Dallas Scene of the Day: ‘If It’s a Fight You Want. …’

Barbara Bel Geddes, Dallas, Ewing Touch, Priscilla Pointer, Rebecca Wentworth

Face off

In “The Ewing Touch,” a sixth-season “Dallas” episode, Miss Ellie (Barbara Bel Geddes) approaches Rebecca (Priscilla Pointer) outside a restaurant.

ELLIE: Rebecca. We should talk.

REBECCA: All right.

They walk together.

ELLIE: You and I share a grandson now. Let the two of us try to work together and put a stop to this family feud. Cliff has his own company now and J.R. is busy. They’re on equal ground. They really have no reason to fight each other.

REBECCA: [Stops, faces her] That’s a very fine attitude for you to have Ellie. But then again, it wasn’t your son who almost died.

ELLIE: But Rebecca, that’s over. It’s behind us. Cliff pulled out of it.

REBECCA: If it were one of your boys, would you be so quick to forgive?

ELLIE: I hope so.

REBECCA: I’ll tell you something, Ellie. I’m all for it. But if J.R. takes one step out of line, I guarantee you, we’ll destroy him.

ELLIE: Rebecca, I’ve done everything I know to put a stop to this nonsense. But if it’s a fight you want, just remember: Other people have fought the Ewings before — and they’ve regretted it.

REBECCA: We’ll see.

ELLIE: [Sighs] All right, Rebecca. I tried. Now it’s up to you.

Rebecca turns and walks away.

Dallas Scene of the Day: ‘You’re Cute, You Know That?’

Bobby Ewing, Dallas, Hit and Run, Patrick Duffy, Pam Ewing, Victoria Principal

You ain’t kidding, sister

In “Hit and Run,” a sixth-season “Dallas” episode, Bobby and Pam (Patrick Duffy, Victoria Principal) enter the Southfork living room.

BOBBY: Did your conversation with your mama really go that bad?

PAM: Mhmm. She wouldn’t listen to reason. It scares me, Bobby. [Sits]

BOBBY: [Begins fixing them drinks] Come on. It’s not going to be that easy for her to ruin Ewing Oil, even with Cliff in the cartel.

PAM: But it’s not just Ewing Oil I’m worried about. This could ruin my whole relationship with my family.

BOBBY: Pam, your mama’s not writing you off as a daughter.

PAM: No, but she’s ready to step on my life to protect Cliff’s. That doesn’t make me feel very good.

BOBBY: [Sighs] Well, I sympathize with you. I really do. [Hands her a drink, sits] But to tell you the truth, I have more on my mind right now than Cliff Barnes and your mother.

PAM: That Canadian deal?

BOBBY: Mhmm. Oh, it’s too good to pass up.

PAM: Maybe you should take it.

BOBBY: Well, it’s a long-range deal, and it’s a lot of money. And if it doesn’t come in within a year —

PAM: Before the second audit?

BOBBY: That’s right. I refuse to make a perfect deal just so J.R. can inherit it.

PAM: Well, I wish I had an answer for you, but lately I don’t seem to have any answers.

BOBBY: Well, we may not have answers, but we got each other.

PAM: [Kisses him] You’re cute, you know that?

BOBBY: [Clinks glasses with hers] I know that.

Dallas Cliffhanger Classics: Season 3

Dallas Decoder celebrates “Dallas’s” classic cliffhangers with weekly summertime flashbacks. Collect all 14 images and share them with your friends.

Dallas Cliffhanger Classics 3

The Art of Dallas: ‘Aftermath’

Aftermath, Dallas, Holly Harwood, J.R. Ewing, Larry Hagman, Lois Chiles

Holly and J.R. (Lois Chiles, Larry Hagman) are seen aboard her yacht in this 1982 publicity shot from “Aftermath,” a sixth-season “Dallas” episode.

Dallas Scene of the Day: ‘He Wants It For John Ross’

Aftermath, Bobby Ewing, Dallas, Patrick Duffy

The more things change

In “Aftermath,” a sixth-season “Dallas” episode, Pam (Victoria Principal) sits on her bed while Bobby (Patrick Duffy) sits in a chair, writing on a notepad.

PAM: Bobby?

BOBBY: Hmm?

PAM: It’s really late. What are you doing?

BOBBY: I’m just doodling.

PAM: [Gets up, walks toward his seat, sits and looks at his notepad] You’ve already started working on it, haven’t you? You didn’t waste any time.

BOBBY: Do you think J.R.’s going to?

PAM: Bobby, forgive me, but it was really unfair of Jock to put you in this contest.

BOBBY: Oh Pam, no. It’s not like that at all. He didn’t have a choice.

PAM: Yes, he did. He could have given each of you half of the company. It would have been better for everybody.

BOBBY: You can’t split a company like Ewing Oil.

PAM: Well, then he could have left it the way it was. The whole family was able to vote.

BOBBY: No, that was just an interim agreement. Ewing Oil needs long-range leadership.

PAM: You know I’m behind you in this. It’s just I’m afraid it could hurt us.

BOBBY: Pam, Daddy did the only thing he could possibly do. How could he leave Ewing Oil to one son and not the other? And yet he had to be sure that whoever was in charge was the toughest man for the job. Actually, I’m kind of pleased about the way it turned out. Daddy had confidence in me. He put me up against J.R. J.R.’s been in that position of leadership for a long time.

PAM: Well, you’d be better be sure it’s worth it, because he’s going to fight you with everything he has.

BOBBY: Well, I’m going to fight him just as hard. Pam, J.R. doesn’t want that company just for himself. He wants it for John Ross. And you and I have a son too. And I’m not going to sit back and watch J.R. steal something that rightfully belongs to Christopher.

The Art of Knots Landing: ‘New Beginnings’

Joan Van Ark, J.R. Ewing, Knots Landing, Larry Hagman, New Beginnings, Val Ewing

J.R. (Larry Hagman) asks Valene (Joan Van Ark) to sign his copy of “Capricorn Crude,” her novel inspired by the Ewings, in this 1982 publicity shot from “New Beginnings,” a fourth-season “Knots Landing” episode.

Knots Landing Scene of the Day: ‘You Are Disgusting!’

Joan Van Ark, Knots Landing, New Beginnings, Val Ewing

Needled

In “New Beginnings,” a fourth-season “Knots Landing” episode, Valene (Joan Van Ark) is seated behind the counter in a bookstore, signing a copy of her book for a customer (Rita Crafts).

VAL: There you go. [Slides the book across the counter]

CUSTOMER: I’ll bet you’re glad this day’s almost over.

VAL: [Smiles] Oh, no. Not really. I enjoy meeting people who buy my book.

CUSTOMER: Thank you.

The customer walks away as a man slides an open book in front of Val.

VAL: OK, how would you like that signed, sir?

She looks up and sees it’s J.R. (Larry Hagman).

J.R.: “To my favorite brother-in-law in the whole wide world.”

VAL: What are you doing here?

J.R.: Well, aren’t you going to sign it? I bought it fair and square, with the promise that you’d autograph it for me.

VAL: [Whispers] You are disgusting!

J.R.: [Looks around with mock concern] Come on, darlin’. Your public’s waiting. [She scribbles on the page, closes the book, slides it toward him and looks away.] Oh, thanks. [Examining her signature] Oh, that’s just wonderful. I’m going to stick this in my special collection of memorabilia. Right next to the knitting needles of Madame Defarge.

VAL: Leave me alone, J.R.

J.R.: Well, honey, what’s the rush? You know, it’s not often I get a chance to talk to a real, live celebrity. [Chuckles] You know, everybody said I’d hate what you wrote about us, but I don’t. I really don’t. And it’s nice having a best-selling authoress in the family. Especially since I own her publishing company.

VAL: You what?

J.R.: That’s right. Lock, stock and all the profits. I’m glad to keep it in the family. Oh, golly. I forgot. You’re on your way out of the family, aren’t you?

VAL: Well, you know what they say. Behind every cloud there’s a silver lining. Now would you please step aside because I’ve got paying customers to attend to. [Takes a book from someone else and smiles]

J.R.: Oh, of course. I’m looking forward to your new book. And just remember: I have first rights.

VAL: Yes, thank you.

As he walks away, the first customer approaches him.

CUSTOMER: Aren’t you J.R.?

J.R.: Yeah, that’s right.

CUSTOMER: Oh, would you sign this for me, please? [Hands him her book and a pen]

J.R.: Well, sure. [Looks at Val and shrugs] There you go.

CUSTOMER: Oh, thank you so much.

J.R.: My pleasure. [Chuckles]

Dallas Scene of the Day: ‘… One Man at the Helm’

Dallas, Jim Davis, Jock Ewing, Jock's Will

Daddy’s decree

In “Jock’s Will,” a sixth-season “Dallas” episode, Miss Ellie (Barbara Bel Geddes), J.R. (Larry Hagman), Bobby (Patrick Duffy) and the other Ewings gather near Jock’s portrait in the Southfork living room, where Harv (George O. Petrie) sits at a desk and reads the codicil the Ewing patriarch added to his will.

HARV: “I, John Ross Ewing Sr., being of sound mind and body, do hereby add the following provisions to my last will and testament. It is no secret that the company I built — some call it an empire — is precious to me. Precious beyond anything in my life, save my dear wife Ellie and my sons. It is, however, that very preciousness that makes the choice of my successors an agonizing one. Gary and Ray, although your place in my heart is just as large and shines just as bright as the place set aside for your brothers, neither of you has shown any aptitude — or inclination for that matter — for business. Therefore, my choice of successor is narrowed to Bobby and J.R. Sons, this is addressed to you: It’s been my cherished hope that one day the two of you might run Ewing Oil as a team. That was my hope. Ewing Oil can only have one man at the helm, and that’s got to be the man that wants it the most.”

ELLIE: [Softly] Oh, Jock. No.

HARV: “Therefore, upon my death, I want an independent audit conducted of all the company’s holdings. I want everything divided upon paper so that J.R. and Bobby each have control over exactly 50 percent of the total assets. Punk Anderson, a fine oilman and an even finer friend, has agreed to act as administrator of my estate. After one year, Punk will conduct a second audit. Whichever son has managed to create the greatest gain for his half share of Ewing Oil will win 51 percent of the stock of the entire company and will be able to run it any way he sees fit. The loser in this contest will get 19 percent and the remaining 30 percent I want divided equally between Gary, Ray and Miss Ellie to make sure they’ll never be without a share of the profits of the company I created, which incidentally, must never be owned by anyone other than a Ewing. One final thing: In the unfortunate event that before this year is up, one son predeceases the other, the remaining son will automatically inherit his shares and he will take over the company.”

The Ewings look at each other with stunned expressions.

J.R.: Well, Bobby, to your good health and very long life. [Raises a glass, smiles]

The brothers clink glasses.

Dallas Cliffhanger Classics: Season 2

Dallas Decoder celebrates “Dallas’s” classic cliffhangers with weekly summertime flashbacks. Collect all 14 images and share them with your friends.

Dallas Cliffhanger Classics 2

The Art of Dallas: ‘The Big Ball’

Big Ball, Dallas, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing

J.R. (Larry Hagman) beams at Sue Ellen (Linda Gray) while attending the Oil Baron’s Ball in this 1982 publicity shot from “The Big Ball,” a sixth-season “Dallas” episode.