expect a scene like this to be sappy, but Beck’s delivery is so touchingly sincere, I get caught up in the moment. I can’t decide what’s sadder: Mark’s realization that he’s dying, or that his illness is the thing that finally won him the woman he loves. This is why the scene’s punctuation mark — when Mark silently slips out of the sleeping Pam’s room after giving her one last look — is so poignant. He’s not walking away so much as he’s freeing her. Finally, at the end of the episode, Pam is stunned to learn Mark’s plane has exploded, killing him. (Until he returns during the dream season, that is.)

Maybe it’s because I find Mark so heroic in this episode, but Bobby has rarely annoyed me as much as he does in “Love Stories.” His rejection of Katherine after she confesses her affair with J.R. feels unnecessarily brutal. Bobby is correct, of course, when he tells Katherine that her love for him is “sick,” but does he have to be so mean about it? J.R. hits the nail on the head later in the episode when he prefaces his advice for Bobby’s love life by pointing out his brother’s self-righteousness. “You go around telling everybody how to live their lives and setting up rules and regulations that only you can live up to,” J.R. says. This is at least the third time a “Dallas” character has made this point recently; in “Fools Rush In,” Jenna criticizes Bobby’s sanctimoniousness, while Sue Ellen suggests he’s inflexible. Will Bob ever take the hint?

There are some nice touches sprinkled throughout “Love Stories,” including another cute scene where Miss Ellie and Clayton plan their wedding, as well as a nice nod to “Dallas” history when Pam visits Cliff’s offshore oil rig and mentions how proud Digger would be of him. Mostly, though, this episode feels bogged down by storylines that are taking too long to peak. I’m especially bored with the mystery surrounding the death of Clayton’s first wife, which is being doled out to the audience in dribs and drabs. I suppose the show’s writers were hoping to raise doubts about Clayton’s innocence, but did anyone watching these episodes in 1984 believe he was guilty for even a minute?

This storyline yields one inspired moment in “Love Stories,” however. It happens when Jessica confides in J.R. by the Southfork swimming pool, telling him that Clayton inherited his wife’s trust fund after she perished in the fire at the Southern Cross. Jessica then storms off, leaving J.R. alone. Standing on the patio set, Larry Hagman slips his hands in his pockets, looks askance and stage whispers his character’s next line: “So he did torch it. Now the hell am I going to prove it?” It reminds me a little of Kevin Spacey addressing the audience on “House of Cards” — except I’ll take J.R. Ewing’s quick asides over Frank Underwood’s gimmicky fourth-wall assault any day of the week.

Grade: B

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Dallas, J.R. Ewing, Larry Hagman, Love Stories

Aside effect

‘LOVE STORIES’

Season 7, Episode 28

Airdate: May 4, 1984

Audience: 19.9 million homes, ranking 2nd in the weekly ratings

Writer: Leonard Katzman

Director: Michael Preece

Synopsis: J.R. learns more details about Amy Farlow and pretends to help Peter, whom Sue Ellen bails out of jail. Jessica remains angry with Clayton for selling the Southern Cross. Jenna accepts a marriage proposal from Bobby, who rejects Katherine after she confesses her affair with J.R. When Katherine gets drunk and reveals Pam’s connection to Jerry, Mark confronts Jerry, learns he’s dying and slips out of his fiancée’s life. Pam is later shocked to learn Mark has died in a plane crash.

Cast: Christopher Atkins (Peter Richards), John Beck (Mark Graison), Barbara Bel Geddes (Miss Ellie Ewing), Morgan Brittany (Katherine Wentworth), James L. Brown (Detective Harry McSween), Roseanna Christiansen (Teresa), Pat Colbért (Dora Mae), Patrick Duffy (Bobby Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Brad Harris (Mason), Susan Howard (Donna Krebbs), Barry Jenner (Dr. Jerry Kenderson), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Bert Kramer (Peter’s lawyer), Shalane McCall (Charlie Wade), Denny Miller (Max Flowers), Bill Morey (Leo Wakefield), Dennis Patrick (Vaughn Leland), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Sherril Lynn Rettino (Jackie Dugan), Alexis Smith (Lady Jessica Montfort), Charlene Tilton (Lucy Ewing), Debisue Voorhees (waitress)

“Love Stories” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Critique: ‘Dallas’ Episode 148 — ‘Eye of the Beholder’

Barbara Bel Geddes, Clayton Farlow, Dallas, Eye of the Beholder, Howard Keel, Miss Ellie Ewing

The natural

At the end of “Eye of the Beholder,” Miss Ellie tearfully tells Clayton that she had breast cancer and underwent a mastectomy years earlier. It’s another moving performance from Barbara Bel Geddes, although when I try to explain why she excels in scenes like this one, I always come up short. Is it her ability to summon tears whenever the script calls for it? Is it her halting delivery, which mimics the way people tend to talk in real life? Or is it some magical, Hagman-esque quality that can’t be described? Whatever the reason, Bel Geddes always makes me forget I’m watching a world of make-believe. She’s amazing.

To be fair, Bel Geddes gets plenty of help from “Eye of the Beholder” scriptwriter Arthur Bernard Lewis, whose unsentimental dialogue ensures Ellie isn’t seen as a figure of self-pity. Here’s how she tells Clayton about her ordeal: “Clayton, I had surgery. I’ve had a mastectomy. The doctor found cancer. They cut off my breast.” This series of clipped, matter-of-fact pronouncements reminds me of Bel Geddes’ wonderful monologue in “Return Engagements,” when Ellie acknowledges her failure to help Gary keep his family together. (“I should’ve fought them. I didn’t. I did nothing.”) Only one line in Ellie’s “Eye of the Beholder” speech gives me pause. After she tells Clayton about her mastectomy, she says, “It affects how I feel about myself, and I know it’s got to be harder for you.” This seems like another example of “Dallas’s” pervasive sexism — and maybe it is — but like it or not, I suspect this is how a lot of women from Ellie’s generation felt.

Regardless, I continue to marvel at “Dallas’s” acknowledgment that Ellie and Clayton, two characters who are supposed to be in their 60s or 70s, are capable of sexual intimacy. Besides “The Golden Girls,” which debuted a year after this episode aired, I can’t think of another show that did more more than “Dallas” to dispel the myth that people stop having sex with they get old. I also appreciate how sensitively “Dallas” handles this material. At the end of the scene, Clayton tells Ellie the mastectomy doesn’t matter to him and sweeps her into his arms. The final freeze frame shows him holding her tightly as Richard Lewis Warren’s soft piano music plays in the background. There’s no big cliffhanger, just two characters expressing their love and commitment to each other. What other prime-time soap opera from this era would be willing to end an episode on such a quiet, dignified note?

Above all, I love how Ellie and Clayton’s storyline mines “Dallas’s” history. “Eye of the Beholder” arrived four seasons after the show’s classic “Mastectomy” episodes, which broke ground by making Ellie one of the first major characters in prime time to get cancer. In “Eye of the Beholder,” the show doesn’t just mention her disease, it turns it into a major subplot and reveals Ellie is still struggling with the same feelings of inadequacy that she did in 1979. Her tearful scene with Clayton harkens to the memorable moment in “Mastectomy, Part 2,” when she comes home after her surgery and breaks down (“I’m deformed”) upon discovering her dresses no longer fit the way they once did.

The show’s history can also be felt in “Eye of the Beholder’s” third act, when Clayton tells Sue Ellen that Ellie has called off the wedding without telling him why. Sue Ellen gently quizzes Clayton and realizes he and Ellie haven’t been intimate with each other. “Don’t give up on her. I don’t think she’s told you everything,” Sue Ellen says. I love this scene for a lot of reasons, beginning with Linda Gray, whose expression lets the audience know that Sue Ellen has it all figured out. This also feels like a moment of growth for Gray’s character. Think back to “Mastectomy, Part 2,” when Sue Ellen reacts to Ellie’s cancer diagnosis by suggesting Jock will reject his wife after her surgery. Four years later, Sue Ellen is wiser, less cynical and more compassionate. When you think about it, if it wasn’t for Sue Ellen encouraging Clayton to not give up on Ellie, Ellie might not have opened up to him and given their relationship another chance. In many ways, Sue Ellen rescues this couple.

“Eye of the Beholder” contains several other nods to “Dallas’s” past, including the warm scene where Bobby and Pam share lunch at the Oil Baron’s Club and reminisce about their wedding. Besides showcasing Patrick Duffy and Victoria Principal’s sparkling chemistry, the scene fills in some blanks for “Dallas” diehards. For example, “Digger’s Daughter” opens with Bobby and Pam stopping at a gas station not long after their spur-of-the-moment wedding in New Orleans. I always wondered: Were the newlyweds coming straight from the chapel? It turns out they weren’t: In “Eye of the Beholder,” we learn the couple spent their wedding night in a motel while making their way back to Southfork. It’s also nice to know “When the Saints Go Marching In” was their wedding music. If that’s not a fitting theme for these two, I don’t know what is.

The other great scenes in “Eye of the Beholder” include Bobby forcing J.R. to sign the paperwork to buy Travis Boyd’s company, which ends with J.R. saying, “I don’t like doing business this way.” Bobby’s response: “Well, I’ll continue your delicate sensibilities some other time, all right?” I also like the scene that introduces Barry Jenner as Jerry Kenderson, Mark Graison’s doctor and confidante; Jenner and John Beck have an easy rapport, making the friendship between their characters feel believable. “Eye of the Beholder” also marks Bill Morey’s first appearance as Barnes-Wentworth’s longtime controller Leo Wakefield, whose weary demeanor makes him a worthy foil for Ken Kercheval’s hyperkinetic Cliff. (Morey previously popped up as a judge in the fifth-season episode “Gone But Not Forgotten.”)

Two more moments, both showcasing Larry Hagman’s comedic talents, deserve mentioning. In the first, J.R. enters the Southfork living room, where Sue Ellen is offering Peter a drink. J.R. accuses his wife of “trying to corrupt that young man,” until he finds out Peter has arrived to escort Lucy to a party. “Oh, in that case you’re going to need a drink,” J.R. says. In Hagman’s other great scene, J.R. takes Edgar Randolph to lunch, where he tells Edgar he wants him to reveal the high bidder in the offshore drilling auction so J.R. can beat the bid. Edgar resists, saying he doesn’t want to cheat the government, but J.R. points out the government will make more money under his scheme. “J.R., you have the amazing ability to make a crooked scheme sound noble,” Edgar says. J.R.’s response: “Edgar, that’s part of my charm.”

For once, he isn’t lying.

Grade: A

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Bobby Ewing, Dallas, Eye of the Beholder, Pam Ewing, Patrick Duffy, Victoria Principal

On the march

‘EYE OF THE BEHOLDER’

Season 7, Episode 17

Airdate: January 27, 1984

Audience: 22 million homes, ranking 2nd in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Leonard Katzman

Synopsis: Miss Ellie tells Clayton she doesn’t want to marry him because she had a mastectomy, but he tells her it doesn’t matter. Cliff agrees to sleep with Marilee if she’ll join his offshore drilling venture. J.R. tells Edgar he wants to see the offshore proposals so he can bid higher. Pam realizes Bobby and Jenna are sleeping together.

Cast: Denny Albee (Travis Boyd), Christopher Atkins (Peter Richards), John Beck (Mark Graison), Barbara Bel Geddes (Miss Ellie Ewing), Morgan Brittany (Katherine Wentworth), Martin E. Brooks (Edgar Randolph), Roseanna Christiansen (Teresa), Pat Colbért (Dora Mae), Patrick Duffy (Bobby Ewing), Eric Farlow (Christopher Ewing), Fern Fitzgerald (Marilee Stone), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Krebbs), Barry Jenner (Dr. Jerry Kenderson), Sherril Lynn Katzman (Jackie Dugan), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Anne Lucas (Cassie), Kevin McBride (George), Bill Morey (Leo Wakefield), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Donegan Smith (Earl Johnson), Charlene Tilton (Lucy Ewing)

“Eye of the Beholder” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.