Dallas Scene of the Day: ‘J.R. Ewing Doesn’t Get Ulcers’

Dallas, J.R. Ewing, Larry Hagman, Strange Alliance

Guts and glory

In “Strange Alliance,” a seventh-season “Dallas” episode, J.R. (Larry Hagman) is sitting with his boots propped up on his office desk, eating pizza, when Vaughn (Dennis Patrick) enters.

VAUGHN: J.R.

J.R.: [Chewing] Picked up some pizza. You want some?

VAUGHN: Oh, no thanks. I think my ulcer’s been acting up lately. [Sits]

J.R.: Oh, hell, that’s a shame. But I guess a high-pressure job like you’ve got, ulcers aren’t so unusual, are they?

VAUGHN: No. Don’t you ever have trouble with your stomach, J.R.?

J.R.: [Chewing] Only when there’s too much of it. I once did business with a man who said, “J.R. Ewing doesn’t get ulcers. He gives ’em.” [Chuckles] Well, now, have you heard from Cliff Barnes lately?

VAUGHN: Not for a while.

J.R.: Well, you will soon. My sources tell me that he’s drilled down two miles already and you know he hasn’t hit a thing. And he’s starting to complain about how much food his crews eat. So I figure he’s just about out of his own money right now.

VAUGHN: I thought it wouldn’t take too long. I heard he paid premium time and a bonus to get that exploration rig out there in a hurry.

J.R.: [Sips a glass of beer] Mm-hmm. Yeah, I expect he’s going to be knocking on your door, wanting to tap in on that next hundred million.

VAUGHN: Do I give him some?

J.R.: Sure. We don’t want to pull the plug on him yet, do we? [Snickers]

VAUGHN: How much?

J.R.: Well, not as much as he’s going to ask for, which I figure is going to be around 30 million or so. No, you persuade him to take 20 million, providing of course he has acceptable collateral.

VAUGHN: [Opens his suitcase, retrieves a piece of paper] Well, he’s already put up Barnes-Wentworth. Now, these holdings are the rest of his collateral. [Hands the paper to J.R., who studies it]

J.R.: Well, these are kind of shaky holdings, aren’t they? Well, you just tell him that acceptable collateral is everything on this list — except for the two on the bottom. [Hands the paper back to Vaughn, who looks at it]

VAUGHN: Muprhy land and the Kesey field. Why these two?

J.R.: [Serious] Well, that’s personal, Vaughn. [A beat] Oh, well, he swiped those properties right from underneath my nose. And if he wants money bad enough, he just might sell for 25 cents on the dollar.

VAUGHN: [Smiling] No, he’d never sell them to you, no matter how much he needed the money.

J.R.: [Snickers] No. Not if he knows I’m the buyer. But he won’t. Just like he won’t know that I’m going to take over his precious Gold Canyon 340. And then it’ll all be over. And it’ll all be mine. And the Barnes family — Cliff and that little sister of his — will be just be bad memories. [Chuckles]

Critique: ‘Dallas’ Episode 156 — ‘Strange Alliance’

Alexis Smith, Dallas, J.R. Ewing, Lady Jessica Montfort, Larry Hagman, Strange Alliance

Shall we dance?

“Dallas” is at its best when J.R. is at his worst. In “Strange Alliance,” our hero schemes against virtually everyone: Sue Ellen, whom he wants to punish for cheating on him; Bobby, whom he wants to keep from reconciling with Pam; and Cliff, whom he wants to teach a lesson for having the nerve to turn Sly into a spy against him. J.R. also begins laying the groundwork for a conspiracy with Southfork’s newest houseguest: the mysterious Lady Jessica Montfort, who wants to stop her brother Clayton’s impending marriage to Miss Ellie as much as J.R. does. Poor Mama; even she isn’t safe from J.R.’s dastardly ways.

Larry Hagman’s scenes with Alexis Smith, which bookend “Strange Alliance,” are fun for several reasons, including the fact the audience has more information than their characters. Neither J.R. nor Jessica want the Ewing/Farlow nuptials to occur, but since the duo are still getting to know each other, they’re forced to speak in polite code as they figure out the other’s true feelings. When J.R. finally gets around to suggesting Jessica believes the match isn’t “made in heaven,” she responds, “Really? What a strange idea. I’m sure I feel about it the same as you do.” To add to the sense of playfulness, Leonard Katzman’s script also makes the banter flirty, with J.R. observing that Jessica is more “attractive” and “younger” than he expected. It’s almost the flip side of Sue Ellen’s May/December relationship with Peter.

The J.R. and Jessica scenes are also entertaining because Hagman and Smith have a nice rapport, and it’s worth noting that Jessica seems much more down to earth in “Strange Alliance” than she did during her dramatic arrival in the previous episode. I suspect this has a lot to do with Hagman, who directed “Strange Alliance” and knows how to find the subtleties in larger-than-life characters. Of course, as much as I enjoy J.R. and Jessica’s delicate dance, this episode’s real highlight is Hagman’s scene with Dennis Patrick, when Vaughn arrives at Ewing Oil on a weekend to meet with J.R., who sits with his boots propped up on his desk, munching pizza and drinking beer. J.R. offers him a slice but Vaughn demurs, questioning J.R.’s gastrointestinal fortitude. Our hero puts Vaughn’s concern to rest thusly: “J.R. Ewing doesn’t get ulcers. He gives ’em.” I’m convinced the only reason Katzman set up the scene this way is so Hagman could deliver that line, which he does with pure joy.

Other “Strange Alliance” highlights include J.R. and Sue Ellen’s bickering over breakfast, when he tells her to butt out of Lucy’s love life: “It seems to me you might spend a little more time planning that party for Jessica than worrying about your bubble-headed niece.” I also like when Bobby congratulates Pam and Mark on their engagement — it’s always nice to see these characters behave like grown-ups — as well as the scene where Dr. Jerry Kenderson dines with Katherine, Pam and Mark. This is another example of the audience having more information than a character — in this case, we know Mark is dying and Pam and Katherine don’t want Jerry to tell him — and so when Mark asks Jerry why he’s been so eager to speak to him, Hagman heightens the tension by cutting to the worried expressions on Pam and Katherine’s faces. (And even though I believe Pam is wrong to withhold Mark’s diagnosis from him, am I the only one who feels relieved when Jerry bites his tongue and doesn’t tell Mark the truth?)

“Strange Alliance” also marks Denny Miller’s first appearance as Max Flowers, Cliff’s foreman at Gold Canyon 340. Coincidentally, Miller is included in another Dallas Decoder post today: my end-of-year list of the “Dallas” actors who died during the past 12 months. (Miller died in September at age 80.) There’s nothing especially remarkable about the actor’s debut, which is the point. His job is to make us believe Max is the kind of guy you might find working on an oil rig. He succeeds. It’s easy to take performances like this for granted, but we should never forget how much these small parts contributed to “Dallas’s” big, big success.

Grade: A

_______________________________________________________________________________________________________________________________________________

Dallas, Denny Miller, Max Flowers, Strange Alliance

Flowers’ power

‘STRANGE ALLIANCE’

Season 7, Episode 25

Airdate: March 23, 1984

Audience: 21.8 million homes, ranking 1st in the weekly ratings

Writer: Leonard Katzman

Director: Larry Hagman

Synopsis: As J.R. and Jessica feel out each other, she upsets Clayton by mentioning the house fire that killed his first wife. Pam persuades Dr. Kenderson to withhold Mark’s diagnosis from him and continues to plan their engagement. Bobby tells Jenna he needs time to get used to the idea Pam is moving on. After J.R. and Vaughn scheme to drive Cliff deeper into debt, the Gold Canyon 340 foreman, Max Flowers, persuades Cliff to add a second rig to the drilling site.

Cast: Christopher Atkins (Peter Richards), John Beck (Mark Graison), Barbara Bel Geddes (Miss Ellie Ewing), Morgan Brittany (Katherine Wentworth), James L. Brown (Detective Harry McSween), Roseanna Christiansen (Teresa), Pat Colbért (Dora Mae), Patrick Duffy (Bobby Ewing), Eric Farlow (Christopher Ewing), Annie Gagen (Annie), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Barry Jenner (Dr. Jerry Kenderson), Omri Katz (John Ross Ewing), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Shalane McCall (Charlie Wade), Denny Miller (Max Flowers), Dennis Patrick (Vaughn Leland), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Debbie Rennard (Sly), Alexis Smith (Lady Jessica Montfort), Charlene Tilton (Lucy Ewing)

“Strange Alliance” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

‘Dallas’ 2014: Remembering Those We Lost

Dallas, Denny Miller, Ed Nelson, Michael Filerman, Russell Johnson

Several people who contributed to “Dallas” died during the past 12 months. Here’s a list of those we lost, along with notable deaths that occurred among the show’s extended family. Click on each person’s name to learn more about his or her career at IMDb.com.

 

James Avery

James Avery

James Avery

December 31, 2013 (age 68)

Avery, who is best known as Uncle Phil on “The Fresh Prince of Bel-Air,” played Fowler, the judge who allowed Bobby to keep Christopher in the 11th–season episode “Malice in Dallas.”

 

 

Jerry Biggs

Jerry Biggs

Jerry Biggs

Died March 30 (age 63)

Biggs appeared in bit parts in three episodes between 1982 and 1986, including playing a customer who flirted with Lucy at the Hot Biscuit in the eighth-season episode “Family.”

 

 

Lew Brown

Lew Brown

Lew Brown

Died July 27 (age 89)

Brown played Clarence, a Ewing Oil employee, in the seventh-season episode “My Brother’s Keeper.” He returned for two 10th-season episodes as Harrigan, a newspaperman who exposed J.R.’s connection to B.D. Calhoun.

 

 

Robert Cawley

Robert Cawley

Robert Cawley

Died June 23 (age 85)

Cawley played an instructor at the ice-skating rink where Bobby and Christopher met Lisa Alden in “Tough Love,” an 11th-season episode. He also played an oil field worker in the 1998 “Dallas” reunion movie, “War of the Ewings.”

 

 

Vince Davis

Vince Davis

Vince Davis

Died May 23 (age 59)

Davis played one of Sue Ellen’s business advisors in the 10th-season episode “Once and Future King” and a waiter who served J.R. and Wilson and Kimberly Cryder in “Hustling,” an 11th-season entry.

 

 

Michael Filerman

Michael Filerman

Michael Filerman

Died January 25 (age 75)

Filerman, “Dallas’s” executive program supervisor in 1978, later served as executive producer of “Knots Landing,” “Falcon Crest,” “Flamingo Road,” “Sisters” and other prime-time serials.

 

 

Med Flory

Med Flory

Med Flory

Died March 12 (age 87)

In the third-season episode “The Lost Child,” Flory played private eye Cal McBride, who J.R. hired to follow Sue Ellen when she began secretly seeing Dr. Elby. Other credits include “Lassie” and “Daniel Boone.”

 

 

Stefan Gierasch

Stefan Gierasch

Stefan Gierasch

Died September 6 (age 88)

Gierasch played Ben Masters, the storekeeper who helped Tom Owens seek revenge against Jock in the third-season classic “The Dove Hunt.” Other credits include a 1992 episode of “Knots Landing.”

 

 

Michael A. Hoey

Michael A. Hoey

Michael A. Hoey

Died August 17 (age 79)

Hoey directed “Missing,” a ninth-season episode, along with multiple episodes of “Falcon Crest” and “Fame.” He later produced several Primetime Creative Arts Emmy broadcasts.

 

 

Russell Johnson

Russell Johnson

Russell Johnson

Died January 16 (age 89)

Johnson, the Professor on “Gilligan’s Island,” played Sheriff Wyatt Mansfield in the ninth-season episode “Twenty-Four Hours.” Other credits include “Vanished,” a 1971 TV movie with Larry Hagman, Jim Davis and Denny Miller.

 

 

Dennis Lipscomb

Dennis Lipscomb

Dennis Lipscomb

Died July 30 (age 72)

Lipscomb played Nelson Harding, an IRS agent who helped J.R. pressure the Ewings to declare Jock dead, in the sixth-season episode “Billion Dollar Question.” His later credits include episodes of “ER” and “The X-Files.”

 

 

Ann Marcus

Ann Marcus

Ann Marcus

Died December 3 (age 93)

Marcus, a writer on “Peyton Place,” helped revitalize “Knots Landing” during its next-to-last season and co-wrote “Knots Landing: Back to the Cul-de-Sac” with “Dallas” scribe Lisa Seidman.

 

 

Frank Marth

Frank Marth

Frank Marth

Died January 12 (age 91)

Marth played Dr. Sidney Grovner, Lucy’s physician, in “Billion Dollar Question.” He also played doctors on “Starsky & Hutch,” “The Six Million Dollar Man” and “Aloha Means Goodbye,” a 1974 TV movie.

 

 

Denny Miller

Denny Miller

Denny Miller

Died September 9 (age 80)

Miller, a star of “Wagon Train,” played Max Flowers, Cliff’s foreman at Gold Canyon 340, in four episodes during the seventh season. Miller and Hagman also did episodes of “The Rockford Files” and “Barnaby Jones” together.

 

 

Ed Nelson

Ed Nelson

Ed Nelson

Died August 9 (age 85)

“Peyton Place” star Nelson originated the role of Jeb Amos in the second-season classic “Bypass.” Nelson and “Dallas” producer Leonard Katzman also worked together on a 1955 film, “New Orleans Uncensored.”

 

 

Byron Weiss

Byron Weiss

Byron Weiss

Died March 14 (age 51)

Weiss performed stunts for “War of the Ewings” and two TNT episodes, “Blame Game” and “Guilt By Association.” He also worked on Jesse Metcalfe’s 2010 series, “Chase,” and the Katzman-produced “Walker, Texas Ranger.”

 

 

What do you remember about these artists? Share your memories below and read last year’s tributes.

Season’s Greetings, ‘Dallas’ Fans

Dallas, Jesse Metcalfe, Jordana Brewster, Josh Henderson, Julie Gonzalo

Still standing

The only thing I enjoy more than watching “Dallas” is writing about it, so I want to take a moment to thank everyone who read Dallas Decoder in 2014. Please know much I appreciate your support, feedback and enthusiasm.

This is the first December in a while that we don’t have new “Dallas” episodes to look forward to, but I hope none of us will allow that to dampen our holiday spirit. That’s why this post is accompanied by an image from the cast’s 2012 Christmas-gone-awry Funny or Die video. Patrick Duffy, Josh Henderson and the rest may look a little beat up here, but they’re still standing — and by golly, so are their fans.

In that spirit, I look forward to joining with you next year to continue sharing our love for “Dallas.” Thanks again, and happy holidays.

Dallas Scene of the Day: ‘You’re the Dangerous One’

Alexis Smith, Bobby Ewing, Dallas, J.R. Ewing, Lady Jessica Montford, Larry Hagman, Linda Gray, Patrick Duffy, Sue Ellen Ewing, Unexpected

Takes one to know one

In “The Unexpected,” a seventh-season “Dallas” episode, Miss Ellie (Barbara Bel Geddes), J.R. (Larry Hagman), Sue Ellen (Linda Gray), Bobby (Patrick Duffy), Ray (Steve Kanaly), Donna (Susan Howard) and Lucy (Charlene Tilton) are in the Southfork living room, awaiting Clayton and Jessica’s arrival.

J.R.: Mama, would you relax? You look like you’re going to pounce on Lady Montford when she walks through the door.

Clayton and Jessica (Howard Keel, Alexis Smith) enter.

CLAYTON: Well, if that’s what she’s going to do, now’s the time to do it.

JESSICA: Better be careful. As Clayton can tell you, folks used to say I wrastle mountain lions down in San Angelo. And there’s one thing I want to get straight from the beginning. Please don’t “Lady Montford” me to death. I answer to “Jessie.”

CLAYTON: She’s also shy, I might add.

ELLIE: Welcome to Southfork, Jessie. [Approaches, takes Jessica’s hands.]

JESSICA: Thank you, Miss Ellie. I was so anxious to see what you looked like, I asked Clayton to show me a snapshot. The man didn’t have any.

ELLIE: Well, we’ll have to fix that.

JESSICA: You sure waited a long time before you asked someone to marry you, Clayton. [Patting Ellie’s hands] But I think she was worth waiting for.

ELLIE: Thank you, Jessie.

JESSICA: [Slipping her hands out of Ellie’s] You know, I thought he was going to stay single for the rest of his life. Either that, or marry someone half his age. [J.R. chuckles]

ELLIE: Jessie, I’d you to meet my family. This is my granddaughter Lucy.

LUCY: Hi.

ELLIE: And my daughters-in-law Donna and Sue Ellen. [They smile and nod] And my three sons, J.R. and Bobby and Ray.

JESSICA: Well, I’m certainly happy to meet you. [Chuckles] Now I know I’ve been away from Texas too long. I’d forgotten how handsome they grew the men in this state.

BOBBY: Well, we thank you.

JESSICA: Now, all I want to know is, which ones are married and which ones play around, or both. [Chuckles] Oh, I’m only kidding, Sue Ellen and Donna. But I can’t remember which one belongs to which since there are three sons and only two daughters-in-law.

DONNA: Well, you’d have to fight me for the silver-haired one here.

JESSICA: No, I think I’d rather tackle another mountain lion. Sue Ellen?

SUE ELLEN: I’m married to J.R.

JESSICA: I see. Well, that leaves Bobby as the single one.

J.R.: Well, that’s only temporary. The ladies are lining up for him.

JESSICA: I’m not surprised. But on the way back from the airport, Clayton spent almost as much time talking about you, J.R., as he did about Miss Ellie. I have a feeling you’re the dangerous one.

J.R.: Well, yes, I have that reputation. But I’m kind to my family and close friends.

JESSICA: [Smiling] Then I think want to be your friend. [To Ellie] I especially want to be your friend.

ELLIE: [Smiling] I’d like that.

JESSICA: Sometimes I come on a little strong. If I do, slap me down. You know, Clayton, there was a nice young man out there struggling with my excess baggage. Did he make it?

CLAYTON: He’s here now. [Takes two shopping bags from Raoul, hands them to Jessica]

JESSICA: Well, there’s China and linen for the ladies — very British — and wool sweaters for the men. I hope I guessed the sizes right. Bobby, would you fix me a little bourbon and branch? Now where’s that special box?

CLAYTON: [Holds up a long wooden case] This one?

JESSICA: [Opens it, removes a sword] I think it’s appropriate to give this to the eldest male member of the Ewing family. It belonged to Henry’s great-grandfather. It hung over the mantel in our home. [Presents it to J.R.]

J.R.: [Hands his drink to Sue Ellen] Darlin’, would you please? Well, this is beautiful. [Takes the sword] Are you sure you want to give us a family heirloom?

JESSICA: Yes, I am. I want your family to know how important this marriage is to me.

ELLIE: Thank you, Jessica.

BOBBY: [Hands her a drink] Jessica?

JESSICA: Oh, thank you. [Raises her glass] To the Ewings … and to the Farlows.

Critique: ‘Dallas’ Episode 155 — ‘The Unexpected’

Barbara Bel Geddes, Bobby Ewing, Charlene Tilton, Dallas, J.R. Ewing, Larry Hagman, Linda Gray, Lucy Ewing, Miss Ellie Ewing, Patrick Duffy, Steve Kanaly, Sue Ellen Ewing, Susan Howard, Unexpected

Keeping it real

Lady Jessica Montford makes her memorable debut at the end of “The Unexpected,” sweeping into the Southfork living room on the arm of brother Clayton Farlow and introducing herself to her future in-laws as only she can. Jessica is brazen, asking which Ewing husbands “play around” on their wives, and a little baffling, gifting J.R. with an antique sword. The scene is like something out of a stage play, which should come as no surprise since actress Alexis Smith was a major Broadway star. At one point, with Clayton standing behind her, Jessica asks him a question without turning to face him. It’s as if Smith can’t bring herself to break the theater’s golden rule: Never turn your back on the audience.

I wish the same thing could be said about the series itself. “Dallas” always distinguished itself through the believability of its performances, but “The Unexpected” is another example of how the show cranked up the camp to compete with rival soap “Dynasty,” which was skyrocketing in the ratings at the time with over-the-top storylines and acting. Until this episode, the “Dallas” audience only had to contend with Morgan Brittany’s gentle nibbling of scenery; now we have Smith inhaling it with abandon. Consider “The Unexpected’s” final scene, when Miss Ellie walks Jessica to her guest room, tells her how happy she is to welcome her to the family and closes the door. Jessica’s smile turns to a scowl. “Family?” she says, standing in the middle of the room, alone. “Oh, I don’t think so. I wouldn’t count on you marrying brother Clayton, Miss Ellie. I wouldn’t count on it all.” I’ll admit this moment amuses me, but it also makes me cringe a little.

Let me be clear: It’s not that I dislike Smith or don’t admire the gusto she brings to her role. My point is that her broad performance feels out of place on “Dallas.” On the other hand, Jessica’s swing-for-the-fences debut in “The Unexpected” gives me new appreciation for the regular cast members — particularly the always wonderful Barbara Bel Geddes, who manages to exude warmth, sincerity and the slightest hint of skepticism in Ellie’s scenes with Jessica. Perhaps my opinion will change as I watch “Dallas’s” remaining seventh-season episodes, but in this segment at least, Smith makes Jessica feel like a character, while Bel Geddes makes Ellie feel like a person.

Other storylines in “The Unexpected” yield mixed reactions too, especially where “Dallas’s” leading ladies are concerned. It’s good to see Sue Ellen wise up — she realizes J.R. is only being nice to Peter because he’s hatching some sort of plot against him — but I wish she had the gumption to do something about it. Meanwhile, Lucy finally figures out Peter isn’t interested in her, but only after she sacrifices her self-respect by throwing herself at him. Then there’s Pam, who’s wrong to ask Mark’s doctor to not tell him he’s dying, even if I admire her selflessness in accepting his marriage proposal. (This is another step in Pam’s lamentable journey toward sainthood, but so far it hasn’t gotten too annoying.) The only heroine who doesn’t disappoint me is Afton, who gets so fed up with having to cook breakfast for distracted Cliff and demanding Vaughn, she simply walks out of the kitchen and leaves them to fend for themselves. Good for her.

The other highlights of “The Unexpected” include J.R.’s crashing of Cliff and Vaughn’s lunchtime negotiation at the Oil Baron’s Club, where J.R. slyly manipulates Cliff into signing the paperwork for Vaughn’s loophole-riddled loan. I also like the scene of J.R. and Serena in bed, where he reveals to her — and the audience — that Sue Ellen, not Peter, is the real target of his scheme. “I’ll tell you, she’s like a runaway mare with a bit between her teeth,” J.R. says. “I’ve tried everything. I’ve tried affection, patience, understanding. But she won’t pay attention to anything.” This is a great moment because I love hearing Larry Hagman’s drawl when he delivers that “runaway mare” line, but also because you get the feeling J.R. has convinced himself what he’s saying is true.

There are also two nice segues in “The Unexpected.” In the first, J.R. tells Katherine he’ll give her the tape of them having sex “when Pamela Ewing becomes Mrs. Mark Graison.” Cut to Mark and Pam at a restaurant, where he pours her a glass of champagne and says, “Mrs. Mark Graison — that has a nice ring to it.” Later, the scene that introduces Jessica ends with her raising a glass of bourbon and toasting, “To the Ewings … and to the Farlows.” Cut to another restaurant, where a jubilant Cliff toasts the newly engaged Pam and Mark. “To the Barneses and the Graisons,” Cliff says. He continues by praising “the union of these important families into the biggest, most powerful dynasty in Texas.”

Watch it, Barnes. No need for any “dynasty” talk here. Your show does fine on its own, thank you very much.

Grade: B

_______________________________________________________________________________________________________________________________________________

Alexis Smith, Clayton Farlow, Dallas, Howard Keel, Lady Jessica Montford, Unexpected

Our Alexis

‘THE UNEXPECTED’

Season 7, Episode 24

Airdate: March 16, 1984

Audience: 20.6 million homes, ranking 2nd in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Nick Havinga

Synopsis: After Pam asks Dr. Kenderson to not tell Mark he’s dying, she accepts Mark’s marriage proposal, hurting Bobby. J.R. manipulates Cliff into accepting Vaughn’s loan, even though the terms put Barnes-Wentworth at risk. Sue Ellen grows suspicious of J.R.’s friendliness toward Peter. Clayton’s sister Jessica Montford arrives and privately vows to prevent his marriage to Miss Ellie.

Cast: Christopher Atkins (Peter Richards), John Beck (Mark Graison), Barbara Bel Geddes (Miss Ellie Ewing), Stephanie Blackmore (Serena Wald), Morgan Brittany (Katherine Wentworth), Roseanna Christiansen (Teresa), Pat Colbért (Dora Mae), Robert Donavan (Metcalf), Patrick Duffy (Bobby Ewing), Eric Farlow (Christopher Ewing), Wendy Fulton (Jan Higgins), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Sherril Lynn Katzman (Jackie Dugan), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Bill Morey (Leo Wakefield), Dennis Patrick (Vaughn Leland), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Alexis Smith (Lady Jessica Montford), Charlene Tilton (Lucy Ewing)

“The Unexpected” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Desserts: Holiday Bakeoff III — Judith vs. Sue Ellen

Dallas, Dallas Desserts, Judith Light, Judith Ryland, Linda Gray, Sue Ellen Ewing, TNT

The holidays are here and you know what that means: It’s time for another “Dallas Desserts” bakeoff.

This year, we’re pitting Judith’s Mole Cookies against Sue Ellen’s Peanut Butter Blossoms. Both recipes come from my husband Andrew, who blogs at Cook In/Dine Out and who also created the popular “Dallas Drinks” cocktails.

Whose cookie do you prefer? And how does this year’s competition compare to our previous bakeoffs — J.R.’s Bourbon Balls vs. Cliff’s Fortune Cookies (2012) and Bobby’s Molasses Sandwiches vs. Harris’s Almond Lace Cookies (2013)?

Share your thoughts in the comments section below. Happy holidays!

Dallas Desserts - Holiday Bakeoff III - Judith vs. Sue Ellen 2 copy

Tonight, #DallasChat Celebrates the Season

Light up the night

Lights out

You’re invited to Dallas Decoder’s next #DallasChat on Twitter, which I’ll hold Monday, December 22, from 9 to 10 p.m. Eastern time.

Since this will be our second annual holiday-themed discussion, the topic will be “A Very Merry #DallasChat II.”

If you have ideas for questions, leave them in the comments section below, tweet them to me @DallasDecoder or post them to my Facebook page. I may choose one or more questions and ask them during our discussion.

Are you new to #DallasChat? Here’s how it works: For one hour, I tweet 10 questions to my fellow “Dallas” fans. Each question is numbered and includes the hashtag #DallasChat, so your responses should include the answer number and the hashtag.

Here’s a sample exchange:

Q1. What’s on your Christmas wish list this year? #DallasChat

A1. If we can’t have “Dallas” back, can we at least have some fan fic in which Christopher lives? #DallasChat

Here are two tips:

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Be sure to include #DallasChat in your tweets. This allows the other participants to see your contributions to the conversation.

This will be the final #DallasChat of the year, so I hope you won’t miss it. See you tonight!

Dallas Scene of the Day: ‘A Bird in the Hand, Honey’

Dallas, Fools Rush In, J.R. Ewing, Katherine Wentworth, Larry Hagman, Morgan Brittany

Two of a kind

In “Fools Rush In,” a seventh-season “Dallas” episode, J.R. (Larry Hagman) is seated at his office desk when Katherine (Morgan Brittany) enters the room.

KATHERINE: Hello, J.R. What’s this problem you called me about? I don’t have a lot of time.

J.R.: The one thing I never thought you were was stupid.

KATHERINE: Hey, look, I didn’t come here to be insulted.

J.R.: You’re here because of that asinine move you made with Naldo Marchetta. Of all the dumb, idiotic things I ever heard —

KATHERINE: Now, J.R., I don’t find that dumb at all. I simply isolated Bobby from Jenna, just like I isolated him from Pam.

J.R.: What you did was break him up with the one woman that could’ve gotten him out of my hair for good.

KATHERINE: [Leans forward] I’m that woman, J.R. Remember?

J.R.: A bird in the hand, honey. And Jenna was in the hand till you screwed it up.

KATHERINE: Look, I didn’t break up Bobby and Pam so he could marry Jenna Wade. I want him for myself.

J.R.: Well, you just might have blown it for all of us. For all I know, he could be out there sniffing around his ex-wife’s door right now. I don’t give a damn who Bobby ends up with as long as it’s not Pamela Barnes. [Stands, turns and looks out the window] Jenna was perfect, just perfect. Well, I guess you’ll have to do.

KATHERINE: Well, you’re certainly big on compliments, aren’t you?

J.R.: With Bobby on the loose again, the only sure way to keep him and that Barnes woman apart is to make sure she goes ahead and marries Mark Graison. [Turns to face her]

KATHERINE: Well, I have no objection to that.

J.R.: [Mocking] Oh, you have no objection to that, do you? Well, you just better keep pushing until that happens, honey!

KATHERINE: [Turns, begins to leave, then stops at the door] I’ll do my best.

J.R.: [Steps forward] Well, your best better be real good. Because if it’s not, I’m going to play Bobby that little tape I made. You remember? You and me in the sack? After he hears that, he’ll never even look at you again.

Critique: ‘Dallas’ Episode 154 — ‘Fools Rush In’

Dallas, Fools Rush In, J.R. Ewing, Larry Hagman

With a twist

One reason Larry Hagman is so damn good is because he knows what the audience wants and how to give it to us. Take “Fools Rush In’s” most entertaining scene, when J.R. chews out Katherine for inadvertently making a Bobby/Pam reconciliation possible. It’s somewhat ridiculous to see a grown man so consumed with his brother’s love life, and so Hagman plays the scene accordingly, making J.R.’s bluster more amusing than anything else. The funniest moment comes when Katherine declares she has “no objection” to Pam’s pending marriage to Mark and J.R. mockingly snaps, “Oh, you have no objection to that, do you? Well, you just better keep pushing until that happens, honey!” Who doesn’t love to see Hagman deliver a line like that?

Of course, great acting involves more than indulging the audience. When “Fools Rush In” begins, J.R. has figured out Sue Ellen has been having an affair and he responds in typical J.R. style — by being extra nice to his wife while he secretly plots revenge. After attending Punk and Mavis Anderson’s anniversary party together, J.R. escorts Sue Ellen to her room and says how much he enjoyed spending the evening with her. Sue Ellen looks positively stricken while J.R. beams — until his back is turned and we see his face drop. Is he having reservations about the trap he’s about to spring? Does he fear he might end up pushing his fragile wife too far? There’s no way to know and it doesn’t really matter. What’s important is that we catch a glimpse of J.R.’s humanity. It’s an example of Hagman giving us what we need to see.

While Hagman deserves much credit for highlighting J.R.’s complexities in “Fools Rush In,” he gets an assist from scriptwriter David Paulsen. We don’t know the details of J.R.’s scheme against Sue Ellen and her lover Peter Richards, but we know he wants to bring the couple closer. Notice how J.R. uses John Ross to achieve this goal. First, he waits until the family is gathered around the breakfast table to suggest hiring Peter to spend time with the child, knowing how excited John Ross will be when he hears his camp counselor might be visiting him at Southfork on a regular basis. How could Sue Ellen say no? Likewise, when J.R. approaches Peter with the idea, he brings along his son, essentially daring Peter to turn him down and break the boy’s heart. Who knew John Ross would turn out to be one of Daddy’s best accomplices?

I also like how Paulsen and director Michael Preece treat the return of Dennia Patrick’s duplicitous banker Vaughn Leland, who makes his first “Dallas” appearance since the fifth season. “Fools Rush In”  begins with Cliff scrambling to raise the money he owes the government until — lo and behold! — Vaughn shows up on his doorstep and offers him a loan, which Cliff desperately accepts. At the end of the episode, we see J.R. in his office, fixing drinks for himself and an unseen guest. “Well, everything seems to be moving in the right direction,” he says. Preece’s camera follows him as he carries the drink across the room to — yep, you guessed it — Vaughn, who it turns out is in cahoots with J.R. It’s a nifty twist.

Speaking of Vaughn: I was a little puzzled when Afton reacted so coolly to seeing him in this episode, until I remembered J.R. put her up to sleeping with Vaughn during her early days on “Dallas.” I’m glad the writers didn’t forget about their past, even if I almost did. Other nice touches in “Fools Rush In” include the scene where J.R. hires a detective to snoop into the past of Lucy’s newest boyfriend, Peter. J.R. explains to the private eye why he cares about his niece: “She’s the daughter of my brother Gary, who I’m particularly fond of.” Another fun moment comes when Bobby tells Sue Ellen that Jenna accused him of being stubborn. “Well, you’re not the most flexible person in the world,” Sue Ellen says.

Not everything here works. I’m disappointed we don’t actually see the Andersons’ anniversary party, which the Ewings have been anticipating for several episodes. Not even Oil Baron’s Balls and Ewing Barbecues receive this much buildup. Also, as much as I get a kick out of seeing Ken Kercheval squirm in the scenes where Cliff struggles to raise the money he owes the government, I can’t help but think the feds must have been running one hell of a racket in the 1980s. They allow Cliff to bid tens of millions of dollars more than his competitors for the offshore oil leases, and then they show up unannounced at his office, demanding payment just days after the auction ended? Who says the Reagan administration was business friendly?

But nothing stretches credibility quite like the “Fools Rush In” scene where Pam asks Mark’s physician, Jerry Kenderson, to reveal her fiancée’s mysterious medical diagnosis — and with very little prodding, Kenderson blabs all. So much for doctor-patient confidentiality rules! Then again: Since everyone on “Dallas” is ethically challenged, why should we expect the doctors to be any different?

Grade: B

_______________________________________________________________________________________________________________________________________________

Cliff Barnes, Dallas, Fools Rush In, Ken Kercheval

Foolin’ around

‘FOOLS RUSH IN’

Season 7, Episode 23

Airdate: March 9, 1984

Audience: 22.5 million homes, ranking 1st in the weekly ratings

Writer: David Paulsen

Director: Michael Preece

Synopsis: Cliff borrows money from banker Vaughn Leland to finance his offshore oil scheme, unaware that J.R. and Vaughn are in cahoots. J.R. warns Katherine to keep Bobby away from Pam, who learns Mark is dying but doesn’t know it. J.R. also springs a trap for Peter, hiring him to spend time with John Ross at Southfork. Bobby has second thoughts about breaking up with Jenna. Miss Ellie and Clayton set a wedding date.

Cast: Christopher Atkins (Peter Richards), John Beck (Mark Graison), Barbara Bel Geddes (Miss Ellie Ewing), Gerald Berns (James Kenyon), Morgan Brittany (Katherine Wentworth), Barbara Cason (Iris Porter), Roseanna Christiansen (Teresa), Robert Donavan (Metcalf), Patrick Duffy (Bobby Ewing), Eric Farlow (Christopher Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Barry Jenner (Dr. Jerry Kenderson), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Sherill Lynn Katzman (Jackie Dugan), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Shalane McCall (Charlie Wade), Dennis Patrick (Vaughn Leland), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Charlene Tilton (Lucy Ewing), Peter White (Ellis Newton)

“Fools Rush In” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.