Dallas Parallels: ‘Power’ Tips

Few moments during TNT’s first “Dallas” season made me smile as much as the scene where J.R. tells John Ross, “Real power is something you take.” This was more than a great line – it was also a tribute to one of the old show’s classic sequences.

In the fourth-season episode “Executive Wife,” Bobby storms into the Cattleman’s Club and interrupts Jock’s lunch with J.R. and a couple of their buddies. The youngest Ewing son is furious because he just discovered Jock yanked millions of dollars out of the Ewing Oil coffers without telling him, even though Bobby is supposed to be running the business while J.R. recuperates from his shooting.

“You gave me the power to run that company, and damn it, I intend to run it,” Bobby fumes.

“So I gave you power, huh?” Jock huffs. “Well, let me tell you something, boy. If I did give you power, you got nothing. Nobody gives you power. Real power is something you take!”

Flash forward three decades: In the TNT episode “The Price You Pay,” J.R. delivers the “real power” line during a clandestine meeting with John Ross at Southfork, where father and son are secretly plotting to steal the ranch from Bobby. J.R. calls it the “truest thing” his daddy ever told him. (Technically Jock told Bobby, but let’s not quibble.)

In addition to evoking Jock’s philosophy, the new scene is staged a lot like the old one. Director Michael M. Robin looks over Josh Henderson’s shoulder when he films Larry Hagman, just as Leonard Katzman shot Jim Davis while looking over Patrick Duffy’s shoulder.

But ultimately, the differences between the scenes are more revealing than the similarities. Jock delivers his “real power” line with characteristic bluntness while standing in a public space, reflecting his unapologetic, tell-it-like-it-is style. Jock was barracuda in business – and he didn’t care who knew it.

J.R. is much more cunning. He plots against his enemies behind their backs, so he shares his “real power” tip with John Ross while they are alone, shrouded in the darkness of J.R.’s bedroom. Even J.R.’s wardrobe reflects his deceptive style: He wears a cardigan sweater because he wants to give everyone the impression he’s become warm and fuzzy in old age. (Ha!)

Of course, regardless of whether the words are yelled or whispered, they still mean the same thing. Jock and J.R. are both demanding fathers who only want the best for their sons. By telling them to go out into the world and seize power for themselves, the fathers are letting the sons know they care.

It’s a tough message and it’s tough love, but it’s love nonetheless. Would the Ewings have it any other way?

 

‘Nobody Gives You Power …’

Like daddy …

In “Executive Wife,” a fourth-season “Dallas” episode, Bobby (Patrick Duffy) enters the Cattlemen’s Club and begins questioning J.R. (Larry Hagman) about Jock’s business deal, while Jock (Jim Davis) looks on.

JOCK: Now, you just hold on Bobby. J.R. don’t discuss my business with you or anybody else unless I tell him. You understand?

BOBBY: OK Daddy, then why didn’t you tell me? Didn’t you think I should know?

JOCK: I was gonna tell you tonight.

BOBBY: Tonight? I want those kind of things discussed with me before you act, not after. Your dealing behind my back is making me look like a fool.

JOCK: Now just what the hell are you talking about?

BOBBY: I called Les at the bank and asked him to transfer $12 million from the account.

JOCK: So what? We’ve got 100 times that much.

BOBBY: I’m talking liquid assets. Cash, Daddy, cash – and we don’t have that amount. And you know why? Because you took $10 million.

JOCK: [Rises from his seat, faces Bobby] You damn right I took it. It’s mine.

BOBBY: That money belongs to Ewing Oil.

JOCK: And who in the hell do you think Ewing Oil is? It’s me! Ewing Oil belongs to me and don’t you forget it, boy.

BOBBY: And you gave me Ewing Oil to run, in writing. And that makes you obliged to consult me before you do anything that concerns that company.

JOCK: Obliged? You’re telling me that I’m obliged to ask you how to spend my own money any damn way I see fit?

BOBBY: That’s right. You gave me the power to run that company, and damn it, I intend to run it.

JOCK: So I gave you power, huh? Well, let me tell you something, boy. If I did give you power, you got nothing. Nobody gives you power. Real power is something you take.

BOBBY: Well, I’m gonna remember that.

JOCK: You do that.

Bobby walks away.

 

‘… Real Power is Something You Take’

… like son

In “The Price You Pay,” TNT’s third “Dallas” episode, J.R. (Larry Hagman) shows John Ross (Josh Henderson) the leather-bound diary he uncovered in the Southfork storage barn.

J.R.: Time to get your hands dirty, son. [He hands him the diary.]

JOHN ROSS: What’s this?

J.R.: All my mama’s secrets. And you’re about to use them to get the Southfork deal moving. Your Uncle Bobby’s going to find out that you are my son, tip to tail.

JOHN ROSS: What do I have to do?

J.R.: You up for it?

JOHN ROSS: Yeah, yeah. I’m fine.

J.R.: Well, I’m going to tell you the truest thing my daddy ever told me: Nobody gives you power. Real power is something you take.

What do you think of Jock and J.R.’s philosophy on “real power?” Share your comments below and read more “Dallas Parallels.”

Dallas Scene of the Day: ‘She Was Kristin’

The survivor

The survivor

In “Dallas’s” fifth-season episode “Gone But Not Forgotten,” after the Farlow limousine parks in the Southern Cross ranch’s driveway, Sue Ellen (Linda Gray) exits and walks away, followed closely by Dusty (Jared Martin).

DUSTY: Sue Ellen?

SUE ELLEN: Kristin is dead. I knew it but it didn’t hit me until right now.

DUSTY: I know darling.

SUE ELLEN: That beautiful young girl is gone. My sister. We didn’t play together very much when we were growing up. She always made fun of my boyfriends. And then when she went to high school, she was no longer “Sue Ellen’s little sister.” She was Kristin. She had an identity. She was real smart. She could have been anything that she wanted to be.

DUSTY: What happened?

SUE ELLEN: [Pauses, faces him] Mama is what happened. Mama wanted us girls to have everything that she wanted but couldn’t get by herself. We were like little dolls, created to fulfill all the things that she wanted. She wanted wealth and position and decided that we could get it for her. Maybe that’s why Kristin turned to drugs. Because she failed to live up to the goals that Mama had created for her. Maybe that’s why I had a problem with alcohol.

DUSTY: What about your father? Didn’t he have any say in how you were brought up?

SUE ELLEN: Daddy? The only thing I remember about my daddy was the smell of liquor on his breath. He left us right after Kristin was born. And I guess it was about a year later Mama got a letter saying he was dead.

DUSTY: Well, I think I had better go to that funeral with you.

SUE ELLEN: No, John Ross and I can go to Albuquerque. I don’t think I can explain you to Mama. [Smiling] Not quite yet, anyway. [They kiss.]

DUSTY: I think you had better leave John Ross here at the ranch with me.

SUE ELLEN: No, he’ll be all right. My mama hasn’t seen him since he was a little baby anyway.

DUSTY: [Touching her face] You ready to go in now?

SUE ELLEN: Yes.

She kisses his hand and they walk toward the house.

Critique: ‘Dallas’ Episode 79 – ‘Gone But Not Forgotten’

Foiled again!

Foiled again!

At the end of “Gone But Not Forgotten,” Sue Ellen and John Ross are gliding cheerfully through a Love Field airport terminal when they’re suddenly approached by two of J.R.’s goons. While one man distracts Sue Ellen, the other snatches the child. Is this the end of our heroine’s bid for happiness?

No, because seconds later, Dusty Farlow and a trio of white-hatted cowboys swarm the thug clutching John Ross. “Give us the boy,” Dusty says, and even though he’s using crutches to stand, there’s no doubt he means business. As Sue Ellen and John Ross are reunited, J.R., who’s been watching the whole thing from a mezzanine, fumes.

Larry Hagman, Linda Gray and Jared Martin are terrific here, but the real star is Bruce Broughton, whose score lets us know exactly what we should be feeling as we watch Dusty come to Sue Ellen’s rescue. I especially love how the music swells when director Leonard Katzman zooms in on J.R. the moment his scheme is foiled.

But as much as I like this sequence, the highlight of “Gone But Not Forgotten” comes at the end of the first act, when Katzman pans his camera across John Ross’s darkened Southfork nursery and stops at the doorway. The character we expect to see standing there is Pam, who has been using the boy’s absence as the means to express her dashed dreams of having children, but instead we find J.R. looking around the room in silence.

It’s impossible to watch this scene and not be reminded of the third-season episode “Paternity Suit,” when J.R. walks into the nursery and picks up John Ross for the first time. As joyous as that moment was, this one is very sad. Once again, Broughton’s music is instructive: His piano score shifts to a few bars of the “Dallas” theme when the camera reaches J.R.

For the audience, the “Gone But Not Forgotten” nursery scene is also useful. Hagman’s sad eyes let us know John Ross isn’t just a pawn in J.R.’s war with Sue Ellen. J.R. genuinely loves the boy, and it’s hard to not feel bad for a dad who misses his son – even when that father is J.R. Ewing.

Grade: A

_______________________________________________________________________________________________________________________________________________

Her hero

Her hero

‘GONE BUT NOT FORGOTTEN’

Season 5, Episode 2

Airdate: October 16, 1981

Audience: 23.1 million homes, ranking 1st in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Leonard Katzman

Synopsis: J.R. is cleared in Kristin’s death and hires a new secretary: Sly. Dusty foils J.R.’s scheme to snatch John Ross from Sue Ellen. Pam’s preoccupation with having children worries Bobby. Afton breaks up with Cliff.

Cast: Tyler Banks (John Ross Ewing), Barbara Bel Geddes (Miss Ellie Ewing), Raleigh Bond (pathologist), James L. Brown (Harry McSween), Barry Corbin (Sherriff Fenton Washburn), Patrick Duffy (Senator Bobby Ewing), Fern Fitzgerald (Marilee Stone), Bruce French (Jerry Macon), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Sherril Lynn Katzman (Jackie), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Heather Lowe (Heather), Jared Martin (Dusty Farlow), Bill Morey (judge), Priscilla Pointer (Rebecca Wentworth), Debbie Rennard (Sly), Herbert Rudley (Howard Barker), Lane Smith (prosecutor), William Smithers (Jeremy Wendell), Victoria Principal (Pam Ewing), Charlene Tilton (Lucy Cooper), Deborah Tranelli (Phyllis), Morgan Woodward (Punk Anderson)

“Gone But Not Forgotten” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

The Dal-List: Kristin Shepard’s 13 Greatest Moments

Dallas, Kristin Shepard, Mary Crosby

Thanks for the memories, darlin’

Dallas Decoder kicks off its newest periodic feature, “The Dal-List,” with a look back at the 13 most memorable moments featuring “Dallas” vixen Kristin Shepard, played by the magnificent Mary Crosby.

Dallas, Kristin Shepard, Mary Crosby, Rudy Millington, Terry Lester

Clothes call

13. Leaving Rudy. Feeling neglected by J.R. (Larry Hagman), Kristin turned to old flame Rudy Millington (Terry Lester) – and for a moment, it looked like she was going to allow him to make an honest woman of her. Then J.R. showed up, interrupting their post coital bliss. Before this embarrassing scene was over, Kristin had chosen J.R., leaving poor Rudy with a broken heart, no job – and possibly no pants. (“Return Engagements”)

Conundrum, Dallas, Kristin Shepard, Mary Crosby

Of vice and men

12. Scamming Judge Smith. A decade after Kristin’s death, an “angel” showed J.R. what life would have been like if he had never been born, including the revelation that Kristin became a cop. J.R. watched her bust grandfatherly Judge Smith (James T. Callahan) for solicitation – but it turned out the badge was fake: Kristin was really a con artist who preyed on powerful men. Guess she was destined to be bad. (“Conundrum”)

Dallas, Don Starr, Jordan Lee, Kristin Shepard, Mary Crosby

Daddy day scare

11. Bilking Jordan. After giving birth in California, Kristin sashays back to Dallas and makes a phone call. “The baby … looks just like you,” she coos. The audience is led to believe the person on the other end of the line is J.R. – so imagine our surprise when it turns out to be rival oilman Jordan Lee (Don Starr). It seems Kristin lied to Jordan, telling him he was her child’s father – just so she could bilk him for hush money. (“Full Circle”)

Bobby Ewing, Colleen Camp, Dallas, Kristin Shepard, Sue Ellen's Sister

Buckle up, Bob

10. Charming Bobby. Kristin (Colleen Camp) paid her first visit to Southfork just as Bobby and Pam (Patrick Duffy, Victoria Principal) were hitting a rough patch – so J.R. naturally encouraged his wife’s little sister to seduce his baby brother. Kristin obliged, charming Bobby with her clever wit and tight sweaters. Then Bobby and Pam made up, leaving Kristin free to pursue the brother she wanted all along. (“Sue Ellen’s Sister”)

Dallas, Kristin Shepard, Mary Crosby, Power Play

See what develops

9. Exposing Lucy. The only person Kristin despised more than Lucy (Charlene Tilton) was J.R.’s protégé Alan Beam (Randolph Powell), so when Kristin saw Lucy and Alan canoodling at a roller disco, she did what came naturally: She reached for the nearest Polaroid and started snapping pictures. Kristin hoped exposing Lucy and Alan’s secret affair would get them in trouble. It didn’t work out that way, but it still caused lots of drama. (“Power Play”)

Dallas, Knots Landing, Krisitn Shepard, Joan Van Ark, Mary Crosby, Valene Ewing

Lap it up, Val

8. Befriending Val. After wearing out her welcome in Dallas, Kristin headed to Knots Landing, where she got busy wrecking the marriage of those nice young suburbanites, Kenny and Ginger Ward (James Houghton, Kim Lankford). Soon, Valene (Joan Van Ark) was confronting Kristin, who confessed she was pregnant and afraid for her future. It was a rare and moving glimpse into Kristin’s soul. Who knew she even had one? (“Kristin”)

Dallas, Kristin Shepard, Linda Gray, Mary Crosby, Silent Killer

Sister, sister

7. Taunting Sue Ellen. Sue Ellen (Linda Gray) was suffering major post-partum depression when Kristin started flirting with J.R. So you couldn’t blame big sis for being suspicious when Kristin popped into her bedroom one evening to see if she’d be joining the rest of the family for dinner. “Were you thinking of occupying my chair?” Sue Ellen seethed. “Somebody will if you don’t pull yourself together,” Kristin sneered. (“The Silent Killer”)

Dallas, Divorce Ewing Style, Kristin Shepard, Linda Gray, Mary Crosby, Sue Ellen Ewing

Spill life

6. Drenching Sue Ellen. Oh, look: Sue Ellen and Kristin are in a posh restaurant, toasting their renewed friendship. Nice to see them getting along, isn’t it? Whoops, klutzy Kristin just spilled her cocktail in Sue Ellen’s lap. If she’s not careful, the Ewings are going to smell the booze and begin to suspect Sue Ellen has fallen off the wagon. Wait, what’s that you say? That was Kristin’s plan all along? What a hussy! (“Divorce, Ewing Style”)

Dallas, J.R. Ewing, Kristin Shepard, Larry Hagman, Mary Crosby

If smirks could kill

5. Seducing J.R. Once J.R. hired Kristin as his new secretary, it didn’t take her long to figure out his scheme to secretly mortgage Southfork. She threatened to spill the beans to Jock and Bobby – unless J.R. slept with her. Turns out she didn’t need to ask twice. “Kristin,” J.R. said as he took her in his arms, “with your mind and your body, it just might take me a lifetime to figure you out.” Cost him his life is more like it. (“The Kristin Affair”)

Dallas, Kristin Shepard, Mary Crosby, Nightmare

Move over, Florence Nightingale

4. Mocking J.R. While recovering in the hospital from his shooting, J.R. was surprised to receive a visit from Kristin, who was still in town after his goons failed to run her off. “Don’t you worry, Kristin. When I get out of here, you’ll get yours,” J.R. warned. “I know I will,” she smirked as she looked his paralyzed body up and down. “But not from you. That’s for sure.” J.R.’s under-his-breath response after she left the room: “Bitch.” (“Nightmare”)

Cliff Barnes, Dallas, Gone But Not Forgotten, J.R. Ewing, Ken Kercheval, Kristin Shepard, Larry Hagman, Mary Crosby

Is it really that black and white?

3. Scandalizing J.R. After giving birth to the son she claimed was J.R.’s, Kristin showed up at Southfork demanding more “child support.” Next thing you know, Cliff was fishing her dead body out of the swimming pool and claiming J.R. had murdered her. Before all was said and done, J.R. was being hauled into court to prove his innocence. Even in death, Kristin was still causing him trouble. That’s our girl! (“Gone But Not Forgotten”)

Dallas, Kristin Shepard, Mary Crosby, Who Done It?, Who Shot J.R.?

She bangs

2. Shooting J.R. No one knew whodunit when J.R. was gunned down in his office. Then the weapon was discovered in his bedroom closet. The cops arrested Sue Ellen, who figured out Kristin was framing her and made little sister confess. Of course, Kristin had a get-out-of-jail card: She was pregnant with J.R.’s love child. Fed up with her drama, J.R. finally exiled Kristin to California. Too bad she didn’t stay there. (“Who Done It?”)

Dallas, Kristin Shepard, Mary Crosby

Wait ’til you see him grown up!

1. Birthing Christopher. OK, we never actually saw this on screen, but so what? After miscarrying J.R.’s baby, Kristin got pregnant by sleazy Jeff Farraday (Art Hindle), who sold their child, Christopher, to Bobby after Miss Shepard took her deadly dive into the Southfork swimming pool. So when you think about it, Kristin is responsible for giving us Jesse Metcalfe on TNT’s “Dallas.” If that’s not a crowning achievement, I don’t know what is.

What do you consider Kristin Shepard’s greatest moments? Share your choices below and read more “Dal-Lists.”

The Art of Dallas: ‘Missing Heir’

J.R. (Larry Hagman) watches Cliff (Ken Kercheval) recover the dead woman’s body from the Southfork swimming pool in this 1981 publicity shot from “Missing Heir,” “Dallas’s” fifth-season opener.

Dallas Scene of the Day: ‘Kristin is Dead’

Baby, come back

Baby, come back

In “Missing Heir,” “Dallas’s” fifth-season opener, J.R. (Larry Hagman) visits the Southern Cross ranch, where he speaks to Sue Ellen (Linda Gray) outside.

J.R.: Sue Ellen, I have some bad news. I really don’t know how to start –

SUE ELLEN: [Angry] Just start, J.R.

J.R.: Something terrible has happened. I don’t know if you heard it on the radio or not.

SUE ELLEN: Is this another one of your tasteless tricks?

J.R.: No. [He looks away, then back at Sue Ellen.] Kristin’s dead.

SUE ELLEN: What?

J.R.: They found her on Southfork last night.

SUE ELLEN: No.

J.R.: I thought you’d want to know.

SUE ELLEN: [Increduously] I don’t believe it.

J.R.: Come on, I wouldn’t lie about a thing like this.

SUE ELLEN: You are capable of lying about almost anything.

J.R.: Kristin is dead. She was found floating in the pool last night on Southfork. The sheriff was there, the TV, the media, everything. It was awful.

SUE ELLEN: What happened?

J.R.: I don’t know.

SUE ELLEN: You. You’re the one who killed her.

J.R.: Of course I didn’t kill her.

SUE ELLEN: You and I both know that you had the perfect motive.

J.R.: I didn’t tell you this to hear a bunch of accusations.

SUE ELLEN: Her baby. What about her baby?

J.R.: All we ever had was Kristin’s word that there was a baby.

SUE ELLEN: But you paid her. You sent all those checks to California every month.

J.R.: I didn’t want a scandal. Especially the way things were with mama and daddy. I figured it was better to pay her than to call her bluff.

SUE ELLEN: I don’t know, J.R. [Voice cracking] I don’t know what to believe.

J.R.: Kristin is dead. There’s nothing we can do about that. [Moves closer] Sue Ellen, come on home. We’ll put all this behind us. Start all over again. Chances are there never was a child.

SUE ELLEN: [Begins walking away, then turns around] If you think that Kristin’s child was the only reason I left you, then you are wrong. Because you’re never going to get John Ross and I’m never going back to Southfork.

J.R.: [Angry] You really want the cowboy that bad?

SUE ELLEN: I love him.

J.R.: Well, you can have him, honey. But I swear you’re not going to keep my boy.

Critique: ‘Dallas’ Episode 78 – ‘Missing Heir’

Drowned and out

Drowned and out

In “Missing Heir,” “Dallas’s” fifth-season opener, we learn the dead woman floating in the Southfork swimming pool is Kristin, who notoriously shot J.R. one year earlier. This gives Mary Crosby the distinction of being the central figure in the two most-watched cliffhangers in “Dallas” history.

But “Who’s in the Pool?” proves much less satisfying than “Who Shot J.R.?” To begin with, there’s hardly any suspense here: It took “Dallas” four episodes to reveal Kristin as J.R.’s assailant, but she’s identified as the floating corpse just 65 seconds into “Missing Heir.” And while J.R.’s shooter could have plausibly turned out to be any number of suspects, was there ever any question who would turn out to be the brunette doing the dead woman’s float? (You didn’t really think it would be Sue Ellen or Pam, did you?)

The main reason I dislike this cliffhanger’s resolution is because killing off Kristin feels so shortsighted. The character appeared on “Dallas” for three seasons, and during that time she shifted effortlessly from ugly duckling kid sister to husband-stealing hussy to homicidal ex-mistress to con artist. Her death means the show has lost its most malleable character. What a shame.

Of course, “Missing Heir” isn’t a total washout. Having Cliff acknowledge the parallels between Kristin’s death and Julie Grey’s demise is a nice touch, and by dispensing so quickly with the cliffhanger’s resolution, the show is able to get down to the business of unspooling its fifth-season plot threads (even though one of them – Pam’s renewed obsession with having a baby – is a third-season retread).

“Missing Heir” also offers several nice examples of character development, including scenes where Afton comforts a heartbroken Mitch and Lucy and Donna each turn to Bobby for advice – presaging the wise head-of-the-family role Patrick Duffy does such a fine job filling on TNT’s “Dallas.” There’s also a moving moment where J.R., in a show of genuine compassion, breaks the news of Kristin’s death to Sue Ellen.

I also appreciate “Missing Heir’s” climax, when Sherriff Washburn suggests J.R. might be arrested for Kristin’s murder. I’m sure the “Dallas” producers don’t expect us to believe J.R. really killed his sister-in-law/ex-mistress, but isn’t it comforting to know Kristin is still capable of causing him trouble, even after she’s dead and gone?

Grade: B

_______________________________________________________________________________________________________________________________________________

Presumed guilty

Presumed guilty

‘MISSING HEIR’

Season 5, Episode 1

Airdate: October 9, 1981

Audience: 26 million homes, ranking 1st in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Irving J. Moore

Synopsis: The police question J.R. after Kristin’s dead body is discovered in the Southfork swimming pool. Sue Ellen, who now lives with John Ross at the Farlows’ Southern Cross ranch, rejects J.R.’s plea to come home. Pam’s mood swings worry Bobby. Donna frets over Ray’s burgeoning business career. Lucy tells Mitch their marriage is over.

Cast: Barbara Babcock (Liz Craig), James L. Brown (Harry McSween), Barry Corbin (Sherriff Fenton Washburn), Mary Crosby (Kristin Shepard), Patrick Duffy (Senator Bobby Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Krebbs), Harlan Jordan (Sheriff Bull Hawkins), Steve Kanaly (Ray Krebbs), Sherril Lynn Katzman (Jackie), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Bill Lucking (Deputy Matland), Jared Martin (Dusty Farlow), Leigh McCloskey (Mitch Cooper), Priscilla Pointer (Rebecca Wentworth), Victoria Principal (Pam Ewing), Herbert Rudley (Howard Barker), Charlene Tilton (Lucy Cooper), Deborah Tranelli (Phyllis)

“Missing Heir” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Drill Bits: TNT’s ‘Dallas’ Saddles Up for Season 2

Battle Lines, Bobby Ewing, Christopher Ewing, Dallas, Elena Ramos, Jesse Metcalfe, John Ross Ewing, Jordana Brewster, Josh Henderson, J.R. Ewing, Larry Hagman, Patrick Duffy, TNT

Mark your calendars

TNT’s “Dallas” won’t return with new episodes until January 28 – that’s 113 days from today, not that I’m obsessive enough to keep track of such things – but details about the second season are beginning to emerge:

Casting. Yesterday, TV Line reported Judith Light will join the cast as “an authoritative and controlling battle-ax who will fight to the death to protect the people she loves.” Speculation is the recurring character, whose name hasn’t been announced, will be the mother of Brenda Strong’s Ann Ewing.

It seems Ann’s wing of the family tree is growing: In the summer, TNT announced plans to elevate first-season guest star Mitch Pileggi, who plays Ann’s ex-husband/punching bag Harris Ryland, to a regular cast member in Season 2. And in a recent Ultimate Dallas chat, showrunner Cynthia Cidre confirmed another new character – Emma Brown, played by “Walking Dead” actress Emma Bell – will be Ann’s daughter.

Still no word on who’ll portray Drew Ramos, Elena’s brother, who Cidre discussed in an August TV Guide interview.

Storylines. In a press release last week, TNT revealed what we’ll see during the show’s two-hour season premiere:

Sue Ellen’s run for governor will be threatened by the secret that she bribed a medical examiner to help get John Ross off the hook for murder. Ryland will come to Ann claiming to have news about her daughter. Christopher will head to Des Moines to find the real Becky Sutter, while the woman he married will start to show her true colors as Cliff Barnes’ daughter. And J.R. will team up with John Ross to take over Sue Ellen’s loan to Elena and, in turn, gain total control over Christopher and John Ross’ new startup company, Ewing Energies.

Dallas, Enemy of My Enemy, Harris Ryland, Linda Gray, Mitch Pileggi, Sue Ellen Ewing

Back for more

Elsewhere, during a red carpet interview last month, Jesse Metcalfe said the second season will offer “some unexpected deaths” (egad!), while Patrick Duffy told TV Guide the aforementioned Becky Sutter will be “jumping into bed with people.”

Meanwhile, tweets from Texas, where production on the second season began two weeks ago, suggest Christopher and Elena (Metcalfe and Jordana Brewster) will have a Southfork swimming pool scene, while John Ross (Josh Henderson) and Christopher will be spending plenty of time at the nifty new offices of Ewing Energies.

Also: the Dallas Morning News spotted Strong and Henderson filming a scene at a Dallas art gallery, where Ann “commissioned a painting for her new offices,” as well as a sequence where one of the new characters takes a helicopter ride.

Returning favorites. Dallas Decoder readers will recall Ken Kercheval recently told us he’ll appear in at least one second-season episode. There also have been reports Audrey Landers will reprise her role as Afton, the mother of Julie Gonzalo’s character, Pamela Rebecca Barnes. Cidre has also promised Linda Gray will be in all 15 second-season episodes.

Sue Ellen vs. Carrie

TNT will show “Dallas’s” second season on Monday nights at 9, where its competition will include the CW’s “The Carrie Diaries,” which is slated to take over “Gossip Girl’s” time slot in January. The “Sex and the City” prequel follows Carrie Bradshaw’s teenage years in the 1980s and stars hyphenate-phobic AnnaSophia Robb as the title character. In the Sue Ellen-vs.-Carrie showdown, our money is on Miss Texas.

‘Dallas’ on DVD

If you need a refresher on the first season of TNT’s “Dallas,” don’t worry: the DVD will go on sale beginning January 8 (that’s just 92 days from today – again, not that we’re keeping track).

Extras will include deleted scenes, audio commentary on the “Changing of the Guard” pilot, “Ewing Family Love Oak” and “Dressing Dallas” featurettes and a “Who Shot J.R.?” retrospective.

In addition, TNT will show episodes from “Dallas’s” first season during the weekend before Season 2 starts.

Cidre Speaks

In a new profile, Cidre tells the Hollywood Reporter the show that inspired her most when she was younger was “The Avengers,” while her guilty pleasure is “The People’s Court.”

The “Dallas” executive producer also reveals she doesn’t “love” writing. “It’s a language thing, it comes out backwards. I know exactly what I want to say, it’s just hard for me to find the words.”

Honey, we know the feeling.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

The Best & Worst of Dallas: Season 4

“Dallas’s” fourth season was the show’s most-watched. Is it also the best?

Performances

Dallas, J.R. Ewing, Larry Hagman

Lows and highs

In Season 4, J.R. recovers from an assassination attempt, learns to walk again and suffers a humiliating exile from Ewing Oil. Through it all, Larry Hagman never misses a beat. The actor takes us deeper into J.R.’s psyche, revealing vulnerabilities we never dreamed the character was capable of. If you love Hagman’s complex performance on TNT’s “Dallas,” re-watch the classic show’s fourth season. This is where those seeds are planted.

Storylines

Dallas, J.R. Ewing, Larry Hagman, Leslie Stewart, Susan Flannery

Blonde ambition

“Who Shot J.R.?” turned “Dallas” into a global phenomenon, so you might expect the show to spend Season 4 playing it safe. Instead, it takes a creative risk by tackling sexism. This theme is best personified by pioneering PR whiz Leslie Stewart, but the gender wars are also seen when Miss Ellie calls out chauvinistic Jock, Lucy gets a career and Donna emerges as the top choice for a state senate seat. Who says “Dallas” isn’t progressive?

Season 4’s weakest subplot: Mr. Ewing goes to Austin. I love the idea of “Dallas” delving into politics, but Bobby’s conduct as a member of the state senate strains credibility. Shouldn’t Senator Ewing have recused himself from the legislature’s hearings into his parents’ fight over the Takapa Lake development – or its inquiry into J.R.’s foreign affairs? Where’s an ethics committee when you need one?

Episodes

Dallas, Jim Davis, Jock Ewing, Ray Krebbs, Steve Kanaly

Here comes the son

“The Fourth Son” is one of the finest hours of “Dallas” ever made. The episode, beautifully written by Howard Lakin (his first script for the show) and directed by Irving J. Moore, officially brings Ray into the Ewing fold and reminds us why Jock is such a revered figure in the “Dallas” mythos. Father-son relationships are integral to “Dallas” – especially on the TNT series – and no episode explores that theme better than this one.

To demonstrate how uneven episodic television can be, one week after “The Fourth Son” debuted, “Dallas” gave us “Trouble at Ewing 23,” which is easily my least-favorite Season 4 entry. I never know what’s worst: the cringe-inducing special effects when the oil field goes up in flames – or the fact Luther Gillis sheds not a single drop of blood after J.R.’s hired guns pump him full of lead.

Scenes

Dallas, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing

Scene from a marriage

How do you know when a “Dallas” scene is classic? When you only need one or two lines of dialogue to describe it. By that standard, the show’s fourth year probably offers more great moments than any other season: “It was you, Kristin, who shot J.R.” “He’s not your daddy. I am.” “You are my mother.” “Real power is something you take.” “Don’t make me see myself in your eyes.” “Mama, you didn’t take any licorice.”

Any one of these scenes qualifies for “best of” honors, but my sentimental favorite remains the “New Beginnings” moment when J.R. and Sue Ellen reminisce about their courtship. Next to J.R. and Bobby’s sibling rivalry, J.R. and Sue Ellen’s love affair is “Dallas’s” most enduring relationship. If you want to understand why these two can’t stay away from each other, watch this scene.

Supporting Players

Dallas, Leslie Stewart, Susan Flannery

Pioneer woman

No surprise here: I love Leslie. The oh-so-cool Susan Flannery was the ideal choice to play the character, whose business savvy, scheming ways and unapologetic sexuality make her J.R.’s equal and the template for prime-time divas like Abby Cunningham and Alexis Carrington. “Dallas’s” writers seemed to lose interest in Leslie after awhile, but before her storyline peters out, no character in Season 4 is more fascinating.

At the other end of the spectrum lie Alex Ward and Clint Ogden, the utterly forgettable characters who romance Pam and Sue Ellen during the second half of the season. Don’t blame Joel Fabiani and Monte Markham, who are both fine actors; blame the writers, who colored Alex and Clint in shades of plain vanilla.

Costumes

As much as I love the iconic dresses Sue Ellen wears in “Who Done It?,” nothing compares to Jock’s lion’s head medallion, the perfect accessory to symbolize Jim Davis’s role as father of the Ewing pride.

Some might consider Pam’s perm to be Season 4’s worst fashion choice – but those people are wrong because that ’do is awesome.

Quips

Best: “If you were on the side of the angels, you wouldn’t need Leslie Stewart.” – Leslie’s droll observation during the well-written scene where she persuades J.R. to hire her.

Worst: “My own son, letting some little no-account alley cat swing you by your big toe.” – The most memorable line during the tongue-lashing Jock gives J.R. after Leslie costs Ewing Oil a big deal. Watch it, Jock! That’s our Leslie you’re talking about.

What do you love and loathe about “Dallas’s” fourth season? Share your comments below and read more “Best & Worst” reviews.

The Art of Dallas: ‘Ewing-Gate’

Kristin and J.R. (Mary Crosby, Larry Hagman) are seen in this 1981 publicity shot from “Ewing-Gate,” “Dallas’s” fourth-season finale.