The Dallas Decoder Interview: Joan Van Ark

Joan Van Ark

Joan Van Ark

Mark your calendars: The March 18 episode of TNT’s “Dallas” will feature a guest appearance from Joan Van Ark, who immortalized the role of Valene Ewing on the original “Dallas” and its “Knots Landing” spinoff. I was honored to speak recently to Van Ark about her return to Southfork.

You just filmed your first scenes as Valene in 15 years. How did it feel to play her again?

It was so funny. My first scene was with Ted [Shackelford] and Patrick [Duffy] and Charlene [Tilton]. They say it’s like riding a bicycle. Once you get back on, it all comes back. But I felt a huge responsibility to do Valene justice. She’s Lucy’s mom and Gary’s wife, and I wanted to do her proud. I won’t flatter myself and say Valene is iconic – but she’s so established – and so I felt I owed the character that kind of care.

Oh, trust me: Valene Ewing is an icon. I know you can’t reveal any plot details, but can you at least tell me if Val has her accent back?

She doesn’t because it wouldn’t make sense. She had it when she left “Dallas,” but the continuum with Valene happened on “Knots Landing,” and so I needed to continue her where we left her off.

Well, that makes sense, although I always loved to hear Val speak.

Oh, I know! It’s very much who she is. She’s a southern steel magnolia.

Van Ark and Shackelford in “Knots Landing Reunion: Together Again”

Van Ark and Shackelford in “Knots Landing Reunion: Together Again”

You mentioned some of your costars from “Dallas” and “Knots.” What was it like to work with Ted and everyone else again?

Ted called me after we had done our scene that first day and he was so dear. He said, “You still got it. You were great every take.” Ted is brutally honest – and that’s a good thing because I want the truth. So for him to say that meant so much to me. And with Charlene – she’s such a pistol! When I see her now, I feel like she’s the parent and I’m the child because she’s got it going on! [Laughs] She calls it like she sees it, and she was so generous and beautiful to me when we were together. And Patrick Duffy and I had a really nice moment [off the set]. It was totally special, and it had to do with Larry [Hagman]. I shared something with Patrick and he returned it right back. It was maybe the most profound, connected moment I had when I was down there.

Speaking of Larry, I must tell you: I’m sad that Val won’t be at J.R.’s funeral, but I suppose it makes sense in the storyline. When he was shot in 1980, Val famously said something like, “If J.R. died, I couldn’t mourn him.”

That’s right! I forgot about that.

So I guess it’s kind of true to character that she’s not there.

Well, yes. People who are hardcore fans have reminded me that there was no love lost between J.R. and Val. And as an actress, I loved to play that because the tension and the friction made for a fun, interesting scene. It was like Abby and Val. That conflict is gold for an actor. But because I loved Larry so much, I would have loved to have been part of the [funeral] episode. But I think character-wise, it made sense that she wasn’t there.

I so wish we could’ve seen J.R. and Val go at it one more time because next to Linda Gray, I don’t think any actress had chemistry with Larry Hagman like you did.

Maybe that’s the Broadway and theater background in both of us, but I always felt – and I guess because of his death and how it hit me harder than I would’ve imagined – but there obviously was something special between us. I think so much of him. He’ll always be part of me. I will carry that as an actress, gratefully. It’s a gift.

Let’s talk about the original “Dallas.” Do you have special memories from those appearances?

Oh, thousands. Larry and Patrick were always cutting up. Always joking. With Barbara Bel Geddes, I remember her always wanting to borrow my lipstick. She’d say, “Oh, what color is that, darling? Could I borrow that?” She was just hysterical. She was the most grounded, funny, warm, fabulous person. Just the way you’d imagine her.

As an actress, did you learn from her?

Maybe not “learned” but “observed” because I was also around Julie Harris [Lilimae on “Knots Landing”], who is another great, amazing Broadway actress. I got the deep, true Broadway sense about them. They were the epitome of discipline. They were always brilliant. Both of them.

I’ve always thought it would’ve been cool to put Miss Ellie and Lilimae in a scene together.

Are you right! That would have been a divine combination because they both knew exactly what they’re doing. I remember when Julie worked with Ava Gardner on “Knots Landing.” Both of them were thrilled out of their minds to work with each other.

Well, now that you’ve played Val again, would you like to see “Knots Landing” come back as a series the way “Dallas” has? Would you want to play Val again each week?

I always get asked this. I love her and loved her and yet … I don’t know. I’ve always said that “Knots Landing” was the precursor to “Desperate Housewives” and so many of the shows with fun, continuing storylines – the better soaps. Alan Ball said “Six Feet Under” was “Knots Landing” set in a funeral parlor. Even “Homeland” is a continuing story. So I don’t know that “Knots” lends itself to rebooting. But if it ever came out, you couldn’t do it without Gary and Val.

Well, count me among the people who would love to see it. I bet there’s still a lot of Gary and Val’s story to be told.

I think all of the core actors from “Dallas” and “Knots” are so blessed that David Jacobs and Michael Filerman gave us these great roles. These are great characters that the audience took to, so anytime we can bring them back and revive them, it’s fun for the audience and a gift to the actor. It’s the gift that keeps on giving.

Share your comments below and read more interviews from Dallas Decoder.

Drill Bits: Another Ratings Bump for ‘Dallas’

Bobby Ewing, Christopher Ewing, Elena Ramos, Jesse Metcalfe, John Ross Ewing, Jordana Brewster, Josh Henderson, Linda Gray, Patrick Duffy, Sue Ellen Ewing

Quit squabbling, boys. Your numbers are up.

“Dallas” scored almost 2.6 million viewers on February 25, making this the third week in a row the TNT drama experienced a slight bump in the ratings. The audience included roughly 890,000 viewers in the advertiser-prized demographic of adults between ages 18 and 49.

“Dallas” is also getting a big boost from DVR users. For example, 2.5 million viewers watched the episode “Trial and Error” on February 18, but by the middle of the week, DVR users had pushed its haul to 3.2 million viewers. This audience included 1.1 million viewers between ages 18 and 49 and 1.3 million viewers between ages 25 and 54, a demographic TNT targets.

Although “Dallas’s” numbers are down from its first season, Jesse Metcalfe told the Hollywood Reporter this week that TNT executives are “still very pleased” with the show’s performance.

“We get reports from Steve Koonin (president of Turner Entertainment Networks) and from Michael Wright (TNT’s president, programming). The show is doing what they needed it to do in these winter months in the time slot that they have chosen,” Metcalfe said.

Also, keep in mind: This has been a bleak winter for the television business. Fewer people are watching stalwarts like Fox’s “American Idol” and ABC’s “Grey’s Anatomy,” NBC’s once-promising “Smash” has collapsed and newcomers like CBS’s “The Job” failed to catch fire.

Oscar Snubs Hagman

Like a lot of “Dallas” fans, I was disappointed to see Larry Hagman excluded from the “In Memorium” reel shown during ABC’s recent Academy Awards’ broadcast. Hagman is best known for his television roles, but his credits also include notable performances in films such as “Harry and Tonto,” “Nixon” and “Primary Colors.”

Early in his career, the actor also had a small but memorable role in the 1964 Cold War classic “Fail Safe,” which “Dallas” creator David Jacobs recalled during my interview with him last year.

Hagman is featured in the Oscars’ online “In Memorium” gallery, but ABC should have made time for him in its Oscar telecast too.

More Oscars Stuff

In other Oscars news: Congrats to Robin Charters, son of “Dallas” cinematographer Rodney Charters, who did camerawork for “Life of Pi,” this year’s winner for cinematography. By the way: Rodney makes his “Dallas” directorial debut with “The Furious and the Fast,” next week’s racecar-themed episode.

Pour Me a Pamela, Please

Now that Julie Gonzalo has ditched Rebecca’s cheery dresses for Pamela’s fierce business suits, my husband Andrew thought she deserved a more sophisticated signature cocktail. Enter The Pamela, the latest addition to Andrew’s “Dallas Drinks” collection.

If you’re keeping count, Gonzalo’s character has now inspired Andrew to create two drinks and some holiday fortune cookies. He’s almost cooking for Pamela Rebecca as much as he cooks for me. Should I be worried?

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

The Dallas Decoder Interview: Ted Shackelford

Ted Shackelford

Ted Shackelford

Ted Shackelford logged more than 340 hours of prime-time television playing Gary Ewing on the original “Dallas” and “Knots Landing.” Next month, he’ll revive the character for a three-week guest stint on TNT’s “Dallas.” I was thrilled to speak to Shackelford recently about Gary’s return to Southfork.

Did you ever dream you’d be playing Gary Ewing again?

No. I did it for 14 years and that’s a long, long time for anybody to do one character. I thought that would be it.

What was your process to get back into character?

There’s no magic here, man. I just learned the lines and showed up on time. It wasn’t that hard. It came back pretty fast.

Kind of like getting on a bicycle?

Yeah, that’s a pretty good description of it. A little wobbly at first but then it takes off.

I know you can’t give away any plot secrets, but what’s Gary up to these days?

I don’t think this is a plot point: He and Valene are having marital problems, and Bobby wants him to come down [to Texas] because Gary owns a third of Ewing –

The Southfork mineral rights.

Right. Whatever that is. [Laughs] You know, I’m not real clear on that. And Bobby needs me to form a voting bloc, which is why I’m there.

And you sort of get back into the thick of things, I guess.

A little bit. I don’t want to give away anything there.

Well, can you talk about what Gary’s like now? He changed a lot over the course of “Knots Landing’s” run.

Did he? How? Tell me. I’m curious. Because I never saw much change.

Shackelford in “Knots Landing Reunion: Together Again”

Shackelford in “Knots Landing Reunion: Together Again”

Really? [“Dallas” and “Knots Landing” creator] David Jacobs called him a clenched fist in the beginning, but he seemed to mellow out towards the end of the show’s run.

Eh. Here’s the terrible truth about that: When you do a show for 14 years, after a few years, they run out of things for you to do! You’ve just about done them all! I mean, you’ve bedded everybody, you’ve gotten drunk twice and you’re an alcoholic –

Been arrested for murder a few times –

Yeah. You’ve gotten involved with mobsters. I mean, after that there’s not a whole lot they can do with you! So yeah, he does kind of mellow out because he’s just kind of there. They just kind of ran out things for him to do.

Did you like the character?

No, I never liked him.

[Laughs] You never liked Gary?

No, I didn’t.

Why is that?

Oh, I thought he was weak. I thought he never thought anything through. I didn’t see any strength of character. I mean, just once I wanted him to have some courage. And I never saw that.

He certainly attracted beautiful women.

Well, you know, there are women who like weak men they can manipulate. [Laughs] But having said all that, had he been stronger, I’m not sure I would’ve been able to play some of the things I played. I had great material. It was great stuff. There were the drunk things, and then the mobster things, and I don’t know what else. Because he was the way he was, as an actor I got to play a lot of different colors, as they say.

Well, let me share with you my theory of the Ewing brothers: Bobby is the brother you think you’re supposed to be, J.R. is the brother you’d secretly like to be and Gary is the brother you probably are.

[Laughs]

So I’ve always identified with Gary, but maybe that’s not a good thing.

Well, you know, that’s my take on it. And listen, no actor is objective. We’re all very subjective about what we do. So your take on that character is going to be far better than mine.

What was it like to be reunited with your TV wife Joan Van Ark and daughter Charlene Tilton?

Well, I didn’t have much to do with Charlene. I think we had one scene together, maybe. And [our characters] didn’t really speak. Charlene and I spoke, of course. And then they brought in Joanie for one episode for a very real reason – and a good reason. I can’t tell you that, either. But I only had one scene with Joanie. … It was crucial to both her character and my character and how they interact in Dallas.

It must have been great to perform with her again. She’s called you her acting soul mate.

That’s the beauty of it. Working with Joanie, you just learn the words and you show up. There’s already a connection there. There’s nothing to worry about. It’s so simple. I’m one of the lucky men in the business in that I had her to work with for, I guess, 13-and-a-half year because she left during the final season [of “Knots Landing”] for awhile and then came back. But you know, there was always a connection with her.

You two really do have something special.

We’re separated by three years in age but we’re a week apart in birthdays. We’re both kind of from the same part of the country. She’s from Colorado, I’m from Oklahoma. And I knew about her before I even met her. She’d done work at the Helen Bonfils Theatre in Denver. … And I remember being there in the late ’60s, looking at pictures from their past productions, and there was a picture of Joanie. So I knew who she was. And I met her – here’s the real funny part – we did a “Wonder Woman” episode –

Oh, yes. I’ve seen it!

You’ve seen it?

Absolutely.

I recently watched it, just as a giggle. I think it was on YouTube. I don’t know why I ever got work again after that. But that’s the first thing we ever did together. We did that before we did “Knots Landing.” It’s just a funny thing with her. It’s so easy. I just had lunch with her yesterday. There’s a shorthand with us. You know, it’s like a married couple. When we talk, we don’t have to finish the sentence because we know what the other person is going to say.

So let me tell you this: A certain segment of my audience is going to want to know if Gary and Bobby are going to take another dip in the Southfork swimming pool.

No, thank God. I don’t have to worry about holding my stomach in. No swimming pool for this actor!

Some of my readers are going to be disappointed.

Oh, I’m sorry to hear that. You know what, I’m 66 so. … [Laughs]

Well, I know you didn’t do a lot of “Dallas” episodes, but do you have any special memories of working on the show?

Not really. Because when I did the “Dallas” episodes I was in between the “Knots Landing” episodes, so it was pretty fast and furious. It was: Get in there, say the words and then go back to the other soundstage where “Knots” was. It was stuff you do when you’re young because you can. [Laughs]

How about your relationship with Larry Hagman?

We never hung out. I did run into him a couple of years ago at one of those autograph shows. The man was a delight. Just a delight. You could talk to him and you’d walk away feeling a little better about yourself. It was wonderful. He was a great guy.

Well, now that J.R.’s gone, there’s a void on the show for another Ewing brother. Is that something you’d be interested in?

Oh, in a New York minute. In a heartbeat. Of course.

And what about the idea of “Knots Landing” being revived as a weekly series?

I don’t know. I’d be delighted to do it. Nobody’s talking about it, though. I mean, nobody. I don’t really see that happening. But sure, I’d do it.

Even though you weren’t crazy about Gary as a person?

I mean, come on, man. I made a very good living for 14 years. Very few actors get to say that. I’m forever, forever grateful that I got to play this guy.

Share your comments below and read more interviews from Dallas Decoder.

Drill Bits: ‘Dallas’s’ Ratings Rise Again

Christopher Ewing, Dallas, Jesse Metcalfe, Julie Gonzalo, Pamela Rebecca Barnes, TNT, Trial and Error

Feel that ratings momentum!

“Dallas’s” audience has grown for the second week in a row. The TNT drama’s latest episode, “Trial and Error,” was seen by 2.5 million viewers on February 18, up from the 2.4 million who watched the previous week’s telecast.

The “Trial and Error” audience included about 890,000 viewers between ages 18 and 49, a group advertisers pay a premium to reach.

TNT shows “Dallas” on Monday nights at 9, where it faces stiff competition from the broadcast networks and other cable channels. This week, “Dallas’s” rivals included CBS’s “2 Broke Girls” (10.3 million viewers), Fox’s “The Following” (8.4 million) and History’s “American Pickers” (4.4 million).

But DVR users are giving “Dallas” a big boost each week. The two-hour season premiere was seen by 4 million viewers within a week of its January 28 debut, up 36 percent from the number who watched on opening night.

DVR users who recorded Season 2’s third hour, “Sins of the Father,” and watched it within three days of its premiere boosted the audience to 2.9 million viewers, while DVR users pushed the audience for the fourth episode, “False Confessions,” to 3.1 million viewers over a three-day period.

Is She Back?

Everyone is buzzing about Jesse Metcalfe’s new interview with TV Guide, in which he drops a big hint about you-know-who’s possible return to Southfork. Is this the news “Dallas” diehards have been longing to hear?

Now It Can Be Told

If you’ve read Edward McPherson’s fascinating essay on “Dallas” in the Paris Review, then you know – wait, stop. What do you mean you haven’t read it?

The two-part piece, published in December, traces the evolutions of Dallas the city and “Dallas” the TV show. It pays special attention to the echoes between the assassination of John F. Kennedy in 1963 and the shooting of J.R. Ewing in 1980, examining how each incident shaped the way people see Dallas and the way Dallasites see themselves. McPherson, who grew up in Big D, will give you a new appreciation for all things Dallas, but don’t take my word for it. Go read Part 1 and Part 2. I’ll wait.

OK, now that you’ve enjoyed McPherson’s piece (I told you it was good, didn’t I?), you know that he spent time last fall on the set of TNT’s “Dallas,” where he got to observe production and meet the cast and crew. He even exchanged a fist bump (!) with Larry Hagman.

McPherson also describes how he helped the folks behind the scenes come up with a few words of dialogue. Now it can be told: The episode McPherson observed being filmed was “False Confessions,” which TNT telecast last week, and the scene that he contributed to is the one where Christopher interrupts John Ross’s conversation with Elena’s drilling foreman, Bubba, played by Matthew Posey. McPherson’s line, which Posey delivered: “But we’ve got a problem.”

“It was a total throwaway line, but fun nonetheless,” McPherson told me last week. He said he’s happy the episode has finally been shown, adding that he was “quite good about keeping the spoilers to myself.”

McPherson also said he’d love to hear what “Dallas” fans think of his essay, so be sure to share your feedback in the comments sections that accompany parts 1 and 2.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Drill Bits: ‘Dallas’s’ Ratings Rise During Week 3

Ann Ewing, Bobby Ewing, Brenda Strong, Dallas, False Confessions, Patrick Duffy, TNT

Relax. The numbers will go up.

More viewers made time for “Dallas” this week.

TNT’s telecast of the latest episode, “False Confessions,” was seen by 2.4 million viewers on Feb. 11. The audience grew almost 10 percent from the previous week’s telecast.

“Dallas” is also getting a healthy boost from DVR users. The two-hour season opener – comprised of back-to-back telecasts of “Battle Lines” and “Venomous Creatures” – was seen by 2.9 million viewers on January 28, although the audience soared to 3.7 million when people who recorded the show and watched it a few days later were counted.

The second season’s third episode, “Sins of the Father,” was seen by 2.2 million viewers on Feb. 4, but by the end of the week, DVR users had increased the audience to 2.9 million.

“Dallas’s” first season averaged 4.2 million viewers on Wednesday nights last summer, although DVR users boosted its weekly haul to 6.1 million.

In last week’s edition of “Drill Bits,” TV ratings expert Marc Berman said a decline was expected since “Dallas” is now being telecast on Mondays in the winter, when it faces tougher competition on the broadcast networks.

Strong Speaks

Dallas Decoder was lucky to participate in a press call last week with Brenda Strong, who dished on her character Ann’s recent shooting of ex-husband Harris, “Dallas’s” ratings, working with Larry Hagman and more. If you haven’t already read it, be sure to check it out.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Brenda Strong: More ‘Twists and Turns’ Coming on ‘Dallas’

Brenda Strong - More Twists and Turns Coming to Dallas copy

Altered state?

Brenda Strong believes her “Dallas” character Ann Ewing was in “an altered state” when she shot sadistic ex-husband Harris Ryland at the end of the TNT serial’s most recent episode.

“I don’t know that she knew when she arrived that she was going to complete the intention of shooting him,” Strong told Dallas Decoder and other bloggers yesterday. “She had been pushed to such a degree of heartbreak that there was an altered state that she was in. It was the last thing that he said that allowed her to say, ‘Yes, he deserved it.’”

In the scene, Ann confronted Harris (Mitch Pileggi) after learning he wouldn’t be punished for kidnapping their daughter Emma and sending her to Europe to be raised by his mean mama Judith (Judith Light). When Harris taunted Ann by pointing out how she never got to see Emma grow up, Ann pulled a handgun from her purse, pointed it at him and pulled the trigger.

Strong’s knockout performance earned her rave reviews from critics and bloggers. The actress also heard from viewers who feel Harris had it coming. “I was very surprised by that, actually. Because I did not take it lightly, especially with what’s going on in the country. It’s a big deal,” Strong said.

No “Dallas” cast member is ever sure what’s next for their character (“We’re all page turning every time we get a new script because there are so many twists and turns”), but Strong predicted Ann ultimately will be redeemed. “I think our writers are absolutely holding the big picture in mind and know that as heinous of an act that shooting someone is, in the larger scope of a person’s life, and the opportunity that this kind of conflict presents, there are things that are redeemable.”

More “Dallas” dish from Strong:

• On “Dallas’s” ratings, which have softened in Season 2: “TNT is a formidable summer [network]. They normally air their shows in the summer, and they are starting to branch out into the winter months … and [“Dallas” is] definitely pioneering that. I think we’re right in line with what the network expected our numbers to be, so I don’t think anyone’s worried.”

On her last scene with Larry Hagman, which was shot in a courthouse: “Larry was in top form, cracking the gallery up. And he and Patrick [Duffy] and I sat around in between shots, telling stories. I actually have a beautiful picture of the three of us sitting there – and none of us knew that we were having our photo taken – but you see me listening to Larry telling a story to Patrick and then both of us laughing. Obviously none of us knew it would be the last time we worked with him, so I hold those memories dear.”

On Ann and Sue Ellen’s bond: “Their friendship may be tested. There’s a J.R. camp and there’s a Bobby camp, and John Ross belongs in the J.R. camp. And so with Sue Ellen needing to be protective of her son, Ann and Sue Ellen may end up on different sides of the fence, which I think will be very interesting considering what a strong, solid friendship they have.”

On Judith Light: “She’s been such a great addition to our show. Judith and Ann have an altercation in practically every episode she’s in, so it’s definitely something that the audience can look forward to. And as much as we’ve come to love hating Harris, I think the audience is going to feel the same way about her.”

What do you think of Ann’s shooting of Harris? Share your comments below and read more news from Dallas Decoder.

Drill Bits: ‘Dallas’s’ Ratings Dip Again, But Don’t Panic

Dallas, Julie Gonzalo, Pamela Rebecca Barnes, Sins of the Father, TNT

Where’d everybody go?

“Dallas’s” audience shrunk again this week, but TV ratings expert Marc Berman said it’s too soon for the show’s fans to sound the alarms.

“I wouldn’t panic yet,” Berman, editor in chief of TV Media Insights, a top industry news site, said yesterday. “The numbers are disappointing, but they’re not horrific.”

TNT’s “Dallas” revival averaged 4.2 million viewers on Wednesday nights last summer, but when DVR users who recorded the show and watched it later were counted, the audience rose to 6.1 million viewers.

Last week, “Dallas” opened its second season on a new night – Mondays – with 2.9 million viewers. This week’s episode, “Sins of the Father,” dipped to 2.2 million viewers, “Dallas’s” smallest haul yet. The Feb. 4 audience included 773,000 viewers between the ages of 18 and 49, a demographic advertisers pay a premium to reach.

Berman said “Dallas” faces much tougher competition in the winter than it did last summer, when the broadcast networks are mostly in rerun mode. This week, “Dallas” aired opposite fresh episodes of CBS’s popular sitcoms “2 Broke Girls” and “Mike & Molly,” which were the evening’s most-watched programs, and Fox’ “The Following,” the highly touted serial killer drama starring Kevin Bacon.

Also: Don’t overlook the importance of the bump “Dallas” gets when DVR users are counted. Television executives take DVR numbers into consideration when deciding a show’s fate, Berman said.

Nevertheless, TNT might be questioning its strategy to bring back “Dallas” in the middle of winter and on a new night, Berman said. The cable channel has paired “Dallas” with a new medical drama, “Monday Mornings,” which bowed to just 1.3 million viewers on Feb. 4. “That doesn’t reflect poorly on ‘Dallas,’ that reflects poorly on ‘Monday Mornings,’” Berman said.

If “Dallas’s” numbers continue to fall, Berman predicted the cable channel might shift the series to another night. “It’s not an impossibility,” he said. TNT had no comment, a spokeswoman said.

Berman himself is a longtime “Dallas” fan and said he enjoys the new series, praising it for incorporating original cast members like Patrick Duffy and Linda Gray with newcomers like Josh Henderson and Jesse Metcalfe. “When I heard it was coming back, I was apprehensive, but I’ve really enjoyed it,” Berman said.

Catch Up on Your ‘Dallas’ Reading

Dallas Decoder is best known for its episode critiques, but we’ve been cranking out fun features during the past two weeks.

If you haven’t already done so, be sure to check out our retrospective of the shows that aired after the original “Dallas” (it wasn’t just “Falcon Crest”!); our look back at the classic show’s Barnes/Ewing romances (it wasn’t just Bobby and Pam!) and J.R./Pam clashes; and everything you need to know about Pamela’s mother Afton Cooper, who is slated to visit the new “Dallas” in a few weeks.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Drill Bits: ‘Dallas’ Returns, But Some Viewers Don’t

Dallas, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing, TNT, Venomous Creatures

He showed up. Did you?

Mondays are a bitch: “Dallas” opened its second season in its new Monday time slot this week – and a lot of fans didn’t show up.

The two-hour premiere drew 2.98 million viewers on January 28. As the Hollywood Reporter pointed out, the numbers were down 58 percent from the series debut last summer and 32 percent from the first-season finale. Ouch.

There could be a couple of explanations for the decline. TNT showed “Dallas’s” first season during the summertime, when the competition on other channels tends to be lighter. This week’s premiere – which actually consisted of two one-hour episodes, “Battle Lines” and “Venomous Creatures,” that were telecast back-to-back – faced fresh episodes of “The Biggest Loser” and “The Bachelor” on the broadcast networks.

Also worth noting: “Dallas” was a hit with DVR users last year. The series averaged 4.2 million viewers on Wednesday nights, but once people who recorded the show and watched later were counted, “Dallas’s” weekly haul surged to 6.1 million viewers. Perhaps ratings for the second-season premiere will get a big boost once DVR users are included?

And don’t forget: “Dallas” has a history of bouncing back from ratings dips. Back in 1978, CBS moved the original “Dallas” to Saturday nights for its second season. ABC’s “Fantasy Island” crushed the show, prompting CBS to restore it to its original Sunday berth before shifting it to Fridays, where it remained for the rest of its run.

Say You Want a Resolution?

It’s no secret “Dallas’s” longtime fans are clamoring for the return of Pam, the classic show’s heroine, immortalized by Victoria Principal. And if fans can’t have Pam, they at least want to know what happened to the character, who fled Southfork in 1987.

We may soon get our wish.

Check out this tantalizing exchange from Jesse Metcalfe’s recent conference call with reporters and bloggers:

Reporter: Will we learn any more this season about what happened with Pam in the last 20 years, where she’s been and what happened with her and Christopher?

Metcalfe: Yes. Yes we will. Unfortunately I can’t tell you much more than that. I’m sorry.

OK, fellow Pam fans. Start salivating.

Dress Like ‘Dallas’

If you love the styles worn by the women of Southfork, you’re in luck: HSN has opened an online Dallas boutique featuring clothing and accessories inspired by Sue Ellen (Linda Gray), Ann (Brenda Strong), Elena (Jordana Brewster) and Rebecca (Julie Gonzalo). The show’s ace costume designer, Rachel Sage Kunin, selected the products in the collection.

Sorry, fellas. If you want to dress like John Ross or Christopher, you’re on your own.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

New Season, New Features

Dallas, John Ross Ewing, Josh Henderson, J.R. Ewing, Larry Hagman, TNT

Look what’s in store

The start of “Dallas’s” second season signals some changes at Dallas Decoder. Here’s what you’ll see:

“Burning Questions.” This weekly feature, which debuts today, will address the questions left unanswered at the end of the previous “Dallas” episode. The goal: to help fans refresh their memories before TNT telecasts the latest installment each Monday night.

Critiques and Scenes of the Day. Like I did last season, I’ll review each new episode and highlight one notable scene. My critique of “Battle Lines,” the first half of tonight’s two-hour opener, will be posted tomorrow, while my “Venomous Creatures” review will be available Wednesday. I’m taking a break from critiquing the classic series for awhile, but those posts will return eventually.

“Drill Bits.” This is where you’ll find news about “Dallas’s” ratings, as well as trivia and other tidbits. I hope to post a new “Drill Bits” each Wednesday, although you might see this feature pop up on other days too.

Tweets and Facebook posts. I plan to tweet throughout the East Coast telecast of each new episode, beginning tonight at 9. Please join me! My Twitter handle is @DallasDecoder and I’d love to hear from you during the show. Also: If you haven’t done so already, please consider “liking” Dallas Decoder’s Facebook page.

If you have ideas for other things you’d like to see, please share them in the comments section below or e-mail me at dallasdecoder-at-gmail.com. I want to make this site lively, fun and above all useful to my fellow fans, so if there’s something I’m not doing that I should be, please let me know.

Thanks for reading and enjoy the new season of “Dallas”!

The Dallas Decoder Interview: Aaron Allen

Aaron Allen

Aaron Allen

Aaron Allen wrote “Collateral Damage,” one of the standout episodes from the new “Dallas’s” first season, as well as “Venomous Creatures,” the second half of the two-hour season premiere, airing Monday, January 28 on TNT. I spoke to him last week about what we can expect from the Ewings this year.

“Dallas’s” second season is almost here. How is this year going to compare to Season 1?

In broad terms, the first season was about the battle for Southfork. The second season is going to be more about the battle for Ewing Energies. Thematically, the first season was about the characters finding out who they were. Like Christopher, because he’s adopted, felt like he had to prove himself to be a Ewing. And John Ross was kind of conflicted: “Should I be the person my father expects me to be? Or should I be my own person?” And then by the end of the first season, both characters were kind of crystallized into what they were going to be. John Ross had his heart broken by Elena and embraced his bad side, while Christopher felt like he had proven himself. So in the second season, now that these people know who they are, we’re going to see they’ve embraced their destinies and they’re using that to their advantage.

When you look back on Season 1, what do you think worked well? What, if anything, are the writers doing differently?

Some of the later episodes in the first season really worked because you saw all the Ewings banding together to fight one foe. There’s just something energizing about that. So we’ve taken that into consideration, and I think we’ve got a lot more scenes where it’s the family kind of working together toward something. But once they’ve fought off the bad guys, they’re just going to be cannibalizing each other once again.

Dallas Decoder Interview - Aaron Allen 2

J.R. in “Venomous Creatures” (Skip Bolen/TNT)

What about Larry Hagman’s death? I know you can’t give away plot details, but generally speaking, how is the show dealing with this loss?

Larry was an incredible guy and we’ll all miss him very much. Not only was he an incredible human being, but he was an incredible character to write for. When he passed, we knew we had a responsibility to the fans to pay tribute to him and to respect his character, and I believe we have. But even though he’s gone, he’s still very much part of the story. We have some really fun, delicious storylines that are going to come out of this.

Something tells me Hagman would appreciate that. Did you get to work with him very closely?

I didn’t have a ton of direct contact with him. He wasn’t in my first episode from Season 1 very much because he was going through a lot of his treatment at that time. But my first episode in Season 2 is actually a very heavy Larry episode, so I got to see him work quite a bit. And he was just a joy to work with. Everybody loved him. He joked around with everybody. He was a delight.

Well, J.R. has never been more fascinating. Everyone always refers to him as the villain of “Dallas,” but to me he’s the hero, and I think we see that on the new show.

It’s a balance because J.R. loves his family, and he’ll do whatever it takes to protect them. But sometimes that means doing terrible things to other people. That’s my favorite kind of bad guy, the one who has sympathetic qualities. I think J.R. was a very sympathetic character.

Do you have other favorite characters to write for?

Well, speaking of villains, I love writing for Harris Ryland. I mean, he’s a villain, plain and simple. When it comes down to the Ewings versus the world, it’s helpful to have him around. He’s really a devil.

And in “Venomous Creatures,” we’re going to meet his mother, played by Judith Light.

She’s a hoot. Her character chews the scenery. Judith’s a terrific actress to work with. Just watching her swing for the fences with her character was a lot of fun. I think fans will love her.

Her casting raised some eyebrows because she’s only a few years older than Mitch Pileggi. What do you make of that?

[Laughter] I don’t think it really matters in the end. An example would be Harrison Ford and Sean Connery in “Indiana Jones and the Last Crusade.” I think there was only a 12-year age difference between those two. People bought that. I think people will definitely buy this too. We wanted there to be something a little strange about Harris and Judith’s relationship, so I think the casting plays in our favor there.

Switching gears for a moment, can you talk a little bit about how the writing process on “Dallas” works?

On our show and most others, you have a staff of writers starting with the executive producers at the top. On our staff we have eight writers. Cynthia Cidre, who developed and runs the show, guides the writing process, along with Robert Rovner, the other writing EP. For the first few weeks of the season, we all sit around a big table and talk about the storylines, the characters and generally where we’re going. And then we start breaking down each episode individually, and that takes a couple of weeks. And then one writer is assigned to write the script for each episode, and as that writer is working on his or her script, the other writers are talking about the next episode.

Once a script is written, how long does it take to produce it?

Well, then you go into pre-production, which takes about a week. You’re meeting with the director, you’re going through the script, you go and scout locations. And then you start production, which lasts about seven or eight days.

It sounds relentless.

It all happens pretty fast. One of the thrilling things about working in TV is that you write something and then a month later it’s filmed, whereas in feature films it can take years to get things done.

Getting back to the show itself, were you a fan of the original “Dallas”?

I’m 31, so when the original show was on, I was too young to be among the target audience. But I’ve always a big fan of the brand of the show – the big family soap opera. I loved “Six Feet Under.” I loved “Big Love.” And I was always conscious of “Dallas.” It was such a phenomenon. I knew it was a huge part of pop culture, like when “The Simpsons” did “Who Shot Mr. Burns?” So I always understood where that came from. But it wasn’t really until I got the job on the new show that I went back and watched a bunch of episodes of the old one. And the whole “Who Shot J.R.?” thing was great. I also liked the storyline when John Ross was kidnapped from the hospital, and when Pam wanted to be a mother to little John Ross and Bobby had to gently remind her it wasn’t her baby. I love the emotional stories.  The business stories can sometimes make my head hurt!

You mentioned “Big Love,” which you wrote for before joining “Dallas.” I’ve always thought there were parallels between those shows. Both are about big western families with lots of secrets.

Yeah, absolutely. I think the Henricksons and the Ewings would definitely respect one another because of the value they place on family. It’s that us-versus-them mentality. When the Henricksons were under attack, they would set aside all their bickering and it was them against the people trying to persecute them. The Ewings are the same way.

And I think J.R. might’ve appreciated having more than one wife at a time.

[Laughter] Yeah, I think he could have flourished in that environment.

Share your comments below and read more interviews from Dallas Decoder.