Dallas Scene of the Day: ‘I Don’t Want You to Be Alone’

Cliff Barnes, Dallas, Ken Kercheval, My Brother's Keeper, Pam Ewing, Victoria Principal

Sister’s keeper

In “My Brother’s Keeper,” a seventh-season “Dallas” episode, Cliff and Pam (Ken Kercheval, Victoria Principal) walk down a busy street together.

CLIFF: I tell you, there is nothing better than some good Mexican food to clear the cobwebs out of your hair.

PAM: Ugh. Just the thought of Mexican food right now is enough to make me sick. What I need is some more sleep. Do you know what time Christopher got me up?

CLIFF: You’re healthy. You don’t need anymore sleep. I think there’s a pretty good Chinese restaurant right around this corner.

PAM: Well, there’s a coffee shop just down the block.

CLIFF: You can’t exist just on coffee.

PAM: So I’ll have some toast. Since when are you so concerned about what I eat?

CLIFF: I’m not concerned about what you eat. I’m more worried about you right now.

PAM: You really are.

CLIFF: Yeah. And I tell you, I’m gonna be the one to pick you up and drive you to court tomorrow.

PAM: [Laughs] Why? Are you afraid I’ll change my mind?

CLIFF: No, except I know that you’re hurting right now, and I don’t want you to be alone. [They stop and face each other. He holds her arms.] Believe it or not, I understand how much you love Bobby. And tomorrow is going to be a rough day, and I want to be with you.

PAM: You know, whatever else has gone wrong for me these past few years, it’s wonderful to have my brother back.

They lean in to each other and smile.

Dallas Scene of the Day: ‘They’re Just Yesterday’s Memories’

Bobby Ewing, Dallas, Letter, Pam Ewing, Patrick Duffy, Victoria Principal

Never forget

In “The Letter,” a seventh-season “Dallas” episode, Bobby (Patrick Duffy) is seated in Thanks-Giving Square when Pam (Victoria Principal) arrives and sits next to him.

PAM: Hi.

BOBBY: Hi.

PAM: I haven’t been here in a long time.

BOBBY: Come to think of it, neither have I.

PAM: Liz and Jackie and I used to come here — sometimes — when I was still working at The Store.

BOBBY: I know. I used to meet you here too. Remember?

PAM: Seems like two lifetimes ago.

BOBBY: Yeah.

PAM: It’s amazing how different we are now, you and me. It’s odd how people change.

BOBBY: I don’t think people change so much, really, Pam. It’s feelings that change.

PAM: Bobby, I called you because I think we have to talk about our marriage.

BOBBY: Yes, we do.

PAM: You know the last couple months have been difficult. They’ve been hard for both of us. You know, as young as Christopher is, I know he’s felt it too. I’ve asked myself a thousand times if I was right to leave you — and what we should do about it now. But I could just never come to any decision. And then a couple days ago, my attorney called and reminded me that we had a court date coming up.

BOBBY:  Pam, don’t go on. I have something I want to say. Please let me say it.

PAM: All right.

BOBBY: Sometimes, when people fight so hard for something that means a whole lot to them, they seem to lose track of the truth. And ever since you’ve left me, I’ve done everything I can to try and get you to come back. I was ready to give up the ranch, Ewing Oil, anything. And then I realized that that’s just not something that can work.

PAM: Bobby —

BOBBY: No, let me go on. I’ve thought a lot about this, especially the last couple of days. I finally realized that what I’ve been fighting so hard to try and keep just doesn’t exist anymore. We have feelings for one another — wonderful feelings — but they’re just yesterday’s memories.

PAM: Yesterday’s memories?

BOBBY: That’s right. Just like the hours that we spent right here in this square.

PAM: No, they’re more than that.

BOBBY: All right, maybe. Maybe a little more. I don’t know. But I do know they’re not the same. And Pam, a lot has changed between us. So before you tell me what’s on your mind, I wanted to tell you that I … I’m letting you go. I won’t put pressure on you anymore. I won’t rush you anymore. I just don’t think it’s fair to either one of us.

PAM: Bobby —

BOBBY: It’s for the best, Pam. For both you and me. [Sighs] So I’ll call my lawyer in the morning and he’ll contact yours. I just think it’s better we both finally realize that it’s over.

She sits in silence, begins sobbing, rises and walks away. He begins crying, stands and watches her leave.

Dallas Scene of the Day: ‘It’s Your Choice, Pam’

Dallas, J.R. Ewing, Larry Hagman, Long Goodbye, Pam Ewing, Victoria Principal

Choose or lose, honey

In “The Long Goodbye,” a seventh-season “Dallas” episode, Pam (Victoria Principal) answers the door in her hotel suite and finds J.R. (Larry Hagman) on the other side.

PAM: What are you doing here?

J.R.: I want to talk. I think it’s important for both of us.

PAM: Nothing you have to say is important to me.

J.R.: Are you afraid of me?

PAM: I dislike you intensely. But I’m not afraid of you.

J.R.: Well, then why don’t you let me in? It won’t take long. I promise. [She opens the door. He enters.] Well, it must be kind of difficult, living in a hotel.

PAM: Do you really care?

J.R.: No. No, I don’t. You know how I feel about you. I’ve despised you ever since Bobby first brought you home.

PAM: Is that what you came here to tell me?

J.R.: No, I said that so that you’ll know that what I’m about to say is the truth. Now you might find that hard to believe, but I think I can convince you.

PAM: All right, J.R. What’s this all about?

J.R.: [Begins to circle her] Well, I’m talking about the two people you love most in life: Bobby and Cliff.

PAM: [Turns to face him] And Christopher.

J.R.: Oh, yes. Yes, of course. Christopher. He figures into this too. Pam, I know how close you and Bobby are to a divorce, and I’m sure it must be very painful for you. And when you do get that divorce, it’s gonna hurt. [Circles her again] Believe me, I know. But eventually, you’ll pull yourselves together and find happiness of another kind. I know you will.

PAM: How nice! You’re concerned about my happiness.

J.R.: Oh, no. I don’t give a damn about you or your happiness, honey. But I do care about what’s good for me.

PAM: Well, that I believe.

J.R.: Well, then try to believe this: If you divorce Bobby, I’m going to do certain things. [Circling] For instance, I think he and I could live in peace. Now, it might not be an easy peace, but I know that he and I could work together at Ewing Oil in harmony. And with you out of the picture, I think his natural instincts would lead him out of Ewing Oil and into something else. He never cared for it as much as I did anyhow.

PAM: I certainly hope that’s true.

J.R.: And as far as your brother goes, if you divorce Bobby, I’ll leave him alone. If he wants to become the biggest independent oilman in Texas, I won’t stand in his way. And to all intents and purposes, the Barnes-Ewing feud will cease to exist.

PAM: [Snickers] I find that hard to believe.

J.R.: Well, then try this one on for size: If you return to Bobby, all hell is going to break loose. I’ll call off this truce that exists between him and me. We’ll be in a dogfight that will make what went on before look like a love match. And as for your brother, I’ll use every penny at my disposal — and Ewing Oil’s disposal — to destroy him. I’ll bring Mr. Cliff Barnes down for good. And whoever goes down with him, so be it. Now, you’ve known me long enough to know I don’t make idle threats. So I promise you, what I have just said will happen — if you return to Bob. It’s your choice, Pam.

[He exits, leaving Pam looking unnerved.]

Dallas Scene of the Day: ‘None of Us Have Clean Hands, Boys’

Dallas, J.R. Ewing, Larry Hagman, Road Back

Sibling summit

In “The Road Back,” “Dallas’s” seventh-season opener, J.R. (Larry Hagman) arrives at Missing River, where Bobby and Ray (Patrick Duffy, Steve Kanaly) await him.

BOBBY: [To Ray] All right. You’ve got a beef with J.R. Let’s get it out in the open and talk about it.

RAY: It’s like I said before. There’s nothing to talk about. Driscoll tried to kill J.R. He hurt Mickey instead. If J.R. hadn’t double-crossed Driscoll, it never would have happened.

J.R.: That’s not the way I see it, Ray.

RAY: If Mickey dies, it’s the same as if you killed him!

BOBBY: [Puts his hand on Ray’s shoulder] Now, just wait a minute. I think that’s stretching things a little.

J.R.: That’s not stretching things. It’s twisting things. You got your facts mixed up, Ray.

RAY: You’re not going to talk your way out of this one, J.R.

J.R.: Well, maybe you’re right. Maybe I am guilty. But you and Bobby share that guilt because if that boy dies, we’re all responsible.

RAY: Now you just hold on!

J.R.: Listen to me, Ray. You and Bobby pulled a sting operation on poor old Driscoll. You took the money out of his briefcase and put in two loaded pistols. He not only didn’t get through airport security, he ended up in jail. And that’s why he didn’t get his payoff on the Cuban deal. No, sir. You boys set him up for a jail term, not me. And Ray, you were right there in the middle of everything. So don’t try to dump this Driscoll thing on me. You wanted to get involved in the fight for Ewing Oil? Well, you’ll just have to accept the consequences. None of us have clean hands, boys. None of us.

Dallas Scene of the Day: ‘I’m Gonna Drink Myself Into Oblivion’

Dallas, Ewing Inferno, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing

Who’s afraid of Sue Ellen Ewing?

In “Ewing Inferno,” “Dallas’s” sixth-season finale, J.R. (Larry Hagman) comes home and finds Sue Ellen (Linda Gray) seated on the living room sofa, drinking.

J.R.: Sue Ellen, what are you doing down here? You need your rest, honey.

SUE ELLEN: How solicitous.

J.R.: You feeling better?

SUE ELLEN: You mean am I still drunk? [Smirks] Well, not enough. Somebody thoughtfully locked up all the liquor. But I just happened to find this lovely little bottle of burgundy in the kitchen. [Holds it aloft] Theresa tried to protect me from it. It seems like everyone’s protecting me, except my loving husband.

J.R.: Let me have the bottle, Sue Ellen. You shouldn’t be drinking. You know that.

SUE ELLEN: Don’t you lecture me on what I should and shouldn’t do. [Takes a drink]

J.R.: All right, all right. I won’t.

SUE ELLEN: My, how agreeable you are. [Gets up, walks toward him, still holding the glass and the bottle] Wonder why you’re so agreeable, J.R.? Hmm? Did you find someone new to sleep with you today? Or did you have to rely on one of your old mistresses? Maybe, just maybe, Miss Holly Harwood made herself available to you. Maybe the two of you were out wildcatting.

J.R.: That’s all over, Sue Ellen. It was a big mistake. I thought I explained that to you.

SUE ELLEN: You know, you are a terrific explainer. In fact, you do that better than you do almost anything. You know, you even explained away the 10 years of hell I went through during our first marriage. And you know what? I believed you so much that I married you for the second time. What an idiot I was.

J.R.: Sue Ellen, I love you. What do I have to do to prove it?

SUE ELLEN: You don’t have to do anything. You’ve ruined my life, J.R. You have destroyed me. Like you destroy everything you touch. [Moves closer] Now, why don’t you do one kind little thing for me, hmm? Unlock the liquor, because I’m going to drink myself into oblivion.

J.R.: We’ll talk about this when you calm down. [In the distance, John Ross calls for his mother.] I’ll see to the boy. [J.R. turns and heads toward the stairs.]

SUE ELLEN: Don’t you dare touch that son of mine. He’s mine.

J.R.: Well, I’ll get Mama to take care of him. Where is she, anyhow?

SUE ELLEN: She went away with Clayton. She can’t stand the sight of you either!

John Ross calls again.

J.R.: I’ll take care of him myself. [Climbs the stairs]

SUE ELLEN: Keep away from him.

J.R.: You stay here Sue Ellen.

SUE ELLEN: No! [She steps forward and throws the bottle at J.R. It smashes against the wall.] You stay away from him.

Dallas Scene of the Day: ‘I Truly Love You’

Dallas, J.R. Ewing, Larry Hagman

Would he lie?

In “Penultimate,” a sixth-season “Dallas” episode, J.R. (Larry Hagman) enters his bedroom, where Sue Ellen (Linda Gray) sits in the bed.

SUE ELLEN: I waited up to talk to you.

J.R.: All right.

SUE ELLEN: I want you to explain to me why this nightmare happened.

J.R.: [Walks toward the bed] Sue Ellen, it was a terrible, terrible mistake.

SUE ELLEN: Mistake? If you wanted to be with other women, why didn’t you just go ahead and do it, instead of playing this silly charade?

J.R.: What charade?

SUE ELLEN: Our marriage, J.R. Why did you want me to marry you again? Why did you chase me like you did? Do you find some kind of perverse pleasure in hurting me?

J.R.: You know I don’t want to hurt you, Sue Ellen. [Sits on the bed]

SUE ELLEN: Then what is it? Is it the game? Is that what it’s all about, J.R.?

J.R.: What happened between Holly and —

SUE ELLEN: [Shouting] Stop it! Stop it! I don’t want to hear any more from you!

J.R.: Listen to me, please. I can’t, I can’t tell you how sorry I am about what happened. But I promise you it was a direct result of the battle for Ewing Oil. Winning the company means everything to me. When we got married, the second time, I vowed I would never hurt you again. But things got out of hand, Sue Ellen — and I don’t blame you for hating me. But I hope you can reach down in your heart and believe me when I say that I love you. [She closes her eyes and turns away.] I truly love you.

Dallas Scene of the Day: ‘Well, You’ve Destroyed Her Again!’

Barbara Bel Geddes, Dallas, Miss Ellie Ewing, Things Ain't Goin' Too Good at Southfork

No stairway to heaven

In “Things Ain’t Goin’ Too Good at Southfork,” a sixth-season “Dallas” episode, J.R. (Larry Hagman) enters Southfork and heads toward the stairs, unaware a drunken Sue Ellen (Linda Gray) is waiting for him in the living room.

SUE ELLEN: You bastard! You finally came home. [Sips from her glass, pours another]

J.R.: You’ve decided to come back to Southfork, I’m happy to see. [Enters the living room, sets his car keys on a table]

SUE ELLEN: [Glares at him] Not because I wanted to.

J.R.: I was so worried about you, Sue Ellen.

SUE ELLEN: When were you the most worried? Before or after you made love to Holly Harwood?

J.R.: Sue Ellen, just because you may have seen my car in front of her house doesn’t mean anything happened.

SUE ELLEN: [Guffaws] Your car? You think this has anything to do with your car? I saw you and Holly in bed.

J.R.: You couldn’t have.

SUE ELLEN: Why not, because you didn’t see me? No, because you were too damn busy doing other things to see anything. [Begins to cry]

J.R.: [Steps forward] Sue Ellen, don’t fly off the handle. I can explain all of this.

SUE ELLEN: [Swats at him] Don’t you touch me!

J.R.: Darlin’. …

She tosses her drink in his face, grabs his keys and runs out of the room as Miss Ellie (Barbara Bel Geddes) comes down the stairs.

ELLIE: Sue Ellen!

J.R.: [Rushing into the foyer] Sue Ellen!

ELLIE: Well, you’ve destroyed her again. Don’t you ever learn?

Dallas Scene of the Day: ‘Was Sue Ellen That Woman?’

Barbara Bel Geddes, Dallas, Miss Ellie Ewing, Tangled Web

The other woman

In “Tangled Web,” a sixth-season “Dallas” episode, Miss Ellie and Clayton (Barbara Bel Geddes, Howard Keel) sit in the dining room at the Cattleman’s Club.

CLAYTON: I think what I ought to do is lease a place for awhile, don’t you? That way I can look around a little more leisurely. What do you think, Ellie?

ELLIE: If that’s what you want.

CLAYTON: Well, I think it’d be the wise thing to do. [Silence] Ellie, are you all right? Is something troubling you?

ELLIE: Clayton, tell me. Why did you leave San Angelo?

CLAYTON: [Chuckles] Well, I thought I told you. Don’t you remember?

ELLIE: You told me that you were running away from memories.

CLAYTON: That’s right. Memories that concerned Southern Cross. They had no place in my life anymore. I wanted to erase them from my mind.

ELLIE: Have you been successful in doing that?

CLAYTON: Not completely, but I’m trying. Why do you ask?

ELLIE: Well, when we, when we met at Galveston that time, you were very troubled over a woman. So much that you had to get away from her and go down to the gulf. Clayton, were you in love with this woman?

CLAYTON: Yes, I was. Or at least I thought I was.

ELLIE: Clayton, I’ve been thinking about you and Sue Ellen. And all the things she said. Your attitude toward each other. Clayton, was Sue Ellen that woman?

CLAYTON: Yes. [Ellie rubs her temples.] Ellie, try to understand. Sue Ellen came to my home. She was in love with my son. And that relationship didn’t work for her. She didn’t know which way to turn. She was desperately in need. And I felt that I had to comfort her some way. And before I knew it, I found myself in love with her.

ELLIE: Did you tell her that?

CLAYTON: No. She thought of me as a father. She never recognized my feelings.

ELLIE: Well, didn’t you tell her how you felt?

CLAYTON: Yes, I tried, but I just couldn’t seem to get through to her. [Silence] Ellie, that part of my life is over now.

ELLIE: [Looking down] Is it?

CLAYTON: Yes, it is. And the feelings that I had for Sue Ellen then are gone. [Grabs her hand] If it eases your mind, nothing happened between us. Nothing.

Dallas Scene of the Day: ‘You Are a Very Sick Little Girl’

Cuba Libre, Dallas, Linda Gray, Sue Ellen Ewing

Give her hell, honey

In “Cuba Libre,” a sixth-season “Dallas” episode, Holly (Lois Chiles) is in her bedroom when Elliot (Robert Pinkerton) escorts Sue Ellen (Linda Gray) into the room.

ELLIOT: Can I get you anything?

HOLLY: Sue Ellen?

SUE ELLEN: Nothing.

HOLLY: That’ll be all, Elliot. [He leaves.] All right, you wanted to talk?

SUE ELLEN: Yes. I want you to know that your rotten attempt to destroy my marriage has failed.

HOLLY: [Smiles] Oh?

SUE ELLEN: For awhile, I thought you were telling the truth, because I saw no reason why you should lie about something like that.

HOLLY: [Crosses her arms] You think I was lying?

SUE ELLEN: I know you were. And I know why. You and J.R. are partners. I know that. And I also know that you lost a lot of money because of him.

HOLLY: If you know so much, then you must know the truth about us — which is what I told you.

SUE ELLEN: I know you are beneath contempt. Because you and he failed in a business deal, you wanted to get revenge on him through me. By your vicious lies against him, you tried to ruin our marriage. [Takes a step closer] You are a very sick little girl. And I don’t want to ever see you or hear of you again. [Walks toward the door]

HOLLY: Sue Ellen? [Sue Ellen turns to face her.] I’m afraid we will see each other again.

SUE ELLEN: I doubt that. [Opens the door and leaves]

Dallas Scene of the Day: ‘Who the Hell Were You in Bed With?’

Bobby Ewing, Dallas, Hell Hath No Fury, Patrick Duffy, Victoria Principal

What a stud

In “Hell Hath No Fury,” a sixth-season “Dallas” episode, Pam (Victoria Principal) awakens in her hotel bed and finds Bobby (Patrick Duffy) getting dressed.

BOBBY: [Sits on the bed] Good morning.

PAM: Good morning. [They kiss.]

BOBBY: Did you, uh, sleep well?

PAM: [Giggles] I sure did.

BOBBY: I love you.

PAM: You know, I’ve missed hearing that in the morning.

BOBBY: Well, you can hear it a lot more from now on. [Rises] I’m going to send a couple of the boys in from Southfork to help you pack.

PAM: [Grabs her robe] Pack?

BOBBY: Sure. Oh, honey, it’ll be a lot easier for you that way. [Pours himself a cup of coffee] You don’t realize it, but you’ve accumulated a lot of stuff here between your own things and Christopher’s.

PAM: [Now out of bed, facing him] Bobby, I’m not coming back to Southfork.

BOBBY: Well, what was last night all about?

PAM: I love you, but sex hasn’t changed anything.

BOBBY: Oh, come on, honey. [Sets down coffee cup] This separation of ours is silly. It’s obvious that we both want each other. [Holds her arms]

PAM: Well, of course I want you. Step out of Ewing Oil and I’ll come home with you right now.

BOBBY: Honey, I would do almost anything for you but I can’t do that.

PAM: That is what’s tearing us apart. As long as you’re obsessed with winning the company, you’ll never be the Bobby Ewing I fell in love with.

BOBBY: [Walks away] Honey, if I start giving up on the things that I try and do now, the Bobby Ewing you knew is going to cease to exist anyway.

PAM: He ceased to exist a long time ago!

BOBBY: [Facing her] Then who the hell were you in bed with last night?

PAM: Bobby, that was just a moment.

BOBBY: A moment? Is that what our marriage is to you now, a moment? You make me feel like I should give you a bill for services rendered.

He grabs his jacket and heads for the door, opening it to reveal Mark (John Beck) standing there with flowers.

MARK: Oh, my timing’s terrific again. Bobby?

Bobby brushes past him.