Drill Bits: ‘Dallas’ Ends the Season with Bigger Ratings

Dallas, Guilt by Association, John Ross Ewing, Josh Henderson, Julie Gonzalo, Pamela Rebecca Barnes, TNT

Compounding interest

“Dallas” got a nice ratings boost on April 15 with a season-ending double feature that revealed what happened to Pam and who killed J.R.

“Guilt by Association” the first of the evening’s two episodes, was seen by 2.82 million viewers, including 1 million adults between ages 18 and 49, an important demographic in TV ad sales.

“Legacies,” the second hour, drew 2.99 million viewers, including 1.1 million in the 18-to-49 demo. This makes “Legacies” the season’s second most-watched “Dallas” telecast after the landmark “J.R.’s Masterpiece” funeral episode, which drew 3.6 million viewers on March 11.

“Dallas” averaged 2.7 million viewers on Monday nights this year, although DVR users who record the show and watch it later in the week have boosted its weekly average to 3.4 million viewers. “Dallas” averaged 4.2 million viewers on Wednesdays last summer, when there is much less competition on other channels.

TNT has not announced whether it will order a third season, but this week the Hollywood news site Deadline suggested “Dallas” is “a slam dunk for renewal.” Although ratings fell this season, the well-known “Dallas” brand generated strong international sales for the studio that produces the show, Deadline reported.

Name that Tune!

Dallas, Faran Tahir, Julie Gonzalo, Pamela Rebecca Barnes, TNT, Venomous Creatures

Liars

Forget “Who Killed J.R.?” Here’s the question “Dallas” fans really want answered: What’s the name of the song that kept popping up on the show this season?

You know the song I’m talking about. It was first heard in “False Confessions” when the police arrested Frank Ashkani (Faran Tahir) for Tommy’s murder. The song played again in “Legacies” when Pamela (Julie Gonzalo) planted the gun in Cliff’s trunk.

Here’s the answer: The song is called “Liar” and it comes from a band called The Unknown, a TNT spokeswoman told us yesterday.

The bad news: This appears to be an unreleased track. I can’t find it on iTunes or anyplace else. So if you want to keep hearing it, just do what I do and watch those scenes over and over.

Speaking of “Dallas” music: The song that played at the end of “Legacies,” when John Ross (Josh Henderson) proved again he’s his daddy’s son from tip to tail, is “Come Unto Me” by the The Mavericks. Meanwhile, the terrific tune that appeared at the end of “Love and Family,” when Bobby (Patrick Duffy) took that slow-mo stroll out of Ewing Energies, is “My Time Has Come” by The Bowery Riots.

Cidre Speaks

In case you missed it: “Dallas” producer Cynthia Cidre gives TV Guide the post-mortem on the second season, including her reaction to Victoria Principal’s statement-hear-round-the-world, whether Katherine Wentworth is really dead and those cocaine shoes. Earlier this week, Cidre spoke to Yahoo! about what we might see during a third “Dallas” season, including the possibility that – gasp! – John Ross might build his own house on Southfork.

Divas II

Sue Ellen (Linda Gray) had a good week: Not only did she track down Ken (Lee Majors), turn the tables on McConaughey (Steven Weber) and announce Cliff’s arrest, she also defeated sister Kristin (Mary Crosby) in Dallas Divas Derby’s second brackets competition. Get it, girl.

Killing J.R.

Last December, not long after Larry Hagman’s death, I asked three writers and a director from the original “Dallas” how they think J.R. should die. Now that the character has been laid to rest once and for all, it’s interesting to go back and read their ideas, which aren’t far off base from what ended up happening.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Drill Bits: ‘Dallas’ Faces Tough Ratings Competition

Bobby Ewing, Call to Arms, Christopher Ewing, Dallas, Jesse Metcalfe, John Ross Ewing, Josh Henderson, Linda Gray, Patrick Duffy, Steven Weber, TNT

No match

“Dallas” felt a ratings pinch on April 8, when TNT telecast back-to-back episodes against tough competition on the broadcast networks.

TNT showed the first hour, “A Call to Arms,” at 8 p.m., an hour earlier than usual. The episode drew 1.9 million viewers, including roughly 760,000 adults between ages 18 and 49, a group advertisers pay a premium to reach.

“Dallas’s” second hour, “Love and Family,” was shown in the 9 p.m. time slot, where it was seen by 2.4 million viewers, including more than 1 million people between 18 and 49. Through last week, “Dallas” has averaged about 2.7 million viewers in its Monday telecasts.

The April 8 “Dallas” double feature was seen opposite NBC’s two-hour “The Voice,” which drew 13.7 million viewers, including more than 6 million between 18 and 49, a season high for that series. Meanwhile, the second half of “Love and Family” faced CBS’s coverage of the NCAA basketball championship, which averaged 20.7 million viewers between 9:30 and 11 p.m.

“Dallas” continues to perform well with DVR users too. Last week’s telecast, “Let Me In,” attracted 2.6 million viewers on April 8, but during the next three days, DVR users boosted the audience to 3.6 million. This included 1.3 million adults between 18 and 49, a 16 percent increase over the previous week, and 1.5 million between 25 and 54, a 9 percent jump.

Et Cetera

• TNT has made no announcements, but Patrick Duffy says “Dallas” will return for a third season, according to a report in yesterday’s New York Daily News.

• “Lost” alum Sam Anderson will play Dr. David Gordon, Pam’s plastic surgeon, during the two-hour “Dallas” season finale, which will TNT will show Monday, April 15, from 9 to 11 p.m. Anderson replaces Josef Rainer, who played Gordon in 1988. Producers couldn’t locate Rainer to reprise the role, TV Guide reported yesterday.

• Dallas Divas Derby’s second brackets competition is down to its final two contestants: Sue Ellen Ewing (Linda Gray) and Kristin Shepard (Mary Crosby). Vote for your favorite through April 15.

A Dallas Decoder Programming Note

I’ll be posting a little less regularly through the rest of this week. My goal is to post critiques for “A Call to Arms” and “Love and Family,” along with my selections for Scene of the Day, sometime between now and April 15. I’m sorry I can’t be more specific.

Until then, please keep the conversations going in the comments section of my recent posts. I’ll do my best to approve comments as they come in, but I probably will be unable to chime in as often as I’d like. Please know how much I appreciate your contributions, though. I hope things will get back to normal next week. Thanks for understanding.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Drill Bits: ‘Dallas’ Draws More Younger Viewers

Dallas, Drew Ramos, Emma Bell, Emma Ryland, Let Me In, TNT

Young love

This week’s “Dallas” episode, “Let Me In,” was seen by 2.6 million viewers on April 1, the same number that watched the TNT drama the previous week. By one measure, though, “Dallas’s” numbers grew: The latest telecast drew more than 1 million viewers between ages 18 and 49, a crucial demographic for TV advertising sales. This was the fifth time this year the show cracked the 1 million mark in that category.

“Dallas” is holding steady in one of the toughest times slots in television. TNT shows the series Monday nights at 9, where it faces the second hour of ABC’s “Dancing with the Stars,” which averaged 13.9 million viewers on April 1, as well as the second hour of NBC’s “The Voice,” which averaged 13.1 million. “Dallas’s” competition also includes Fox’s “The Following,” which drew 6.6 million viewers this week.

“Dallas” is getting a boost from people who record shows digitally and watch them a few days later. Last week’s episode, “Guilt and Innocence,” drew 2.6 million viewers on March 25, but by the end of the week, DVR users had pushed its audience to 3.3 million viewers, including 1.2 million between ages 18 and 49 and 1.4 million between 25 and 54, a demographic cable channels like TNT target.

Meanwhile, “J.R.’s Masterpiece,” the episode where the Ewings bid farewell to Larry Hagman’s famous character, was seen by 3.6 million viewers on March 11, but within a week of its telecast, DVR users had increased its audience to 4.9 million viewers. The audience included 1.6 million viewers between 18 and 49 and 1.9 million between 25 and 54.

‘Dallas’ Double Features

Call to Arms, Dallas, Governor Sam McConaughey, Harris Ryland, Mitch Pileggi, Steven Weber, TNT

Double trouble

Four episodes remain in “Dallas’s” second season, and TNT will show them during the next two weeks:

• On Monday, April 8, the cable channel will telecast “A Call to Arms” at 8 p.m., followed by “Love and Family” at 9 p.m.

• The following Monday, April 15, TNT will show “Guilt by Association” at 9 p.m., followed by the season finale, “Legacies,” at 10 p.m.

TNT is doubling up on “Dallas” to clear its schedule for the NBA basketball playoffs, which will dominate the cable channel’s lineup in late April and May.

Brewster Hits the ‘Runway’

Jordana Brewster will appear as a guest judge on the next episode of Lifetime’s “Project Runway,” which will debut Thursday, April 4, at 10 p.m.

Speaking of “Dallas” and fashion: If you haven’t already done so, check out my interview with the new show’s costume designer, Rachel Sage Kunin, who discusses the secrets behind the show’s wardrobe. Who knew the Ewings wore clothing from secondhand shops?

Bottoms Up

My partner Andrew, who blogs about all things food at Cook In/Dine Out, is serving up his latest “Dallas Drinks” cocktail recipe: The Emma, a fiery concoction inspired by Emma Bell’s what-will-she-do-next wild child. Make yourself one today; just don’t consume it with Clonazepam!

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Happy Anniversary, Darlins!

Where's the bourbon?

I’ll have a splash too

“Dallas” debuted on April 2, 1978, but there’s a second reason this day is special to me: I introduced DallasDecoder.com exactly one year ago.

My initial goal was to use this site to get reacquainted with my all-time favorite TV show before the arrival of TNT’s continuation. I figured I’d dash off a critique a day and wrap things up within a year or so. It hasn’t quite worked out that way.

Twelve months later, I have fallen in love with the TNT series and write about it much more than the original show, although I’ll get back to the classic critiques soon enough. I’ve also been lucky enough to interview people I’ve admired all my life, including the man who started it all: “Dallas” creator David Jacobs. I still pinch myself over that one.

The best surprise remains the people who read Dallas Decoder and comment on my posts. Please know how much I appreciate your insight and thoughtfulness. More than anything else, your support makes this the best hobby I’ve ever had.

I have no idea what the future holds for “Dallas,” but if it turns out people are still talking about the Ewings and the Barneses 35 years from now, I won’t be surprised. I just hope I’ve finally gotten through my classic critiques by then!

The Dallas Decoder Interview: Rachel Sage Kunin

Rachel Sage Kunin

Rachel Sage Kunin

One of “Dallas’s” brightest stars works behind the scenes: Rachel Sage Kunin, the TNT drama’s costume designer extraordinaire. I’ve loved Kunin’s work since the series began and was excited to hear what it’s like to dress the Ewings.

Let me begin by saying this: I love your work! The cast looks gorgeous this season. Every character is stylish, but no one’s look is “over the top.” The clothes feel glamorous yet accessible. Is that your goal?

It is a conscious decision and a goal to make the clothes feel glamorous yet accessible. How great that someone can be sitting at home, enjoying the show and get inspired. Even I go into my closet and think, “What would Pamela do?” When shopping for myself I’ll go to the deep discount rack to find high-end looking pieces that Sue Ellen would wear.

I love this! Some of the Ewings’ clothes come from the discount rack. Who knew?

I also love going into secondhand shops in search for something special. I want the audience to be encouraged to do the same and know that it is possible. You don’t have to invest a million dollars to look like a million dollars.

How does the wardrobe process work? Do you receive a script and then try to decide what garments and accessories will work best for each scene?

Every costume choice I make is based on the needs of the script. I get my direction from the mood of each scene, what the characters are doing and how they relate to the story. Often times, I’ll buy a piece for a character not knowing where it might fit in. I’ll wait and wait just hoping the right moment comes along.

Dallas Decoder Interview - Rachel Sage Kunin 2How much collaboration is there between you and the cast? Do the actors help you choose their character’s clothes?

I love collaborating with the cast. My motto is that they are the ones that have to be, feel, embody the character on camera and I am part of the process to help them do that. Everything I bring into the fitting room I feel has potential to work. From there, I like to play dress up and find the character with the actor. We discuss what looks and feels right. Ultimately, it is my responsibility to make sure the costume serves the story and the actors are on board with that goal in mind.

What’s it been like to dress iconic characters like Bobby and Sue Ellen? When choosing their styles, were you influenced by the way they dressed on the old show?

I have had many “pinch me is this real?” moments dressing the original cast. It helps a great deal having the huge amount of backstory known about each of their characters. The way they dressed does inform me how they would dress now, 20 years later. We all had so much fun figuring that out.

What are your memories of working with Larry Hagman? What was it like to dress J.R. Ewing?

The first time I met Larry was an enchanting experience that I will never forget. I had no idea he was a lifelong admirer of costume. I brought in a rack of clothes that we started to try on. The first few fit well and looked great but we both knew they didn’t exude that special J.R. swagger. When he put on the tweed jacket with its suede western front yoke we got excited. He was so enthused he threw on his cowboy hat, looked in the mirror with that unique sparkle in his eyes and said, “Now… this is J.R.!” We knew we had found an important J.R. look.

I can picture that. What a great experience for you.

Every time I was with Larry was just as special and interesting as the time before. He was always so generous telling stories, showing me around his amazing collection of family pictures, always willing to share the highlights of his life.

Dallas Decoder Interview - Rachel Sage Kunin 4Who is your favorite character to dress – and why?

I genuinely enjoy dressing all of the characters for various reasons. They all give me a different creative outlet. Christopher is great for his modern but classic all-American aesthetic. I love putting together looks for John Ross because we can get away with taking some fashion risks. Elena is fun because she goes from rugged to elegant with such ease. I’m enjoying Pamela Rebecca’s transition, going from soft color and styles to being more sophisticated and sleek. Sue Ellen’s statement looks are always very exciting to produce. I could go on and on about each and every character, whether they have had one line in the show or pages and pages.

If you could raid the closet of one “Dallas” character, whose would it be? Whose clothes would you most like to wear yourself?

If I could raid one of their closets it would have to be Elena. She has the most range with lots of comfortable pieces and this season we have been building up her chic work looks. Head-to-toe, there is not a piece in her entire wardrobe that I would not wear.

I would imagine you get to see the actors when they’re not in costume, so give me some “Dallas” dish: Whose personal style is most unlike their character?

I would have to say that Patrick [Duffy] and Linda [Gray]’s styles are most unlike their characters. Patrick is more modern in his real life. He doesn’t wear Wranglers and is less conservative than Bobby. He has a light pink and white stripe shirt that I absolutely love on him but Bobby could never pull it off. Sue Ellen generally gilds the lily a bit more than Linda would.

You mentioned those “pinch me is this real” moments. Were you a fan of the original “Dallas”? Do you have a favorite look from one of the classic characters?

I am a big fan of the original series. Looking back on the show as an adult and more importantly as a research tool, I have been inspired by some of Sue Ellen’s black and white moments. I subtly incorporated that into a couple of her looks this season.

Dallas Decoder Interview - Rachel Sage Kunin 3Yes, I’ve noticed that! That’s a nice treat for longtime fans – and by the way, Sue Ellen looks amazing this season.

Thank you. Linda and I knew that we wanted to elevate Sue Ellen’s style this year. We have such a great time working together! We’ll email ideas back and forth before a fitting, throwing ideas around about our thoughts on the changes she has coming up. Or we’ll grab lunch together and chat about it. Then, we get in the fitting room and Sue Ellen appears. She is always so thankful for what I bring to the table and I am grateful to now be able to call Linda a friend.

Tell me about HSN’s new HSN’s new “Dallas” boutique. People are going to be “dressing like ‘Dallas.’” That’s such a huge compliment to you!

Being involved with the “Dallas” and HSN partnership has been wonderful. Yes, what a huge compliment that people want to dress like “Dallas.” The idea that people have a direct go-to place to shop for the “Dallas” flare is brilliant. It really has been the cherry on top of an already amazing experience.

Share your comments below and read more interviews from Dallas Decoder.

Drill Bits: ‘Dallas’ Holds Steady in the Ratings

Bobby Ewing, Dallas, Guilt and Innocence, John Ross Ewing, Josh Henderson, Patrick Duffy, TNT

Steady fellas

“Dallas’s” March 25 telecast, “Guilt and Innocence,” was seen by 2.6 million viewers, including roughly 890,000 adults between ages 18 and 49, a demographic that advertisers pay top dollar to reach.

The numbers are down slightly from the March 18 telecast, “Ewings Unite!,” which scored 2.7 million viewers, including 1 million people between 18 and 49. Like all new “Dallas” episodes, “Ewings Unite!” received a healthy boost from people who record shows digitally and watch them later. By the end of last week, DVR users had boosted the “Ewings Unite!” audience to 3.5 million.

What does all this mean for “Dallas’s” future? It’s hard to say, but consider this: Steve Koonin, president of Turner Entertainment Networks, recently told the Atlanta Journal-Constitution that the show’s numbers are in line with what TNT promised advertisers.

Koonin, who says he’s “incredibly proud” of the show, knew the risk of bringing it back in the winter after its successful run last summer, the Journal-Constitution reported. He also told the newspaper he’s a longtime “Dallas” fan who recalled taping the show on a new-fangled VCR in 1983 so he could take his future wife on a date.

New Album from Landers

Audrey Landers, Dallas, Dallas Feels Like Home

Afton sings!

Here’s something I’m delighted to write: Audrey Landers, fresh off her sensational guest spot in “Guilt and Innocence,” has dropped a new album full of the songs she wrote and performed on the original “Dallas”!

The album, “Dallas Feels Like Home,” is available from iTunes and includes favorites like “Steal Me Away” and “Let Me Down Gently.” Five of the album’s songs comprise my latest “Dal-List,” which honors Afton Cooper’s greatest hits.

Paging Dr. Gordon

In case you missed it: “Dallas” plans to bring back Dr. David Gordon, TV Guide reported this week. “Dallas” diehards know Gordon, the plastic surgeon who treated Margaret Michaels’ version of Pam, was seen in “Carousel,” the 12th season premiere. He was played by Josef Rainer, who previously portrayed Mr. Barton, one of Sue Ellen’s lingerie industry associates, as well as Sam Culver in “Dallas: The Early Years.”

J.R. Ewing: TV’s Top Villain

Speaking of TV Guide: The magazine ranked J.R. as television’s top villain in last week’s issue. He beat “The Simpsons’” Mr. Burns, “The Fugitive’s” one-armed man and Al Swearengen, the anti-hero of “Deadwood,” portrayed by “Dallas” alum Ian McShane. TV Guide also ranked J.R. and Sue Ellen as one of TV’s all-time best couples.

And while we’re on the subject of Larry Hagman: In a new documentary about the Starck Club, a famed real-life Dallas nightclub, the actor recalled how he unintentionally scuttled a planned drug bust. The Dallas Morning News has the story.

Bottoms up

Product placement alert: TNT has struck a deal with MillerCoors to incorporate the beer company’s beverages into the cable channel’s programming, Variety reports. So grab your Microsoft Surface, pop open a Miller Lite and do your part to support “Dallas.”

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Drill Bits: After J.R.’s Funeral, ‘Dallas’s’ Ratings Dip

Ann Ewing, Bobby Ewing, Brenda Strong, Dallas, Ewings Unite!, Patrick Duffy, TNT

Back to normal

“Dallas” lost almost all of the extra viewers it picked up during J.R. Ewing’s funeral last week.

“J.R.’s Masterpiece,” the sendoff for Larry Hagman’s iconic character, was seen by 3.6 million viewers on March 11. It was the TNT drama’s most-watched telecast this year, beating the show’s second-season average by about 1 million viewers.

The latest telecast, “Ewings Unite!,” scored 2.7 million viewers on March 18. This audience included more than 1 million viewers between ages 18 and 49, a demographic that advertisers pay a premium to reach.

A ratings decline was expected. Television series often get a boost from “milestone” episodes, and the death of J.R. – whom Hagman began portraying in 1978 – fit the bill.

Meanwhile, the audience for “J.R.’s Masterpiece” continues to grow. Within a few days of the episode’s March 11 telecast, DVR users had pushed its audience to 4.6 million viewers, a 26 percent increase from the previous week’s episode. When DVR users are counted, “J.R.’s Masterpiece” averaged 1.8 million adults between ages 25 and 54, an audience that TNT targets, and 1.5 million adults between 18 and 49.

TNT has not announced whether it plans to renew “Dallas” for a third season. The cable channel renewed the show for a second season two days after the third telecast.

Austin to Dallas

I haven’t seen next week’s episode of “Dallas,” but I’m calling it now: The highlight will be Lee Majors’ guest appearance as Ken Richards, one of Sue Ellen’s old flames. (Well, that and the return of Audrey Landers as Afton Cooper.)

As regular readers of Dallas Decoder know, “The Six Million Dollar Man” was my other favorite show growing up, so you can imagine how excited I am to have Col. Steve Austin visit “Dallas.” You can also imagine how thrilled I was to interview Majors a few weeks ago. If you haven’t already checked out our chat, please do so.

Derby II

Dallas Divas Derby, a March Madness-style brackets competition that pits the women of “Dallas” against each other, is back for more fun. The most recent round ended earlier this week with victories for Elena Ramos (Jordana Brewster), who beat Jenna Wade (Priscilla Presley) in a matchup between “The Outsiders,” and Pamela Rebecca Barnes (Julie Gonzalo), who defeated Serena Wald (Stephanie Blackmore) in a showdown between “The Setup Queens.” Voting in the next round will end Monday, March 25.

Drinking Drew

If you’re a fan of Kuno Becker’s performance as Drew Ramos, be sure to check out The Drew, the latest addition to Cook In/Dine Out’s “Dallas Drinks” collection. Like Mr. Becker, this drink is hot stuff!

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

The Dallas Decoder Interview: Lee Majors

Lee Majors

Lee Majors (Photo by Dana Patrick)

Lee Majors is coming to “Dallas”! Majors, the iconic star of “The Six Million Dollar Man” and “The Fall Guy,” will begin a multi-episode guest stint on the TNT drama on Monday, March 25. (DVR alert: Majors will also appear on Fox’s “Raising Hope” later that week.) I was honored to speak to him recently about what it’s like to tangle with the Ewings.

Let me begin by telling you I that had two childhood obsessions growing up: The first was “Dallas,” but the second was “The Six Million Dollar Man.”

Oh, you put me in second place?

Well, actually, you came first because your show came first. So I spent a lot of my childhood running around the backyard in slow motion making the bionic sound effect.

As long as you didn’t jump off a barn or something and break anything.

No, never tried that.

I’ve heard that story before.

Oh, I’m sure you have. So tell me: How did you get the role on the new show?

I think Larry [Hagman] did it.

The Man

The Man

No kidding. How did that happen?

Well, Larry and I were friends for many, many years. We lived a couple of doors down from each other in Malibu. We used to see each other all the time on the weekends when we were both trying to recover from our week of work. And when TNT picked up “Dallas” for a second season, I was surprised because he gave me a call and said, “Lee, guess what? They picked us up and for 15 [episodes]!” He was like a little kid. He said, “You’ve got to do one.”

Oh, wow.

So I said, well, if it happens, it happens. I didn’t hear from him for awhile because we weren’t neighbors anymore, but he did text me about a month before he passed away and said, “I’m working on it.”

Wait, J.R. Ewing sent Steve Austin a text?

Yeah. All it said was, “I’m working on it.” I assumed he meant the show. So while I was at Larry’s memorial, I ran into Michael Robin, the exec producer, and he said, “Yeah, Larry mentioned you.” And I said, “That was sweet of him.” And that was about it, and then a month later, my agent got a call about availability. So I kind of point to the sky and say, “Thank you, Larry. Thank you, J.R.”

What kind of neighbor was Larry Hagman?

Larry was out there. All fun and games. You never knew what he was going to do next. He didn’t talk on Sundays because he once did a play and lost his voice. The doctor said, “Well, just don’t talk on Sunday.” So he did that, but he kept it up for years. He’d have a party at his place on the beach, but he wouldn’t talk. He would serve you champagne with a wink or write things down on a chalkboard or something. [Laughs] But he was just a great guy. Everybody loved Larry.

And you mentioned his memorial service. You went to the one at Southfork, right?

Yeah. That was the first time I’d been out there. I didn’t get to see much of the ranch, but it was wonderful. It was just happy. It was the way he wanted it. They had big screens up with all of his past endeavors. It was just all very cool.

Well, what can you tell us about your character on “Dallas”?

I can tell you a little. His name is Ken Richards and he had a past relationship with Sue Ellen. We were probably lovers or had an affection for each other. And then she calls me out of the blue for a meeting, and she needs a little help in a manner that I can’t discuss. [Laughs]

This sounds like so much fun. All I’ll say is you better be nice to Sue Ellen.

I’m very nice.

Oh, good!

If I want to survive I have to be. [Laughs]

Well, on this show, being bad is sometimes the way to get ahead.

Yeah, I know. I tuned into some back shows. I’ve been trying to keep up with who’s doing who and what for. That Josh [Henderson], he’s in and out of the bed every minute. And I was shocked when Brenda Strong’s character shot Harris. [Laughs] I saw her on the set yesterday and I said, “Are you still in jail? What’s happening?” And she says, “I don’t know! I’m trying to get bail.” I said, “You can’t get bail. You’ve been convicted already!”

The show seems very top-secret.

Well, they leave every show with a cliffhanger, so if you talk about the next episode, you get in trouble. They’re very tight-lipped. They gave a script to me and it’s got my name blazed across every page so that if they see one somewhere, they’ll know where it came from. You’re supposed to shred them.

Have you gotten to know the other cast members?

Some of the younger ones I haven’t worked with. I did do a scene with Jesse [Metcalfe] yesterday. There was a little scuffle is all I can say. [Laughs] I’ve known Patrick [Duffy] for a long time. Of course, Linda [Gray] and I hadn’t met, but when we did our first scene there was a chemistry there, which was good. And she was very happy with it and they seem to be very happy with me and the character so we’ll see what happens.

You know you’re not the first bionic secret agent to have a fling with Linda Gray.

I hope the first wasn’t Lindsay Wagner! [Laughs]

[Laughs] I was referring to Monte Markham, who was Sue Ellen’s college sweetheart and a bionic bad guy on your show.

I remember that, yeah.

And Martha Scott played your mom on “The Six Million Dollar Man” and Sue Ellen’s mom on “Dallas.”

You’re decoding everything here.

Sorry, I can’t help myself.

Do you know, though, that Lindsay Wagner is Linda Gray’s niece?

No kidding?

Yeah. My agent, who represented Lindsay for awhile, told me that when I went to do the first episode. And actually, she brought it up too. So there’s a tidbit that’s unique.

It’s very “Dallas”! Everyone is related to everyone else. Speaking of which: Were you a fan of the original show?

Yeah, but it was on during the ’80s when I was busy doing “The Fall Guy.” And of course, I’d see Larry on the weekends but we never talked business. We never talked about our shows. We just wanted to forget it for the weekend. When you’re working all that week, I never got to watch his show and he probably never watched mine.

It would’ve been great if you two could’ve done “Dallas” together. Do you feel his presence on the set?

Yeah. They still have his trailer with his name on the door and his name is still on the call sheet every day. You can certainly feel it. And I do because I thank him every day for the job.

So I’ve got to ask: Would you want to see “The Six Million Dollar Man” come back with the original cast, the way “Dallas” has?

No. [Laughs] Unless I could play Oscar Goldman.

You don’t want to be Steve again?

No. I would like to sit in an office and point my finger and talk on the phone: “Now, Steve, I want you to go here….”

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Drill Bits: Who Watched J.R.? Funeral Episode Boosts ‘Dallas’

Ann Ewing, Bobby Ewing, Brenda Strong, Carmen Ramos, Christopher Ewing, Dallas, Elena Ramos, Emma Bell, Emma Ryland, Jesse Metcalfe, Jordana Brewster, J.R.'s Masterpiece, Linda Gray, Marlene Forte, Patrick Duffy, Sue Ellen Ewing, TNT

Fit for a king

J.R. Ewing’s funeral attracted 3.6 million viewers on March 11, giving “Dallas” its biggest audience of the season. Viewership soared 38 percent above the season average and included 1.1 million adults between ages 18 and 49, a demographic that advertisers pay top dollar to reach.

“Are these numbers spectacular? No. But are they promising? Yes, because this could be close to 5 million viewers [once DVR users are counted],” said Marc Berman, editor in chief of TV Media Insights, a top industry news site.

Last week, 2.8 million viewers watched the “Dallas” episode “The Furious and the Fast” during its Monday telecast on TNT, but over the next three days, DVR users pushed the audience to 3.6 million.

Increasingly, television executives take DVR numbers into consideration when deciding a show’s fate. Berman, a “Dallas” fan, said he’s “hopeful” TNT will give the show a third season.

The new “Dallas” debuted to an impressive 6.9 million viewers last June and went on to average 4.2 million viewers on Wednesday nights during its summertime run. In January, TNT brought the show back for its second season in a tougher Monday slot, where “Dallas” averaged 2.6 million viewers through March 4.

Oh, and in case you’re wondering: Viewers in 20.5 million homes watched Bobby’s funeral on the original “Dallas” in 1985. It was the week’s seventh most-watched show, while the resolution of “Dynasty’s” Moldavian massacre (spoiler: they all survived) ranked third.

Who Killed J.R.?

Besides giving “Dallas” a ratings boost, “J.R.’s Masterpiece” also kicked off the new “Who Killed J.R.?” mystery, which is expected to dominate the remainder of the second season. If you haven’t already done so, check out my list of eight possible suspects. Who do you think killed J.R.?

Latest ‘Dallas’ Dirt

If Larry Hagman hadn’t died, “Dallas’s” second season would’ve ended with a triumphant J.R. taking over Ewing Energies, executive producers Cynthia Cidre and Michael M. Robin tell Entertainment Weekly’s Mandi Bierly in an interview that’s chock-full of good tidbits.

The “Dallas” duo also explain how they created the scene where J.R. is shot, as well as the special title sequence that opened “J.R.’s Masterpiece.”

Meanwhile, TV Guide’s William Keck has a preview of Audrey Landers’ appearance in “Dallas’s” March 25 episode. Be warned: The piece ends with a cryptic hint about Pamela’s storyline.

Honoring J.R.

The tributes to J.R. came furious and fast this week. One of my favorites was written by New York magazine’s Matt Zoller Seitz, whose piece ends with a lovely description of Patrick Duffy’s final scene in “J.R.’s Masterpiece.” I also appreciated Hank Steuver’s smart review in the Washington Post, as well as the fun list of J.R.’s 15 best moments from Bierly and her Entertainment Weekly colleague Karen Valby.

‘Dallas’ Among TV’s Best Shows

Speaking of TV critics: Did you know “Dallas” has one of the highest scores on Metacritic, the site that aggregates entertainment reviews? “Dallas’s” score is 82, which places it 10th on the list of the best TV shows that started within the past six months. Some context: “Homeland” and “Enlightened” are tied for first with a score of 96, while “Downton Abbey” – which, let’s face it, is just “Dallas” with British accents – scores an 83.

Now, How About Some Fun?

If you’re like me, you feel emotionally exhausted after witnessing the funeral of “Dallas’s” hero. So cheer yourself up by watching the fun-filled panel discussion that the show’s cast recorded March 10 in Los Angeles. Trust me: You haven’t laughed until you’ve seen Josh Henderson and Jesse Metcalfe read John Ross and Christopher’s dialogue from 1980s “Dallas” scripts.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Drill Bits: ‘Dallas’ Adds More Viewers in Week 6

Ann Ewing, Bobby Ewing, Brenda Strong, Dallas, Elena Ramos, Gary Ewing, Jordana Brewster, Patrick Duffy, Ted Shackelford, TNT

Ewing watch

TNT scored 2.8 million viewers with its most recent “Dallas” episode, “The Furious and the Fast.” The audience for the March 4 telecast included about 890,000 viewers between ages 18 and 49, the demographic that advertisers pay top dollar to reach.

This is the fourth week in a row that “Dallas’s” audience has grown. It’s also the closest the show has come to matching the 2.9 million viewers that its two-hour second-season premiere attracted on January 28.

“Dallas” continues to get a boost from DVR users too. The previous episode, “Blame Game,” drew almost 2.6 million viewers on February 25, but by the middle of last week, DVR users had pushed the audience to 3.4 million. The haul included 1.2 million viewers between the ages of 18 and 49, a 10 percent increase from the previous DVR-fueled audience, and 1.5 million viewers between ages 25 and 54, a 15 percent increase.

TNT’s next “Dallas” episode, the star-studded “J.R.’s Masterpiece,” will be telecast Monday, March 11. The show’s competition will be mixed: CBS’s popular sitcoms “2 Broke Girls” and “Mike & Molly” are slated to be in reruns that night, while ABC’s “The Bachelor” will offer its season finale. Fox’s “The Following” and NBC’s “The Biggest Loser” will have fresh episodes too.

Larry Hagman Day

Speaking of J.R.’s masterpiece: Mike Rawlings, the real-life mayor of Dallas, has declared March 11 as Larry Hagman Day. Sounds good to me, although every day tends to be Larry Hagman Day in my world.

A Matter of Principal

In cast you missed it: Victoria Principal has dismissed the idea of playing Pam Ewing again. In a statement last week to Deadline, a Hollywood news site, Principal said she wishes to leave Bobby and Pam’s tragic love story “undisturbed and intact.” She added: “I made this decision a long time ago with a loving and respectful heart for ‘Dallas,’ Bobby & Pam and all faithful fans.”

What, No Prune Juice?

The latest addition to my husband Andrew’s “Dallas Drinks” collection: The Judith, a cocktail he created to honor Judith Light’s indomitable character, Judith Brown Ryland. The recipe calls for bitters and a tart lemon twist. How appropriate!

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.