Dallas Burning Questions: Season 2, Week 6

Mama drama

Mama drama

Here are the questions we’re pondering as we await tonight’s telecast of “The Furious and the Fast,” TNT’s latest “Dallas” episode.

Will Ewing Energies survive? In “Blame Game,” last week’s episode, Sue Ellen (Linda Gray) finally seized Elena’s share of Ewing Energies. Meanwhile, Christopher (Jesse Metcalfe) agreed to give Pamela (Julie Gonzalo) 10 percent of the company as part of their annulment. This means Bobby, Sue Ellen and John Ross each own a quarter of Ewing Energies, Christopher has 15 percent and Pamela owns the rest. Will this team of rivals be able to set aside their squabbles and do business, like helping Christopher win the contract to fuel the city’s municipal fleet?

Can Gary help Bobby? Tonight’s episode features a special guest star: Ted Shackelford, who’ll reprise his role from the original “Dallas” and “Knots Landing” as Gary Ewing, J.R. and Bobby’s middle brother. Each man controls one-third of the Southfork mineral rights, and in my recent interview with Shackelford, he revealed Bobby summons Gary to Dallas to form a voting bloc against J.R.’s wing of the family. In the past, Gary hasn’t always been the most reliable Ewing (his big weaknesses: booze and beautiful women). Will he come through for Bobby this time?

Who does Pamela love? After Pamela snagged her piece of Ewing Energies, she reneged on her deal to give a portion to John Ross (Josh Henderson). Pamela cited her unborn twins as the reason for her change of heart. “I don’t want to be at war with their father again,” she said. John Ross vowed revenge, but when Vicente (Carlos Bernard) took the Ewings hostage at Southfork, Pamela and John Ross opened up to each other and seemed to reconnect. So who does her heart really belong to: John Ross, Christopher … or daddy Cliff?

Are the Rylands out for blood? Bobby visited Emma (Emma Bell) and reminded her she has another family at Southfork. “If you ever need anything, we’re there,” he said. Later, Emma paid a surprise jailhouse visit to Ann (Brenda Strong), who finally began to bond with her daughter. But the biggest surprise was yet to come: During the penalty phase of Ann’s trial, the jury sentenced her to probation, which outraged Harris and Judith (Mitch Pileggi, Judith Light). Should Ann watch her back?

Will Drew catch a break? And now, let us consider the plight of poor Drew Ramos (Kuno Becker). A few episodes ago, he returned to Southfork after a long absence, eager to drill his dead father’s land, only to find out his family sold it to Bobby. So Drew went to work for his kid sister Elena (Jordana Brewster), discovered her foreman was up to no good and fired him, only to catch hell from her. To earn extra cash, Drew took a job driving a truck, only to get arrested for transporting stolen goods. He tried to do “the right thing” and signed a confession, only to discover John Ross was behind his arrest. As if all this wasn’t bad enough, Drew came home to Elena’s cottage after what was probably another bad day, only to find her in the process of being kidnapped by Vicente. So Drew did what comes naturally to people on “Dallas”: He reached for a gun and shot Vicente, killing him. This probably won’t please Drew’s parole officer, but will it at least prompt Elena to be nicer to him?

Where’s J.R.? Before Vicente ambushed Southfork, Bobby determined J.R. (Larry Hagman) was behind Sue Ellen and John Ross’s coup at Ewing Energies and went to question his brother, only to find his bedroom empty. Where did J.R. go, and how will it figure into the end of his legendary run on “Dallas”?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

Dallas Burning Questions: Season 2, Week 5

Another fine mess

Another fine mess

Here are the questions we’re pondering as we await tonight’s telecast of “Blame Game,” TNT’s latest “Dallas” episode.

• Will Ann go to prison? In “Trial and Error,” last week’s episode, Ann (Brenda Strong) proved she shot Harris and went on trial, where her dirty laundry was aired in front of everyone. Judith and Harris (Judith Light, Mitch Pileggi) testified that Ann had been a bad wife and neglectful mother, which Ann tried to refute in her own testimony. The strategy failed: The jury found Ann guilty, and in the final scene, she was hauled off to jail. Will Bobby (Patrick Duffy) find a way to spring his wife from the slammer?

Will Emma forgive her mother? Throughout Ann’s trial, Emma (Emma Bell) seemed to struggle with her feelings toward her estranged mother. During a recess, Christopher (Jesse Metcalfe) appealed to his newly discovered stepsister on Ann’s behalf, but Emma ended up delivering damaging testimony against Ann. Yet when the guilty verdict was announced, Emma went running from the room in tears. Might there be hope for a mother/daughter reconciliation?

Pamela and Christopher: Now what? The enmity displayed at Ann’s trial prompted Christopher to soften toward Pamela (Julie Gonzalo). “I don’t want our kids to be raised with their parents poisoning their minds against each other,” he said. Christopher agreed to Pamela’s request for mediation and seemed concerned when Pamela experienced a pregnancy pain. Later, Cliff (Ken Kercheval) congratulated his daughter on getting Christopher to the negotiating table, but Pamela didn’t seem so enthused. Is she having second thoughts about her scheme against Christopher?

Pamela and John Ross: Is it over? Two episodes ago, when it looked like the police were closing in on Pamela during the investigation into Tommy’s death, John Ross (Josh Henderson) tipped off Cliff about J.R.’s plot against Pamela. In “Trial and Error,” J.R. (Larry Hagman) found out about John Ross’s betrayal and was angry for awhile, until Sue Ellen persuaded him to forgive their son. Meanwhile, Pamela thanked John Ross for helping her, but when he hinted he wanted a deeper relationship with her, she demurred. “Nothing personal. Just protecting our business arrangement,” she told him. Will John Ross give up on Pamela?

When will Sue Ellen make her move against Elena? Three episodes ago, Sue Ellen (Linda Gray) told Elena (Jordana Brewster) that if she didn’t strike oil on the Henderson property in one month, Sue Ellen would call in her loan. A month elapsed during “Trial and Error,” which means Elena’s time is up. It seems unlikely she’ll be able to pay Sue Ellen back, especially since she had to bail out brother Drew (Kuno Becker), who was arrested for smuggling stolen goods. Does this mean Sue Ellen and John Ross will finally seize Elena’s share of Ewing Energies?

Will Vicente get revenge? Bobby and Christopher were outraged to discover Vicente (Carlos Bernard) might be extradited to Venezuela. “Don’t forget, we still have some unfinished to conclude,” Vicente told Bobby with a wink. In the promos for tonight’s episode, Vicente and his henchmen are seen leading an ambush on Southfork, where most of the Ewings – even Pamela – are gathered. What brings them together – and will they all survive their latest hostage crisis?

What will be J.R.’s final scene? The final scenes that Hagman filmed before his death last November appeared in “Trial and Error.” The producers were expected to insert one of Hagman’s unused scenes in “Blame Game,” which means tonight could be the last time we’ll see him portray J.R. What will be his swan song?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

The Dal-List: Classic ‘Dallas’s’ 10 Most Memorable Monologues

Ann Ewing, Brenda Strong, Dallas, TNT, Trial and Error

Testify!

Few will forget the courtroom testimony that Ann (Brenda Strong) delivered at the end of “Trial and Error,” last week’s “Dallas” episode. Here’s a look at the Barneses’ and Ewings’ 10 most memorable monologues from the original series and its “Knots Landing” spinoff.

Barbara Bel Geddes, Dallas, Miss Ellie Ewing

Curses!

10. Miss Ellie’s lament. With the Ewing empire on the brink of collapse, Miss Ellie (Barbara Bel Geddes) goes to the site of Jock’s first strike and curses his memory. “Damn it all, Jock. You couldn’t have been an insurance salesman. Or a shoe salesman. No, you had to have oil in your blood. In your heart. And now … our sons are fighting for their lives.” It’s one of the better moments from one of the show’s better later episodes. (“Judgment Day”)

Dallas, Pam Ewing, Victoria Principal

She remembers mama

9. Pam’s discovery. Pam (Victoria Principal), believing Rebecca Wentworth is her long-lost mother, confronts the Houston matron in her opulent home. “I found you. You’re alive. And I’m so happy. I don’t know how to tell you how happy I am,” she says through tears. With every line, Principal seems to reveal a little more of herself, so much so that by the end of the speech, her lip quivers uncontrollably. Bravo. (“The Prodigal Mother”)

Dallas, Priscilla Pointer, Rebecca Barnes Wentworth

Runaway mom

8. Rebecca’s confession. After denying her identity, Rebecca (Priscilla Pointer) sits with Pam on a park bench and tells her the truth: She is, in fact, Pam’s mother. “I never divorced Digger,” Rebecca says as her voice begins to crack. “I was afraid that if I tried, he’d find me, and drag me back to that awful life. Pamela, I saw a chance for happiness, and I took it. Don’t blame me for that.” Pointer’s delivery is hauntingly beautiful. (“The Prodigal Mother”)

Dallas, Gary Ewing, Knots Landing, Ted Shackelford

No beach bum

7. Gary’s mea culpa. Gary (Ted Shackelford) begs Lucy to stay in Knots Landing and apologizes for his past sins, telling her he’s trying hard to be a better man. “I’m not a loser anymore,” Gary says. At one point, he becomes tongue-tied, as if he can’t find the words to convey his guilt and regret. In the DVD commentary, Shackelford laughs and suggests he paused because he couldn’t remember his next line. No matter. It still works. (“Home is For Healing”)

Dallas, Linda Gray, Sue Ellen Ewing

Bye bye, love

6. Sue Ellen’s kiss-off. In Linda Gray’s “Dallas” departure, Sue Ellen shows J.R. the scandalous movie she’s made about their marriage – and vows to screen it for the public only if he misbehaves. “If I feel that you’re not doing right by John Ross … or if I get up on the wrong side of the bed one morning. Or if I’m simply bored – then I’ll release the movie. And then, J.R., you will be the laughingstock of Texas.” Corny? Sure, but also mighty triumphant – and darn memorable. (“Reel Life”)

Cliff Barnes, Dallas, Ken Kercheval

Never too late

5. Cliff’s regret. My favorite Ken Kercheval scene: Cliff summons Miss Ellie to a park and apologizes for perpetuating his father’s grudge against the Ewings. “Digger was wrong, and I was wrong. If it’s not too late. I’d like to make peace. I’d like to ask you to forgive me,” Cliff says. In an interview with Dallas Decoder, Kercheval fondly recalled his friendship with Bel Geddes. What a shame these two pros didn’t get more screen time together. (“Brother Can You Spare a Child?”)

Dallas, Jim Davis, Jock Ewing

American dad

4. Jock’s plea. After Pam suffered her first heartbreaking miscarriage, Jock (Jim Davis) sat at her bedside and begged her and Bobby not to leave Southfork. “Us Ewings, we’re just not an easy family to live with, as you found out. We’ve had things our way for so long that maybe – well, maybe it got in the way of our being just people. I guess that you don’t have no reason to really care, but I want to keep my family together.” Who knew the old man could be so soft? (“Barbecue”)

Dallas, Ray Krebbs, Steve Kanaly

He knows father best

3. Ray’s tribute. Ray (Steve Kanaly) tries to make Miss Ellie accept Jock’s death by reminding her of his humanity. “He was a man, just like anybody else. He had friends. He had lots of friends. But he had enemies, too. He was human, ambitious. He knew that the oil game was rough, hardball all the way. But he wanted what was best for his wife, and for his sons. And he did what he thought was right.” The most honest eulogy Jock ever received. (“Acceptance”)

Dallas, J.R. Ewing, Larry Hagman

Honor thy daddy

2. J.R.’s promise. J.R. (Larry Hagman), after slipping into a depression over Jock’s death, addresses a portrait of his father. “I’m back, Daddy. And nobody’s going to take Ewing Oil away from me. Or my son, or his son. I swear to you. By God, I’m going to make you proud of me.” The combination of Hagman’s conviction, scriptwriter David Paulsen’s dialogue and Bruce Broughton’s rousing score never fails to give me chills. (“The Phoenix”)

Bobby Ewing, Dallas, Patrick Duffy

Exit the hero

1. Bobby’s goodbye. As Bobby (Patrick Duffy) lay dying in his hospital bed, he bids his family farewell. To Miss Ellie: “Oh, Mama. I’m sorry.” To Pam: “All that wasted time. We should’ve been married.” He seems to be looking at J.R. when he delivers his last words: “Be a family. I love you so much.” Duffy has never been better, and when the monitor flatlines and Principal leaps? Fuhgeddaboudit! Yes, the scene’s emotional impact is diminished somewhat by the fact it turned out to be a dream. Still, does “Dallas” get better than this? (“Swan Song”)

Which “Dallas” monologues moved you most? Share your choices below and read more “Dal-Lists.”

TNT’s Dallas Scene of the Day: ‘… And She Was Gone’

Ann Ewing, Brenda Strong, Dallas, TNT, Trial and Error

Judge not

In “Trial and Error,” a second-season “Dallas” episode, Ann (Brenda Strong) testifies before her attorney Lou (Glenn Morshower) and a packed courtroom.

ANN: I was a tall, awkward girl. Most of my life, I felt ugly. My mother took me to doctors when I hit puberty so they would make me stop growing. No one had really ever paid any attention to me until Harris. My family didn’t have much money. And Harris took me to fancy restaurants, stores, bought me nice clothes. We were happy. He had grown up in a suffocating home. His father had committed suicide before he was born. And his mother controlled his every breath. Harris kept telling me how good I was for him, that I brought life into the dark of his life. Then his mother began to interfere. Nothing I could do was right. She made fun of the fact that I had never gone to college. She put ideas in his head about me, that I was a gold-digger, that I was seeing other men. And he believed her. So he began trying to control me the way he had always been controlled. If I picked the wrong blouse, picked up the wrong fork, did my hair a certain way, he’d shout at me. I began to realize that the marriage had been a mistake. When I found out I was pregnant, I felt trapped. By the time Emma was born, I felt like I was drowning. I was diagnosed with post-partum depression and put on medication. I had a difficult time being a young mother. I’m sorry. But I did not leave my daughter at home alone! I left Emma with Judith so I could go see a divorce lawyer. But Judith lied to Harris for her own twisted purposes. And then Harris found out about my plans to divorce him, and he forced me to see a psychiatrist to put me on more medication.

LOU: Tell us what happened at the state fair.

ANN: Emma was 18 months old. Harris and his mother were particularly cruel to me the night before, so that morning, I took a few more pills than I should’ve. I couldn’t think straight, but I couldn’t stand to be in that house another minute, so I took Emma to the fair. It was so very hot. I remember being so thirsty, so I left her in her stroller and went to get a soda. Only a couple minutes passed. I turned back, and she was gone. I had stepped away from my baby for only a few moments and she’d been kidnapped. God had punished me by taking my baby.

Critique: TNT’s ‘Dallas’ Episode 15 – ‘Trial and Error’

Dallas, J.R. Ewing, Larry Hagman, TNT, Trial and Error

Last stand

“Trial and Error” gives us the last scenes that Larry Hagman filmed as J.R. Ewing, including his poignant reconciliation with turncoat son John Ross, as well as a spirited clash with Sue Ellen that recalls the couple’s stormier days. But as much as I cherish these final, dwindling moments with my hero, I can’t deny that “Trial and Error” belongs to Brenda Strong. The actress is superb throughout this episode, especially when Ann testifies during her trial. Strong delivers more than 400 words of dialogue, and each one feels achingly real. It’s one of the most moving speeches in “Dallas” history.

Since the new “Dallas” began I’ve rooted for Ann, a modern Texas woman who is every bit as comfortable in pearls and heels as she is in boots and jeans. One of my favorite scenes during the show’s first season was Ann’s showdown with Harris, when she tricked him into confessing to money laundering and other crimes, then slugged him and warned him to stay away from her family. This is why I was so troubled when Ann shot Harris two episodes ago. A punch is one thing, but Harris doesn’t deserve a bullet to the chest. No one does.

“Trial and Error” marks the beginning of Ann’s redemption, although it feels like something even bigger is happening. Ann isn’t really being tried for shooting Harris; she’s on trial for being an imperfect wife and mother. The show isn’t asking us to forgive Ann as much as it’s asking us to accept her humanity. The character’s testimony, the highlight of “Dallas” newcomer John Whelpley’s script, is the crucial moment. During the course of this four-minute scene, Ann recalls being a tall, awkward girl who found love with Harris, only to have his controlling mother Judith undermine her. She also remembers giving birth to Emma and struggling with motherhood, then having the child snatched from her during a fateful visit to the state fair. It’s wrenching.

I suspect many members of the “Dallas” audience nod silently when they watch Ann’s testimony. The situations she describes might be melodramatic, but the feelings they evoke are easily recognizable. When Ann recalls how Judith made fun of her for not going to college, or how Harris chastised her for using the wrong fork at dinner, how can you not think about a time in your own life when you were made to feel inadequate? Likewise, if you’re a mom or dad, do Ann’s memories of Emma’s abduction remind you of a time when you made a parenting mistake? You’d have to reach far back into Ewing family lore – perhaps to Sue Ellen’s sanitarium meltdown during the original show’s third season – to find a “Dallas” monologue that yields so many genuine emotions.

Strong’s beautifully measured, heartfelt delivery provides “Trial and Error” with its moment of catharsis, but there are many other scenes I like. Several involve Jesse Metcalfe and newcomer Emma Bell. No one does impassioned earnestness better than Metcalfe, as we witness in the nice sequence where Christopher urges Emma to give Ann another chance. Metcalfe is also touching when the camera cuts to Christopher during Ann’s testimony and we see that his eyes are wet, as well as in the scene where Christopher puts his hand on Pamela’s pregnant belly and feels their unborn twins. Bell, in the meantime, reveals herself to be the rare actress who requires no dialogue to shine. Emma is a mostly a silent observer in the courtroom, but never once do we question what she’s thinking. Bell lets us see the doubt and confusion tormenting her character.

Millicent Shelton, a first-time “Dallas” director, also gives us some priceless courtroom reaction shots from Judith Light, who made her own mark in television with a classic witness stand breakdown on “One Life to Live” in 1979. While Light nibbles the scenery, Mitch Pileggi goes in another direction, offering expressions and gestures that seem to reveal Harris’s humanity. Notice how Pileggi bows his head when Ann mentions how Harris’s father committed suicide before he was born. Am I the only one who feels sorry for Harris at that moment?

I’m not sure why we never see Bobby testify on his wife’s behalf (or why he isn’t facing his own obstruction of justice trial for falsely confessing to Harris’s shooting). In the same spirit, it’s tempting to knock “Dallas” for offering up Sue Ellen (a disgraced politician) and Pamela (a recent murder suspect) as Ann’s character witnesses, but I’ll resist the urge because I like how it reminds us of the parallels between these flawed heroines. An especially nice touch: When Ann mentions suffering from post-partum depression after Emma’s birth, the camera cuts to Sue Ellen, who must be one of television’s most notorious sufferer of that disorder.

“Trial and Error” also gets a lift from Hagman, who filmed some of his scenes for this episode just days before his death last November – not that you’d know it by watching him here. Consider the shot of J.R. observing John Ross from the mezzanine inside the courthouse. Isn’t it amazing how Hagman can exert so much authority, just by standing silently? I also love J.R.’s quip-filled scene with John Ross in the men’s room (“We dinosaurs are known to bite”), even if it’s an odd place to stage their reconciliation, as well as the exchange where Sue Ellen gives her ex-husband a piece of her mind (“Fathers are supposed to take the high road when it comes to their sons. Forgive John Ross!”). J.R.’s surprise encounter with Cliff is old-school “Dallas” fun too, although I wish Hagman and Ken Kercheval could’ve done the scene face to face instead of over the phone.

This isn’t Hagman’s final “Dallas” appearance. A J.R. scene that was left over from a previous episode has reportedly been inserted into the next hour, “Blame Game,” although we probably won’t know what the moment entails until TNT telecasts it next week. This made watching “Trial and Error” a bit surreal. I wondered: Is J.R.’s exchange with Sue Ellen the last time we’ll see him share the screen with Linda Gray, or will we get one more chance to revel in their magic? What about Bobby and John Ross? Have we already seen J.R.’s final scenes with them too?

This feeling has plagued fans like me all season long, actually. Watching “Dallas” and knowing that our hero will soon go away is the worst of all possible spoilers. Part of me still refuses to believe it’s going to come true.

Grade: B

_______________________________________________________________________________________________________________________________________________

Ann Ewing, Brenda Strong, Dallas, TNT, Trial and Error

Her day in court

‘TRIAL AND ERROR’

Season 2, Episode 5

Telecast: February 18, 2013

Writer: John Whelpley

Director: Millicent Shelton

Synopsis: Ann proves she shot Ryland and goes on trial. During her testimony, she reveals her struggles as a young mother but refutes Harris’s accusation of neglecting Emma. The jury finds Ann guilty. Cliff tells J.R. that John Ross betrayed him, but Sue Ellen persuades J.R. to forgive their son. Christopher softens toward Pamela, who rejects John Ross’s romantic overtures. Drew is arrested for transporting stolen goods.

Cast: John Athas (Ellis), Kuno Becker (Drew Ramos), Emma Bell (Emma Brown), Carlos Bernard (Vicente Cano), Holt Boggs (state trooper), Jordana Brewster (Elena Ramos), Brett Brock (Clyde Marshall), Candice Coke (Tamera Carson), Patrick Duffy (Bobby Ewing), Rick Espaillat (Dr. LaFont), Wilbur Fitzgerald (Judge Wallace Tate), Julie Gonzalo (Pamela Barnes), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Josh Henderson (John Ross Ewing), Ken Kercheval (Cliff Barnes), Judith Light (Judith Ryland), Jesse Metcalfe (Christopher Ewing), Glenn Morshower (Lou Bergen), Kevin Page (Bum), Mitch Pileggi (Harris Ryland), Brenda Strong (Ann Ewing), Brian Thornton (Detective Miles Danko), Rebekah Turner (jury foreman)

“Trial and Error” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Burning Questions: Season 2, Week 4

Too little too late?

Too little too late?

Here are the questions we’re pondering as we await tonight’s telecast of “Trial and Error,” TNT’s latest “Dallas” episode.

Will the police believe Ann or Harris? In last week’s episode, “False Confessions,” Bobby (Patrick Duffy) tried to protect Ann by confessing to shooting Harris. Meanwhile, as Harris lay in a coma, his mother Judith (Judith Light) vowed revenge. “I will make sure Bobby goes to jail, take him from Ann the way she took you from me,” she whispered into her son’s ear. After Bobby was arrested and freed on $1 million bail, Ann (Brenda Strong) persuaded him to recant his confession, then told family lawyer Lou (Glenn Morshower) the truth: that she shot Harris. There was just one problem: When Harris (Mitch Pileggi) woke up and the police asked him to name his assailant, he lied. “It was Bobby Ewing,” Harris said as Judith smiled. So which Ewing will go on trial – Bobby or Ann?

Has Pamela ruined all of her relationships? After J.R. and Frank conspired to expose Pamela’s role in Tommy’s death, Cliff (Ken Kercheval) turned the tables on them. Cliff framed Frank (Faran Tahir) for the shooting, then persuaded his “son” to fall on his sword for the good of the Barnes family. When Frank went before the judge, he lied and said he shot Tommy – then admitted to killing Becky, swallowed a poison pill and died. Elsewhere, Pamela (Julie Gonzalo) – sensing that John Ross (Josh Henderson) was falling for her – rejected his offer to help, while Christopher (Jesse Metcalfe) was outraged to see her beat the rap for Tommy’s death. So, to recap: Pamela has angered her father, alienated her lover and made her estranged husband madder than ever. Can any of her relationships be saved?

• Will John Ross regret betraying J.R.? J.R. (Larry Hagman) learned John Ross was “cavorting” with Pamela and ordered him to stop, but John Ross refused and turned to Cliff, tipping him off that Frank was in cahoots with J.R. What will happen when J.R. learns his son sold him out?

Will Elena strike oil? John Ross bribed Elena’s foreman to sabotage the Henderson drilling site, hoping it will cause her to miss the deadline to strike oil and repay her loan to Sue Ellen (Linda Gray). Unfortunately for John Ross, Elena’s brother Drew (Kuno Becker) realized the foreman was up to no good and fired him. Will this give Elena (Jordana Brewster) time to get her project back on track – or will Sue Ellen end up calling in the loan and seizing Elena’s share of Ewing Energies?

What’s Drew up to? Speaking of Elena’s brother: Clyde (Brett Brock), John Ross’s private eye, watched Drew go to the outskirts of Dallas, where he met a truck driver and had a cryptic conversation about “the boss” they share. The driver tossed Drew the keys, and then Drew climbed into the truck and drove away. Where was he headed – and who is his mysterious employer?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

Drill Bits: ‘Dallas’s’ Ratings Rise During Week 3

Ann Ewing, Bobby Ewing, Brenda Strong, Dallas, False Confessions, Patrick Duffy, TNT

Relax. The numbers will go up.

More viewers made time for “Dallas” this week.

TNT’s telecast of the latest episode, “False Confessions,” was seen by 2.4 million viewers on Feb. 11. The audience grew almost 10 percent from the previous week’s telecast.

“Dallas” is also getting a healthy boost from DVR users. The two-hour season opener – comprised of back-to-back telecasts of “Battle Lines” and “Venomous Creatures” – was seen by 2.9 million viewers on January 28, although the audience soared to 3.7 million when people who recorded the show and watched it a few days later were counted.

The second season’s third episode, “Sins of the Father,” was seen by 2.2 million viewers on Feb. 4, but by the end of the week, DVR users had increased the audience to 2.9 million.

“Dallas’s” first season averaged 4.2 million viewers on Wednesday nights last summer, although DVR users boosted its weekly haul to 6.1 million.

In last week’s edition of “Drill Bits,” TV ratings expert Marc Berman said a decline was expected since “Dallas” is now being telecast on Mondays in the winter, when it faces tougher competition on the broadcast networks.

Strong Speaks

Dallas Decoder was lucky to participate in a press call last week with Brenda Strong, who dished on her character Ann’s recent shooting of ex-husband Harris, “Dallas’s” ratings, working with Larry Hagman and more. If you haven’t already read it, be sure to check it out.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Dallas Burning Questions: Season 2, Week 3

Caught

Will she get caught?

Here are the questions we’re pondering as we await tonight’s telecast of “False Confessions,” TNT’s latest “Dallas” episode.

Is Harris dead? At the end of “Sins of the Father,” last week’s installment, Ann (Brenda Strong) learned Harris (Mitch Pileggi) couldn’t be prosecuted for kidnapping their daughter Emma (Emma Bell) and went to his home to confront him. When Harris taunted Ann, she pulled a handgun from her purse and shot him, leaving him bleeding on the floor. Since Pileggi was added to “Dallas’s” opening credits three weeks ago, it seems unlikely Harris will die. Then again, this is the new “Dallas,” where anything can happen and usually does. So who knows?

What will happen to Ann? In a chat last week with Dallas Decoder and other bloggers, Strong said Ann was in “an altered state” when she plugged Harris. The trailer for tonight’s episode shows Bobby (Patrick Duffy) being arrested for the shooting. If Ann allows her husband to take the rap for a crime she committed, does that mean she’s still out of her mind?

• Will Pamela get caught? An update on “Dallas’s” other shooting storyline: After Pamela (Julie Gonzalo) gunned down Tommy last season, she turned to Frank (Faran Tahir) to dispose of the weapon and the body. Last week, the police discovered Tommy’s blood in Pamela’s old condo, and J.R. (Larry Hagman) urged Frank to expose her role in Tommy’s death. Will he?

• John Ross and Pamela: What will J.R. and Cliff say? Pamela believes she’ll snag a percentage of Ewing Energies during her divorce from Christopher, and she promised to share her piece of the company with her new lover/partner-in-crime John Ross (Josh Henderson). Meanwhile, John Ross seems to be falling for Pamela, unaware that J.R. is out to get her. Will John Ross be forced to choose between his father and his lover – and how will Cliff (Ken Kercheval) feel when he discovers his daughter has hooked up with J.R.’s son?

Will Christopher and Elena learn the truth about John Ross? Christopher (Jesse Metcalfe) is angling to win a lucrative contract to fuel the city’s municipal fleet, unaware that John Ross is trying to undermine him. Meanwhile, Sue Ellen (Linda Gray) has vowed to call in Elena’s loan if she doesn’t strike oil on the Henderson property. This prompted Elena to ask for drilling help from her brother Drew (Kuno Becker), who recently returned to town with a chip on his shoulder. What Elena doesn’t know: John Ross has bribed her foreman to sabotage the Henderson project. Will John Ross’s schemes succeed?

Where’s Becky? When Pamela got frustrated with Tommy’s demanding sister Becky (Alex McKenna), she urged Frank to pay her off once and for all. Later, Becky didn’t show up for the court hearing where she was supposed to recant her false testimony against Christopher. Did Frank run Becky out of town – or did he make her disappear forever?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

Brenda Strong: More ‘Twists and Turns’ Coming on ‘Dallas’

Brenda Strong - More Twists and Turns Coming to Dallas copy

Altered state?

Brenda Strong believes her “Dallas” character Ann Ewing was in “an altered state” when she shot sadistic ex-husband Harris Ryland at the end of the TNT serial’s most recent episode.

“I don’t know that she knew when she arrived that she was going to complete the intention of shooting him,” Strong told Dallas Decoder and other bloggers yesterday. “She had been pushed to such a degree of heartbreak that there was an altered state that she was in. It was the last thing that he said that allowed her to say, ‘Yes, he deserved it.’”

In the scene, Ann confronted Harris (Mitch Pileggi) after learning he wouldn’t be punished for kidnapping their daughter Emma and sending her to Europe to be raised by his mean mama Judith (Judith Light). When Harris taunted Ann by pointing out how she never got to see Emma grow up, Ann pulled a handgun from her purse, pointed it at him and pulled the trigger.

Strong’s knockout performance earned her rave reviews from critics and bloggers. The actress also heard from viewers who feel Harris had it coming. “I was very surprised by that, actually. Because I did not take it lightly, especially with what’s going on in the country. It’s a big deal,” Strong said.

No “Dallas” cast member is ever sure what’s next for their character (“We’re all page turning every time we get a new script because there are so many twists and turns”), but Strong predicted Ann ultimately will be redeemed. “I think our writers are absolutely holding the big picture in mind and know that as heinous of an act that shooting someone is, in the larger scope of a person’s life, and the opportunity that this kind of conflict presents, there are things that are redeemable.”

More “Dallas” dish from Strong:

• On “Dallas’s” ratings, which have softened in Season 2: “TNT is a formidable summer [network]. They normally air their shows in the summer, and they are starting to branch out into the winter months … and [“Dallas” is] definitely pioneering that. I think we’re right in line with what the network expected our numbers to be, so I don’t think anyone’s worried.”

On her last scene with Larry Hagman, which was shot in a courthouse: “Larry was in top form, cracking the gallery up. And he and Patrick [Duffy] and I sat around in between shots, telling stories. I actually have a beautiful picture of the three of us sitting there – and none of us knew that we were having our photo taken – but you see me listening to Larry telling a story to Patrick and then both of us laughing. Obviously none of us knew it would be the last time we worked with him, so I hold those memories dear.”

On Ann and Sue Ellen’s bond: “Their friendship may be tested. There’s a J.R. camp and there’s a Bobby camp, and John Ross belongs in the J.R. camp. And so with Sue Ellen needing to be protective of her son, Ann and Sue Ellen may end up on different sides of the fence, which I think will be very interesting considering what a strong, solid friendship they have.”

On Judith Light: “She’s been such a great addition to our show. Judith and Ann have an altercation in practically every episode she’s in, so it’s definitely something that the audience can look forward to. And as much as we’ve come to love hating Harris, I think the audience is going to feel the same way about her.”

What do you think of Ann’s shooting of Harris? Share your comments below and read more news from Dallas Decoder.

The Dal-List: Classic ‘Dallas’s’ 5 Most Shocking Shootings

Dallas, J.R. Ewing, Larry Hagman, Who Shot J.R.?

The one heard round the world

TNT’s “Dallas” delivered a shocker at the end of “Sins of the Father,” this week’s episode: Ann (Brenda Strong) shot her ex-husband Harris (Mitch Pileggi) and left him bleeding on his den floor. It was the latest example of “Dallas’s” long tradition of using gunplay to throw viewers for a loop. Here’s my list of the five most shocking shootings seen during the original series.

Dallas, Fat Lady Singeth, Linda Gray, Sue Ellen Ewing

She bangs

5. J.R. Ewing (1988). “Dallas’s” 12th season ended with Sue Ellen and boyfriend Nick Pearce (Linda Gray, Jack Scalia) bursting into a high-rise hotel room to confront J.R. (Larry Hagman) over his latest misdeeds. J.R. pulled a gun, Nick lunged at him and before you knew it, studly Mr. Pearce went tumbling over the balcony. That’s when Sue Ellen picked up J.R.’s gun, fired three shots at him and dialed the police to report “a double murder.” Even though this was the fourth (!) time J.R. was shot on the show – and even though there was no doubt he’d survive – you have to admit: Seeing Sue Ellen plug him was pretty surprising.

Dallas, Don Starr, Jordan Lee, Terminus

For whom the booth tolls

4. Jordan Lee. This longtime Ewing frenemy had a penchant for hooking up with shady women – we’re looking at you, Kristin – but when Jordan (Don Starr) got involved with mysterious Sheila Foley (Susan Lucci), he paid the ultimate price. Jordan helped Sheila with her convoluted scheme to masquerade as Bobby’s wife because he believed Sheila merely wanted to make a big speech criticizing OPEC at a Parisian oil conference. When he realized she had deadlier aims, he ducked into a phone booth to call J.R. for help – but before Jordan started dialing, one of Sheila’s goons shot him, ending his 12-year run on the show.

Bobby Ewing, Dallas, End Game, Patrick Duffy

Twist of fake

3. Bobby Ewing. The last episode of “Dallas’s” eighth season felt awfully familiar: The whole world was mad at J.R., and one by one, his enemies were vowing revenge. (Peter Richards: “I swear I’ll kill you!”) As the hour drew to a close, we were given a first-person perspective as someone entered the darkened Ewing Oil suite, walked into J.R.’s office and fired three shots into the back of his chair. A body slumped to the floor, but it wasn’t J.R. – it was Bobby (Patrick Duffy)! Was this a shameless rip-off of the “Who Shot J.R.?” cliffhanger from four years earlier? Absolutely. Was it also one of the show’s best-ever fake-outs? You bet it was.

Dallas, J.R. Ewing, Larry Hagman, No More Mr. Nice Guy Part 1, Who Shot J.R.?

Big shot

2. J.R. Ewing (1980). Hold your fire, fellow fans. I know what you’re thinking: How can this one not be ranked first on a list of shocking “Dallas” shootings? Because CBS spoiled the surprise. Before the network broadcast “A House Divided,” the serial’s most famous cliffhanger, it aired promos that showed J.R. getting shot. As if that wasn’t bad enough, CBS also ran a half-page ad in TV Guide with a screaming headline (“It Had to Happen – J.R. is Shot!”). So yes, even though J.R.’s shooting was a stroke of storytelling genius – and even though it cemented “Dallas’s” spot in the TV Hall of Fame – it wasn’t much of a shock.

April Ewing, Bobby Ewing, Dallas, Patrick Duffy, Sheree J. Wilson, Terminus

French twist

1. April Ewing. Did you see this one coming? I sure didn’t. Like Jordan’s death, this shooting was part of the storyline about Sheila masquerading as Bobby’s kidnapped wife April (Sheree J. Wilson) during their Parisian honeymoon. April was supposed to be released to Bobby’s custody at the OPEC conference – but when gunfire broke out, she got caught in the crossfire. The scene ended with Bobby weeping as he cradled his dead bride’s body. Wilson had become “Dallas’s” leading lady at this point, making this the first time the show had killed off one of its main characters (not counting Jock, of course). Her death remains one of the show’s boldest – and most heartbreaking – plot twists.

Which “Dallas” shootings shocked you most? Share your choices below and read more “Dal-Lists.”