The Best & Worst of Dallas: Season 7

“Dallas’s” seventh season clocks in at 30 hours, making it the show’s longest season yet. Does quantity equal quality?

Performances

Cliff Barnes, Dallas, Ken Kercheval

Winning loser

If Cliff Barnes were played by anyone other than Ken Kercheval, we’d probably hate him. Cliff is foolish, petty, self-centered — yet throughout the seventh season, Kercheval brings a startling amount of vulnerability to the role. Cliff doesn’t want to beat J.R. as much as he wants to be J.R. — and who can blame him for that? The more I watch Kercheval, the more I appreciate his ability to balance Cliff’s bombast with pathos and humanity. What a great actor.

Storylines

Is there anything more satisfying than seeing J.R. climb back to the top? When the season begins, his marriage to Sue Ellen is on the rocks, Bobby and Pam’s pending divorce is no longer a sure thing and Cliff is stealing big deals out from under him. By the end of the year, J.R. has everyone right where he wants them: Sue Ellen is back in his bedroom, Bobby is poised to marry Jenna and Cliff’s life is ruined. Once again, we’re reminded of a fundamental truth: “Dallas” is at its best when J.R. is at his worst.

Best storyline runners-up: Ray’s trial for euthanizing Mickey, a plot twist that dared to inject some topicality into “Dallas’s” narrative mix, and Miss Ellie’s struggle to tell Clayton about her mastectomy, another sensitively handled subplot that’s still ahead of its time. The season’s most disappointing stories: No, not Sue Ellen and Peter’s affair, which at least had the whole fortysomething-woman-gets-in-touch-with-her-sexuality thing going for it. Instead, the last-and-least prize goes to Bobby and Jenna’s “love story,” as dreary a romance as “Dallas” has ever offered.

Episodes

Dallas, Linda Gray, Sue Ellen Ewing

Bag that nag, honey

“The Road Back” delivers the most exciting episode opening in “Dallas” history. Southfork is ablaze when Bobby roars into the driveway in his convertible, leaps into the pool and races into the house to rescue the Ewings. This episode also gives us the classic scene where Pam admonishes Sue Ellen for sipping champagne and Sue Ellen purrs, “Pam, don’t be a nag.” What “Dallas” fan hasn’t dreamed of saying that to Victoria Principal’s character?

Scenes

I’ve written before about how much I love the scene where J.R. visits Pam and warns her to not call off her divorce from Bobby. The score, the staging, the performances — this is a highlight of the series, not just the season. Best scene runners-up: Bobby’s shocking shooting, Bobby and Pam’s breakup in Thanksgiving Square, Pam slapping Katherine, J.R. accusing Sue Ellen of treating him like a “stud service,” J.R. confronting Sly about her spying and any time Larry Hagman shared a screen with Kercheval.

Worst scene: Lady Jessica picks up a knife in the Southfork kitchen and wonders whether she should chop Miss Ellie’s vegetables or Mama herself. Who thought turning “Dallas” into a horror movie was a good idea?

Supporting Players

Dallas, John Beck, Mark Graison

Good. Bye.

John Beck shines in “Love Stories,” the episode where Mark Graison learns he’s dying and quietly slips out of Pam’s life. This is the most interesting thing Mark ever did; too bad for the underappreciated Beck it came during the character’s farewell. At the other end of the spectrum: Alexis Smith. Yes, she brought admirable gusto to her role as Lady Jessica, but if I wanted to see someone named Alexis camp it up, “Dallas” isn’t the show I’d watch.

Behind the Scenes

And now let us pause to honor Bradford May, whose brilliant cinematography transformed the seventh season into “Dallas’s” most gorgeous year ever. Under his lighting, Southfork was exquisite, Ewing Oil finally looked like a real executive suite and the Oil Baron’s Club radiated class and sophistication. “The May way” elevated the storytelling this season, making it easier to overlook flaws in other aspects of the production. He departed “Dallas” before the season concluded — one of the great blunders on a show that had more than a few — but his contribution to this franchise will never be forgotten.

The year’s other backstage VIP: Jerrold Immel, whose seventh-season version of the “Dallas” theme music remains my favorite. Every time I watch the titles and hear Immel’s synthesized riff (it occurs right when the split-screen sequence starts), I can’t help but smile.

Costumes

Christopher Atkins, Dallas, Peter Richards

Little boy, blue

I usually don’t complain about good-looking dudes showing skin, but Peter’s Speedo is the worst costume in “Dallas” history. Every time he pranced around in that thing, we were reminded how Christopher Atkins — an otherwise fine actor — was too boyish to play Peter, who is supposed to be so studly, Sue Ellen can’t resist him. (Sue Ellen swooning over Mickey in his jean cutoffs? That I’d believe.) Best accessory: Katherine’s hats, of course.

Quips

Was this J.R.’s quippiest season yet? I can’t think of another year where he delivered so many classic gems. To Pam: “I don’t give a damn about you or your happiness, honey. But I do care about what’s good for me.” To Katherine: “Loving always makes me thirsty.” To Edgar: “Once you give up integrity, the rest is a piece of cake.” My favorite, though, is this one, which he delivered to Vaughn: “J.R. Ewing doesn’t get ulcers. He gives ’em.” That one should have hung on a sign above his office door, don’t you think?

What do you love and loathe about “Dallas’s” seventh season? Share your comments below and read more “Best & Worst” reviews.

Poll: Who is ‘Dallas’s’ Greatest Couple?

Barbara Bel Geddes, Bobby Ewing, Dallas, Jock Ewing, Jim Davis, John Ross Ewing, Josh Henderson, J.R. Ewing, Linda Gray, Pam Ewing, Sue Ellen Ewing, Victoria Principal

“Dallas” has given us many classic romantic pairings. Vote for your favorite or share other options in the comments section below.

 

Share your comments below and vote in Dallas Decoder’s other polls.

Dallas Desserts: Valentine’s Day Edition II

Ann Ewing, Bobby Ewing, Brenda Strong, Christopher Ewing, Dallas, Elena Ramos, Jesse Metcalfe, John Ross Ewing, Jordana Brewster, Josh Henderson, Julie Gonzalo, Larry Hagman, Linda Gray, Patrick Duffy, Pamela Rebecca Barnes Ewing, Sue Ellen Ewing, TNT

“Dallas,” this one’s for you.

For this year’s “Dallas Desserts” Valentine’s Day treat, Cook In / Dine Out whipped up a special version of tres leches cake. The recipe calls for three kinds of milk, making it an ideal choice to honor “Dallas’s” three-season run. The cake also happens to be sinfully delicious, just like the show.

So fire up your DVD player, pop in a “Dallas” disc and spend your Valentine’s Day reliving the series with your sweetheart and a slice of this cake. Be warned, though: Once you taste the cake, you probably won’t want to share it — one more reason this dessert is fit for a Ewing.

Dallas Desserts - Valentine's Day Edition II 2 copy

You’ll Swoon Over Tonight’s #DallasChat

Dallas, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing

Blue hearts

Dallas Decoder’s next #DallasChat on Twitter will be Monday, February 9, from 9 to 10 p.m. Eastern time.

To mark Valentine’s Day, our theme will be “Isn’t it Romantic?” We’ll discuss “Dallas’s” best couples — and the worst.

Here’s how #DallasChat works: During each hour-long discussion, I tweet 10 questions from my Twitter handle, @DallasDecoder. Fans respond to the questions and comment on each other’s answers, making each chat a fun group conversation.

Here’s a sample exchange:

Q1. Did J.R. and Sue Ellen truly love each other? #DallasChat

A1. Yes, of course. Like she once said, their relationship was sometimes “sick, sick, sick,” but their love was true. #DallasChat

Here are three tips:

• Each #DallasChat question is numbered (Q1, Q2, etc.), so your responses should include the corresponding number (A1, A2, etc.).

• Include the hashtag #DallasChat in your tweets.

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

You’ll love tonight’s discussion. Don’t miss it!

Got suggestions for #DallasChat questions? Leave them in the comments section below.

Dallas Parallels: Turning Tables

Carter McKay, Dallas, Fran Kranz, George Kennedy, Hunter McKay, TNT

Who says you can’t beat a Ewing?

As the original “Dallas” neared its end, two Westar board members invited J.R. to become the company’s new chairman. J.R. found the offer too good to refuse, so he sold his share of Ewing Oil to Cliff Barnes and accepted the offer to join Westar — only to have the rug pulled out from under him by Carter McKay. In “The Decline and Fall of the Ewing Empire,” J.R. discovered the Westar job was a ruse; Carter’s minions had dangled the offer in front of J.R. long enough for him to sell Ewing Oil, and then Carter snatched Westar away, leaving J.R. with nothing.

History repeated itself, sort of, as TNT’s “Dallas” sequel series drew to a close. Carter’s grandson Hunter encouraged J.R.’s son John Ross to take Ewing Global public, making shares of the company available to outside investors. In “Victims of Love,” Hunter, with help from partner-in-crime Nicolas Trevino, purchased all of Ewing Global’s shares during the company’s initial public offering — seizing control of John Ross’s company in a single swoop. Once again, a McKay had beaten a Ewing.

The parallels between these storylines aren’t perfect. Carter merely tricked J.R. into giving up Ewing Oil, while Hunter took over Ewing Global. Nevertheless, there are similarities between the scenes where J.R. and John Ross each realize the tables have been turned against them. Both sequences feature surprise reunions — J.R. and Dusty Farlow (!) in “The Decline and Fall of the Ewing Empire,” Christopher and Hunter in “Victims of Love” — and J.R. and John Ross use similar language. J.R. to Carter: “You son of a bitch. You set me up.” John Ross to Hunter: “You and Nicolas were setting me up.” There are also important differences: cool-as-a-cucumber J.R. keeps a stiff upper lip after Carter’s victory, while hot-headed John Ross attacks Hunter.

It took a while, but J.R. eventually clawed his way back to power. Will John Ross do the same? More importantly, how long will we have to wait to see it?

 

‘You Son of a Bitch. You Set Me Up.’

Dallas, Decline and Fall of the Ewing Empire, J.R. Ewing, Larry Hagman

Like son

In “The Decline and Fall of the Ewing Empire,” a 14th-season “Dallas” episode, J.R. (Larry Hagman) is sitting at his office desk when Rose (Jeri Gaile) enters the room.

ROSE: Mind if I come in?

J.R.: What do you want?

ROSE: Thought maybe there was an office you wanted me to bug. [Looking around] Oh, this is nice. This is very nice. Oh, yes. I especially like your desk. [She sits on it and strokes the lamp.] It’s so … big. Use it much?

J.R.: How the hell did you get in here?

Carter (George Kennedy) enters.

CARTER: Your assistant seems to have vacated her post. Hello, J.R. Rose is right. It’s a very nice office.

J.R.: I thought you left Dallas for good.

CARTER: Only to find Rose. [Puts his arm around her] We decided to come back here for a while. Just to see how things were doing. [Sits in a chair]

J.R.: You heard, huh?

CARTER: Heard what?

J.R.: That I’m going to be the new chairman of the board of Westar. You come here to stop me?

CARTER: I did receive a few phone calls about it. Frankly, J.R., I think you’d make a terrible chairman of the board. [J.R. smiles.] I do have some affection for Westar. I’d hate to see you destroy it.

J.R.: Well, that’s too bad. Because I now have the voting rights. [Rose smiles coyly.]

CARTER: Oh, that’s right. Clayton gave them to you, didn’t he? They carry a lot of weight.

J.R.: [Chuckles] That’s an understatement.

CARTER: Maybe, but maybe the voting rights aren’t enough. Don’t you have to have the shares to go with them?

J.R.: Oh, don’t you worry about that. [Stands, moves from behind the desk] I’ll get ’em. In time, I’ll get them.

Dusty (Jared Martin) enters.

DUSTY: I wouldn’t be too sure of that, J.R.

CARTER: You do remember Dusty Farlow, don’t you?

J.R.: Like I remember athlete’s foot. Well, I don’t know what rock you had to turn over to find him, but those voting rights are legally mine.

DUSTY: You haven’t changed, have you? You’re still plottin’ and schemin’ and one-uppin’ everyone you can.

J.R.: [Chuckles] Well, some people are easier to one-up than others — as I’m sure you remember.

DUSTY: Oh, I remember J.R. Except this time, I don’t think your little schemes are going to work.

J.R.: You going to try to stop me?

DUSTY: I already have. You see, those shares were more trouble than they were worth. I was happy to sell them to Mac.

J.R.: [To Carter] You son of a bitch. You set me up.

CARTER: True, and I didn’t think it would be that easy. I’m the majority stockholder now, J.R., and tomorrow, I’m putting my own man in. And you can kiss your dreams of becoming chairman goodbye. [Rose blows him a kiss, and then she and Carter exit.]

DUSTY: So long, J.R. Give my regards to Sue Ellen. Oh, that’s right. I forgot. She dumped you. [He smiles and leaves.]

 

‘You and Nicholas Were Setting Me Up’

Dallas, John Ross, Josh Henderson, Victims of Love, TNT

Like father

In “Victims of Love,” a third-season “Dallas” episode, Hunter (Fran Kranz) is in his apartment when he answers a knock at the door, revealing John Ross and Christopher (Josh Henderson, Jesse Metcalfe)

HUNTER: John Ross, Christopher. What’s up guys?

CHRISTOPHER: Hunter, we were hoping to have a little chat.

HUNTER: Yeah, no problem, of course. Come on in. Come on. [The cousins follow him into the apartment, where he pauses a video game and picks up a beer bottle.] All right. Man, Christopher. It’s been a minute, huh? [Laughs] Last time I saw you must’ve been … high school. [He takes a potato chip from a bowl and eats it.]

JOHN ROSS: And last time you saw me, you and Nicholas were setting me up so that you could steal our company.

HUNTER: Whoa, guys, I-I-I don’t want there to be any hard feelings. It was all just business.

CHRISTOPHER: Except what you did was illegal. You see, we know the money you used came from the Mendez-Ochoa cartel.

HUNTER: I don’t know what you’re talking about. [Sips his beer]

JOHN ROSS: I think you do.

CHRISTOPHER: And we’re filing a suit with the SEC, and when we do, you’re going to find yourself in jail.

HUNTER: [Sets down his beer] Guys, let’s just be honest. If you already had proof of where that money came from, you wouldn’t be standing in my apartment. [Chuckles] I think I win.

CHRISTOPHER: [To John Ross] Let’s go. [They turn and head for the door.]

HUNTER: You know, John Ross, Nicolas wasn’t so sure you’d take the bait. But then I told him how J.R. fell for a similar move when my grandfather tricked him into giving up Ewing Oil. That’s sort of poetic justice, right? You losing your company the same way your daddy did?

John Ross lunges for Hunter and grabs him by his sweatshirt.

CHRISTOPHER: John Ross!

JOHN ROSS: We’re going to find out where that money came from, McKay, and when we do, you’re finished!

CHRISTOPHER: [Pulls John Ross away] Let’s go! Come on.

What do you think of the Ewings’ losses to the McKays? Share your comments below and read more “Dallas Parallels.”

Dallas Scene of the Day: ‘You Needed Slapping Down, Cliff’

Dallas, End Game, J.R. Ewing, Larry Hagman

Slap master

In “End Game,” “Dallas’s” seventh-season finale, Cliff (Ken Kercheval) pours a drink in his office for Vaughn (Dennis Patrick), who sits in front of the desk.

CLIFF: Vaughn, now look, we’re two civilized human beings. [Hands him the drink] We’ve made money before and we’ll make money again. I’m just asking you for a little bit more time. [Walks behind his desk]

VAUGHN: No. The interest payment must be collected on its due date. Now you read the papers. It was very specific.

CLIFF: I’m just asking you to bend the rules a little bit. There’s oil in that tract and we’re gonna hit, and we’ll all be rich. [Turns his back, looks out the window]

VAUGHN: If you don’t strike oil by midnight tomorrow night, the bank is foreclosing. And all of the assets of Barnes-Wentworth will belong to the bank.

J.R. (Larry Hagman) enters.

J.R.: Well, Vaughn, not all the assets. If I remember correctly, our deal calls for me to get control of Gold Canyon 340.

CLIFF: What are you doing here?

J.R.: Oh, I just thought you might want to see the face of your other friendly banker.

CLIFF: No, no, no. I got my money from Vaughn.

J.R.: You got your money from both of us. And tomorrow night, we’re going to turn off the faucet, and all your cash flow is just going to dry right up.

CLIFF: You set me up?

J.R.: From the very beginning. But I didn’t do it alone. In addition to Vaughn Leland here, I had a great assist from your massive ego and unbelievable stupidity.

CLIFF: I had those tracts checked. There’s oil in there.

J.R.: Well, sure there is. Millions of dollars’ worth. Oh, it was a fair setup. As a matter of fact, it was the fairest setup I’ve ever had the pleasure of engineering. I couldn’t lose — because I knew you were just too dumb to find that oil.

CLIFF: Why? Huh? Why did you do that?

J.R.: Because you needed slapping down, Cliff. You’d been stealing deals right out from underneath my nose. And after all these years, you know better than to butt heads with me. But I got all that property back. I got Kesey and Murphy, and tomorrow night, I’ll own Gold Canyon 340. You needed a lesson, you see. And the only way I could get the message through that thick skull of yours was to have you bankrupt your mama’s company while I just sat back and watched you. You’re out of my life for good.

CLIFF: [Softly] No, uh-uh. No, I’m not finished yet.

J.R.: Sure you are. Tomorrow morning, the janitor’s going to come in here and sweep you out with the rest of the trash. Unless, of course, you do the honorable thing, get in the elevator, go up to the roof and jump off, huh? [Chuckles] Oh, come on, Vaughn. I’ll buy you a drink. [Turns and leaves, followed by Vaughn]

Critique: ‘Dallas’ Episode 161 — ‘End Game’

Bobby Ewing, Dallas, End Game, Patrick Duffy

Best shot

The “End Game” cliffhanger is still powerful, especially when you watch the entire episode. In scene after scene, we’re led to believe everyone is gunning for J.R., just like they were four years earlier. The momentum builds until the final moments, when an unseen figure steps off the Ewing Oil elevator, enters J.R.’s office and fires three shots into the back of his chair. The feeling of shock that once accompanied the sight of Bobby slumping to the floor has long since faded, but it’s been replaced with something more satisfying — an appreciation for how much care the producers put into crafting “Dallas’s” grandest fake-out.

It’s also worth revisiting “End Game” to be reminded of how many iconic moments it contains. Two showcase Larry Hagman at his gleeful best. In one, J.R. cracks wise when Katherine glares at him after storming out of Bobby’s office (“You know, she has a nasty temper”). Later, J.R. shows up at Barnes-Wentworth and reveals he engineered Cliff’s spectacular offshore drilling implosion. Hagman delivers a string of classic one-liners, including “You needed slapping down, Cliff” and “Tomorrow morning, the janitor’s going to come in here and sweep you out with the rest of the trash. Unless, of course, you do the honorable thing, get in the elevator, go up to the roof and jump off, huh?” (Bless Ken Kercheval, who manages to make the audience feel sorry for Cliff, even as we bask in J.R.’s triumph.)

Hagman’s other great scene displays J.R.’s darker side. He sits with Sue Ellen and Peter at the Oil Baron’s Club and calmly reveals he arranged Peter’s arrest on drug charges after finding out about Sue Ellen’s affair with the young man. When J.R. offers to keep Peter out of jail if Sue Ellen resumes her wifely duties, Peter drops his “Mr. and Mrs. Ewing” act and exclaims, “Don’t do it, Sue Ellen!” J.R.’s response — “So now it’s ‘Sue Ellen’? — reminds us that for once, he’s the spouse who’s been deceived. It’s also striking how Hagman and Linda Gray never take their eyes off each other in this scene. Make no mistake: This is a showdown between J.R. and Sue Ellen; Peter is nothing more than a pawn to them.

“End Game” also offers a mercifully speedy resolution to the Miss Ellie kidnapping subplot, although I’ll never understand why the producers didn’t leave Jessica on the lam through the end of the season. She would have made a fine suspect in the “who shot Bobby?” mystery, no? Also, after everything Jessica put Ellie and Clayton through, it would have been nice to finally see the couple’s long-delayed wedding, but maybe the shot of J.R. and Bobby preparing to walk Ellie down the aisle is all we need. Just think: This is Ellie’s last appearance until Donna Reed takes over the role, so if Barbara Bel Geddes hadn’t eventually returned to “Dallas,” this would have been our farewell to the beloved actress.

“End Game” does mark the final appearances of Christopher Atkins as Peter and Barry Corbin as Sheriff Washburn. The episode also boasts its share of oddities, including the reflection of a crewmember in a glass panel in the Ewing Oil reception area (you’ll spot him at 47-minute, 32-second mark), and a somewhat unusual scene in which Pam tells little Christopher about the mess she’s made of her life. “You don’t understand any of this, do you?” she asks. Gazing up at her, he whispers, “No.” My friend at Hill Place Blog is convinced Eric Farlow ad-libbed this line; the child is so caught up in Victoria Principal’s performance, he speaks from the heart. It’s a sweetly honest moment on a show that could have used more of them this season.

The episode’s other unexpected moment comes a little earlier, when Sue Ellen and Pam are having a heart-to-heart in the Southfork living room. Seeing how depressed her friend is, Sue Ellen offers to take Pam to a movie to cheer her up but says she wants to go upstairs and change first. In the next scene, Sue Ellen returns to the living room dressed to the nines — she’s ditched her perfectly acceptable sweater and slacks for a runway-ready flowing dress, complete with a turban. It’s one of the most epic costume changes in “Dallas” history, and it leaves me wondering: What’s a bigger tragedy in “End Game” — Bobby’s shooting or the notion that Sue Ellen would wear such a gorgeous outfit to a dark theater where no one could see it?

Grade: A

_______________________________________________________________________________________________________________________________________________

Dallas, End Game, Linda Gray, Sue Ellen Ewing

Turban legend

‘END GAME’

Season 7, Episode 30

Airdate: May 18, 1984

Audience: 21.8 million homes, ranking 1st in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Leonard Katzman

Synopsis: Miss Ellie is rescued and returns to Southfork, where she marries Clayton while Jessica is put in a sanitarium. Pam takes Christopher and leaves town after finding out about Bobby and Jenna’s engagement. Bobby once again rejects Katherine. J.R. reveals he set up Cliff, who goes on a bender and misses the news that his offshore oil wells finally came in. J.R. also reveals he set up Peter, forcing Sue Ellen to return to their bedroom in exchange for keeping her ex-lover from going to jail. An unseen assailant enters Ewing Oil and fires three shots into J.R.’s chair, where Bobby is seated.

Cast: Mary Armstrong (Louise), Christopher Atkins (Peter Richards), Barbara Bel Geddes (Miss Ellie Ewing), Patrick Duffy (Bobby Ewing), Morgan Brittany (Katherine Wentworth), Billy Green Bush (Deputy Rockwell), Roseanna Christiansen (Teresa), Pat Colbért (Dora Mae), Barry Corbin (Sheriff Fenton Washburn), Eric Farlow (Christopher Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Shalane McCall (Charlie Wade), Bill Morey (Leo Wakefield), Dennis Patrick (Vaughn Leland), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Sherril Lynn Rettino (Jackie Dugan), Gene Ross (Bull Dawson), Danone Simpson (Kendall), Alexis Smith (Lady Jessica Montfort), Don Starr (Jordan Lee), Charlene Tilton (Lucy Ewing), Deborah Tranelli (Phyllis), John Zarema (Dr. Harlan Danvers)

“End Game” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Poll: Who is ‘Dallas’s’ Best Recurring Character?

Akai Draco, Barry Corbin, Bum, Dallas, Don Starr, Fern Fitzgerald, George O. Petrie, Harry McSween, Harv Smithfield, James Brown, Jordan Lee, Kevin Page, Marilee Stone, Morgan Woodward, Punk Anderson, Sheriff Derrick, Sheriff Fenton Washburn, Steve Bum Jones, TNT

Both “Dallas” series had characters who appeared regularly, although not in every episode. Vote for your favorite, or share other options in the comments section below.

 

Share your comments below and vote in Dallas Decoder’s other polls.

Pop Up for Tonight’s #DallasChat

Dallas, J.R. Ewing, Larry Hagman

Anyone see a shadow?

Dallas Decoder’s next #DallasChat on Twitter will be Monday, February 2, from 9 to 10 p.m. Eastern time.

Our theme: “Groundhog Day.” In the spirit of the Bill Murray movie, we’ll discuss “Dallas’s” repeating patterns, recurring themes and reappearing characters.

Here’s how #DallasChat works: During each hour-long discussion, I tweet 10 questions from my Twitter handle, @DallasDecoder. Fans respond to the questions and comment on each other’s answers, making each chat a fun group conversation.

Here’s a sample exchange:

Q1. Did J.R. learn any lessons? #DallasChat

A1. He often made the same mistakes over and over, but toward the end, he finally seemed to break his worst habits. #DallasChat

Here are three tips:

• Each #DallasChat question is numbered (Q1, Q2, etc.), so your responses should include the corresponding number (A1, A2, etc.).

• Include the hashtag #DallasChat in your tweets.

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

I look forward to hearing from you tonight!

Got suggestions for #DallasChat questions? Leave them in the comments section below.

The Dallas Decoder Quiz: Third-Season Trivialities

Answers, please

No cheating!

Now that you’ve watched “Dallas: The Complete Third Season” on DVD, this quiz should be a piece of cake. The correct answers appear at the end.

1. What was the first line of dialogue spoken during the first third-season scene?

a) “Well, we did it.”

b) “How do I look?”

c) “John Ross!”

2. What was John Ross’s title at Ewing Global?

a) Chief Executive Officer and President

b) Chief Executive Officer

c) President

3. How did John Ross try to bribe Nurse Harlan?

a) He offered to pay her three weeks’ salary

b) He offered to pay her four weeks’ salary

c) He offered to set her up with Bum

Pay attention

Pay pal

4. How did Ann know Sue Ellen wasn’t paying attention to the wedding preparations?

a) Because Sue Ellen agreed to sit next to Afton

b) Because Ann caught Sue Ellen nipping from her flask

c) Because Ann caught Sue Ellen checking out Bum’s bum

5. Match the government employee in Column A with the person who blackmailed them in Column B.

Column A

I) Governor McConaughey

II) Judge Blackwell

III) Agent Tatangelo

Column B

a) John Ross

b) Sue Ellen

c) Harris

6. Who reported on the Ewing Global IPO?

a) Jason Matheson

b) Wolf Blitzer

c) Roy Ralston

7. According to Heather, “D.T.R.” stands for what?

a) Define the relationship

b) Down the road

c) Dirt track racing

State of play

State of play

8. What did Bobby and Cal play in college?

a) Football

b) Rugby

c) Jacks

9. Match the doctors in Column A with the patients they treated in Column B.

Column A

I) Dr. Bosnar

II) Dr. Englert

III) Dr. Sussman

Column B

a) Pamela

b) Sue Ellen

c) Bo

10. What was Elena and Drew’s father’s name?

a) Agustin

b) Enrique

c) Raoul

11. What’s Bo’s brother’s name?

a) Coy

b) Vance

c) Reece

Speak no evil

Speak no evil

12. Each of these memorable quotes is missing a word. Fill in the blank and state who delivered the line.

a) “The most despicable thing (blank) ever did was you.”

b) “How very (blank) of you.”

c) “This is why politicians should never accept gifts — especially gifts with (blank)’s name on them.”

13. Ann suggested the Ewings could pay their ranch hands with what?

a) Carmen’s empanadas

b) Emma’s cookies

c) Bitcoin

14. Which character from the second season returned for the third?

a) Alison Jones

b) Denny Boyd

c) Peter Bedford

15. What was the final line of dialogue spoken during the final third-season scene?

a) “I’m worse.”

b) “Christopher!”

c) “Thank you, Daddy.”

Answers: 1) a. 2) c. 3) a. 4) a. 5) I. b., II. a., III. c. 6) b. 7) a. 8) a. 9) I. c., II. b., III. a. 10) b. 11) c. 12) a. J.R., Sue Ellen; b. J.R., Cliff; c. J.R., Governor McConaughey 13) a. 14) b. 15) c.

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