Dallas Scene of the Day: ‘I Want You Out of My Life for Good!’

Dallas, Hush Hush Sweet Jessie, Pam Ewing, Victoria Principal

Pam o’war

In “Hush, Hush, Sweet Jessie,” a seventh-season “Dallas” episode, Katherine (Morgan Brittany) enters her bedroom, followed by Pam (Victoria Principal).

KATHERINE: Come on in, Pam. I was just dressing.

PAM: I want to talk to you about the letter.

KATHERINE: Letter? What letter? [Looks through her closet]

PAM: The letter that you read to Bobby. The letter from me to my attorney before we ever field for a divorce. The letter that said that I wanted to lead a different kind of life away from Bobby. The letter that I never wrote, Katherine.

KATHERINE: [Turns to face her] Now Pam, just a minute.

PAM: Did you write it? You did, didn’t you? [Katherine turns back to the closet.] Did you write it?

KATHERINE: Well, yes. J.R. forced me to. [Chooses an outfit, faces Pam] It was all his fault.

PAM: J.R. forced you? J.R. forced you to write a letter to break up me and Bobby?

KATHERINE: [Puts on a dress, smirks] That’s right.

PAM: You’re a liar.

KATHERINE: No, I’m not. You know how much he wanted the two of you divorced. And so did I. [Fastens a belt, smiles]

PAM: I can’t believe what I’m hearing.

KATHERINE: What difference does it make to you anyway? You left Bobby, didn’t you?

PAM: He was still my husband!

KATHERINE: But you walked out on him. [Walks toward her] You didn’t want him anymore, and I did. [Retrieves a scarf from the bed, drapes it around her neck] I fell in love with Bobby from the first time I saw him. And I’ve loved him ever since, Pam. And I’m going to have him too.

PAM: [Slaps her, sending a gasping Katherine onto the bed] Listen to me. You may be my sister, but I never want to see you again. I want you out of my life for good!

Katherine rubs her cheek and glares as Pam leaves.

Dallas Scene of the Day: ‘That’s What Brothers Are For’

Bobby Ewing, Dallas, J.R. Ewing, Larry Hagman, Love Stories, Patrick Duffy

Bro code

In “Love Stories,” a seventh-season “Dallas” episode, Bobby (Patrick Duffy) enters the Southfork living room, where J.R. (Larry Hagman) is fixing himself a drink.

BOBBY: Is there some reason you didn’t come into work today? I wanted to talk to you.

J.R.: And a good evening to you too, Bob. Want a drink?

BOBBY: No.

J.R.: That sounds serious. Something happen?

BOBBY: Katherine Wentworth.

J.R.: Yeah, what about her?

BOBBY: What’d you do to her?

J.R.: A gentleman never kisses and tells.

BOBBY: Does the same gentleman make tape recordings in bed?

J.R.: Did she say I did that?

BOBBY: She said that you blackmailed her with them, that you played them for me.

J.R.: I swear I’m beginning to think that whole Barnes-Wentworth clan is paranoid. [Turns to face him] Did I play a tape for you?

BOBBY: No, but she thinks you did. Why do you mess with people’s minds like that?

J.R.: Bob, do you care if I spend a couple of pleasant moments with Katherine?

BOBBY: I don’t give a damn what you do, as long as it doesn’t hurt other people.

J.R.: You mean Katherine? [Takes a sip]

BOBBY: I mean Sue Ellen too. What happens when she finds out?

J.R.: Well, I’m sure not going to tell her. And I don’t think you will either. Bob, it’s time we had a little brother to brother talk.

BOBBY: I think we just had it. [Turns to leave]

J.R.: No, no. I don’t mean about me. I mean about you.

BOBBY: And what makes you think you’re qualified?

J.R.: [Slowly circles Bobby] Well, I’m no saint, but I know one when I see one. Bobby, you go around telling everybody how to live their lives and setting up rules and regulations that only you can live up to.

BOBBY: You know, this is wonderful coming from you.

J.R.: Well, I’ve made some mistakes in my life, but not the kind of mistake you’re about to make.

BOBBY: And what mistake is that?

J.R.: Jenna Wade. She loves you, Bob. And so does her little girl. She’d make you a wonderful wife—if you’d just let her.

BOBBY: It’s none of your business.

J.R.: The hell it’s not. When Jenna jilted you, you made the tragic mistake of your life when you married Pam. But you’re free of her now. At least you ought to be. She’s marrying Mark Graison, and I think that’s best thing in the world for you.

BOBBY: You know, your concern for me is truly touching — if concern is what it is.

J.R.: Well, whatever my reasons, what I’m saying makes sense. You should have married Jenna a long time ago, Bob. You’ve known each other since you were kids. And she was more like us than Pam ever was. And she’s willing to wait for you, but she’s not going to wait forever. Now if I’m wrong, just tell me. [Walks toward Jock’s painting, faces it]

BOBBY: I’d love to. But for once, you may be right. I just wonder why you bother.

J.R.: Because I care. [Turns to face him] That’s what brothers are for. [Raises his glass] To love and marriage.

Dallas Scene of the Day: ‘You Have Too Damn Much Money’

Dallas, J.R. Ewing, Larry Hagman, Turning Point

Mo’ money, mo’ problems

In “Turning Point,” a seventh-season “Dallas” episode, J.R. (Larry Hagman) sits on a bed, putting on his boots, while Katherine (Morgan Brittany) lies nearby, wrapped in a sheet.

J.R.: Well, that was definitely not terrific. A meeting with my tax accountant’s more exciting.

KATHERINE: Your disappointment has really shattered me.

J.R.: [Knotting his necktie] Well, you can relax, honey. I won’t be putting you through this sort of thing again. This is the last time I’ll be coming to your bed.

KATHERINE: [Snickers] I’d like to believe that.

J.R.: Oh, it’s true. It’s true. Too bad we couldn’t have gone out in a blaze of glory.

KATHERINE: Yeah. Too bad.

J.R.: [Rises, begins putting on his watch] You see, when I came to you and wanted to buy those fields that Wentworth Industries owns, and you turned around and made the deal with Bobby, that just clinched it, honey.

KATHERINE: What difference does it make to you? Ewing ended up with the fields.

J.R.: [Buttons his shirt sleeves] Well, it made me realize how much wealth you control. You know, I always felt deep down that Jenna Wade was a better mate for Bobby than you. And now I know why.

KATHERINE: And I don’t suppose I can stop you from telling me.

J.R.: [Chuckles, puts on his jacket] You just have too damn much money, Katherine. Putting you together with Bobby could double his assets, maybe even triple them. And I don’t want him to have that much power.

KATHERINE: You don’t? Well, there’s nothing you can do about it.

J.R.: [Opens the door, turns to face her] Oh, I’ve already done it, honey. I played the tape for Bobby of you and me in bed. It’s all over, Katherine. He’ll never marry you.

KATHERINE: [Sits up, leans forward, looks stunned] I’ll kill you, J.R.!

He smiles, exits.

Dallas Scene of the Day: ‘Oh, Good Lord, Woman’

Blow Up, Dallas, J.R. Ewing, Larry Hagman

Night visitor

In “Blow Up,” a seventh-season “Dallas” episode, Sue Ellen (Linda Gray) is sitting in her bed when J.R. (Larry Hagman) enters the room.

J.R.: Sue Ellen, darlin’, I just wanted to tell you how sorry I am about what happened with Lucy tonight.

SUE ELLEN: I was very touched that you came to my defense the way you did.

J.R.: Well, what else could I do? [Sits on the bed] What kind of a woman does she think you are? Peter’s just a kid. He’s half your age. The things she said about you and him absolutely disgusted me. [Leans forward] Sue Ellen, can we talk a minute?

SUE ELLEN: [Smiles weakly] All right.

J.R.: What happened with Lucy tonight made me realize just how far out of control our lives have gotten. The fact that she could even imagine a relationship with a boy — especially a boy like Peter. Well, it shows me that we have got to start changing things.

SUE ELLEN: I don’t think we could change things between us, even if we wanted to.

J.R.: Well, it wouldn’t be easy, but it could happen. Now, I know you’ve been angry with me, and with good cause. But it’s time to put all of that aside. It’s time that we start living like, like man and wife. [She’s silent.] Oh, good Lord, woman. Don’t you want a man back in your life?

SUE ELLEN: [Looks away, then back at him] Of course I do, J.R. Do you think I like living like this?

J.R.: Well, then move back in our room, where you belong.

SUE ELLEN: No.

J.R.: [Annoyed] Why not?

SUE ELLEN: I just can’t.

J.R.: Things can’t stay the way they are between us. Either they’re going to improve, or things are going to get badly out of hand.

SUE ELLEN: J.R., please.

J.R.: What happened tonight could be the turning point, Sue Ellen. It could help us change everything that’s wrong in our lives.

SUE ELLEN: One night is not going to turn things around for us. Don’t you understand that?

J.R.: Yes. Finally, I do.

He rises and exits the room.

Dallas Scene of the Day: ‘J.R. Ewing Doesn’t Get Ulcers’

Dallas, J.R. Ewing, Larry Hagman, Strange Alliance

Guts and glory

In “Strange Alliance,” a seventh-season “Dallas” episode, J.R. (Larry Hagman) is sitting with his boots propped up on his office desk, eating pizza, when Vaughn (Dennis Patrick) enters.

VAUGHN: J.R.

J.R.: [Chewing] Picked up some pizza. You want some?

VAUGHN: Oh, no thanks. I think my ulcer’s been acting up lately. [Sits]

J.R.: Oh, hell, that’s a shame. But I guess a high-pressure job like you’ve got, ulcers aren’t so unusual, are they?

VAUGHN: No. Don’t you ever have trouble with your stomach, J.R.?

J.R.: [Chewing] Only when there’s too much of it. I once did business with a man who said, “J.R. Ewing doesn’t get ulcers. He gives ’em.” [Chuckles] Well, now, have you heard from Cliff Barnes lately?

VAUGHN: Not for a while.

J.R.: Well, you will soon. My sources tell me that he’s drilled down two miles already and you know he hasn’t hit a thing. And he’s starting to complain about how much food his crews eat. So I figure he’s just about out of his own money right now.

VAUGHN: I thought it wouldn’t take too long. I heard he paid premium time and a bonus to get that exploration rig out there in a hurry.

J.R.: [Sips a glass of beer] Mm-hmm. Yeah, I expect he’s going to be knocking on your door, wanting to tap in on that next hundred million.

VAUGHN: Do I give him some?

J.R.: Sure. We don’t want to pull the plug on him yet, do we? [Snickers]

VAUGHN: How much?

J.R.: Well, not as much as he’s going to ask for, which I figure is going to be around 30 million or so. No, you persuade him to take 20 million, providing of course he has acceptable collateral.

VAUGHN: [Opens his suitcase, retrieves a piece of paper] Well, he’s already put up Barnes-Wentworth. Now, these holdings are the rest of his collateral. [Hands the paper to J.R., who studies it]

J.R.: Well, these are kind of shaky holdings, aren’t they? Well, you just tell him that acceptable collateral is everything on this list — except for the two on the bottom. [Hands the paper back to Vaughn, who looks at it]

VAUGHN: Muprhy land and the Kesey field. Why these two?

J.R.: [Serious] Well, that’s personal, Vaughn. [A beat] Oh, well, he swiped those properties right from underneath my nose. And if he wants money bad enough, he just might sell for 25 cents on the dollar.

VAUGHN: [Smiling] No, he’d never sell them to you, no matter how much he needed the money.

J.R.: [Snickers] No. Not if he knows I’m the buyer. But he won’t. Just like he won’t know that I’m going to take over his precious Gold Canyon 340. And then it’ll all be over. And it’ll all be mine. And the Barnes family — Cliff and that little sister of his — will be just be bad memories. [Chuckles]

Dallas Scene of the Day: ‘You’re the Dangerous One’

Alexis Smith, Bobby Ewing, Dallas, J.R. Ewing, Lady Jessica Montford, Larry Hagman, Linda Gray, Patrick Duffy, Sue Ellen Ewing, Unexpected

Takes one to know one

In “The Unexpected,” a seventh-season “Dallas” episode, Miss Ellie (Barbara Bel Geddes), J.R. (Larry Hagman), Sue Ellen (Linda Gray), Bobby (Patrick Duffy), Ray (Steve Kanaly), Donna (Susan Howard) and Lucy (Charlene Tilton) are in the Southfork living room, awaiting Clayton and Jessica’s arrival.

J.R.: Mama, would you relax? You look like you’re going to pounce on Lady Montford when she walks through the door.

Clayton and Jessica (Howard Keel, Alexis Smith) enter.

CLAYTON: Well, if that’s what she’s going to do, now’s the time to do it.

JESSICA: Better be careful. As Clayton can tell you, folks used to say I wrastle mountain lions down in San Angelo. And there’s one thing I want to get straight from the beginning. Please don’t “Lady Montford” me to death. I answer to “Jessie.”

CLAYTON: She’s also shy, I might add.

ELLIE: Welcome to Southfork, Jessie. [Approaches, takes Jessica’s hands.]

JESSICA: Thank you, Miss Ellie. I was so anxious to see what you looked like, I asked Clayton to show me a snapshot. The man didn’t have any.

ELLIE: Well, we’ll have to fix that.

JESSICA: You sure waited a long time before you asked someone to marry you, Clayton. [Patting Ellie’s hands] But I think she was worth waiting for.

ELLIE: Thank you, Jessie.

JESSICA: [Slipping her hands out of Ellie’s] You know, I thought he was going to stay single for the rest of his life. Either that, or marry someone half his age. [J.R. chuckles]

ELLIE: Jessie, I’d you to meet my family. This is my granddaughter Lucy.

LUCY: Hi.

ELLIE: And my daughters-in-law Donna and Sue Ellen. [They smile and nod] And my three sons, J.R. and Bobby and Ray.

JESSICA: Well, I’m certainly happy to meet you. [Chuckles] Now I know I’ve been away from Texas too long. I’d forgotten how handsome they grew the men in this state.

BOBBY: Well, we thank you.

JESSICA: Now, all I want to know is, which ones are married and which ones play around, or both. [Chuckles] Oh, I’m only kidding, Sue Ellen and Donna. But I can’t remember which one belongs to which since there are three sons and only two daughters-in-law.

DONNA: Well, you’d have to fight me for the silver-haired one here.

JESSICA: No, I think I’d rather tackle another mountain lion. Sue Ellen?

SUE ELLEN: I’m married to J.R.

JESSICA: I see. Well, that leaves Bobby as the single one.

J.R.: Well, that’s only temporary. The ladies are lining up for him.

JESSICA: I’m not surprised. But on the way back from the airport, Clayton spent almost as much time talking about you, J.R., as he did about Miss Ellie. I have a feeling you’re the dangerous one.

J.R.: Well, yes, I have that reputation. But I’m kind to my family and close friends.

JESSICA: [Smiling] Then I think want to be your friend. [To Ellie] I especially want to be your friend.

ELLIE: [Smiling] I’d like that.

JESSICA: Sometimes I come on a little strong. If I do, slap me down. You know, Clayton, there was a nice young man out there struggling with my excess baggage. Did he make it?

CLAYTON: He’s here now. [Takes two shopping bags from Raoul, hands them to Jessica]

JESSICA: Well, there’s China and linen for the ladies — very British — and wool sweaters for the men. I hope I guessed the sizes right. Bobby, would you fix me a little bourbon and branch? Now where’s that special box?

CLAYTON: [Holds up a long wooden case] This one?

JESSICA: [Opens it, removes a sword] I think it’s appropriate to give this to the eldest male member of the Ewing family. It belonged to Henry’s great-grandfather. It hung over the mantel in our home. [Presents it to J.R.]

J.R.: [Hands his drink to Sue Ellen] Darlin’, would you please? Well, this is beautiful. [Takes the sword] Are you sure you want to give us a family heirloom?

JESSICA: Yes, I am. I want your family to know how important this marriage is to me.

ELLIE: Thank you, Jessica.

BOBBY: [Hands her a drink] Jessica?

JESSICA: Oh, thank you. [Raises her glass] To the Ewings … and to the Farlows.

Dallas Scene of the Day: ‘A Bird in the Hand, Honey’

Dallas, Fools Rush In, J.R. Ewing, Katherine Wentworth, Larry Hagman, Morgan Brittany

Two of a kind

In “Fools Rush In,” a seventh-season “Dallas” episode, J.R. (Larry Hagman) is seated at his office desk when Katherine (Morgan Brittany) enters the room.

KATHERINE: Hello, J.R. What’s this problem you called me about? I don’t have a lot of time.

J.R.: The one thing I never thought you were was stupid.

KATHERINE: Hey, look, I didn’t come here to be insulted.

J.R.: You’re here because of that asinine move you made with Naldo Marchetta. Of all the dumb, idiotic things I ever heard —

KATHERINE: Now, J.R., I don’t find that dumb at all. I simply isolated Bobby from Jenna, just like I isolated him from Pam.

J.R.: What you did was break him up with the one woman that could’ve gotten him out of my hair for good.

KATHERINE: [Leans forward] I’m that woman, J.R. Remember?

J.R.: A bird in the hand, honey. And Jenna was in the hand till you screwed it up.

KATHERINE: Look, I didn’t break up Bobby and Pam so he could marry Jenna Wade. I want him for myself.

J.R.: Well, you just might have blown it for all of us. For all I know, he could be out there sniffing around his ex-wife’s door right now. I don’t give a damn who Bobby ends up with as long as it’s not Pamela Barnes. [Stands, turns and looks out the window] Jenna was perfect, just perfect. Well, I guess you’ll have to do.

KATHERINE: Well, you’re certainly big on compliments, aren’t you?

J.R.: With Bobby on the loose again, the only sure way to keep him and that Barnes woman apart is to make sure she goes ahead and marries Mark Graison. [Turns to face her]

KATHERINE: Well, I have no objection to that.

J.R.: [Mocking] Oh, you have no objection to that, do you? Well, you just better keep pushing until that happens, honey!

KATHERINE: [Turns, begins to leave, then stops at the door] I’ll do my best.

J.R.: [Steps forward] Well, your best better be real good. Because if it’s not, I’m going to play Bobby that little tape I made. You remember? You and me in the sack? After he hears that, he’ll never even look at you again.

Dallas Scene of the Day: ‘You’re in Over Your Head, Barnes’

Mr. Curious

Mr. Curious

In “And the Winner Is …,” a seventh-season “Dallas” episode, Cliff (Ken Kercheval) is at the Oil Baron’s Club when he spots J.R. (Larry Hagman).

CLIFF: What are you doing here?

J.R.: Curiosity. I wanted to see if the biggest idiot in the oil business was really going to show his face here tonight.

CLIFF: Well, you are a sore loser.

J.R.: Yeah, maybe. But I’ve been in this business a long time, Cliff. And you’re just a rookie. You’re in over your head, Barnes. You’re not going to bring those wells in, so I’m going to give you a little piece of advice: Cut your losses. Forfeit that 20 percent deposit you had to give the government.

CLIFF: You suggesting I get out?

J.R.: Well, I’m telling you that a $32 million loss is a hell of a lot better for you than the loss of your whole company that your mother gave to you.

CLIFF: That’s a rich tract. There are millions of dollars worth of oil down there.

J.R.: You wouldn’t recognize oil if it was dripping out of your crankcase.

CLIFF: And you can’t stand the fact that Barnes-Wentworth is going to be bigger than Ewing ever dreamed of being.

J.R.: Barnes, you’re as dumb as your daddy used to be. You know the difference between your daddy and my daddy? My daddy knew how to invest in the right talent and the right tools. He knew how to pump oil out of the ground. But your daddy claimed that he could sniff oil out of the ground. Didn’t need anything but his nose. The only place his nose ever led him was skid row.

CLIFF: I’ll tell you where your mouth’s going to lead you.

J.R.: You were right about one thing, Cliff. There is oil in that tract. Millions and millions of dollars worth of oil. But you’re not going to get it. You’re going to bankrupt your mama’s company and wind up just like your daddy: a drunk and a bum.

CLIFF: I’ll show you who can find oil because I am drilling full out and there isn’t anybody who’s going to stop me. And when I hit, I’m going to buy and sell Ewing Oil.

J.R. chuckles and walks away.

Dallas Scene of the Day: ‘… The Rest is a Piece of Cake’

Dallas, J.R. Ewing, Larry Hagman, True Confessions

Chew on this

In “True Confessions,” a seventh-season “Dallas” episode, Edgar (Martin E. Brooks) approaches J.R. (Larry Hagman), who is seated in a French restaurant, eating.

J.R.: Oh, hello, Edgar. You were late so I decided to start without you.

EDGAR: I wouldn’t eat with you anyway. I’m only here because you demanded it.

J.R.: Well, I can appreciate your sentiments.

A waitress approaches.

WAITRESS: Would you like a drink first, or would you like to order now?

EDGAR: Neither, I’m not staying.

J.R.: The gentlemen’s pressed for time.

WAITRESS: Oh, that’s perfectly all right. [Walks away]

EDGAR: Well, what is it?

J.R.: [Coughs, sips a glass of wine, clears his throat] I think I’ve got a fishbone caught in my throat. Ahem. Let me see, what did I want to talk about? Oh, yeah. Um, I got to thinking, it’s getting very close to auction time for those offshore leases. [Begins cutting food] And it occurred to me, I ought to find out who I’m going to be bidding against. So who filed intention to bid? [He puts a forkful of food into his mouth and chews. Edgar is silent.] Edgar, who filed intention to bid?

EDGAR: Intentions to bid were filed by Westar, Four State, your company and Barnes/Wentworth.

J.R.: There, that wasn’t so hard, was it? My second question is: Who has actually placed bids? Which one of those?

EDGAR: Everyone bid but Westar, Barnes and Ewing.

J.R.: All right. Next, I want a phone call from you when Westar and Barnes make their bid. We’ll have a meeting and you tell me what the highest bid is — and I’ll hand you mine.

EDGAR: [Leans forward] I don’t see how you can live with yourself.

J.R.: Oh, it’s not hard. You’ll see. Once you give up integrity, the rest is a piece of cake. [Chuckles]

TNT’s Dallas Scene of the Day: ‘I’m Worse’

Brave New World, Dallas, John Ross Ewing, Josh Henderson, Judith Light, Judith Ryland, TNT

Strange alliance

In “Brave New World,” “Dallas’s” third-season finale, Bobby and Sue Ellen (Patrick Duffy, Linda Gray) stand in the Ewing Global offices, gazing at J.R.’s portrait.

BOBBY: I miss him.

SUE ELLEN: Me too, but I think I finally feel free of him. Hell, I might even find love again.

BOBBY: You deserve that, Sue Ellen.

John Ross (Josh Henderson) enters.

JOHN ROSS: I agree. I want you to be happy, Mama.

SUE ELLEN: I am so glad you came back, John Ross.

JOHN ROSS: I just wanted to let you know that there are no hard feelings about what you did to me. [To Bobby] And I wanted to let you know that I am sorry to hear that you had to resign as railroad commissioner to buy those shares. [Sighs] It’s sad news, especially given all the environmental work you did with that lesser prairie chicken.

BOBBY: [Smiling] What are you up to, John Ross?

JOHN ROSS: See? Always suspicious of me, Uncle Bobby. A guy could get a complex. But since you ask, I’d like to take this opportunity to introduce you to the new railroad commissioner.

The elevator dings and the doors open, revealing Judith (Judith Light).

BOBBY: [Chuckling] You have got to be kidding.

JUDITH: [Striding into the room] It’s no joke, Bobby. The governor and I are old friends through some ladies he knows, and I’ve always had an eye toward public service. So when John Ross mentioned that the position opened, well, I jumped on it.

JOHN ROSS: Now those Ryland ships that I procured for Ewing Global to drill the Arctic? They can only enter, and exit, through ports of Texas — ports that are regulated by the railroad commission.

JUDITH: So if you want to make a play for that grand frontier, you’re going to have to deal with me.

JOHN ROSS: She means “us.”

BOBBY: Well, you can partner with the devil all you want to, boy. It won’t make any difference. I’ll always see it coming. In a lifetime, your daddy never got the best of me, and he was twice the opponent you’ll ever be.

JOHN ROSS: You see, that’s just it, Uncle Bobby. The last few months, no matter how much my old man I try to be, everybody keeps telling me, “You are just like your father.” I’ve done some soul searching, and I finally figured out the answer. [Steps forward, gets in Bobby’s face] I am not just like my father. I’m worse.

He locks arms with Judith, they walk into the elevator and turn to look back at Bobby and Sue Ellen as the doors close.