Larry Hagman – Dallas Decoder

The Dal-List: Classic ‘Dallas’s’ 8 Ewing Barbecues, Ranked

March 3, 2014 by Chris Baker 13 Comments

Dallas, John Ross Ewing, Josh Henderson, Julie Gonzalo, Pamela Rebecca Barnes Ewing, Trust Me, TNT

Upholding tradition

The Ewings throw another Southfork barbecue in “Trust Me,” TNT’s latest “Dallas” episode. Here’s a list of every barbecue from the classic show’s era, ranked in order of preference. (Please note: The two rodeo episodes aren’t included. Don’t worry; they’ll get their own list one day.)

Bert Remsen, Bobby Ewing, Clayton Farlow, Dallas, Dandy Dandridge, Howard Keel, Patrick Duffy

Top gun

8. Barbecue VIII (1987). The original “Dallas’s” final barbecue feels a little warmed over, sad to say. Things briefly get exciting when aging wildcatter Dandy Dandridge (Bert Remsen) shows up and tries to shoot Cliff — a nifty bit of poetic justice that recalls Digger’s attempt to kill Jock in “Dallas: The Early Years.” The rest of the affair, though, is more of a retread than an homage: J.R. and Cliff exchange insults for the umpteenth time, Sue Ellen once again tries to get under her husband’s skin and Christopher spends another episode moping around because he’s adopted. Is this “Groundhog Day” or a Southfork shindig?

Cliff Barnes, Dallas, Ken Kercheval, Linda Gray, Sue Ellen Ewing

Dances with wolves

7. Barbecue II (1982). Most of the action at this party happens on the dance floor: With Pam upstairs mooning over baby Christopher, Bobby waltzes with Katherine, whose crush on her brother-in-law is as plain as Ray’s extra-martial interest in sexy Toni. Later, J.R. stands on the balcony and seethes while watching Sue Ellen and Cliff (Linda Gray, Ken Kercheval) — whose shirt appears to have lost all its buttons — have a jolly time two-stepping below. As if that wasn’t bad enough, Miss Ellie receives the fateful phone call informing her that Jock’s helicopter crashed on its way home. Way to kill the festive mood, “Dallas.”

Afton Cooper, Audrey Landers, Cliff Barnes, Dallas, Ken Kercheval

Birds of a feather

6. Barbecue IV (1983). This barbecue is mostly fun: Bobby and Mark Graison give each other the stink eye at the bar, Jenna Wade is bitchy to Pam on the patio and Afton Cooper (Audrey Landers) runs around the driveway in a Native American-inspired outfit that features the most strategically placed tassels in the history of costume design. So why doesn’t this soiree rank higher? Blame baby-faced stalker Peter Richards, who summons Sue Ellen to the barn, where he gives her a smooch and professes his undying love for her. Gross! It’s enough to make us lose our appetite for Mama’s chili.

Dallas, Fern Fitzgerald, Jamie Ewing, Jenilee Harrison, J.R. Ewing, Marilee Stone

Slap splash

5. Barbecue V (1984). Myth: Every time the Ewings throw a barbecue, someone gets pushed into the Southfork swimming pool. Fact: This only happens once, and it occurs at the 1984 hootenanny, when Marilee Stone (Fern Fitzgerald) slaps Cousin Jamie (Jenilee Harrison), who responds by shoving Marilee into the water. The best part is the hilarious kicker: When J.R. reaches down to pull Ms. Stone out of the chlorinated water, he says, “Marilee, you all right, honey? Did it go up your nose?” No matter how many times I watch this episode, I never tire of seeing Larry Hagman deliver that line.

Dallas, J.R. Ewing, Larry Hagman, Pam Ewing, Victoria Principal

Dis-invite

4. Barbecue VII (1986). This hoedown ends on a dramatic note, with Bobby arriving with evidence that proves Wes Parmalee, the man who claims to be back-from-the-dead Jock, is an imposter. Before we get to that, though, we’re treated to several scenes that showcase Hagman’s comedic genius. In one, J.R. chastises Pam (Victoria Principal) for inviting “that moron brother of yours to my barbecue.” Later, J.R. witnesses Cliff and Jamie’s latest marital spat and can’t resist offering his two cents. Jamie: “You know, Cliff Barnes, you’re the sorriest excuse for a man that I have ever met!” J.R.: “Well, I’ll second that!”

Drunk history

3. Barbecue I (1978). Here’s the one that started it all. “Dallas’s” first season ends with an episode that takes place in a single day, as Texas’s newest in-laws, the Ewings and the Barneses, get together for an epic Southfork cookout. Everyone gets down in the dirt at this one: Digger and Sue Ellen each fall off the wagon, J.R. falls flat on his face when Bobby punches him and Pam falls from the hayloft and suffers a miscarriage. My favorite scene belongs to caterers Tilly and Sam, who spend the afternoon gossiping about the Ewings. This is the only time these characters ever appeared on “Dallas”; is it too late to bring them back?

Center of attention

2. Barbecue III (1982). The second barbecue of 1982 finds everyone hatin’ on poor J.R. The members of the cartel are royally peeved that he’s undercut them by opening a chain of cut-rate gas stations, and so is Bobby, who’s so upset, he gets drunk (!), neglects Pam (!!) and flirts with Holly Harwood (!!!). Finally, the cartel gangs up and confronts J.R. It’s showdown at the Southfork corral! But wait, what’s this? Here come the other Ewings, who circle J.R. and remind the cartel that when you take on one member of the clan, you take them all on. It’s not just the quintessential Ewing Barbecue scene, it’s quintessential “Dallas.”

Dale Midkiff, Dallas, Dallas: The Early Years, Jock Ewing, Molly Hagan

Get the party started

1. Barbecue VI (1986). My sentimental favorite. The prequel movie “Dallas: The Early Years” culminates at a 1951 barbecue, where a teenaged J.R. loses his virginity in the barn and a drunken Digger shows up with a gun and takes aim at Jock (Dale Midkiff). Ellie (Molly Hagan) intervenes and saves her husband’s life, and then with all the Barnes and Ewing children frolicking around them, Jock embraces Ellie and turns reflective. “What are these poor kids going to end up like?” he asks. Cut to the final scene: After bratty Cliff tangles with J.R., he drags kid sister Pammy away from her new playmate — little Bobby Ewing. Jerrold Immel’s famous theme music rises in the background, the camera pulls back for a bird’s eye view of the ranch and then the familiar shots from “Dallas’s” classic title sequence begin to sweep across the screen. Now that’s how you end a barbecue!

What’s your favorite “Dallas” barbecue? Share your comments below and read more “Dal-Lists.”

Filed Under: Dal-Lists, Opinion Tagged With: Audrey Landers, Bert Remsen, Dale Midkiff, Dallas: The Early Years, Fern Fitzgerald, Jenilee Harrison, Jerrold Immel, Josh Henderson, Julie Gonzalo, Ken Kercheval, Larry Hagman, Linda Gray, Molly Hagan, TNT, Trust Me, Victoria Principal

TNT’s Dallas Styles: ‘The Return’

February 28, 2014 by Chris Baker 11 Comments

“Dallas’s” third-season opener, “The Return,” brought the Ewings back in style. My favorite look: the obi-belted color-block dress that Linda Gray wore in three scenes, including the family’s Arctic drilling strategy session inside the Ewing Global boardroom. Costume designer Rachel Sage Kunin created the dress, which evokes the ’70s chic looks that Sue Ellen sported during “Dallas’s” earliest years. What could be better for Gray, who hasn’t aged a day since then?

I also love the sleeveless, blue-and-black dress that Julie Gonzalo rocks in one of Pamela’s boardroom appearances, as well as Jordana Brewster’s dark-frame eyeglasses. Elena is hiding her true intentions from the Ewings, so why not complete the deception by hiding behind those sexy/smart spectacles? Speaking of cover-ups: Who doesn’t love Jesse Metcalfe’s beard? Even “Dallas” fans who prefer their men clean-shaven tell me they find Christopher’s scruff irresistible.

And then there’s J.R.’s belt buckle, which John Ross received in “The Return’s” most touching scene. I like this accessory because it helps keep alive Larry Hagman’s memory, but it also puts the audience on notice: We better all buckle up, because “Dallas” is going to take us on another wild ride this year.

What were your favorite looks in “The Return”? Share your thoughts in the comments section below and read more “Dallas Styles.”

Filed Under: Dallas Styles, Dallas Styles (TNT), Features Tagged With: Jesse Metcalfe, Jordana Brewster, Julie Gonzalo, Larry Hagman, Linda Gray, Rachel Sage Kunin, Return, TNT

Drill Bits: ‘Dallas’ Returns to TNT — and So Do Viewers

February 25, 2014 by Chris Baker 11 Comments

Christopher Ewing, Dallas, Jesse Metcalfe, John Ross Ewing, Josh Henderson, Return, TNT

Nice job, boys

“Dallas” returned for its third season on February 24 — and so did the TNT dramas’s loyal fans. The episode, “The Return,” drew 2.7 million viewers, matching the show’s audience average on Monday nights last year.

“It was a big night of television and ‘Dallas’ held its own. That’s good news,” says Marc Berman, editor in chief of the industry news site TV Media Insights.

“Dallas” went head to head with the second half of NBC’s two-hour season premiere of “The Voice,” which drew 15.7 million viewers, the show’s second most-watched episode after its 2012 post-Super Bowl special. “That’s difficult competition, so the fact that [‘Dallas’] held onto last year’s audience is positive,” Berman says.

“Dallas’s” February 24 haul included 1.1 million adults between ages 25 and 49, a demographic that cable channels like TNT target, as well as 946,000 adults between 18 and 49, the group advertisers pay top dollar to reach. Berman predicts the audience for “The Return” will climb to more than 3 million once people who recorded the show on their DVRs and watch it later in the week are included.

“Dallas’s” season premiere was also a hit on Twitter, where the show’s actors live-tweeted the telecast and helped “trend” hashtags such as #DallasTNT and #JohnRoss.

Additionally, in a time when social media buzz is increasingly important to television shows, “Dallas” is gaining steam. By our count, the series has recently picked up more than 47,000 “likes” on its official Facebook page, which now boasts 1.5 million likes altogether. The show’s Twitter feed has more than 82,000 followers, up several thousand from a few days ago.

One of the “Dallas”-related hot topics on Twitter during the telecast was the introduction of the show’s retro-style split-screen opening credits — a switch Berman heartily endorses.

“As a longtime fan, it was great to see the actors’ faces in the credits again. They should have been there all along,” he says.

No Pain at These Pumps

Service with a smile

“Dallas” was also a hit with New York City motorists yesterday.

Business was brisk at the Manhattan service station where TNT staged a one-day takeover to promote the third-season premiere.

TNT branded the station “Ewing Energies” and even brought in a Ewing tanker trunk, but the big draw was the bargain-basement price: The gas sold for just $1.98 a gallon, roughly half the national average.

Of course, it also didn’t hurt that Josh Henderson showed up to pump gas for a while.

Sue Ellen’s Publicity Tour

The “Dallas” cast has taken over the talk-show circuit in recent days. One of the highlights: Linda Gray’s visit to Bravo’s “Watch What Happens Live,” where she was as charming as ever, reminiscing warmly about Larry Hagman, whom she lovingly referred to as her “bestie” for 37 years.

Altogether now: Awww!

Also, be sure to read her fun interview with the Washington Blade, the gay newspaper in Dallas Decoder’s hometown of D.C. Gray’s comments about Barbara Bel Geddes are especially hoot-worthy. Who knew Mama was such a card?

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Filed Under: Drill Bits, News Tagged With: Barbara Bel Geddes, Josh Henderson, Larry Hagman, Linda Gray, Marc Berman, Return, TNT

The Dal-List: 5 Ewings Who Had Multiple Southfork Weddings

February 24, 2014 by Chris Baker 3 Comments

Dallas, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing

First couple, second wedding

In “The Return,” “Dallas’s” third-season opener, Pamela (Julie Gonzalo) says she’s “feeling a little shy” about having another wedding at Southfork. Sue Ellen’s response: “Trust me. You won’t be the first bride to have had multiple weddings here.” She ain’t kidding. Here are three others, along with two grooms who couldn’t stop tempting the notorious Southfork wedding jinx.

Mother of a bride

5. Miss Ellie. Mama’s wedding to Jock wasn’t seen in the 1986 prequel “Dallas: The Early Years” (where she was so memorably played by Barbara Bel Geddes lookalike Molly Hagan), but we did get to hear Ellie describe the nuptials on the original series, explaining how her daddy hired a Parisian seamstress to make Ellie’s wedding dress and how Jock kept tugging at his collar during the ceremony. In 1984, years after Jock’s death, Ellie wore a simple purple suit and pearls when she wed second hubby Clayton Farlow.

Princess bride

4. Lucy. Jock and Ellie’s spirited granddaughter (Charlene Tilton) donned Grandma’s dress when she wed Mitch Cooper in a lavish 1981 ceremony that became one of “Dallas’s” most-watched episodes. (Twenty-eight million viewers!) Lucy and Mitch divorced the following year, but — bless their hearts — they tried again in 1985 with a scaled-down ceremony in the Southfork living room. This marriage fared no better, but at least the nuptials inspired Bobby to propose again to ex-wife Pam.

Try, try again

3. Sue Ellen. Since J.R. and Sue Ellen had been married for several years when “Dallas” began, we never saw their ceremony. However, a framed photo from the wedding occasionally popped up on the show, and we once caught a glimpse of the invitations, which confirmed the nuptials occurred at Southfork in 1970. One year after their 1981 divorce, they walked down the aisle during another huge ceremony that ended up with everyone fighting in the swimming pool. Would we expect anything less?

Groom’s Day scenarios

2. Bobby. Now here’s a Ewing who refuses to give up on love. Bobby (Patrick Duffy) and Pam’s first wedding took place in New Orelans, but their remarriage in 1986 occurred at Southfork. In between, Bobby tried to marry Jenna at the ranch, but she jilted him. In 1990, three years after Pam ran away, Bobby wed April, who was killed on their honeymoon. Poor Bobby! We don’t know where he and Ann got hitched, but we pray it wasn’t at Southfork. Otherwise, their union is probably as doomed as the rest.

Repeat offender

1. J.R. Like Bobby, J.R. (Larry Hagman) had three weddings at Southfork, but in J.R.’s case, all three counted. (Remember, when Bobby and Jenna had their wedding, she left him standing at the altar.) In addition to J.R.’s nuptials to Sue Ellen in 1970 and 1982, he got hitched to Cally at the ranch in 1989. Technically, this was J.R.’s fourth ceremony since he and Cally also had a ceremony in Arkansas, where her brothers forced him to to say “I do” at gunpoint. But that experience is probably best left forgotten, don’t you think?

Which Southfork weddings are your favorites? Share your comments below and read more “Dal-Lists.”

Filed Under: Dal-Lists, Opinion Tagged With: Barbara Bel Geddes, Charlene Tilton, Dallas: The Early Years, Julie Gonzalo, Larry Hagman, Linda Gray, Molly Hagan, Patrick Duffy, Return, TNT

Drill Bits: ‘Dallas’ is Back! Now Start Tweeting, TV Expert Says

February 24, 2014 by Chris Baker 6 Comments

Christopher Ewing, Dallas, Elena Ramos, Jesse Metcalfe, Jordana Brewster, Julie Gonzalo, Pamela Rebecca Barnes Ewing, TNT

Don’t just stand there. Tweet!

If “Dallas” fans want the TNT drama to stick around for a while, TV ratings expert Marc Berman has some advice for them: Start tweeting.

The amount of buzz a show generates on Facebook, Twitter and similar sites is increasingly important to its chances of survival, says Berman, editor in chief of TV Media Insights, a top industry news site. For example, the ABC Family series “Pretty Little Liars” doesn’t generate huge ratings, “but when you look at what that show does on social media, the numbers are through the roof,” Berman says.

“Pretty Little Liars” generated 391,000 tweets that were seen by 3.9 million users last week, according to media research giant Nielsen, which now measures Twitter chatter about TV shows. The show ranked second only to AMC’s “The Walking Dead,” which generated 484,000 tweets that were seen by 4.9 million users.

“Dallas” has a strong social media presence too. The show’s official Facebook page has received 1.4 million “likes,” and its Twitter feed has 78,000 followers. Berman says fans can support the series this season by talking about it on social media and sharing “Dallas”-related tweets and Facebook posts.

The “Dallas” stars are also getting in on the action. Yesterday, Linda Gray told the Pittsburgh Post-Gazette that she’s even received pointers from TNT — and co-star Josh Henderson — on the ins and outs of social media.

(This season, your Dallas Decoder is doing his part too. I’ll live-tweet each new episode on Monday nights — and to keep the conversations going after the show, my weekly #DallasChat Twitter discussions will move to Tuesday nights.)

Of course, traditional ratings matter too, Berman says. Last year, “Dallas” averaged 2.7 million viewers on Monday nights, but the audience grew to 3.8 million when you include people who record the show on DVRs and watch it later in the week. “The show must hold onto those numbers. If you see it lose 10 percent or 20 percent of its audience, that won’t be good,” he says.

And yes, DVR numbers matter. “Nobody looks at one set of numbers anymore. With ‘Dallas,’ you’re adding another million viewers [through DVR playback]. That’s important,” he says.

Berman also thinks it’s a good sign that TNT will give the show a midseason break. The cable channel plans to show the season’s first eight episodes in the winter and spring, and then put the series on hiatus until the summer, when the final seven hours will be telecast.

Summers are less competitive, and when “Dallas’s” first season was shown in the summer of 2012, the series averaged 4.2 million viewers. “By breaking up [the third season], you’re going to give ‘Dallas’ a better shot at staying on the air,” Berman says.

So what does Berman, a longtime “Dallas” fan, think of the new season? He’s seen the first two episodes and is impressed with the way the writers have made J.R.’s legacy part of the storyline. “It’s honoring Larry Hagman’s memory the way the original series honored Jim Davis’s memory after he died. They’ve done it really, really well,” he says.

We’re Pumped

Dallas, Ewing Energies gas, gasoline, TNT

Fill ‘er up

The real-life Ewing Energies gas station will open today at 466 10th Avenue in New York City.

Henderson, in his guise as John Ross, announced the news in a video posted this morning to “Dallas’s” Facebook page. “The price of gasoline — it’s out of your control. But not mine,” John Ross says.

The gas will sell for just $1.98 a gallon — but for today only. As John Ross explains, “Unlike our competitors, who want to rob you blind, I just want to make us both rich.”

If you can’t make it to the station today, you can visit the “Dallas” Facebook page to enter a sweepstakes to win “Black Gold” gift cards.

Look Who Else is Tweeting (and Talking)

Speaking of tweeting: If you’re looking for Julie Gonzalo after 3 p.m. Eastern today, check Twitter. The “Dallas” star says she’ll live-tweet the afternoon portion of TNT’s 26-hour “Dallas” marathon, which kicked off last night and will culminate tonight at 9 with the debut of the third-season premiere, “The Return.”

Meanwhile, Gonzalo’s co-stars are hitting the talk-show circuit to promote Season 3.

Henderson will appear on “Live with Kelly and Michael” today and “The Wendy Williams Show” on Friday, February 28. Both shows are syndicated, so check your local listings.

According to Gray’s Facebook page, she’ll also appear on “Live with Kelly and Michael” soon. Gray’s post also indicates she’ll guest on “Today,” “Piers Morgan Tonight,” “Watch What Happens Live” and “Katie.” Precise airdates haven’t been announced.

Finally, Patrick Duffy is scheduled to drop by “Live with Kelly and Michael” on Friday, March 7.

Boy, Kelly Ripa and Michael Strahan must love discussing “Dallas” as much as we do!

We’ve Got It Covered

Your Dallas Decoder is going to work harder than ever to deliver exceptional coverage of “Dallas” this season. In case you missed it, here’s an overview of our plans.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Filed Under: Drill Bits, News Tagged With: Jim Davis, Josh Henderson, Julie Gonzalo, Larry Hagman, Linda Gray, Marc Berman, Patrick Duffy

Dallas Burning Questions: Season 3, Week 1

February 24, 2014 by Chris Baker 9 Comments

Bobby Ewing, Dallas, John Ross Ewing, Josh Henderson, Legacies, TNT

Moving on

Here are the questions we’re pondering as we await tonight’s telecast of “The Return,” TNT’s third-season “Dallas” premiere:

• What’s John Ross up to? “Legacies,” the second-season finale, ended with John Ross (Josh Henderson) on top of the world: After marrying Pamela (Julie Gonzalo), he helped his family defeat Cliff (Ken Kercheval) and take over his company, Barnes Global. In the final scene, John Ross went to a posh hotel room, where Emma (Emma Bell) was waiting for him with an accordion folder full of documents. John Ross told Emma he was willing to “pay the price” for the folder as they began to undress each other. What’s John Ross after — and why is he willing to cheat on Pamela to get it?

• Will Elena accept Cliff’s offer? Also in the season finale, Cliff summoned Elena (Jordana Brewster) to Mexico, where he was jailed after the police arrested him for J.R.’s murder. Cliff showed Elena documents that suggested J.R. stole oil-rich land from her late father and invited her to become his proxy for the one-third of Barnes Global he still owns. Elena, who was nursing a broken heart after Christopher (Jesse Metcalfe) discovered she covered up Drew’s role in the Ewing Energies rig explosion and dumped her, seemed tempted by Cliff’s offer. Will she accept?

• Did Bobby tie up all the loose ends in J.R.’s “masterpiece”? When evidence emerged that Cliff killed J.R. (Larry Hagman), Pamela helped the Ewings plant evidence on her father to make sure he wouldn’t get away with murder. Later, Bobby (Patrick Duffy) revealed the truth to John Ross and Christopher: J.R. was dying of cancer and arranged for Bum (Kevin Page) to shoot him so Cliff could be framed, thus bringing an end to the Barnes-Ewing feud. How flawless is J.R.’s masterpiece?

• How’s Sue Ellen coping? It’s no secret Sue Ellen (Linda Gray) will still be drinking when Season 3 begins. Will her problem get worse before it gets better?

• What will happen to Harris? Before Emma swiped the accordion folder and shared it with John Ross, she blew the whistle on her father, who was arrested for drug trafficking. How is Harris (Mitch Pileggi) getting along in jail? What will happen to his drug trafficking operation without him? And while we’re on the subject of the Rylands, whatever became of Judith (Judith Light), whom Harris sent to “rehab” after she threatened to take control of their family’s company, Ryland Transport, before tumbling down the stairs?

• Who is Joaquin? After the Ewings discovered Cliff and Harris blackmailed Drew (Kuno Becker) into blowing up the rig, he went on the run. Elena eventually caught up with her brother and gave him money and a cell phone, telling him to “call Joaquin” as soon as he got to Mexico. The last time we saw Drew, he was speeding away on his motorcycle. Later, after Cliff’s conversation with Elena, she took off too and wound up at a Mexican compound, where she told the guards she was there to see Joaquin. Who is this mystery man — and what’s his connection to the Ramoses?

• Who are the newcomers? “The Return” will introduce two new characters: Nicolas Treviño (Juan Pablo Di Pace), a suave billionaire who’ll spar with the Ewings, and Heather (AnnaLynne McCord), a ranch hand at Southfork. How will they figure into this season’s storylines?

• How’s life at Southfork? After J.R.’s death, John Ross inherited half of Southfork and moved in, putting him and Pamela under the same roof as Bobby, Ann (Brenda Strong) and Christopher. How’s the brood getting along? And how long until someone gets pushed into the swimming pool?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

Filed Under: Dallas Burning Questions, Features Tagged With: AnnaLynne McCord, Brenda Strong, Emma Bell, Jesse Metcalfe, Jordana Brewster, Josh Henderson, Juan Pablo di Pace, Judith Light, Julie Gonzalo, Ken Kercheval, Kevin Page, Kuno Becker, Larry Hagman, Linda Gray, Mitch Pileggi, Patrick Duffy, TNT

Drill Bits: Ready to Take a Shot of J.R.? His Bourbon is Here

February 21, 2014 by Chris Baker 11 Comments

Linda Gray and Andy Harmon hit the red carpet

Drink up

The stars of “Dallas” came together last night for a party to preview the third season’s first episode — along with the show’s new three-way split-screen title sequence — and to launch the J.R. Ewing Bourbon.

That’s right. You can now take a shot of J.R. (or better yet, a whole glassful).

The bourbon, inspired by Larry Hagman’s famous character, will come in bottles that feature a screen-printed image of Southfork and a wooden stopper. The bourbon will sell for about $34.95 a bottle and hit store shelves beginning in late March.

Initially, the bourbon will be sold in 14 states in the south and Midwest, including these markets: Dallas-Fort Worth, Austin, Houston, San Antonio, New Orleans, Chicago, Memphis, Kansas City, St. Louis, Cleveland, Indianapolis, Columbus, Little Rock, Atlanta, Denver and Phoenix.

Plans call for the bourbon to be available nationally by June and internationally by the end of the year.

Here’s how the Southfork Bottling Company, the new company behind the bourbon, describes the product in its news release:

“J.R. Ewing Bourbon is well balanced and possesses a maturity that adds to its complexity. The nose is classic and slightly fruity, with notes of vanilla, oak sweetness and a touch of orange. The taste profile is surprisingly mild, yet crisp, and exhibits a lightly spicy/honey taste that lingers on the palate.”

Sounds like J.R. has a product worthy of his name. In a statement, Andy Harmon, the bottling company’s co-founder, said the bourbon’s quality reflects “J.R.’s thirst for the best in life. … [T]he new brand really pays tribute to the character with whom everyone around the world is familiar.”

Among the bold-faced names attending the launch party: Emma Bell, Marlene Forte, Juan Pablo Di Pace, Julie Gonzalo, Linda Gray, Jesse Metcalfe and Mitch Pileggi.

The Ewings Take Manhattan

Talk about an oil slick

While we’re waiting to fill up with J.R.’s bourbon, we can all head to New York City to fill up with the Ewings’ gasoline.

A real-life Ewing Energies gas station will open somewhere in Manhattan on Monday, February 24, the day “Dallas’s” third season begins. John Ross (Josh Henderson) will announce the precise location in a video that’ll be posted Monday morning on the show’s Facebook page.

The stunt comes courtesy of Grey New York, which handles marketing for the show. To tout the opening, there’ll be radio spots, billboards and branded oil trucks and a sweepstakes to win “Black Gold Card,” Advertising Age reports.

New Yorkers can expect the Ewings to undercut the competition, just like J.R. once did on the original show. How low will prices go? As the Wall Street Journal points out, the national average price for a gallon of gas this week is $3.38. This compares to 62 cents a gallon when the original “Dallas” debuted in 1978 and 86 cents in 1980, the year J.R. was shot.

Big D, Big Apple

J.R. Takes Manhattan Too

In case you missed it: The new J.R. Ewing action figure from Figures Toy Company was recently spotted around Manhattan, where he checked out the billboards for “Dallas’s” new season featuring sexy shots of Henderson, Jordana Brewster, Julie Gonzalo and Jesse Metcalfe.

Visit Dallas Decoder’s Facebook page to see more shots like the one shown here.

Special thanks to Dallas Decoder’s better half, Cook In/Dine Out maestro Andrew, for serving as the hand model for these pictures. Poor Andrew’s hands are still thawing out.

The Reviews Are In

The reviews for “Dallas’s” third-season premiere are beginning to roll in, but isn’t yesterday’s write-up from yours truly the only one that really matters? In case you missed it, be sure to also check out our interview this week with Charles Yusko, the show’s hairstylist.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Filed Under: Drill Bits, News Tagged With: Charles Yusko, Cook In/Dine Out, Jesse Metcalfe, Jordana Brewster, Josh Henderson, Julie Gonzalo, Larry Hagman

In Season 3, ‘Dallas’ Resets the Chessboard, J.R. Style

February 20, 2014 by Chris Baker 47 Comments

Dallas, John Ross Ewing, Josh Henderson, Linda Gray, Return, Sue Ellen Ewing, TNT

Welcome back, darlins

Who misses J.R.? We all do, but the third season of TNT’s “Dallas” still manages to be fun, freewheeling television — even if our beloved Larry Hagman is no longer there to breathe life into his most famous character. Watching next week’s season premiere is a little like attending a family reunion after the loss of a favorite uncle. You can’t help but wish the old guy was still around, but isn’t it nice to see everyone else again?

Besides, it’s not like J.R. is gone altogether. His memory looms large in Season 3’s first two episodes. Some examples: John Ross inherits his daddy’s Southfork-sized belt buckle and hires contractors to renovate the house using blueprints J.R. commissioned before his death. Bobby, once again at odds with his ambitious nephew, growls that John Ross isn’t “half the man” J.R. was. Bum, the Ewings’ go-to private eye who now doubles as John Ross’s conscience, urges him to “grow into your father’s greatness, not his weakness.” There’s even a much-improved painting of J.R. hanging in the Ewing offices, allowing Hagman’s visage to peer over the shoulders of the other actors as they move around the set.

With so many verbal and visual references to J.R., isn’t the show just reminding us that this franchise has lost its marquee player? Yes, but since most of us can’t tune into “Dallas” without thinking about Hagman anyway, the producers might as well acknowledge the ghost in the room. Besides, when your franchise is built on a character as endlessly fascinating as J.R. Ewing, why not use him to pull everyone’s strings from the great beyond?

That’s why “The Return,” the third-season premiere, resets the “Dallas” chessboard, J.R.-style. The episode — penned by Cynthia Cidre and Robert Rovner and directed by Steve Robin — picks up 12 hours after last year’s finale, when we learned J.R. was dying of cancer and masterminded his own “murder” so archenemy Cliff Barnes could be framed for the crime, thus ending the Barnes/Ewing feud. (Ha!) The finale also positioned John Ross as J.R.’s heir in every way, and so at the beginning of “The Return,” we learn why the young newlywed went to that hotel room to cheat with Emma, who appears to have traded her pill habit for an addiction to risky encounters with John Ross.

We’ll also hear how John Ross justifies the fling to Kevin Page’s Bum; his excuse will sound familiar to longtime “Dallas” fans who remember how J.R. used to rationalize his cheating on Sue Ellen. This storyline has upset a lot of fans of the John Ross/Pamela pairing, but it allows Josh Henderson to display the sly charisma that makes him almost as much fun to watch as Hagman was in his heyday. And even though John Ross is a cheat, we can’t help but feel charmed by his relationship with Julie Gonzalo’s Pamela, whose smoldering gaze makes her the ideal match for the oh-so-suave Henderson. Let’s acknowledge something else too: As much as we despise Emma, there’s no denying that Emma Bell is terrific in this role. Not since Mary Crosby’s Kristin have “Dallas” viewers had a vixen who’s so much fun to hate.

During last year’s execution of the Ewings’ “master plan” against Cliff, almost all of the characters got in touch with their inner J.R., but Season 3 finds the good guys returning to familiar terrain. Patrick Duffy’s Bobby slides back into his role as the heroic guardian of Southfork traditions, while Jesse Metcalfe’s Christopher gets a refreshingly angst-free romance with Heather, a new ranch hand. This role is played with equal parts spunk and sex appeal by AnnaLynne McCord, who was the best part of the CW’s “90210” and makes a welcome addition to “Dallas,” a far better revival.

(Oh, and even though “The Return” begins 12 hours after Season 2 ended, Christopher now sports a face full of scruff. How did he grow a thick beard in a half-day? It’s probably better not to ask. Let’s consider it this era’s version of Sue Ellen’s hair, which magically shortened itself between seasons in the early 1980s, even though mere minutes had passed on screen.)

“The Return” also recasts Elena, once this show’s romantic heroine, into a shrewd schemer out for revenge — or as she calls it, “justice” — after Cliff revealed J.R. once stole oil-rich land from her father, just like Jock supposedly cheated Digger out of half the Ewing fortune. This might seem like a thin premise to extend the Barnes/Ewing feud, but it gives the underappreciated Jordana Brewster something to do besides moon over Henderson and Metcalfe’s characters. Cliff and Elena’s unlikely alliance also includes Nicolas Treviño, a dashing young billionaire played by Juan Pablo Di Pace, another strong addition to this ensemble.

Now, I know what you’re thinking: What about Sue Ellen? It’s no secret Linda Gray’s character is once again headed for rock bottom this season, although she goes nowhere near a drop of booze in “The Return.” Some fans hate to see Sue Ellen drinking again; I’m not wild about the idea either, but I have no doubt Gray will deliver another knockout performance, just like she did last year. She’s Hagman’s truest heir in a lot of ways, including this one: Like him, Gray can say more with an arched eyebrow or a wry smile than most actors can with a script full of dialogue. She exudes Old Hollywood star power, and whether Sue Ellen is drunk or sober, Gray always delivers riveting television.

“Dallas” fans also want to know about a couple of other favorites, including Brenda Strong’s Ann and her dastardly ex-husband Harris, played to menacing perfection by Mitch Pileggi. Regarding them, I’ll only say this: Just because you haven’t read much about their characters in “Dallas’s” pre-premiere publicity doesn’t mean they have nothing to do in the first two episodes. I also don’t want to give anything away about Judith Light’s character Judith Ryland, except to say her return in the season’s second hour, “Trust Me,” is a hoot.

That episode, written by Bruce Rasmussen and directed by Millicent Shelton, features a Ewing family gathering that showcases the brilliance of costume designer Rachel Sage Kunin, who never fails to impress, and hairdresser Charles Yusko, whose contributions to the success of this series shouldn’t be overlooked. You’ll also want to watch “Trust Me” to see the long-awaited reunion between two characters who had a charming scene last year, along with one of the most audacious moments I’ve ever seen on “Dallas” — or any other show, for that matter.

Most importantly, the episode ends with a shock that rocks two characters and will make you reconsider everything you think you know about a third. It’s a twist you’ll never see coming — and another reason this show remains so much fun, even without the man who got the party started.

“Dallas’s” third season begins Monday, February 24, at 9 p.m. Eastern on TNT. Are you excited? Share your comments below and read more opinions from Dallas Decoder.

Filed Under: Opinion, Opinion Tagged With: AnnaLynne McCord, Brenda Strong, Bruce Rasmussen, Charles Yusko, Cynthia Cidre, Emma Bell, Jesse Metcalfe, Jordana Brewster, Josh Henderson, Juan Pablo di Pace, Judith Light, Julie Gonzalo, Ken Kercheval, Kevin Page, Larry Hagman, Linda Gray, Mary Crosby, Millicent Shelton, Mitch Pileggi, Patrick Duffy, Rachel Sage Kunin, Return, Robert Rovner, Steve Robin, TNT, Trust Me

The Dallas Decoder Interview: Charles Yusko

February 18, 2014 by Chris Baker 12 Comments

Charles Yusko

Charles Yusko is the hottest hairdresser in showbiz, but you won’t find him in Hollywood. Yusko, a native Texan, works his magic with the cast of TNT’s “Dallas,” which is filmed in its namesake city and will begin its third season on Monday, February 24. Yusko recently took time from his busy schedule to answer our questions.

Let’s start with the basics. Tell us what you do.

I’m the department head. I maintain “the look.” That artistic vision is created by a team — including myself, the actors, writers, producers and directors. And depending on how elaborate the scene is, the hair department can include two or three more team members. To get ahold of my vision, I read the script and break down the scenes. I also articulate my vision to each actor. For really dramatic transformations, I convey my concepts to the director, producers and writers. To set the tone of “the look,” I closely collaborate with our wardrobe whiz, the timelessly impeccable Rachel Kunin.

Interesting. Can you give an example of how you and Rachel collaborate?

In Season 2, Rachel came to me and wanted to talk about the emerald earrings for a scene with Pamela. [She said,] “Hey, I have these fabulous earrings. Can you show them off? I’d really love her hair up.” But I don’t really like to do hair up. I like natural-looking hair. So I said, “I’ll give you those earrings shown off, but with her hair down.”

Now that I think about it, you did manage to show off Pamela’s famous emerald earrings — even though her hair was down.

That was an instance where the hair was a big deal, at least for me. We didn’t want to make it all about the earrings. But it was all about the earrings. So we gave just a hint of them, and then all of a sudden it was — bam! — the big reveal of the earrings.

A lot of fans probably don’t realize how important a character’s hair is. Hair tells us a lot about someone’s personality, doesn’t it?

I think we showed that last year with Julie [Gonzalo] and Emma [Bell]. Emma started off with the braid. That was a symbol of her innocence. And Julie’s look changes dramatically depending on if she has a side part or a middle part.

So what’s a typical day for you like?

Well, I usually start around 4:45 in the morning. When an actor comes in, they’ll come to me first because they’re going to have wet hair. And I’ll start [working on] them while another actor is in makeup. And then the department head makeup artist, Frieda Valenzuela, and I will flip flop: I’ll take the actor in her chair and she’ll take mine. And then I’ll go to the set, and then I’ll come back and do more actors. It ends up being a 65- to 70-hour week.

That includes weekends?

Yes. I spent part of last Saturday buying wigs for the show.

So for Season 3, has anyone’s look changed?

The show’s look was established by Melissa Yonkey [the department head from 2012 to 2013], who did a beautiful job. When we worked together on the first two seasons, Melissa shared her expertise. I gained as much as possible from her — like how to keep a swoop bang from falling in someone’s face. This season, I’m making some dynamic changes. To viewers, the changes might be subtle, which — for the most part — is how it should be. But the creative process has been extraordinary. However, you’ll just have to watch to see what happens.

So the actors give a lot of input?

All the time. It’s their hair. Their feedback — even if they tell me something ain’t working — is priceless. Oftentimes, we’re on the exact same page. Trust and communication are huge. They have a lot on their plate when they step out of the hair trailer. And when they do, I want them to feel like I’ve invested all of my talents into their performances.

How about Jesse Metcalfe’s new beard? Are you responsible for that?

No, that’s makeup. That’s considered the face, so that’s all makeup.

Do you have an opinion about the beard?

I love it.

Me too. I know it’s going to go away midseason. I’m already sad about it.

He looks great with it. But with the character, it was definitely the perfect time for that change to have a beard and not to have one.

Well, I know you can’t give away plot secrets, so let me ask you this: What happens when Mitch Pileggi sits in your chair?

He comes to my station and gives me a hug and then he walks back to makeup. [Laughs] But he’s so wonderful because he gives every single person in the trailer a hug, every day.

Hey, that’s not a bad deal at all.

He is the sweetest man. That’s the thing about the actors on “Dallas” — they play the most horrible, ruthless characters, but in real life, they’re the sweetest, most amazing people.

That brings me to Linda Gray. She’s such an icon; I would imagine it’s a thrill to do her hair.

Ever since my first day on “Dallas,” I would watch Linda on set. I was craving an opportunity to do her hair. And now that I’m the department head, I do Linda’s hair and she’s wonderful. On Halloween, she gave me this fake fur coat. She had done a photo shoot with fur coats and while she was doing it, she said she thought of me. So I said, “What do I do with this?” And she said, “You need to wear it for Halloween.” Well, I’m in Texas. It’s hot on Halloween. But it snowed last week and so I finally wore that thing. They kept calling me Cruella de Vil on set.

And did you get to work with Larry Hagman?

I did. I wasn’t his hairstylist but I did get to do his hair before he passed. The last scene he filmed was the one where he meets with John Ross and Bum in the courthouse restroom. I was the hairstylist for that scene.

What was that like?

Well, first of all, I’m a gay man with John Ross and a bunch of camera boys in a bathroom. So Larry made a joke. He said, “Aren’t you in heaven?” [Laughs] But working with Larry was incredible. I didn’t grow up with him — my family was Baptist, so we didn’t watch a lot of “Dallas” — but meeting him and knowing how much he did for the environment and how wonderful he was…. I mean, he didn’t have to be the person that he was. I was in awe of Larry.

Well, the way I hear it, a lot of people are in awe of you. Everyone speaks highly of you.

I’ve been on the show for three seasons, but this is the first season that I’m the department head. I was a key [a junior stylist] for a long time. And early on [on “Dallas”], they demoted me.

Oh, no.

No, it’s fine because Jesse swooped in and said, “Nobody cuts my hair but Charles.” [Laughs] He pretty much was the reason for me keeping my job. And in the second season, they asked me to be the key and I said, “OK, this is my chance.” And I went back and I worked really hard. I feel like I proved myself.

You’ve had an interesting road to success.

I was going to school to become a teacher to work with autistic children, and it was just hard on me. So I ended up working in the opera for a while, doing theatrical makeup, and then some friends and I took a “Priscilla, Queen of the Desert” trip across the United States in an RV. We did crazy, fun drag in the Grand Canyon, and that really brought out my creative side. I ended up in hair school, and then I wound up working on movies like “The Alamo.” And every time I thought about getting out of film, something pulled me back in like “Temple Grandin.”

You were nominated for an Emmy for that one.

It was a great honor. I got to go to the ceremony and everything.

And now you’re a department head on “Dallas.”

It’s been a crazy, fun journey. The network and the producers have told me, “Thank you. You’re doing a great job.” And I just freeze up. All I can say is, “I’m so happy.” Because I love what I’m doing.

Share your comments below and read more interviews from Dallas Decoder.

Filed Under: Interviews, News Tagged With: Charles Yusko, Emma Bell, Frieda Valenzuela, Jesse Metcalfe, Julie Gonzalo, Larry Hagman, Linda Gray, Melissa Yonkey, Mitch Pileggi, Rachel Sage Kunin, TNT

Critique: ‘Dallas’ Episode 151 — ‘When the Bough Breaks’

February 17, 2014 by Chris Baker 15 Comments

Dallas, Linda Gray, Sue Ellen Ewing, When the Bough Breaks

The goodbye girl

“When the Bough Breaks” marks another turning point in the life of Sue Ellen Ewing. In the episode’s final scene, Peter tells Sue Ellen how sorry he is about her recent miscarriage; he believes he was the unborn child’s father, and he had hoped they could raise it together. When Sue Ellen hears this, she’s horrified. She suddenly realizes how naïve Peter is — and how wrong she was to begin a relationship with him. After declaring their affair over, she begins to walk away, and then she stops, looks back at him and says, “Oh, I know the pain you must be going through right now because I’ve been there. But it passes. It always does. You just stay out of my life.”

The scene brings back memories of the second-season classic “For Love or Money,” when Cliff dumps Sue Ellen because he’s afraid their affair will hurt his political career, although I suspect that’s not the comparison Leonard Katzman had in mind when he wrote “When the Bough Breaks.” My guess is Katzman wanted the audience to see Sue Ellen’s breakup with Peter as another example of how she’s becoming more like J.R. This is one of the underlying themes of “Dallas’s” seventh season, going back to “The Oil Baron’s Ball,” when Sue Ellen treats J.R. like a sexual plaything. Now she’s walking away from a disillusioned young lover, just like J.R. did with Julie, Kristin, Afton and so many others.

Sue Ellen’s emulation of her husband becomes a source of professional success during “Dallas’s” later seasons, but in these seventh-season episodes, it’s fascinating to watch her mimic him in a quest for personal empowerment. Of course, the “old” Sue Ellen is still present too. In “When the Bough Breaks,” her snobbish tendencies are on display when Peter suggests they could have raised the child together; looking around his tiny apartment, she says, “You expect me to leave Southfork, J.R., for you? To raise a child and live here?” It’s also worth pointing out that unlike J.R., who dumps his mistresses when he tires of them, Sue Ellen leaves Peter because she believes it’s what’s best for him. Indeed, her parting words to him reflect both her sense of compassion (“I’ve been there”) and her cynicism (“It passes; it always does”).

As clever as Katzman’s writing is, what impresses me most about this scene is how Linda Gray fills in the blanks in his script. For example, Sue Ellen breaks up with Peter when she realizes how misguided he is, but Katzman never gives her a line to this effect. So how do we know what Sue Ellen is feeling? Because Gray conveys it through her eyes, which widen with the sad realization that she’s led this young man astray. It’s a subtle moment, demonstrating why Gray is such a great actress.

I wish I could say something similar about Gray’s co-star. Christopher Atkins is an appealing performer, and he’s quietly effective in scenes like the one where Peter visits Sue Ellen in the hospital and kisses her while she sleeps. But anytime the script calls for Atkins and Gray to profess their love for each other, I’m reminded how badly miscast he is. It’s not just that Atkins looks too young; he acts too young. In the breakup scene, when he discovers Sue Ellen and J.R. still sleep together on occasion, he breaks into a full-fledged pout. Moments later, Sue Ellen tells him, “Peter, I have very strong feelings for you.” I can’t help but think: Why?

“When the Bough Breaks” includes two more scenes I like. In the first, Cliff persuades Pam to join him in the offshore oil auction by appealing to her sense of family. “The main reason I dislike the Ewings so much is because they’ve always been this big family that stood together … and all we ever had was each other,” he says. This is a revealing moment. I’ve always believed that a lot of Cliff’s hatred is rooted in jealousy. The man who was abandoned by his mother as a child doesn’t long for the Ewings’ power and possessions as much as he longs for the close bond they share. In the episode’s other great scene, J.R. takes Marilee to dinner and tries to plant seeds of doubt in her mind about her partnership with Cliff. Larry Hagman is as sly as ever, but don’t overlook Fern Fitzgerald, who has the tougher task. She must signal to the audience that J.R. has rattled her character without letting J.R. himself know. She does it nicely.

“When the Bough Breaks” includes a few head scratchers too. The doctor who treats Sue Ellen after her miscarriage is quiet a blabbermouth: Not only does she announce Sue Ellen’s miscarriage to everyone in the waiting room, she also suggests there’s nothing keeping J.R. and his wife from trying again to have another child. So much for doctor-patient confidentiality. I also roll my eyes when Bobby once again presses Jenna to tell him if he’s Charlie’s biological father and she once again refuses to discuss the subject. Can someone explain Jenna’s rationale? If Bobby’s father, doesn’t he have a right to know? If he’s not, why does she refuse to put his mind at ease?

More than ever, I want Bobby to dump wishy-washy Jenna and patch things up with Pam. Maybe that’s the point?

Grade: B

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Death to smoochy

‘WHEN THE BOUGH BREAKS’

Season 7, Episode 20

Airdate: February 17, 1984

Audience: 22 million homes, ranking 1st in the weekly ratings

Writer: Leonard Katzman

Director: Nick Havinga

Synopsis: Sue Ellen comes home from the hospital and breaks up with Peter. While J.R. tries to undermine Marilee and Cliff’s partnership, Cliff persuades Pam to join him in the offshore oil auction. In Malibu, Katherine meets Naldo, who tells her the identity of Charlie’s father. Clayton rejects Bobby’s invitation to do business with Ewing Oil. Ray and Donna continue snooping into Edgar’s past.

Cast: Christopher Atkins (Peter Richards), John Beck (Mark Graison), Barbara Bel Geddes (Miss Ellie Ewing), Morgan Brittany, Anne Gee Byrd (Dr. Jeffries), Roseanna Christiansen (Teresa), Pat Colbért (Dora Mae), Glenn Corbett (Paul Morgan), Patrick Duffy (Bobby Ewing), Fern Fitzgerald (Marilee stone), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Sherril Lynn Katzman (Jackie Dugan), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Anne Lucas (Cassie), Shalane McCall (Charlie Wade), Daniel Pilon (Renaldo Marchetta), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Donegan Smith (Earl Johnson), Charlene Tilton (Lucy Ewing)

“When the Bough Breaks” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.