Patrick Duffy – Dallas Decoder

Drill Bits: ‘Dallas’s’ Ratings Dip Again, But Don’t Panic

February 6, 2013 by Chris Baker 21 Comments

Dallas, Julie Gonzalo, Pamela Rebecca Barnes, Sins of the Father, TNT

Where’d everybody go?

“Dallas’s” audience shrunk again this week, but TV ratings expert Marc Berman said it’s too soon for the show’s fans to sound the alarms.

“I wouldn’t panic yet,” Berman, editor in chief of TV Media Insights, a top industry news site, said yesterday. “The numbers are disappointing, but they’re not horrific.”

TNT’s “Dallas” revival averaged 4.2 million viewers on Wednesday nights last summer, but when DVR users who recorded the show and watched it later were counted, the audience rose to 6.1 million viewers.

Last week, “Dallas” opened its second season on a new night – Mondays – with 2.9 million viewers. This week’s episode, “Sins of the Father,” dipped to 2.2 million viewers, “Dallas’s” smallest haul yet. The Feb. 4 audience included 773,000 viewers between the ages of 18 and 49, a demographic advertisers pay a premium to reach.

Berman said “Dallas” faces much tougher competition in the winter than it did last summer, when the broadcast networks are mostly in rerun mode. This week, “Dallas” aired opposite fresh episodes of CBS’s popular sitcoms “2 Broke Girls” and “Mike & Molly,” which were the evening’s most-watched programs, and Fox’ “The Following,” the highly touted serial killer drama starring Kevin Bacon.

Also: Don’t overlook the importance of the bump “Dallas” gets when DVR users are counted. Television executives take DVR numbers into consideration when deciding a show’s fate, Berman said.

Nevertheless, TNT might be questioning its strategy to bring back “Dallas” in the middle of winter and on a new night, Berman said. The cable channel has paired “Dallas” with a new medical drama, “Monday Mornings,” which bowed to just 1.3 million viewers on Feb. 4. “That doesn’t reflect poorly on ‘Dallas,’ that reflects poorly on ‘Monday Mornings,’” Berman said.

If “Dallas’s” numbers continue to fall, Berman predicted the cable channel might shift the series to another night. “It’s not an impossibility,” he said. TNT had no comment, a spokeswoman said.

Berman himself is a longtime “Dallas” fan and said he enjoys the new series, praising it for incorporating original cast members like Patrick Duffy and Linda Gray with newcomers like Josh Henderson and Jesse Metcalfe. “When I heard it was coming back, I was apprehensive, but I’ve really enjoyed it,” Berman said.

Catch Up on Your ‘Dallas’ Reading

Dallas Decoder is best known for its episode critiques, but we’ve been cranking out fun features during the past two weeks.

If you haven’t already done so, be sure to check out our retrospective of the shows that aired after the original “Dallas” (it wasn’t just “Falcon Crest”!); our look back at the classic show’s Barnes/Ewing romances (it wasn’t just Bobby and Pam!) and J.R./Pam clashes; and everything you need to know about Pamela’s mother Afton Cooper, who is slated to visit the new “Dallas” in a few weeks.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Filed Under: Drill Bits, News Tagged With: Jesse Metcalfe, Josh Henderson, Linda Gray, Patrick Duffy, Sins of the Father (2013), TNT

Critique: TNT’s ‘Dallas’ Episode 13 – ‘Sins of the Father’

February 6, 2013 by Chris Baker 30 Comments

Dallas, J.R. Ewing, Larry Hagman, Sins of the Father, TNT

The master

Larry Hagman supplies “Sins of the Father” with its best moments, including the cool scene where J.R. pressures Frank to betray Cliff, as well as the surprisingly sentimental one where he vows to help Bobby get revenge against Ryland. But for once, Hagman isn’t the only great thing about the new “Dallas.” Every member of the ensemble shines in this episode, especially Brenda Strong, whose performances are pitch perfect. This is the first time I’ve cared about Ann’s storyline this season, and that’s mostly because Strong does such a beautiful job selling it.

Strong has always had the most thankless job on this show because Ann has been assigned a dual role previously occupied by two of the most beloved figures in the “Dallas” mythos. Not only has Ann succeeded Pam as Bobby’s wife, she’s also assumed Miss Ellie’s mantle as the first lady of Southfork. Now, in “Sins of the Father,” with all her secrets seemingly exposed, Ann finally begins to feel like her own woman. She repeatedly calls Harris a “son of a bitch,” lobs a few barbs at Judith, and then confesses to Emma her past addiction to tranquilizers. We’re not in Pam or Ellie territory anymore.

I applaud the “Dallas” writers for turning Ann into a flawed heroine, but Strong gets the credit for making the character so convincingly human. Ann’s tears during her reunion with Emma at the end of “Battle Lines,” the second-season premiere, seemed to exceed what the moment called for, but I never get that feeling watching her in “Sins of the Father.” Strong strikes the right balance between regret and resolve in this episode’s Ann/Emma scene, making me believe Ann is a woman who hasn’t forgotten her mistakes, even if she’s risen above them.

Strong is downright mesmerizing at the end of “Sins of the Father,” when Ann confronts Harris and shoots him. It’s unsettling to see Ann behave so coldly, although I can’t say the shooting shocked me since TNT’s second-season promos included a glimpse of her brandishing a gun. I also can’t help but notice how closely Ann’s shooting of Harris mirrors Pamela’s shooting of Tommy in last season’s “Family Business,” right down to the victim’s slow-motion fall to the floor. There’s one big difference, of course: Pamela’s shooting was an act of self-defense, while Ann shoots Harris in cold blood. How’s the show going to redeem her after this?

Even though Strong dominates “Sins of the Father,” this is a solid hour for all the “Dallas” women. For me, seeing Sue Ellen march into Ewing Energies and threaten to call in Elena’s loan was a little metaphysical: Suddenly it was the 1980s again and I was back in my parents’ living room, watching Sue Ellen square off against one of her rivals, except this time the fight was over her son, not J.R. The role of Mama Bear fits Linda Gray well, although I think this moment would’ve been more effective if Sue Ellen had taken it upon herself to go after Elena instead of being manipulated into it by John Ross. Regardless, I welcome the return of the take-no-prisoners Sue Ellen, and I’m thrilled to see her get involved with the family business. At long last, the new “Dallas” seems to have figured out how to put Gray’s gifts to good use.

As for Elena: How nice is it to see her do something besides moon over John Ross and/or Christopher? Jordana Brewster is an actress with tremendous poise and grace, and I’m glad the writers are turning Elena into such a smart, savvy businesswoman. She keeps her cool when Sue Ellen confronts her (Elena: “I’m not sure where all this anger is coming from, but if this is about something more personal, we should talk about it”), but Elena would be dull if she was perfect, and in “Sins of the Father” she isn’t. Brother Drew’s return rattles her, although I also feel the warmth between the characters during their heart-to-heart in the Southfork pasture. I hope the show will continue to develop Elena and Drew’s relationship with each other, as well as the one they share with mama Carmen. Between the three of them, Brewster, Kuno Becker (a promising addition to the show) and Marlene Forte have the potential to turn the Ramoses into a meaningful presence at Southfork.

Let’s also hear it for John Ross and Pamela. Their first scene in “Sins of the Father,” when they frolic in bed, arguing over who gets to be on top, is fun, and their repeated use of “Dallas’s” most enduring term of endearment – “darlin’” – is cute. On the other hand, John Ross’s worried expression over Pamela’s connection to Tommy’s death at the end of the episode feels a little out of place. I like the idea of him falling for Pamela, but isn’t it a little soon? For that matter, I also don’t buy the notion that the detective investigating Tommy’s death would call Christopher to the crime scene for a chit-chat (shouldn’t Christopher be a suspect too?), and I wonder if Harris would really be beyond punishment for kidnapping Emma. The criminal justice system on this show seems to be exist in another dimension.

Of course, every time “Dallas” offers head-scratchers like these, it usually cuts to something wonderful – like Hagman’s scenes. Director Jesse Bochco smartly shrouds Hagman and Faran Tahir in darkness during J.R.’s exchange with Frank, which makes it feel that much more mysterious. I also love how scriptwriter Bruce Rasmussen peppers J.R.’s dialogue with an extra dash of homey references (church socials, lapdogs), which allows Hagman to play off the suave Tahir. My gut tells me Frank isn’t long for this world, which is too bad because of all the new show’s villains, he’s the most menacing.

Hagman’s other highlight: the scene where Bobby asks J.R. to help him get revenge against Harris. Besides capitalizing on the chemistry between Hagman and Patrick Duffy, the scene also draws upon the deep familiarity between these characters. J.R.: “I’ve seen that look before. You go over there to get justice and you’re likely to beat him to death.” Bobby: “That’s why I need you. Help me find a way to bring him down.”

I wish the show had allowed the audience to savor the idea of J.R. and Bobby joining forces against a common enemy; instead, it cut to the scene of Ann shooting Harris, which kind of undermines any threat J.R. might pose. Then again, something tells me Mr. Ryland is going to be just fine (please note: Mitch Pileggi was added to this show’s opening credits two episodes ago), so J.R. might yet get his chance to stage his “masterpiece” against Harris. Rarely have I wanted to see anything more.

Grade: A

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Woman on the edge

‘SINS OF THE FATHER’

Season 2, Episode 3

Telecast: February 4, 2013

Writer: Bruce Rasmussen

Director: Jesse Bochco

Audience: 2.2 million viewers on February 4

Synopsis: When the police begin to suspect Pamela killed Tommy, J.R. urges Frank to betray her. After Christopher warns Becky she’s in danger, she receives a visit from Frank and disappears. At John Ross’s urging, Sue Ellen threatens to call in Elena’s loan, prompting Elena to turn to her estranged brother Drew for help striking oil. Ann tries to connect with Emma but is once again rejected. Bobby asks J.R. to help him get revenge against Harris, unaware Ann has shot him.

Cast: Amber Bartlett (Jill), Kuno Becker (Drew Ramos), Emma Bell (Emma Brown), Jordana Brewster (Elena Ramos), Patrick Duffy (Bobby Ewing), Marlene Forte (Carmen Ramos), Julie Gonzalo (Pamela Rebecca Barnes), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Josh Henderson (John Ross Ewing), Judith Light (Judith Ryland), Alex McKenna (Becky Sutter), Marcus M. Mauldin (Detective Ronnie Bota), Jesse Metcalfe (Christopher Ewing), Mitch Pileggi (Harris Ryland), Matthew Posey (Bubba), Brenda Strong (Ann Ewing), Faran Tahir (Frank Ashkani)

“Sins of the Father” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (TNT) Tagged With: Battle Lines, Brenda Strong, Bruce Rasmussen, Faran Tahir, Jesse Bochco, Jordana Brewster, Kuno Becker, Larry Hagman, Linda Gray, Marlene Forte, Mitch Pileggi, Patrick Duffy, Sins of the Father (2013), TNT

The Dallas Decoder Guide to Barnes/Ewing Romances

February 4, 2013 by Chris Baker 13 Comments

Sexy

John Ross and Pamela (Josh Henderson, Julie Gonzalo) are steaming up the screen on TNT’s “Dallas” this season. Everyone knows this isn’t the first time a Barnes and a Ewing have got involved with each other. But did you realize it’s also not the second, third or even fourth time it’s happened? Here’s a look at other Barnes/Ewing romances.

Star-crossed

BOBBY AND PAM

The Barnes: Pam (Victoria Principal), a scrappy working-class gal

The Ewing: Bobby (Patrick Duffy), playboy scion of a mega-rich oil-and-cattle clan

Met cute? Of course. When Pam was a child, her Aunt Maggie brought her to the Ewing barbecue, where pig-tailed Pam flirted with little Bobby (“Dallas: The Early Years”). When Pam and Bobby grew up, they had a whirlwind romance before their spur-of-the-moment wedding in New Orleans.

Their obstacles: How much time you got? Bobby and Pam dealt with career struggles, a kidnapping, old flames, a tabloid scandal, a messy adoption, a forged “Dear John” letter, a divorce, a remarriage, a 31-hour dream and a horrifying car crash. Of course, the biggest obstacle of all was J.R., who made breaking up the couple his life’s work.

Happily ever after? You do watch this show, right?

Scandalous

CLIFF AND SUE ELLEN

The Barnes: Cliff (Kercheval), an ambitious politician eager expose J.R.’s corruption

The Ewing: Sue Ellen (Linda Gray), J.R.’s neglected wife

Met cute? Sorta. Cliff and Sue Ellen were introduced by his friend Buzz Connors, who also happened to be the lawyer she hired to help her adopt a black market baby. (Don’t ask). Upon meeting Cliff, Sue Ellen told him, “You’re much more attractive than your reputation.” His response: “You’re far too pretty to be a Ewing.”

Their obstacles: Sue Ellen and Cliff became lovers, and she was ready to leave J.R. to be with him. But when Cliff realized their affair could ruin his political career, he dumped her.

Happily ever after? Nope. After Sue Ellen divorced J.R., she had another fling with Cliff, but the second go-round turned out no better than the first.

Sentimental

DIGGER AND MISS ELLIE

The Barnes: Digger (Keenan Wynn), washed-up wildcatter

The Ewing: Ellie (Barbara Bel Geddes), the beloved Ewing matriarch

Met cute? Perhaps. We never saw Digger and Ellie meet, but their backstory is the stuff of legend. Digger’s daddy worked for Ellie’s father, who owned the Southfork ranch. Digger and Ellie grew up on the ranch as sweethearts – until dashing Jock arrived and swept her off her feet.

Their obstacles: Bobby and Pam’s marriage brought Digger and Ellie back into each other’s lives. While Ellie was recovering from breast cancer, she drifted apart from Jock and sought comfort from Digger, who still carried a torch for her. Digger offered to whisk Ellie away, but she turned him down when she realized she still loved Jock.

Happily ever after? Hardly. Not long after Ellie and Jock reconciled, Digger drank himself to death.

Suspect

CLIFF AND JAMIE

The Barnes: Cliff, revenge-obsessed-politician-turned-revenge-obsessed-oil-executive

The Ewing: Jamie (Jenilee Harrison), a long-lost Ewing cousin

Met cute? Not really. Cliff stalked Jamie on the sidewalk, which is how he seemed to meet a lot of women.

Their obstacles: After Jamie turned up at Southfork and claimed she was owed a piece of Ewing Oil, cunning Cliff pretended to fall in love with her so he could get his hands on her share of the company. Cliff and Jamie had a quickie wedding, only to lose their court battle against the Ewings a few episodes later.

Happily ever after? Kind of, for Cliff at least. When Cliff cheated on Jamie, she left him and was killed in a rock climbing accident. Through a complicated turn of events, this meant he somehow ended up inheriting a piece of Ewing Oil anyway.

Jimmy who?!

JIMMY AND LUCY

The Barnes: Jimmy Monahan (James Canning, then Philip Levien), Cliff and Pam’s cousin; technically not a Barnes, but darn close

The Ewing: Lucy (Charlene Tilton), Jock and Ellie’s spunky granddaughter

Met cute? Yes. Pam wanted to fix up Jimmy with Lucy, but she knew her rebellious niece would never go for it. Instead, savvy Pam suggested Jimmy attend the Ewing Barbecue and act like he wasn’t interested in Lucy. It worked like a charm.

Their obstacles: Uncle Digger. Just when it looked like Jimmy was about to get lucky with Lucy in the hayloft, Digger got drunk – which meant Jimmy had to drive him home.

Happily ever after? Only as friends. After the barbecue, Jimmy helped Lucy sneak around so she could see her estranged mama Valene. He was never heard from again.

What are your favorite Barnes/Ewing romances? Share your comments below and read more “Dallas Decoder Guides.”

Filed Under: Dallas Decoder Guide to ..., Features Tagged With: Barbara Bel Geddes, Charlene Tilton, Dallas: The Early Years, James Canning, Jenilee Harrison, Josh Henderson, Julie Gonzalo, Keenan Wynn, Ken Kercheval, Linda Gray, Patrick Duffy, Philip Levien, TNT, Victoria Principal

Dallas Burning Questions: Season 2, Week 2

February 4, 2013 by Chris Baker 31 Comments

Watch your back, honey

Here are the questions we’re pondering as we await tonight’s telecast of “Sins of the Father,” TNT’s latest “Dallas” episode.

• John Ross and Pamela: What’s next? At the end of “Venomous Creatures,” the second half of last week’s two-hour season premiere, Pamela (Julie Gonzalo) agreed to give John Ross (Josh Henderson) 70 percent of her share of Ewing Energies, once she wins a piece of the company during her divorce from Christopher. John Ross and Pamela then sealed their deal by having sex. So will these two remain enemies with benefits – or are they going to develop real feelings for each other?

• Will Christopher learn the truth? Frank (Faran Tahir), Pamela’s rival at Barnes Global, secretly sent Tommy’s cell phone to Christopher (Jesse Metcalfe), who played its voice mail messages and discovered: a) Pamela threatened Tommy for pushing her too hard, and b) Tommy’s sister Becky (Alex McKenna) was part of the con against Christopher. Will Christopher discover Pamela killed Tommy and had her father’s henchmen dispose of the body?

• Is there more to Ann’s story? When Ann (Brenda Strong) was married to Harris (Mitch Pileggi), they had a daughter named Emma, who was kidnapped from her stroller at the Texas State Fair. After Harris told Ann he found Emma, Ann went to see the young woman, who coldly rejected her. Bobby (Patrick Duffy) did some digging and discovered Harris himself snatched Emma and sent her to Europe to live with his mother Judith (Judith Light). Clearly, there’s more to this story. Clue No. 1: After Emma (Emma Bell) rejected Ann, Ann began receiving injections from the Ewings’ family physician. Later, when Bobby met with Harris, Harris asked, “Did Ann ask you for a shot yet? Something to help take the edge off? That’s a slippery slope. Trust me, I’ve witnessed it firsthand.” Clue No. 2: When Bobby met Emma, he told her Harris “kidnapped you from your mother.” Emma’s cryptic response: “He saved me from my mother.” What’s really going on here?

• Should Elena be worried? After Elena (Jordana Brewster) scored a big deal for Ewing Energies, Bobby, Christopher and John Ross made her an equal partner in the company. Later, John Ross reminded J.R. (Larry Hagman) that all of Elena’s assets – including her Ewing Energies shares – are vulnerable until she repays Sue Ellen (Linda Gray) the money she borrowed from her for an earlier deal. Are J.R. and John Ross going to use Sue Ellen and Elena in their plot to take over the company?

• Are J.R. and Sue Ellen getting back together? Speaking of J.R. and Sue Ellen: After he got her off the hook with the prosecutor, J.R. showed up on her doorstep and received a sweet peck on the cheek. “If you can behave yourself, would you like to come in for some tea?” Sue Ellen asked. “I thought you’d never ask,” he said as he stepped inside. Did J.R. keep up his end of the bargain?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

Filed Under: Dallas Burning Questions, Features Tagged With: Alex McKenna, Brenda Strong, Emma Bell, Faran Tahir, Jesse Metcalfe, Jordana Brewster, Josh Henderson, Judith Light, Julie Gonzalo, Larry Hagman, Linda Gray, Mitch Pileggi, Patrick Duffy, Sins of the Father (2013), TNT, Venomous Creatures

Critique: TNT’s ‘Dallas’ Episode 12 – ‘Venomous Creatures’

January 30, 2013 by Chris Baker 43 Comments

Dallas, J.R. Ewing, Larry Hagman, TNT, Venomous Creatures

Changing course

The boldest thing about the new “Dallas” isn’t the salty language or randy sex scenes – it’s the show’s willingness to let J.R. grow as a character. Larry Hagman’s iconic villain threw audiences for a loop last year when he returned ownership of Southfork to Bobby, and he surprises us again in “Venomous Creatures” when he fights to keep Sue Ellen out of jail. No one expects “Dallas” to turn J.R. into a full-fledged hero before he heads into the sunset later this season, but you must admit: Every time he becomes a better man, this becomes a better show.

Aaron Allen’s “Venomous Creatures” script gives Hagman some of his richest material since the new “Dallas” began, and the actor makes the most of it. J.R.’s most revealing moment in this episode comes near the top of the hour, when he tries to buck up Sue Ellen after her electoral defeat. “The best decision you ever made was the day you walked away from me,” J.R. tells her before ticking off a list of her achievements since their divorce. When Sue Ellen informs him the state prosecutor wants to indict her in the bribery scandal, he offers to intervene on her behalf, but she refuses. “I broke the law, and I wouldn’t learn my lesson if I tried to squirm out of this,” she says. J.R.’s winking response: “That’s why you have me, darlin’. I never learn my lesson.”

You don’t have to be a fan of the original “Dallas” to appreciate what’s happening here, but it helps. J.R. Ewing, the scoundrel who once tossed his wife into a sanitarium, has become the savior who’s eager to fight for her freedom. This isn’t the first time we’ve seen him use his power to help someone else, nor is it the first demonstration of the love J.R. feels for Sue Ellen (who has experienced her own share of changes over the years). J.R. had moments like these on the old show too, but they occur more frequently now. This makes J.R. more sympathetic, but it also makes him more believable. It’s as if time and circumstance have humbled him, the way they would any man who has lived a life like his. No matter what J.R. says, he has learned a lesson or two.

By embracing J.R.’s softer side, “Dallas” is taking a creative risk. For almost 35 years, this has been the villain audiences love to hate. Do fans want to see him acting heroically? I hope so. If nothing else, J.R. and Sue Ellen’s “Venomous Creatures” scenes – including the infinitely sweet moment when he shows up on her doorstep and receives that peck on the cheek – allow the new show to capitalize on the radiant warmth between Hagman and Linda Gray. And does it really matter if J.R. is using his power for good or evil? Isn’t seeing him triumph the thing we enjoy most?

Besides, it’s not like all the devilry has been exorcised from this character. J.R. keeps Sue Ellen out of jail not by hiring an army of lawyers to defend her, but by blackmailing the prosecutor into letting her off the hook. “Venomous Creatures” also shows him urging John Ross to embrace his dark side, including that delicious scene before the opening credits when J.R. finds his embittered son watching Christopher and Elena canoodling in the Southfork driveway. “Love. Hate. Jealousy. Mix ’em up and they make a mean martini,” J.R. says.

Later, in my favorite scene from “Venomous Creatures,” J.R. reminds Julie Gonzalo’s character of his track record when it comes to ridding his family of women named Pamela Barnes. This is a wonderful homage to one of the all-time great “Dallas” rivalries, but it also offers another hint of how J.R. has changed. When he tells Pamela to stay away from Ewing Energies and she points out he isn’t “part of that company,” he responds: “No, but I’m part of that family.” Usually when J.R. claims he’s protecting the Ewings, he doesn’t mean it. This time, I believe he does.

Hagman supplies “Venomous Creatures” with most of its great moments, but not all of them. The sequence where John Ross storms off the elevator to get to Pamela is electric, evoking the famous “Body Heat” scene where William Hurt smashes the window to get to Kathleen Turner. Pairing J.R.’s son and Cliff’s daughter is inspired, and it doesn’t hurt that Josh Henderson and Julie Gonzalo have undeniable chemistry. I also love how director Steve Robin stages the beginning of the scene, with the two characters circling the room – never taking their eyes off each other – as they dicker over the terms of their alliance. Also: How great is it that Pamela is the one who summons John Ross back to the penthouse to, um, seal their deal?

More highlights: The crosscutting in the scenes between Sue Ellen and Ann at Southfork and J.R. and the prosecutor on the golf course is beautifully executed. I especially love when Sue Ellen compares being tempted by the glass of wine to the temptation to allow J.R. rescue her (“For the first time in his damn life, J.R. was the lesser of two evils”). Meanwhile, Jesse Metcalfe and Jordana Brewster continue to charm as super-couple-in-the-making Christopher and Elena, even if the outcome of his annulment hearing defies logic.

The other fun moment in “Venomous Creatures” is the introduction of Judith Light’s character, Judith Brown Ryland. In my interview last week with Allen, the “Venomous Creatures” scriptwriter, he predicted “Dallas” fans will love watching Light “swing for the fences” with this role. I don’t doubt it. Light is irresistibly watchable in her “Dallas” debut, but she’s not the only reason this scene works. Pay attention to Patrick Duffy, who keeps Bobby’s confrontation with Judith rooted in reality. Our hero’s indignation is righteous, but it’s also nicely measured.

It takes a great actor to hold his own against a scene-stealer like Light, but if anyone is up to the task, it’s Duffy. He’s certainly had plenty of practice.

Grade: A

_______________________________________________________________________________________________________________________________________________

Swing!

‘VENOMOUS CREATURES’

Season 2, Episode 2

Telecast: January 28, 2013

Writer: Aaron Allen

Director: Steve Robin

Audience: 2.9 million viewers on January 28

Synopsis: Following Sue Ellen’s defeat in the gubernatorial race, the state prosecutor threatens to indict her, but J.R. blackmails him into letting her off the hook. After the Ewings agree to make Elena a full partner in Ewing Energies, Pamela and John Ross become lovers and form a secret alliance to snag a piece of Christopher’s share during the divorce. Christopher discovers Becky was part of Pamela and Tommy’s con. Bobby learns Emma was kidnapped by Harris and raised by his mother, Judith Brown Ryland.

Cast: Amber Bartlett (Jill), Devin Bonnée (courier), Jordana Brewster (Elena Ramos), Akai Draco (Sheriff Derrick), Patrick Duffy (Bobby Ewing), Julie Gonzalo (Pamela Barnes), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Josh Henderson (John Ross Ewing), Jason Kravitz (Pamela’s lawyer), Judith Light (Judith Ryland), Alex McKenna (Becky Sutter), Jesse Metcalfe (Christopher Ewing), Liz Mikel (Judge Rhonda Mason), Natalie Quintanilla (John Ross’s secretary), Brenda Strong (Ann Ewing), Faran Tahir (Frank Ashkani), Todd Terry (State’s Attorney Peter Bedford)

“Venomous Creatures” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (TNT), Opinion Tagged With: Aaron Allen, Jesse Metcalfe, Jordana Brewster, Josh Henderson, Judith Light, Julie Gonzalo, Larry Hagman, Patrick Duffy, Steve Robin, Venomous Creatures

TNT’s Dallas Scene of the Day: ‘Cliff Barnes is My Father’

January 29, 2013 by Chris Baker 17 Comments

Battle Lines, Dallas, Julie Gonzalo, Pamela Rebecca Barnes, Rebecca Sutter

Daddy’s girl

In “Battle Lines,” “Dallas’s” second-season opener, Frank (Faran Tahir) escorts Bobby and Christopher (Patrick Duffy, Jesse Metcalfe) into the Barnes Global boardroom, where Pamela (Julie Gonzalo) awaits them.

CHRISTOPHER: What the hell’s going on, Rebecca?

PAMELA: I should probably introduce myself. My middle name is Rebecca. When I was a little girl, that’s what my mother called me. But my father, he likes to call me by my first name. By my aunt’s name: Pamela. My full name is Pamela Rebecca Barnes. Cliff Barnes is my father.

CHRISTOPHER: He’s your what?

PAMELA: [To Bobby] I’m Afton’s daughter. I changed my name to Rebecca Sutter because of my father.

BOBBY: Because your crazy father is stuck in a feud that should have ended decades ago.

PAMELA: Because I knew the burden my name would be with your family. Like it was with you and my aunt. I fell in love with you, Christopher. The truth is, I would have done anything for you. But sadly, I think we’re past any declarations of love we may have once had for each other. So let’s just get to the point. I have no interest in money. My father can buy and sell you many times over. What I want is for my children to have a father in their lives. I never did growing up. And I’m afraid that’s made me do a great many stupid things in life.

CHRISTOPHER: Like conning me. And lying to me. Listen, I told you, you’re never going to see those babies. I promise you.

PAMELA: I’d like to make you an offer. I keep primary custody of the children, but you can see them every day.

BOBBY: You screw over my son, and then you want to make an offer? You certainly are your father’s daughter.

PAMELA: My father thinks – and I agree with him – that since we were married when you created Ewing Energies that I should get a part of it. I would like 30 percent of your ownership. You must know that if we go to divorce court –

CHRISTOPHER: Our marriage was a fraud and it will be annulled. And an annulment will get you no part of my family’s company. The fact that you kept from me that you’re Cliff Barnes’s daughter proves that our marriage was a sham from the start.

PAMELA: If you don’t take my deal now, I will go to court and fight you with the full weight of my father’s power. And I think you know that destroying the Ewings means everything to him.

CHRISTOPHER: You’re out of your mind. And you’d better come at me with everything you’ve got. Because I’m going to take you down.

Filed Under: Dallas Scenes of the Day, Dallas Scenes of the Day (TNT), Features Tagged With: Battle Lines (2013), Faran Tahir, Jesse Metcalfe, Julie Gonzalo, Patrick Duffy, TNT

Critique: TNT’s ‘Dallas’ Episode 11 – ‘Battle Lines’

January 29, 2013 by Chris Baker 36 Comments

Battle Lines, Dallas, J.R. Ewing, Larry Hagman, TNT

The last hurrah

“Battle Lines” is the first hour of the new “Dallas’s” second season and the beginning of Larry Hagman’s last hurrah as J.R. Ewing. The actor filmed this episode about two months before his death last fall, but you wouldn’t know he was nearing the end of his life by watching him here. Hagman looks thin and sounds a little raspy, but the light in his eyes hasn’t dimmed. Not one bit.

J.R. appears four times in “Battle Lines.” Predictably, they are the best scenes in the episode. In the first, John Ross strides through the reception area at Ewing Energies and is greeted by his assistant, who apologizes for the unexpected visitor waiting for him in his office. “Don’t worry about it. I know how slippery snakes can be,” John Ross says, and as he enters the room, we find J.R. with his boots propped up on junior’s desk. “Is that any way to talk about your father?” the old man asks with a smirk.

The first time I watched “Battle Lines” and saw Hagman sitting there, I almost got teary. But as the scene played out, with J.R. and John Ross plotting against Bobby and Christopher, I saw how much fun Hagman seemed to be having, and pretty soon, I was enjoying the ride. J.R.’s dialogue is a little corny (“Just remember my boy, vengeance is a dish best served cold”), but that’s OK. What J.R. says has never mattered as much as how Hagman says it, and his delivery here is flawless. Every line drips with equal parts honey and venom.

Hagman also supplies “Battle Lines” with its most poignant moment, when J.R. hangs his head in sorrow after watching the TV news report about Sue Ellen’s Election Day scandal. The actor also gets two scenes with Patrick Duffy, and both sequences cast J.R. as the impolitic octogenarian and Bobby as his eye-rolling straight man. Here’s J.R. explaining the reason for his visit to Ewing Energies: “I came over to deliver some muffins to the pretty little secretaries. Who could’ve guessed so many would turn out to be men?” And here he is offering his prescription for dealing with Cliff Barnes: “We should hire some roughnecks, take him for a long ride.” Cue Bobby’s exasperated reaction, and then J.R.’s kicker: “I’m just putting it on the table, Bobby.”

But even though Hagman is the best thing about “Battle Lines,” he isn’t the only good thing. Josh Henderson looks like he’s having as much fun as his on-screen daddy, although if the younger actor feels any temptation to imitate Hagman, he’s wisely resisting it. Hagman swaggers, but Henderson struts. J.R. is confident, but John Ross is cocky. Both actors have charm to spare, but Henderson is giving John Ross his own brand of cool. He gives me hope for the post-J.R. era of “Dallas.”

The other actor to watch in “Battle Lines” is Julie Gonzalo, who transforms desperate Rebecca into driven Pamela. Gonzalo gets an assist from costume designer Rachel Sage Kunin, who has skillfully traded Rebecca’s cheery dresses for Pamela’s dark suits, but the wardrobe change isn’t the only reason this metamorphosis succeeds. Gonzalo now carries herself with unflinching resolve, although she offers enough of a hint of vulnerability to suggest Pamela’s quest for revenge has more to do with her own broken heart than her daddy’s vendetta against the Ewings. It’s a clever performance.

I also appreciate the classic “Dallas” shorthand that Cynthia Cidre and Robert Rovner drop into their “Battle Lines” script, including Pamela’s references to her namesake aunt and mother Afton, as well as the mention of Westar during Elena’s business meeting. (And is that the old Oil Baron’s Club building I spot through the office window in that scene?) The other “Battle Lines” highlights are Christopher and Elena’s sexy romp in the Southfork swimming pool (turns out the new show’s first pool scene was worth the wait), and the introduction of Christopher’s racecar subplot, which is an intriguing way to continue last season’s alternative fuels saga. I also like this story because it gives the underappreciated Jesse Metcalfe something to do besides reacting to Henderson. Metcalfe looks like he’s having a lot of fun in those racetrack scenes. Isn’t it nice to see Christopher smile for a change?

Not everything in “Battle Lines” works. Director Michael M. Robin does a nice job bringing the sleek Ewing Energies set to life, but the CGI skyline outside the windows looks, well, like CGI. (I’m not buying that logo on the outside of the Barnes Global building either.) More bothersome: the plot holes in Brenda Strong’s storyline. I’m glad we now know Ann’s secret – when she was married to Harris, they had a daughter who was snatched from her stroller at the Texas State Fair – although I’m not sure why Ann kept this from Bobby, or why Bobby wouldn’t know in the first place. Don’t the Ewings ever check out the people they marry?

The revelation of Sue Ellen’s blackmail scheme doesn’t ring true either. She learns the medical examiner has ratted her out while watching a TV news report that includes a sound bite from her gubernatorial opponent’s camp. Shouldn’t the reporter have contacted Sue Ellen for comment too? And while we’re on this subject: I had hoped Sue Ellen’s campaign would become a metaphor for the character’s redemption after her scandalous behavior on the old show. Imagine if the car accident that led to Mickey Trotter’s death had become Sue Ellen’s Chappaquiddick, or if the new series had used her past affairs to say something about the double standard that so many women politicians encounter in real life. Think about what Linda Gray could have done with material like that.

Or maybe don’t think about it. Season premieres are about moving forward, and that’s what “Battle Lines” does. This episode feels like the work of storytellers who are more confident than they were at the outset of last season. They seem to have a better understanding of what they want “Dallas” to be, and also what diehards like me want to see. More and more, those things don’t seem mutually exclusive.

Grade: B

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Revelations

‘BATTLE LINES’

Season 2, Episode 1

Telecast: January 28, 2013

Writers: Cynthia Cidre and Robert Rovner

Director: Michael M. Robin

Audience: 2.9 million viewers on January 28

Synopsis: Rebecca reveals she is Pamela Rebecca Barnes, Cliff and Afton’s daughter, and tells Christopher she wants partial ownership of Ewing Energies. Christopher brings Tommy’s sister Becky to Dallas to testify at his annulment hearing, but she secretly aligns with John Ross, who wants to use Pamela and Becky to maneuver Christopher out of the company. Ann tells Bobby she and Harris have a daughter, Emma, who was kidnapped as a child, but when Ann tracks down the young woman, Emma rejects her. Sue Ellen’s blackmail scheme is exposed on Election Day.

Cast: Amir Arison (Dr. Varun Rasmussen), Emma Bell (Emma), Jordana Brewster (Elena Ramos), Brett Brock (Clyde Marshall), Caitlin Custer (Brandee Cartwell), Jason Douglas (Erik Allen), Patrick Duffy (Bobby Ewing), Marlene Forte (Carmen Ramos), Julie Gonzalo (Pamela Barnes), Eddie Gossage (himself), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Josh Henderson (John Ross Ewing), Sean Hennigan (Robert Cartwell), Jesse Metcalfe (Christopher Ewing), Alex McKenna (Becky Sutter), Glenn Morshower (Lou Bergen), Tammy Nguyen (Charlotte), Marco Perella (Mark), Mitch Pileggi (Harris Ryland), Natalie Quintanilla (John Ross’s secretary), Ricky Rudd (himself), Brenda Strong (Ann Ewing), Faran Tahir (Frank Ashkani)

“Battle Lines” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (TNT), Opinion Tagged With: Battle Lines (2013), Cynthia Cidre, Jesse Metcalfe, Josh Henderson, Julie Gonzalo, Larry Hagman, Linda Gray, Michael S. Robin, Patrick Duffy, Rachel Sage Kunin, Robert Rovner

The Dallas Decoder Guide to Pamela’s Mother, Afton Cooper

January 28, 2013 by Chris Baker 16 Comments

In “Battle Lines,” the first episode of the new “Dallas’s” second season, Pamela (Julie Gonzalo) reveals she’s the daughter of Cliff and Afton, portrayed by Ken Kercheval and Audrey Landers in the original series. Everyone knows Cliff’s story, but how well do you remember Afton? Here’s a refresher.

Hussy

She started off as J.R.’s gal. Afton, a Mississippi girl of modest means, came to Southfork in 1981 to attend the wedding of her brother Mitch (Leigh McCloskey) to Lucy Ewing (Charlene Tilton). J.R. (Larry Hagman) was instantly smitten with hot-to-trot Afton – and the feeling was mutual. In fact, Afton was so fascinated with J.R., she slept with him during the wedding reception – in the bed he shared with Sue Ellen! Not cool, Afton!

Heroine

With Cliff, Afton found true love. J.R. made Afton spy on his nemesis Cliff (Ken Kercheval), but she ended up falling in love with the poor schmuck. She quit working for J.R., ditched the bad girl act and became Cliff’s main squeeze, sticking by him through thick and thin. Although Cliff often took Afton for granted, she’d do anything for him. Once, she even slept with a creepy refinery owner to help Cliff seal a big deal. That’s love, people.

Pam’s pal

Afton and Pam: BFFs. As Cliff’s steady girlfriend, Afton grew close to his mom Rebecca (Priscilla Pointer) and sister Pam (Victoria Principal). But wise Afton was always suspicious of Cliff and Pam’s half-sister Katherine (Morgan Brittany). When she realized Katherine was trying to steal Bobby (Patrick Duffy), Afton warned Pam and everyone else, but no one took her seriously. Silly Barneses. When Afton speaks, you ought to listen!

Best of enemies

Afton and Sue Ellen: Not BFFs. When Cliff began to fall in love with Sue Ellen (Linda Gray) again, Afton didn’t take it lying down. In one of the classic “Dallas” showdowns, she confronted Sue Ellen and told her to stay away from Cliff. Afton: “We both do seem to have the same taste in men.” Sue Ellen: “The fact that you were sleeping with my ex-husband doesn’t mean we have the same taste in anything.” She’s got you there, Afton.

Saving the day … again

Bobby’s savior. When Afton went to the Ewing Oil offices late one night to confront J.R. over his latest scheme against Cliff, J.R. was nowhere to be found – but Bobby was bleeding on the floor! (He’d been shot by Katherine. See what I mean about Afton always being right?) She called an ambulance for Bobby – and then she went home, packed her bags and left town to get away from these drama addicts. This was her smartest move yet.

Otherwise engaged

Mommy? Yes. Wifey? No. A few years after she left him, Cliff discovered Afton had become a single mom to an adorable moppet named Pamela Rebecca (Jenna Pangburn). He became convinced the child was his and proposed to Afton, but she lied and told him another man was the father. Afton feared Cliff was still obsessed with the Ewings, and she didn’t want him anywhere near their daughter. Once again, Afton was right.

What pipes!

Oh, and girlfriend can sing too! You know how TNT’s “Dallas” features pop music and everyone thinks it’s so cool? Well, before Adele and Johnny Cash began supplying the Ewings with their own personal soundtrack, that was Afton’s job. She worked as a singer, which gave “Dallas” a clever excuse to showcase Landers’ gorgeous voice. Landers wrote the songs she performed on the show, including Afton’s signature, “Steal Me Away.”

Who’s that girl?

Nothing to see here. Move along. The 1996 reunion flick “J.R. Returns” ends with Cliff finally giving up his fight with J.R. and reuniting with Afton and the teenaged Pamela Rebecca (Deborah Kellner). It now seems like the events of this movie didn’t really happen (was it another one of Pam’s dreams?), but fear not: Maybe Afton will get another shot at a happy ending when she visits the new “Dallas” later this season.

What do you remember about Afton Cooper? Share your comments below and read more “Dallas Decoder Guides.”

Filed Under: Dallas Decoder Guide to ..., Features Tagged With: Audrey Landers, Battle Lines (2013), Charlene Tilton, Deborah Kellner, J.R. Returns, Jenna Pangburn, Julie Gonzalo, Ken Kercheval, Larry Hagman, Leigh McCloskey, Linda Gray, Morgan Brittany, Patrick Duffy, Priscilla Pointer, TNT, Victoria Principal

Dallas Burning Questions: Season 2, Week 1

January 28, 2013 by Chris Baker 28 Comments

Flame on!

Here are the questions we’re pondering as we await tonight’s telecast of “Battle Lines” and “Venomous Creatures,” the first two episodes of “Dallas’s” second season:

• What’s Pamela’s plan? At the end of “Revelations,” the first-season finale, Rebecca (Julie Gonzalo) went to an airport hanger to meet with the mastermind behind her scheme against Christopher: her father … Cliff Barnes (Ken Kercheval)! Showrunner Cynthia Cidre has since confirmed Rebecca Sutter Ewing is really Pamela Rebecca Barnes, the daughter Cliff and Afton conceived during the original “Dallas’s” run. Pamela promised Cliff she wouldn’t lose focus, and as he boarded his jet, his henchman Frank (Faran Tahir) turned to Pamela and asked, “So what’s our first move, Miss Barnes?” Good question, Frank.

• Ewing Energies: How’s that working out? As the battle for Southfork ended, John Ross (Josh Henderson), Christopher (Jesse Metcalfe) and Elena (Jordana Brewster) formed a startup with Bobby (Patrick Duffy): Ewing Energies. Things were going well until Elena discovered John Ross’s duplicities, broke off their engagement and resumed her romance with Christopher. Now that Christopher and Elena are back together, how awkward are things going to be around the Ewing Energies watercooler?

• What’s Ann’s secret? This was one of the few storylines that “Dallas” didn’t get around to wrapping up last season. Here’s what we know: Ann’s ex-husband Harris (Mitch Pileggi) knows what she’s hiding and gave Bobby an envelope with evidence that would supposedly reveal everything – but Bobby tossed the envelope into the Southfork fireplace. As it burned, we saw a photo of Ann (Brenda Strong) holding a child. Harris also sent Ann a locket that made her cry. What’s it all mean?

• Will Sue Ellen win the election? When John Ross was falsely accused of murder, Sue Ellen (Linda Gray) blackmailed a medical examiner to alter the evidence against her son so he could get out of jail. Meanwhile, when Harris tried to blackmail Sue Ellen, Ann secretly recorded him confessing to his crimes and gave the recording to Sue Ellen. Will gubernatorial candidate Sue Ellen make it through the rest of the campaign with these secrets intact?

• More questions: Will anyone discover Pamela shot and killed Tommy, her accomplice in the scheme against Christopher? Is Tommy’s sister Becky (Alex McKenna) still trying to get ahold of him? And J.R. (Larry Hagman) was looking awfully sneaky when the season ended. What’s he up to?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

Filed Under: Dallas Burning Questions, Features Tagged With: Alex McKenna, Battle Lines (2013), Brenda Strong, Cynthia Cidre, Faran Tahir, Jesse Metcalfe, Jordana Brewster, Josh Henderson, Julie Gonzalo, Ken Kercheval, Larry Hagman, Linda Gray, Mitch Pileggi, Patrick Duffy, Revelations, TNT, Venomous Creatures

‘Dallas’s’ Second Season Gets Off to a Promising Start

January 25, 2013 by Chris Baker 20 Comments

Dallas, John Ross Ewing, Josh Henderson, J.R. Ewing, Larry Hagman, TNT

Lessons learned

At one point during “Dallas’s” second-season premiere, J.R. offers Sue Ellen a sly grin and declares, “I never learn my lesson.” Maybe not, but the people who make “Dallas” seem to have learned theirs. This has been a good show from the beginning, but diehards like me couldn’t help but feel bothered by some of the historical flubs in the first-season plotlines (don’t get us started on those Southfork mineral rights) or the fact that our beloved Linda Gray was missing from two whole episodes.

Thankfully, those days appear to be over. The two-hour premiere, which TNT will telecast Monday, January 28, does a nice job giving “Dallas” devotees the stuff we crave. The first shot of the first scene is none other than Sue Ellen – a signal, I hope, that Gray will have a prominent role this year. The opener also offers the first Southfork swimming pool scene in 22 years, references to two long-unseen “Dallas” characters, and a fleeting-but-much-appreciated mention of an institution that was significant to the old show’s mythology. Someone’s been doing their homework.

Best of all, J.R. gets lots of screen time in the extended premiere, which is actually two one-hour episodes (“Battle Lines” and “Venomous Creatures”) that TNT will telecast back-to-back. Larry Hagman filmed a handful of episodes before his death last November, and in these first two hours, he’s as great as ever. Hagman’s scenes with Patrick Duffy will make you chuckle, while his exchanges with Gray will leave you reaching for the tissues. The magic is still there.

Of course, as much as I love watching my old favorites, it’s also good to see “Dallas” cultivating its next generation of stars. Josh Henderson has become a worthy heir to Hagman’s badassery, although he now has competition from an unexpected source: Julie Gonzalo, who is a hellion in heels as Cliff’s vengeful daughter. I’m also pleased to report the premiere gives Jordana Brewster some meaningful scenes. Brewster remains one of the best actors in this ensemble; she makes Elena feel like the kind of person you might know in real life, which – let’s face it – doesn’t always happen on shows like this. Henderson and Gonzalo might get the juicy lines, but Brewster and Jesse Metcalfe, her equally good leading man, keep “Dallas” grounded.

The premiere also establishes the battle for Ewing Energies as the season’s main story arc and introduces us to the sleek Ewing Energies set, which looks absolutely nothing like the offices seen on the old show. (Please note: This isn’t a complaint.) A nifty subplot focuses on Christopher’s foray into racecar driving, and we also learn Ann’s dark secret, a storyline that has more than a few holes but nonetheless offers a nice showcase for Brenda Strong.

Other highlights include our first glimpse of the mysterious new character Emma Brown, played by Emma Bell, who was so memorable as the doomed Amy on “The Walking Dead.” (I wonder: Does Bell find zombies or Ewings more cannibalistic?) We also meet Harris Ryland’s mother Judith, played to the hilt by Judith Light. Yes, Light is only three years older than Mitch Pileggi, who plays Harris. It’s too early to know if audiences are going to buy this, but if anyone can pull it off, it’s Light.

The real question is how “Dallas” will fare once it runs out of episodes featuring Hagman. This week, TV Guide reported the show will write out its star with a “Who Killed J.R.?” mystery that will echo the old “Dallas’s” most famous cliffhanger. Whether or not this idea is really brilliant or really lousy will depend on the execution, but it’s a good sign the show is bringing back so many favorites for J.R.’s funeral and memorial service. The guest list will include Deborah Shelton, who played J.R.’s longest-running (three seasons!) mistress Mandy, and Cathy Podewell, who portrayed his second wife Cally, along with four characters who require no explanation: Gary (Ted Shackleford), Lucy (Charlene Tilton), Ray (Steve Kanaly) and Cliff (Ken Kercheval).

This group includes some of “Dallas’s” most iconic figures. Watching them come together to mourn – or celebrate – the death of the biggest icon of all is bound to be great television. It will never satisfy all of “Dallas’s” hardcore fans, but you have to hand it to the people who make the show. At least they’re trying.

What do you want to see during “Dallas’s” second season? Share your comments below and read more opinions from Dallas Decoder.