Dallas Parallels: The Good Husband

October 22, 2012 by 18 Comments

The original “Dallas’s” pilot, “Digger’s Daughter,” opens with Bobby and Pam racing home to Southfork after their spur-of-the-moment elopement in New Orleans. Later, J.R. hints his younger brother doesn’t know his new wife as well as he should – a suggestion Bobby flatly rejects. As he declares in the episode’s final scene, “Pamela’s past is none of my business. She was not my wife in the past – but she is now.”

Looking back, I can’t help but think maybe J.R. had a point. Don’t get me wrong: Bobby and Pam’s love story was written in the stars, but throughout their marriage – er, marriages – Bobby seems to be constantly finding out things about Pam he didn’t know.

Examples: In Season 2, Bobby is surprised to learn she was married to another man before him. In Season 4, he’s shocked to find out she came this close to having an affair. In Season 11, Bobby is stunned when Pam, after being badly burned in a car crash, runs away to spare him the indignity of having a wife who isn’t pretty.

You have to wonder: Would these two have benefitted from a longer engagement?

History seems to be repeating itself on TNT’s “Dallas.” Bobby and third wife Ann have been married for several years when the new series opens, but it’s clear he doesn’t know her as well as he thought.

It begins in “The Enemy of My Enemy,” when Bobby finds Ann sobbing on the Southfork patio after receiving a mysterious locket from her ex-husband Harris Ryland. Bobby, ever the hothead, goes charging into Ryland’s office, grabs him by the lapels and backhands him.

This recalls the scene in the classic show’s second-season episode “Double Wedding,” when Bobby angrily confronts Pam’s first husband Ed Haynes, whose sudden return rattles her as much as the locket upsets Ann. Bobby is just as angry with Haynes as he is with Ryland, and both scenes end with Bobby jabbing a finger in the other man’s face and delivering an ultimatum (To Haynes: “I want you out of Dallas!” To Ryland: “You stay away from Ann!”).

In “Collateral Damage,” TNT’s next episode, after Ryland has Bobby arrested for assault, Bobby follows his lawyer’s advice and begrudgingly apologizes. But Ryland has a trick up his sleeve: He tells Bobby that Ann is “holding something back” and hands him an envelope. “Take a look inside,” Ryland says. “Come to your own conclusions. There’s a lot about Annie you don’t know.”

Here, we see parallels to the older show’s fourth-season episode “The New Mrs. Ewing,” when Bobby confronts Alex Ward, the magazine publisher who has been wooing Pam. Both scenes take place in the other man’s office, both suggest the other man has a sexist attitude toward his secretary (Ward calls his “hon,” Ryland refers to his as “dear”) and during both confrontations, Bobby threatens to pulverize the other man. (To Ward: “I’ll beat the hell out of you.” To Ryland: “I will beat you into next Sunday.”)

Most importantly, both scenes end with the other man turning the tables on Bobby. Just as Bobby is unsettled by Ryland’s envelope, he’s unnerved when Ward suggests Pam wanted to sleep with him because she felt neglected.

Bobby and Pam’s relationship survived her flirtation with Ward, and my guess is Bobby and Ann are going to be fine too. In the closing moments of “Collateral Damage,” Bobby shows Ann the envelope from Ryland. “I don’t need to open this,” Bobby says as he sets it aside and touches his wife’s face. “Everything I need to know about you is right here.”

The line evokes memories of Bobby’s “Digger’s Daughter” declaration that Pam’s past is “none of my business.” It also reminds us: On “Dallas,” some things never change.

Thank goodness.

 

‘She Needed Me’

Smug

In “The New Mrs. Ewing,” a fourth-season “Dallas” episode, Bobby (Patrick Duffy) bursts into the office of Alex Ward (Joel Fabiani) as Ward’s secretary is leaving.

WARD: [To the secretary] It’s all right, hon. Go out and close the door please. [To Bobby] What are you doing here?

BOBBY: I just came to tell you to stay away from my wife. You’ve been chasing her. I want you to stop it right now.

WARD: I don’t deny that I find your wife attractive. And I also admit that I tried my very best to charm her [stands up, faces Bobby]. But only because I felt she needed me. If I hadn’t felt that way, I never would have raised an eyebrow. I don’t play games I don’t feel I can win.

BOBBY: Listen you phony, my wife is not first prize in some game. Now I’m warning you: Stay away from her. This time I’m talking. Next time, I’ll beat the hell out of you.

WARD: If you’re really concerned about your wife, let me make a suggestion: Talk to her. I made my move only because I knew there was something wrong with your marriage [walks to the door, holds it open for Bobby]. After all, she’d never have even looked at me if there hadn’t been.

 

‘She’s Holding Something Back’

Smarmy

In “Collateral Damage,” TNT’s seventh “Dallas” episode, Bobby (Patrick Duffy) is seated across from Harris Ryland (Mitch Pileggi) at the desk in Ryland’s office.

RYLAND: Getting the police involved, I hate stooping to that. It’s an ugly gesture. I apologize.

BOBBY: If by “ugly” you mean “cowardly,” then yes, it was very ugly.

RYLAND: Then if you’re not here to apologize, I’m afraid it’s going to have to be a necessary gesture.

BOBBY: It’s not necessary, Harris. I apologize.

RYLAND: [Picks up the phone] Linda, call my lawyer. Tell him I want to drop all charges against Mr. Ewing. Yeah, thank you dear [hangs up the phone]. See? It was painless.

BOBBY: I want to be very clear, Harris. My apology doesn’t mean I take back what I did. You mess with my wife in any way, and I will beat you into next Sunday.

RYLAND: Not if you’re smart, you won’t.

BOBBY: I was more than ready to go to court. But I didn’t want to drag it out and cause my wife more pain – pain you are responsible for.

RYLAND: You know, I thought you might come asking. So, here you go. [He retrieves an envelope from a nearby cabinet and tries to hand it to Bobby. When Bobby doesn’t take it, Ryland drops it on the desk.] That’s why you’re here, isn’t it? To find out what kind of person your wife really is.

BOBBY: [Stands] I know what kind of person my wife really is.

RYLAND: She’s holding something back – and you wanna know what. [Slides the envelope across the desk] Here’s your what. Why don’t you go ahead and take a look inside. Come to your own conclusions. There’s a lot about Annie you don’t know.

What do you think of Bobby’s confrontations with the other men in his wives’ lives? Share your comments below and read more “Dallas Parallels.”

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Dallas Parallels: ‘Power’ Tips

October 15, 2012 by 8 Comments

Few moments during TNT’s first “Dallas” season made me smile as much as the scene where J.R. tells John Ross, “Real power is something you take.” This was more than a great line – it was also a tribute to one of the old show’s classic sequences.

In the fourth-season episode “Executive Wife,” Bobby storms into the Cattleman’s Club and interrupts Jock’s lunch with J.R. and a couple of their buddies. The youngest Ewing son is furious because he just discovered Jock yanked millions of dollars out of the Ewing Oil coffers without telling him, even though Bobby is supposed to be running the business while J.R. recuperates from his shooting.

“You gave me the power to run that company, and damn it, I intend to run it,” Bobby fumes.

“So I gave you power, huh?” Jock huffs. “Well, let me tell you something, boy. If I did give you power, you got nothing. Nobody gives you power. Real power is something you take!”

Flash forward three decades: In the TNT episode “The Price You Pay,” J.R. delivers the “real power” line during a clandestine meeting with John Ross at Southfork, where father and son are secretly plotting to steal the ranch from Bobby. J.R. calls it the “truest thing” his daddy ever told him. (Technically Jock told Bobby, but let’s not quibble.)

In addition to evoking Jock’s philosophy, the new scene is staged a lot like the old one. Director Michael M. Robin looks over Josh Henderson’s shoulder when he films Larry Hagman, just as Leonard Katzman shot Jim Davis while looking over Patrick Duffy’s shoulder.

But ultimately, the differences between the scenes are more revealing than the similarities. Jock delivers his “real power” line with characteristic bluntness while standing in a public space, reflecting his unapologetic, tell-it-like-it-is style. Jock was barracuda in business – and he didn’t care who knew it.

J.R. is much more cunning. He plots against his enemies behind their backs, so he shares his “real power” tip with John Ross while they are alone, shrouded in the darkness of J.R.’s bedroom. Even J.R.’s wardrobe reflects his deceptive style: He wears a cardigan sweater because he wants to give everyone the impression he’s become warm and fuzzy in old age. (Ha!)

Of course, regardless of whether the words are yelled or whispered, they still mean the same thing. Jock and J.R. are both demanding fathers who only want the best for their sons. By telling them to go out into the world and seize power for themselves, the fathers are letting the sons know they care.

It’s a tough message and it’s tough love, but it’s love nonetheless. Would the Ewings have it any other way?

 

‘Nobody Gives You Power …’

Like daddy …

In “Executive Wife,” a fourth-season “Dallas” episode, Bobby (Patrick Duffy) enters the Cattlemen’s Club and begins questioning J.R. (Larry Hagman) about Jock’s business deal, while Jock (Jim Davis) looks on.

JOCK: Now, you just hold on Bobby. J.R. don’t discuss my business with you or anybody else unless I tell him. You understand?

BOBBY: OK Daddy, then why didn’t you tell me? Didn’t you think I should know?

JOCK: I was gonna tell you tonight.

BOBBY: Tonight? I want those kind of things discussed with me before you act, not after. Your dealing behind my back is making me look like a fool.

JOCK: Now just what the hell are you talking about?

BOBBY: I called Les at the bank and asked him to transfer $12 million from the account.

JOCK: So what? We’ve got 100 times that much.

BOBBY: I’m talking liquid assets. Cash, Daddy, cash – and we don’t have that amount. And you know why? Because you took $10 million.

JOCK: [Rises from his seat, faces Bobby] You damn right I took it. It’s mine.

BOBBY: That money belongs to Ewing Oil.

JOCK: And who in the hell do you think Ewing Oil is? It’s me! Ewing Oil belongs to me and don’t you forget it, boy.

BOBBY: And you gave me Ewing Oil to run, in writing. And that makes you obliged to consult me before you do anything that concerns that company.

JOCK: Obliged? You’re telling me that I’m obliged to ask you how to spend my own money any damn way I see fit?

BOBBY: That’s right. You gave me the power to run that company, and damn it, I intend to run it.

JOCK: So I gave you power, huh? Well, let me tell you something, boy. If I did give you power, you got nothing. Nobody gives you power. Real power is something you take.

BOBBY: Well, I’m gonna remember that.

JOCK: You do that.

Bobby walks away.

 

‘… Real Power is Something You Take’

… like son

In “The Price You Pay,” TNT’s third “Dallas” episode, J.R. (Larry Hagman) shows John Ross (Josh Henderson) the leather-bound diary he uncovered in the Southfork storage barn.

J.R.: Time to get your hands dirty, son. [He hands him the diary.]

JOHN ROSS: What’s this?

J.R.: All my mama’s secrets. And you’re about to use them to get the Southfork deal moving. Your Uncle Bobby’s going to find out that you are my son, tip to tail.

JOHN ROSS: What do I have to do?

J.R.: You up for it?

JOHN ROSS: Yeah, yeah. I’m fine.

J.R.: Well, I’m going to tell you the truest thing my daddy ever told me: Nobody gives you power. Real power is something you take.

What do you think of Jock and J.R.’s philosophy on “real power?” Share your comments below and read more “Dallas Parallels.”

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The Dal-List: Kristin Shepard’s 13 Greatest Moments

October 11, 2012 by 11 Comments
Dallas, Kristin Shepard, Mary Crosby

Thanks for the memories, darlin’

Dallas Decoder kicks off its newest periodic feature, “The Dal-List,” with a look back at the 13 most memorable moments featuring “Dallas” vixen Kristin Shepard, played by the magnificent Mary Crosby.

Dallas, Kristin Shepard, Mary Crosby, Rudy Millington, Terry Lester

Clothes call

13. Leaving Rudy. Feeling neglected by J.R. (Larry Hagman), Kristin turned to old flame Rudy Millington (Terry Lester) – and for a moment, it looked like she was going to allow him to make an honest woman of her. Then J.R. showed up, interrupting their post coital bliss. Before this embarrassing scene was over, Kristin had chosen J.R., leaving poor Rudy with a broken heart, no job – and possibly no pants. (“Return Engagements”)

Conundrum, Dallas, Kristin Shepard, Mary Crosby

Of vice and men

12. Scamming Judge Smith. A decade after Kristin’s death, an “angel” showed J.R. what life would have been like if he had never been born, including the revelation that Kristin became a cop. J.R. watched her bust grandfatherly Judge Smith (James T. Callahan) for solicitation – but it turned out the badge was fake: Kristin was really a con artist who preyed on powerful men. Guess she was destined to be bad. (“Conundrum”)

Dallas, Don Starr, Jordan Lee, Kristin Shepard, Mary Crosby

Daddy day scare

11. Bilking Jordan. After giving birth in California, Kristin sashays back to Dallas and makes a phone call. “The baby … looks just like you,” she coos. The audience is led to believe the person on the other end of the line is J.R. – so imagine our surprise when it turns out to be rival oilman Jordan Lee (Don Starr). It seems Kristin lied to Jordan, telling him he was her child’s father – just so she could bilk him for hush money. (“Full Circle”)

Bobby Ewing, Colleen Camp, Dallas, Kristin Shepard, Sue Ellen's Sister

Buckle up, Bob

10. Charming Bobby. Kristin (Colleen Camp) paid her first visit to Southfork just as Bobby and Pam (Patrick Duffy, Victoria Principal) were hitting a rough patch – so J.R. naturally encouraged his wife’s little sister to seduce his baby brother. Kristin obliged, charming Bobby with her clever wit and tight sweaters. Then Bobby and Pam made up, leaving Kristin free to pursue the brother she wanted all along. (“Sue Ellen’s Sister”)

Dallas, Kristin Shepard, Mary Crosby, Power Play

See what develops

9. Exposing Lucy. The only person Kristin despised more than Lucy (Charlene Tilton) was J.R.’s protégé Alan Beam (Randolph Powell), so when Kristin saw Lucy and Alan canoodling at a roller disco, she did what came naturally: She reached for the nearest Polaroid and started snapping pictures. Kristin hoped exposing Lucy and Alan’s secret affair would get them in trouble. It didn’t work out that way, but it still caused lots of drama. (“Power Play”)

Dallas, Knots Landing, Krisitn Shepard, Joan Van Ark, Mary Crosby, Valene Ewing

Lap it up, Val

8. Befriending Val. After wearing out her welcome in Dallas, Kristin headed to Knots Landing, where she got busy wrecking the marriage of those nice young suburbanites, Kenny and Ginger Ward (James Houghton, Kim Lankford). Soon, Valene (Joan Van Ark) was confronting Kristin, who confessed she was pregnant and afraid for her future. It was a rare and moving glimpse into Kristin’s soul. Who knew she even had one? (“Kristin”)

Dallas, Kristin Shepard, Linda Gray, Mary Crosby, Silent Killer

Sister, sister

7. Taunting Sue Ellen. Sue Ellen (Linda Gray) was suffering major post-partum depression when Kristin started flirting with J.R. So you couldn’t blame big sis for being suspicious when Kristin popped into her bedroom one evening to see if she’d be joining the rest of the family for dinner. “Were you thinking of occupying my chair?” Sue Ellen seethed. “Somebody will if you don’t pull yourself together,” Kristin sneered. (“The Silent Killer”)

Dallas, Divorce Ewing Style, Kristin Shepard, Linda Gray, Mary Crosby, Sue Ellen Ewing

Spill life

6. Drenching Sue Ellen. Oh, look: Sue Ellen and Kristin are in a posh restaurant, toasting their renewed friendship. Nice to see them getting along, isn’t it? Whoops, klutzy Kristin just spilled her cocktail in Sue Ellen’s lap. If she’s not careful, the Ewings are going to smell the booze and begin to suspect Sue Ellen has fallen off the wagon. Wait, what’s that you say? That was Kristin’s plan all along? What a hussy! (“Divorce, Ewing Style”)

Dallas, J.R. Ewing, Kristin Shepard, Larry Hagman, Mary Crosby

If smirks could kill

5. Seducing J.R. Once J.R. hired Kristin as his new secretary, it didn’t take her long to figure out his scheme to secretly mortgage Southfork. She threatened to spill the beans to Jock and Bobby – unless J.R. slept with her. Turns out she didn’t need to ask twice. “Kristin,” J.R. said as he took her in his arms, “with your mind and your body, it just might take me a lifetime to figure you out.” Cost him his life is more like it. (“The Kristin Affair”)

Dallas, Kristin Shepard, Mary Crosby, Nightmare

Move over, Florence Nightingale

4. Mocking J.R. While recovering in the hospital from his shooting, J.R. was surprised to receive a visit from Kristin, who was still in town after his goons failed to run her off. “Don’t you worry, Kristin. When I get out of here, you’ll get yours,” J.R. warned. “I know I will,” she smirked as she looked his paralyzed body up and down. “But not from you. That’s for sure.” J.R.’s under-his-breath response after she left the room: “Bitch.” (“Nightmare”)

Cliff Barnes, Dallas, Gone But Not Forgotten, J.R. Ewing, Ken Kercheval, Kristin Shepard, Larry Hagman, Mary Crosby

Is it really that black and white?

3. Scandalizing J.R. After giving birth to the son she claimed was J.R.’s, Kristin showed up at Southfork demanding more “child support.” Next thing you know, Cliff was fishing her dead body out of the swimming pool and claiming J.R. had murdered her. Before all was said and done, J.R. was being hauled into court to prove his innocence. Even in death, Kristin was still causing him trouble. That’s our girl! (“Gone But Not Forgotten”)

Dallas, Kristin Shepard, Mary Crosby, Who Done It?, Who Shot J.R.?

She bangs

2. Shooting J.R. No one knew whodunit when J.R. was gunned down in his office. Then the weapon was discovered in his bedroom closet. The cops arrested Sue Ellen, who figured out Kristin was framing her and made little sister confess. Of course, Kristin had a get-out-of-jail card: She was pregnant with J.R.’s love child. Fed up with her drama, J.R. finally exiled Kristin to California. Too bad she didn’t stay there. (“Who Done It?”)

Dallas, Kristin Shepard, Mary Crosby

Wait ’til you see him grown up!

1. Birthing Christopher. OK, we never actually saw this on screen, but so what? After miscarrying J.R.’s baby, Kristin got pregnant by sleazy Jeff Farraday (Art Hindle), who sold their child, Christopher, to Bobby after Miss Shepard took her deadly dive into the Southfork swimming pool. So when you think about it, Kristin is responsible for giving us Jesse Metcalfe on TNT’s “Dallas.” If that’s not a crowning achievement, I don’t know what is.

What do you consider Kristin Shepard’s greatest moments? Share your choices below and read more “Dal-Lists.”

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Critique: ‘Dallas’ Episode 78 – ‘Missing Heir’

October 10, 2012 by 22 Comments
Drowned and out

Drowned and out

In “Missing Heir,” “Dallas’s” fifth-season opener, we learn the dead woman floating in the Southfork swimming pool is Kristin, who notoriously shot J.R. one year earlier. This gives Mary Crosby the distinction of being the central figure in the two most-watched cliffhangers in “Dallas” history.

But “Who’s in the Pool?” proves much less satisfying than “Who Shot J.R.?” To begin with, there’s hardly any suspense here: It took “Dallas” four episodes to reveal Kristin as J.R.’s assailant, but she’s identified as the floating corpse just 65 seconds into “Missing Heir.” And while J.R.’s shooter could have plausibly turned out to be any number of suspects, was there ever any question who would turn out to be the brunette doing the dead woman’s float? (You didn’t really think it would be Sue Ellen or Pam, did you?)

The main reason I dislike this cliffhanger’s resolution is because killing off Kristin feels so shortsighted. The character appeared on “Dallas” for three seasons, and during that time she shifted effortlessly from ugly duckling kid sister to husband-stealing hussy to homicidal ex-mistress to con artist. Her death means the show has lost its most malleable character. What a shame.

Of course, “Missing Heir” isn’t a total washout. Having Cliff acknowledge the parallels between Kristin’s death and Julie Grey’s demise is a nice touch, and by dispensing so quickly with the cliffhanger’s resolution, the show is able to get down to the business of unspooling its fifth-season plot threads (even though one of them – Pam’s renewed obsession with having a baby – is a third-season retread).

“Missing Heir” also offers several nice examples of character development, including scenes where Afton comforts a heartbroken Mitch and Lucy and Donna each turn to Bobby for advice – presaging the wise head-of-the-family role Patrick Duffy does such a fine job filling on TNT’s “Dallas.” There’s also a moving moment where J.R., in a show of genuine compassion, breaks the news of Kristin’s death to Sue Ellen.

I also appreciate “Missing Heir’s” climax, when Sherriff Washburn suggests J.R. might be arrested for Kristin’s murder. I’m sure the “Dallas” producers don’t expect us to believe J.R. really killed his sister-in-law/ex-mistress, but isn’t it comforting to know Kristin is still capable of causing him trouble, even after she’s dead and gone?

Grade: B

_______________________________________________________________________________________________________________________________________________

Presumed guilty

Presumed guilty

‘MISSING HEIR’

Season 5, Episode 1

Airdate: October 9, 1981

Audience: 26 million homes, ranking 1st in the weekly ratings

Writer: Arthur Bernard Lewis

Director: Irving J. Moore

Synopsis: The police question J.R. after Kristin’s dead body is discovered in the Southfork swimming pool. Sue Ellen, who now lives with John Ross at the Farlows’ Southern Cross ranch, rejects J.R.’s plea to come home. Pam’s mood swings worry Bobby. Donna frets over Ray’s burgeoning business career. Lucy tells Mitch their marriage is over.

Cast: Barbara Babcock (Liz Craig), James L. Brown (Harry McSween), Barry Corbin (Sherriff Fenton Washburn), Mary Crosby (Kristin Shepard), Patrick Duffy (Senator Bobby Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Krebbs), Harlan Jordan (Sheriff Bull Hawkins), Steve Kanaly (Ray Krebbs), Sherril Lynn Katzman (Jackie), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Audrey Landers (Afton Cooper), Bill Lucking (Deputy Matland), Jared Martin (Dusty Farlow), Leigh McCloskey (Mitch Cooper), Priscilla Pointer (Rebecca Wentworth), Victoria Principal (Pam Ewing), Herbert Rudley (Howard Barker), Charlene Tilton (Lucy Cooper), Deborah Tranelli (Phyllis)

“Missing Heir” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

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Drill Bits: TNT’s ‘Dallas’ Saddles Up for Season 2

October 9, 2012 by 10 Comments
Battle Lines, Bobby Ewing, Christopher Ewing, Dallas, Elena Ramos, Jesse Metcalfe, John Ross Ewing, Jordana Brewster, Josh Henderson, J.R. Ewing, Larry Hagman, Patrick Duffy, TNT

Mark your calendars

TNT’s “Dallas” won’t return with new episodes until January 28 – that’s 113 days from today, not that I’m obsessive enough to keep track of such things – but details about the second season are beginning to emerge:

• Casting. Yesterday, TV Line reported Judith Light will join the cast as “an authoritative and controlling battle-ax who will fight to the death to protect the people she loves.” Speculation is the recurring character, whose name hasn’t been announced, will be the mother of Brenda Strong’s Ann Ewing.

It seems Ann’s wing of the family tree is growing: In the summer, TNT announced plans to elevate first-season guest star Mitch Pileggi, who plays Ann’s ex-husband/punching bag Harris Ryland, to a regular cast member in Season 2. And in a recent Ultimate Dallas chat, showrunner Cynthia Cidre confirmed another new character – Emma Brown, played by “Walking Dead” actress Emma Bell – will be Ann’s daughter.

Still no word on who’ll portray Drew Ramos, Elena’s brother, who Cidre discussed in an August TV Guide interview.

• Storylines. In a press release last week, TNT revealed what we’ll see during the show’s two-hour season premiere:

Sue Ellen’s run for governor will be threatened by the secret that she bribed a medical examiner to help get John Ross off the hook for murder. Ryland will come to Ann claiming to have news about her daughter. Christopher will head to Des Moines to find the real Becky Sutter, while the woman he married will start to show her true colors as Cliff Barnes’ daughter. And J.R. will team up with John Ross to take over Sue Ellen’s loan to Elena and, in turn, gain total control over Christopher and John Ross’ new startup company, Ewing Energies.

Dallas, Enemy of My Enemy, Harris Ryland, Linda Gray, Mitch Pileggi, Sue Ellen Ewing

Back for more

Elsewhere, during a red carpet interview last month, Jesse Metcalfe said the second season will offer “some unexpected deaths” (egad!), while Patrick Duffy told TV Guide the aforementioned Becky Sutter will be “jumping into bed with people.”

Meanwhile, tweets from Texas, where production on the second season began two weeks ago, suggest Christopher and Elena (Metcalfe and Jordana Brewster) will have a Southfork swimming pool scene, while John Ross (Josh Henderson) and Christopher will be spending plenty of time at the nifty new offices of Ewing Energies.

Also: the Dallas Morning News spotted Strong and Henderson filming a scene at a Dallas art gallery, where Ann “commissioned a painting for her new offices,” as well as a sequence where one of the new characters takes a helicopter ride.

• Returning favorites. Dallas Decoder readers will recall Ken Kercheval recently told us he’ll appear in at least one second-season episode. There also have been reports Audrey Landers will reprise her role as Afton, the mother of Julie Gonzalo’s character, Pamela Rebecca Barnes. Cidre has also promised Linda Gray will be in all 15 second-season episodes.

Sue Ellen vs. Carrie

TNT will show “Dallas’s” second season on Monday nights at 9, where its competition will include the CW’s “The Carrie Diaries,” which is slated to take over “Gossip Girl’s” time slot in January. The “Sex and the City” prequel follows Carrie Bradshaw’s teenage years in the 1980s and stars hyphenate-phobic AnnaSophia Robb as the title character. In the Sue Ellen-vs.-Carrie showdown, our money is on Miss Texas.

‘Dallas’ on DVD

If you need a refresher on the first season of TNT’s “Dallas,” don’t worry: the DVD will go on sale beginning January 8 (that’s just 92 days from today – again, not that we’re keeping track).

Extras will include deleted scenes, audio commentary on the “Changing of the Guard” pilot, “Ewing Family Love Oak” and “Dressing Dallas” featurettes and a “Who Shot J.R.?” retrospective.

In addition, TNT will show episodes from “Dallas’s” first season during the weekend before Season 2 starts.

Cidre Speaks

In a new profile, Cidre tells the Hollywood Reporter the show that inspired her most when she was younger was “The Avengers,” while her guilty pleasure is “The People’s Court.”

The “Dallas” executive producer also reveals she doesn’t “love” writing. “It’s a language thing, it comes out backwards. I know exactly what I want to say, it’s just hard for me to find the words.”

Honey, we know the feeling.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

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Dallas Parallels: Counterfeit Correspondence

September 21, 2012 by 14 Comments

In the most intense scene in “Changing of the Guard,” TNT’s first “Dallas” episode, Christopher angrily accuses Elena of exposing flaws in his methane hydrate project. She fires back by calling him out for dumping her – via e-mail! – on the day they were supposed to be married.

“I never sent you an e-mail!” Christopher exclaims. “I waited for you. For six hours! I thought you were dead, Elena. I was calling hospitals. I called Southfork. And when I finally got together with my father, he said you were in Mexico. And the next time I saw you, you had hooked up with John Ross!”

So begins one of the biggest mysteries of the new “Dallas’s” first season: Who sent the e-mail that broke up Christopher and Elena? The storyline produces more than a few twists, and as the Dallas Redone blog noted in June, it also evokes memories of another pair of star-crossed Southfork lovers who were kept apart by counterfeit correspondence.

During the classic “Dallas’s” seventh season, baby Christopher’s newly separated parents, Bobby and Pam, were on the verge of reconciling when they encountered interference from another relative: Pam’s conniving half-sister Katherine, who forged a letter in which Pam told her lawyer she no longer wanted to be married to Bobby but would return to Southfork to avoid hurting him.

Katherine, hoping to snare her sister’s husband for herself, showed Bobby the letter, knowing it would prompt him to give Pam the divorce he believe she wanted. The ploy worked and Bobby and Pam were kept apart.

In “Hush, Hush, Sweet Jessie,” the penultimate episode of “Dallas’s” seventh season, the truth finally came out. In a quiet, moving performance from Victoria Principal, Pam pours out her heart and tells her ex-husband she never wanted to end their marriage. The revelation confuses Bobby, who reminds Pam what she had written in the letter to her lawyer.

“What letter?” Pam asks.

The conversation is interrupted by a ringing telephone – symbolic, perhaps, of the bells going off in Pam’s mind. At the end of the episode, she confronts Katherine (played to wicked perfection by Morgan Brittany), who brazenly confesses to her forgery – prompting Pam to smack her so hard, Katherine falls onto a nearby bed.

Flash forward three decades: In “Truth and Consequences,” TNT’s fifth “Dallas” episode, after Christopher pulls Rebecca aside at the Ewing barbecue, she tells him Tommy sent the e-mail that broke up him and Elena – which leads to Christopher striking Tommy in front of the other guests.

Like Pam’s smackdown, Christopher’s punch offered a satisfying flash of catharsis for viewers who knew Tommy was secretly plotting against the Ewings. It also reminded us: The Ewing men may have a lot in common with their daddies, but sometimes they take after their mamas.

 

‘What Letter?’

What letter?

In “Hush, Hush, Sweet Jessie,” a seventh-season “Dallas” episode, Pam (Victoria Principal) stands at a window in her living room while Bobby (Patrick Duffy) rests on the arm of a sofa.

PAM: I laid awake most of the night, just thinking. Thinking about how sad everything is. There have been so many tragedies in the past couple of years. Mama’s dying. Now Mark’s dying. Our marriage breaking up. Sometimes I just can’t believe that we’re divorced. I don’t know, Bobby. We should have found some way to have made it work.

BOBBY: I don’t disagree with that.

PAM: I thought a lot about our splitting up. It wasn’t just your fault or the Ewings’ fault. A lot of it was my fault too. You don’t know this, but I came to Thanksgiving Square that day to tell you that I was ready to try again.

BOBBY: Try? Try what, getting back together?

PAM: Yes.

BOBBY: Well, that’s very strange. I was sure you didn’t want to.

PAM: Oh, Bobby, I wanted to. I always wanted to. I just didn’t know if I could. [Walks toward him, they sit together on the sofa] Anyway, before I could say anything, you told me that you were letting me go.

BOBBY: But that’s because of your letter.

PAM: What letter?

BOBBY: The letter that you wrote to your lawyer. Maybe it was a first draft or something. Maybe you didn’t even send it. But Katherine found it and read it to me. It wasn’t the easiest thing I ever listened to.

PAM: Do you remember what was in it?

BOBBY: You said you wanted out of the marriage. You didn’t want to divorce me. You were afraid it would hurt me. You were hoping that I’d let you go.

In the background, a telephone rings.

PAM: Katherine read you this letter?

BOBBY: Yes. And despite how I felt at the time, it made me realize you wanted a different life.

 

‘I Never Sent You an E-mail!’

What e-mail?

In “Changing of the Guard,” the first episode of TNT’s “Dallas,” Christopher (Jesse Metcalfe) angrily leads Elena (Jordana Brewster) into a room at Southfork and slams the door behind them.

CHRISTOPHER: You couldn’t wait to tell him.

ELENA: What?

CHRISTOPHER: About the methane. The earthquake. Everything I told you in confidence, you told John Ross!

ELENA: I don’t know what you’re talking about.

CHRISTOPHER: [Grips her arms] Don’t lie to me!

ELENA: [Pushes him away] Let go.

CHRISTOPHER: Don’t lie to me!

ELENA: I have no idea what you’re talking about.

CHRISTOPHER: John Ross tried to blackmail me. He said he was going to tell my father everything.

ELENA: I didn’t tell him anything.

CHRISTOPHER: And what you did? What you did was for nothing. Because he doesn’t love you. He uses people. And you want to know what’s really sick? I trusted you again.

ELENA: [Slaps him] John Ross doesn’t love anyone but himself? You look in the mirror, Christopher. You listen to your own words. I will always love you. [Crying] But we are two different people, from two different circumstances. I hope you understand. Was I really so wrong for you?

CHRISTOPHER: I have no idea what you’re talking about.

ELENA: The e-mail you sent me. The day we were supposed to get married.

CHRISTOPHER: I never sent you an e-mail! I waited for you. For six hours! I thought you were dead, Elena. [Crying] I was calling hospitals. I called Southfork. And when I finally got together with my father, he said you were in Mexico. And the next time I saw you, you had hooked up with John Ross! So what was I supposed to think?

ELENA: You sent me an e-mail saying that we were a mistake.

CHRISTOPHER: What?

ELENA: I only went to Mexico because I couldn’t stand to be here. John

Ross found me. I thought I wasn’t good enough.

CHRISTOPHER: No. [Touches her face] No. Don’t ever say that.

What do you think of Pam and Christopher’s moments of truth? Share your comments below and read more “Dallas Parallels.”

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Dallas Scene of the Day: ‘That Has Nothing to Do With Me’

September 19, 2012 by 1 Comment
Conflicted

Conflicted

In “Dallas’s” fourth-season episode “The Mark of Cain,” Bobby (Patrick Duffy) is participating in a senate committee meeting on the Takapa Lake legislation – along with Chairman Harbin (David Healy) and fellow senators Dickson (Joseph Warren), Carson (John Hart) and Varela (John Arvilla) – when Dickson asks to speak.

HARBIN: The chair recognizes Senator Dickson.

DICKSON: May we speak informally for a few minutes, please?

HARBIN: If you’d like to, senator. [Toward stenographer] Please don’t record this.

DICKSON: I’d like to address what I have to say to our new senator, Mr. Bobby Ewing. [Smiling] Senator, do you think you can address this problem in a disinterested fashion?

BOBBY: [Puzzled] Senator?

DICKSON: I think there’s a conflict of interest here.

BOBBY: I wish to address this committee on the record.

VARELA: [Leaning forward] There is certainly a conflict of interest, senator. That great organization, the Daughters of the Alamo, they are behind the present injunction of the court and Mrs. Ellie Ewing is chairing the Save Takapa Committee.

HARBIN: Gentleman –

DICKSON: On the other hand, one of the directors of Unified Development is Mr. Jock Ewing.

BOBBY: That has nothing to do with me.

CARSON: Mr. Ewing, with all due respect, this is the way I see it. Your daddy’s people have the perfect right to try and build a resort at Takapa, if that’s their choosing. But how’s it gonna look if there’s a Ewing on this panel?

BOBBY: Mr. Chairman, I have no interest in Unified.

DICKSON: [Smiling] But you have an interest in Ewing Oil.

CARSON: Now, don’t get us wrong, Mr. Ewing. We’re not concerned that the newly elected senator’s in the oil business. After all, there’s a whole lot of people in Texas in the oil business, including some of our most distinguished members. [Harbin and Carson smile.]

DICKSON: The problem, senator, is that the Ewing family has a present financial interest in Takapa.

VARELA: The way I see it, senator, it would be best for everyone, and for this senate body in particular, if you were to ask the lieutenant governor to remove you from this panel.

Bobby looks surprised.

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Dallas Parallels: Welcome to the Family

September 14, 2012 by 11 Comments

Introducing “Dallas Parallels,” a periodic feature that showcases connections between TNT’s “Dallas” and the original series.

Quite appropriately, TNT’s “Dallas” pilot, “Changing of the Guard,” is chock full of allusions to “Digger’s Daughter,” the classic show’s first hour.

Both episodes open with a leading lady exclaiming a male Ewing’s name (Pam: “Bobby James Ewing, I don’t believe you!” Elena: “John Ross, wake up!”), both feature helicopter tours of Southfork (Pam and Ray in the original, Bobby and Marta in the new series) and both depict characters boasting in barrooms about their wildcatting exploits (Digger, John Ross).

Now that we know Rebecca is Cliff’s daughter, it’s also worth revisiting “Changing of the Guard” to see how closely her introduction to the Ewings mirrors her Aunt Pam’s.

In “Digger’s Daughter,” Pam’s first Southfork cocktail hour is typically tense. Jock is as gruff as ever (“Young lady, when’s that brother of yours going to give up that crusade against us Ewings?”), and then Lucy cheekily insists Ray, Pam’s ex-boyfriend, give the new bride a kiss in front of the family.

Flash forward three decades: In “Changing of the Guard,” Rebecca accompanies Christopher to Bobby’s birthday dinner at Southfork, where she meets John Ross and Elena for the first time. The reception isn’t hostile like the one Pam received, but it’s equally awkward.

Just as Pam’s kin became a topic of conversation three decades earlier, Christopher mentions that Rebecca has “a brother” (ha!) but “not much by the way of family” (double ha!). Moments later, John Ross mischievously suggests Elena – John Ross’s girlfriend, who also happens to be Christopher’s unrequited true love – could serve as Rebecca’s bridesmaid.

Rebecca cheerfully agrees (“I mean, you’re like Chris’s sister.”) and invites Elena to join the wedding party. As Bobby, Ann and Sue Ellen exchange wide-eyed glances around the table, John Ross offers Christopher a self-satisfied smirk.

Cousin Lucy would be proud.

 

‘You’re Going to Kiss the Bride, Aren’t You?’

Slinky

In “Digger’s Daughter,” “Dallas’s” first episode, the Ewings have cocktails in the Southfork living room. Jock (Jim Davis) stands, while Bobby and Pam (Patrick Duffy, Victoria Principal) sit on the sofa, surrounded by Miss Ellie (Barbara Bel Geddes), Sue Ellen (Linda Gray) and Lucy (Charlene Tilton).

BOBBY: Well, I’m not sure I can even tell you how the whole thing happened, except that I said, “I love you.” And she said, “I love you.” And I said, “Are you sure?” She said, “Of course I’m sure.” So I said, “Well, then let’s get married right here in this old city of New Orleans.” [Chuckles] She said, “Bobby Ewing, that’s about the dumbest idea I’ve ever heard.” But 20 minutes later, there we were, standing in front of that old Baptist preacher saying, “I will, I will.” And that was that.

SUE ELLEN: I never knew you were so impulsive Bobby.

BOBBY: Well, I never knew I was either.

ELLIE: Pamela, you settled into your room all right?

PAM: Oh yes, ma’am. Of course, I only have the one suitcase but I’ll go into Dallas tomorrow and get my things.

JOCK: [Steps forward] Young lady, when’s that brother of yours going to give up that crusade against us Ewings?

BOBBY: [Rises from the sofa, approaches Jock] Daddy, I don’t think this is the proper time or place to discuss that.

JOCK: I don’t know why not.

ELLIE: We don’t talk business at this hour, Jock.

JOCK: [Finishes his drink] Anybody want a refill?

J.R.: Yeah, I believe I will, father. [They move to the liquor cart.]

Ray (Steve Kanaly) enters, knocks on the wall.

RAY: Excuse me, Mr. Ewing?

JOCK: Come in, Ray. Have a drink.

RAY: No thanks, sir.

J.R.: Ray.

RAY: J.R.

J.R.: I believe you know Pamela here.

RAY: Sure. Pam. [Nods]

PAM: Hi Ray.

LUCY: Ray Krebbs, have you heard that our Bobby has up and married Pamela Barnes?

RAY: Yeah, I heard. Congratulations to you both.

LUCY: Where are you manners, Ray? You’re going to kiss the bride, aren’t you?

Bobby motions to Pam.

RAY: Sure. Where are my manners? [Steps forward, gives Pam a peck on the cheek] Congratulations.

 

‘I Have an Idea: Elena Could Be Your Bridesmaid’

Smirky

In “Changing of the Guard,” the first episode of TNT’s “Dallas,” the Ewings celebrate Bobby’s birthday in the Southfork dining room. Bobby (Patrick Duffy) sits at the head of the table with Sue Ellen and Ann (Linda Gray and Brenda Strong) nearby, while John Ross and Elena (Josh Henderson and Jordana Brewster) and Christopher and Rebecca (Jesse Metcalfe, Julie Gonzalo) face each other.

REBECCA: I was just telling Sue Ellen that my one and only bridesmaid had a family emergency and won’t be able to make the wedding.

CHRISTOPHER: Rebecca’s parents, they died in a plane crash. She’s got a brother but not much by the way of family. Shouldn’t Tommy be here by now?

REBECCA: Yeah. I’m a little worried about him.

JOHN ROSS: I have an idea. Elena could be your bridesmaid.

Ann, Sue Ellen and Bobby exchange puzzled looks.

ELENA: [To John Ross, incredulously] Sorry?

JOHN ROSS: I think it’s a great idea.

ELENA: [To Rebecca] Really, I, I would not be a good bridesmaid.

Christopher and Rebecca look at each other.

REBECCA: [Smiling] I’d, I’d love it Elena. I mean, you’re like Chris’s sister.

ELENA: Oh, I’m so flattered, really. But it must be too late to get a dress made.

REBECCA: I’m sure the dressmaker can just alter the dress we’re not using. It’d be an honor to have you as my bridesmaid. Sorry I didn’t think of it first.

John Ross smirks at Christopher.

ELENA: [Softly] OK.

REBECCA: Well, it’s settled then.

What do you think of Pam and Rebecca’s introductions to the Ewing family? Share your comments below and read more “Dallas Parallels.”

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The Art of Knots Landing: ‘The Loudest Word’

September 13, 2012 by Leave a Comment

Valene (Joan Van Ark) discuss her cancer surgery with Bobby (Patrick Duffy) in this 1981 publicity shot from “The Loudest Word,” a second-season “Knots Landing” episode.

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Knots Landing Scene of the Day: ‘You Don’t Have Any Courage’

September 13, 2012 by 9 Comments
No guts, no Gary

No guts, no Gary

In “Knots Landing’s” second-season episode “The Loudest Word,” Bobby and Gary (Patrick Duffy, Ted Shackelford) sit next to each other in the hospital waiting room while Val undergoes surgery.

BOBBY: That was some phone call you made to Mama.

GARY: Yeah, I know. Sorry about that.

BOBBY: Are you better now?

GARY: Well, I’m not crazy, if that’s what you mean.

BOBBY: No, that’s not what I mean. I mean, are you better? Have you pulled yourself together? Do you know what you’re up against? Are you ready for that?

GARY: Don’t preach at me, Bobby!

BOBBY: Well, are you better or aren’t you?

GARY: I don’t know!

BOBBY: Well, you don’t have much time to find out. [Rises] If you’re gonna sit and wait that thing out, you’d better damn well be able to handle the outcome, no matter what the outcome is.

GARY: I don’t know. How can I? Would you know?

BOBBY: You’re damn right I would. I’d grit my teeth, I’d clinch my fist and rail at the injustice. But I’d be able to handle whatever came through that door. Because I couldn’t stand to live with myself if I broke down when the woman I love needed me to stand up.

GARY: Fine. You tell me how not to break, and I won’t break.

BOBBY: I’ll tell you how not to break. The same way I told Valene how not to die. Don’t. You just don’t.

GARY: I can’t handle the worst.

BOBBY: The worst is she dies, Gary. You understand that, don’t you? [Gary is silent.] Dying is the worst thing that can happen to Val. [Walks to Gary, grabs his shirt collar, forces him to his feet] Now, tell me that you know that death is the worst possibility. [Gary is still silent.] You’d rather that girl in there die than survive with a colostomy? [Releases Gary, steps away] You know, I can remember Daddy and Mama sparring with words. I was just a kid when you left, but I can still remember them talking about you. And Daddy would say that you didn’t have the Ewing guts. And Mama would say, “Well, thank goodness for that.” Because she thought you had Southworth gallantry – and that was a much better thing to have. Mama thought guts were low-grade courage, and gallantry was courage with grace. [Walks toward Gary] But she sent me here because she couldn’t stand to come herself. She probably heard it in your voice on the phone. You don’t have any kind of courage at all. And she just couldn’t bear to come here and see that for herself.

Gary walks away.

Filed Under: Dallas Scenes of the Day, Dallas Scenes of the Day (Classic), Features Tagged With: , , ,
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