Dark room
In “Blackmail,” J.R., armed with newly obtained evidence that suggests Christopher is his biological son, comes home to Southfork and enters the nursery. It’s a dark and stormy night, and the little boy is whimpering in his crib as thunder crackles outside. J.R. doesn’t comfort the child, though. He merely watches him. “Hello Christopher,” J.R. says. “You don’t know it, but I’m your daddy. I wonder how your Aunt Pam would feel about it, if she found out?”
The line is made all the more ominous by the wicked smile Larry Hagman flashes after he delivers it. We don’t discover what J.R. is plotting until later in the episode, when he tells Bobby he’ll reveal the “truth” about Christopher’s paternity unless Bobby agrees to do his bidding at Ewing Oil. This is one of J.R.’s most despicable deeds, and not just because he’s using his own child to blackmail his brother. Consider: J.R. grew up with the pain that came from knowing Jock favored Bobby over him. Yet here J.R. is many years later, following in his father’s footsteps: J.R. has one son he adores (John Ross) and another (Christopher) he’s treating as a pawn in his quest for power.
In a clever touch, “Dallas” underlines J.R.’s favoritism by evoking the third-season classic “Paternity Suit.” In that episode, J.R. receives the blood test results that prove he’s John Ross’s father and visits the nursery, where he picks up the boy for the first time. This tender moment stands in sharp contrast with J.R.’s crib-side encounter with Christopher in “Blackmail.” (And even though we’ll soon learn Christopher is not J.R.’s child, “Dallas” doesn’t abandon the theme of J.R. emulating Jock’s parenting style. Toward the end of the show’s run, J.R. learns he has an illegitimate son, James, whose arrival leaves John Ross feeling like the neglected brother.)
The nursery scene isn’t the only dark moment in “Blackmail.” Bobby discovers Farraday’s dead body inside his dingy apartment, while Roger strikes Lucy and knocks her to the floor when she tries to escape from his captivity. I love the suspenseful music that composer Richard Lewis Warren uses to score both sequences, as well as the camera work from director Michael Preece. These two also collaborate nicely in the scene where the grieving Miss Ellie sits alone at the Southfork breakfast table and breaks into tears; Warren’s music grows more mournful as Preece slowly zooms in on Barbara Bel Geddes.
Bel Geddes helps supply “Blackmail” with its other highlight: the scene where Donna sits with Ellie in the Southfork kitchen and tells her the story of how Jock and Sam Culver’s land grab a half-century earlier resulted in another man’s suicide. Ellie refuses to accept the truth and threatens to sue Donna if she includes the story in the biography of Sam she’s writing. I love how Bel Geddes goes from disbelief to rage in a matter of seconds; Susan Howard’s performance is equally heartbreaking.
This scene, perhaps more so than any other in “Blackmail,” makes me appreciate how “Dallas” eschewed gimmicks during its heyday. When I was younger, I used to watch this episode and wonder why the show didn’t bring in a special guest star or deliver a major plot twist to mark its 100th hour. Now I realize: When your cast includes great actresses like Barbara Bel Geddes and Susan Howard, who needs stunts?
Grade: A
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Woman alone
‘BLACKMAIL’
Season 5, Episode 23
Airdate: March 19, 1982
Audience: 26.9 million homes, ranking 1st in the weekly ratings
Writer: Leonard Katzman
Director: Michael Preece
Synopsis: J.R. tells Bobby he’s Christopher’s father and vows to keep quiet if Bobby cedes control of his voting shares. Cliff moves forward with his drilling project, even after J.R. reveals the land is dry. Miss Ellie explodes when Donna asks for permission to publish the story of Jock’s land grab. Roger holds Lucy captive. The police question Bobby after Farraday is discovered dead.
Cast: Tyler Banks (John Ross Ewing), Barbara Bel Geddes (Miss Ellie Ewing), Patrick Duffy (Bobby Ewing), Fern Fitzgerald (Marilee Stone), Jonathan Goldsmith (Joe Smith), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Art Hindle (Jeff Farraday), Susan Howard (Donna Krebbs), Bob Hoy (Detective Howard), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Leigh McCloskey (Dr. Mitch Cooper), Pamela Murphy (Marie), Victoria Principal (Pam Ewing), Dennis Redfield (Roger Larson), Debbie Rennard (Sly), Tom Stern (Detective White), Charlene Tilton (Lucy Cooper), Deborah Tranelli (Phyllis)
“Blackmail” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.
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