#DallasChat Daily: Which Brother Was a Better Businessman?

Bobby Ewing, Dallas, J.R. Ewing, Larry Hagman, Patrick Duffy

Before their sons began clashing over the direction of the Ewing empire, the battle was waged by J.R. and Bobby. Over the years, each brother had his share of victories: During the contest for control of Ewing Oil, J.R. scored big when he flooded the market with cheap gasoline, although Bobby squeaked to victory when he struck oil in Canada. Later, after the Justice Department forced the Ewings to sell their company, Bobby reclaimed the rights to the “Ewing Oil” name, while J.R. managed to reassemble the old assets.

Your #DallasChat Daily question: Who was a better businessman — J.R. or Bobby?

Share your thoughts in the comments section below. Have a great discussion!

#DallasChat Daily: What Was J.R.’s Best Business Deal?

Bobby Ewing, Dallas, Jim Davis, Jock Ewing, J.R. Ewing, Larry Hagman, Patrick Duffy, TNT

J.R. Ewing scored a lot of big deals on “Dallas,” including secretly mortgaging Southfork to finance risky Asian oil leases, duping his friends into buying the leases when the wells were nationalized, undercutting the cartel by opening a chain of cheap gas stations and becoming chairman of Westar (although that last one may or may not have actually happened).

Your #DallasChat Daily question: What was J.R.’s biggest business triumph?

Share your thoughts in the comments section below. Have a great discussion!

#DallasChat Daily: What’s Bobby’s Worst Act?

Bobby Ewing, Dallas, Patrick Duffy, TNT

Bobby Ewing has been “Dallas’s” white knight for more than three decades, but he’s no stranger to the dark side. He pulled more than one dirty trick when he was battling J.R. for control of Ewing Oil, and there’s that whole business about framing Cliff Barnes for J.R.’s “murder.”

Your #DallasChat Daily question: What’s the worst thing Bobby’s ever done?

Share your thoughts in the comments section below. Have a great discussion!

#DallasChat Daily: Which ‘Dallas’ Do You Like Best?

Barbara Bel Geddes, Bobby Ewing, Christopher Ewing, Dallas, Donna Krebbs, Jesse Metcalfe, John Ross Ewing, Josh Henderson, J.R. Ewing, Larry Hagman, Linda Gray, Miss Ellie Ewing, Pam Ewing, Patrick Duffy, Ray Krebbs, Steve Kanaly, Sue Ellen Ewing, Susan Howard, TNT, Victoria Principal

Some Trekkies prefer “Star Trek: The Next Generation” to the original series and some Whitney Houston fans insist her version of “I Will Always Love You” is superior to Dolly Parton’s. Do any “Dallas” fans like the new show better than the original?

Your #DallasChat Daily question: Which “Dallas” series do you like best — and why?

Share your thoughts in the comments section below. Remember the “Miss Ellie Rule”: Keep it civil. Have a great discussion!

‘Dallas’s’ Renewal Likely Depends on the Summer Ratings

Dallas, Josh Henderson, Linda Gray, Michael Wright, Patrick Duffy, TNT

Michael Wright and the “Dallas” cast last week. (Getty Images)

“Dallas” could fit nicely with TNT’s new strategy to draw younger viewers by airing edgier programming, but the show’s future depends mostly on the strength of its ratings, industry observers say.

For years, TNT focused on shows that appeal to older audiences, such as “Major Crimes” and “Rizzoli & Isles.” Last week, the cable network’s executives said they’re shifting strategy because advertisers are increasingly interested in series like AMC’s “The Walking Dead” and “Breaking Bad,” which generate media buzz and draw younger consumers.

“To help draw more advertising dollars, having a breakout, buzz-worthy show is key. ‘Dallas’ is probably the closest [TNT has] to that now,” said David Campanelli, senior vice president and director for national broadcast at media-buying firm Horizon Media.

“Dallas” boasts TNT’s biggest presence on social media, with 1.6 million Facebook fans and 89,000 Twitter followers, but the show has struggled where it matters most: the ratings. “Dallas” is averaging 1.9 million viewers on Mondays this season, down about 25 percent from last year.

The series is on hiatus until mid-August, when its third season will resume. TNT has not announced if “Dallas” will return next year or a timetable for making a decision; the conventional wisdom is the network will wait to see how the show performs during the summer run before deciding whether to renew it.

Campanelli’s take: “Renewal will depend on strength of ratings, because it still is on strategy. But the audience still needs to show up.”

“Dallas” averaged 4.2 million viewers when TNT aired the first season during the summer of 2012. The show has since lost longtime star Larry Hagman, who died during the middle of production on Season 2, and moved to TNT’s winter schedule, where the competition is tougher.

Overall, TNT’s prime-time audience has declined 13 percent during the past five years, from 2.2 million to 1.9 million viewers.

Last week, the network pitched advertisers on the shows it’s developing for next season, including time-travel drama “Fix-It Men” and “The Shop,” a sequel to Stephen King’s “Firestarter.” TNT also unveiled a new slogan: “Boom,” which programming chief Michael Wright said is meant to evoke the network’s new emphasis on surprising storytelling.

“Dallas” cast members Patrick Duffy, Linda Gray and Josh Henderson were among the TNT stars who attended the network’s presentation to advertisers. This could be a sign the network sees a future for the show, said Marc Berman, editor of the industry news site TV Media Insights. “I’m still hopeful it will be renewed,” he said.

Will you watch “Dallas” this summer? Share your comments below and read more news from Dallas Decoder.

We’ll Ponder the Possibilities Tonight on #DallasChat

Bobby Ewing, Dallas, Patrick Duffy, TNT

High plains dreamer

You’re invited to join Dallas Decoder’s next #DallasChat on Twitter, which I’ll hold Monday, May 12, from 9 to 10 p.m. Eastern time. Our theme will be: “What If? II.”

Like the previous “What If?” discussion, this one will focus on alternate outcomes and twists for “Dallas” storylines.

Leave your suggested questions in the comments section below, tweet them to me @DallasDecoder or post them to my Facebook page. I’ll choose one or more questions and ask them during our discussion.

If you’re new to #DallasChat, here’s how it works: For one hour, I tweet a series of questions to my fellow “Dallas” fans. Each question is numbered and includes the hashtag #DallasChat, so your answers should do the same. Please include the show’s official hashtag, #DallasTNT, in your tweets too.

Here’s a sample exchange:

Q1. What if Patrick Duffy hadn’t returned to “Dallas” in 1986? Could the show have held onto its audience? #DallasTNT #DallasChat

A1. Probably not. The show would’ve continued to fall apart without Bobby. #DallasTNT #DallasChat

Here are two tips:

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

• Be sure to include #DallasChat in your tweets. This allows the other participants to see your contributions to the conversation.

You won’t want to miss this discussion. See you tonight!

Drill Bits: Mr. Duffy Goes to Washington — and D.C. Swoons

Bobby Ewing, Dallas, Padraic Duffy, Patrick Duffy

The uniter (Allison Shelley/Getty Images)

It turns out there is something everyone in Washington can agree on: They all love Patrick Duffy.

The “Dallas” star was the toast of the town when he came to D.C. last weekend to attend the White House Correspondents’ Association Dinner — a.k.a. the “nerd prom,” an annual schmooze-fest that brings together Beltway insiders and Hollywood elite to celebrate journalism. Think of it as Washington’s version of the Oil Baron’s Ball, but without the food fights.

Throughout the weekend, social media buzzed with pics of muckety-mucks posing with Duffy, including MSNBC anchor Thomas Roberts, who ran into the actor at a pre-dinner shindig and tweeted, “This weekend is gonna rock when the first person I meet is ‘Bobby Ewing.’” Later, CNN reporter Elise Labott tweeted a selfie with Duffy, along with her observation that “[h]e’s still so handsome.”

Duffy also got a shout out during the dinner from comic headliner Joel McHale, who ended his monologue thusly: “Here’s why America is the best country in the world — a guy like me can stand before the president, the press and Patrick Duffy, and tell jokes without severe repercussions. And instead of being shipped off to a gulag, I am going to the Vanity Fair after-party.”

(McHale is probably no stranger to the Duffy dynasty: Emily Cutler, the wife of Duffy’s son Conor Duffy, once wrote for McHale’s sitcom “Community.”)

Duffy was a guest of Time and Fortune magazines at the correspondents’ dinner. He sat with recent Oscar winner Lupita Nyong’o and her “12 Years a Slave” director, Steve McQueen, as well as “Gravity” director Alfonso Cuarón and actor Armie Hammer.

The actor seemed to take it all in stride, telling USA Today he suspects the dinner is a lot like the Academy Awards, although he doesn’t know since he’s never been to the Oscars. Incredibly, Duffy said he’s never attended the Emmys either — although if there’s any justice, that’ll change when the Academy of Television Arts and Sciences finally gets around to recognizing the knockout work he’s been doing on TNT’s “Dallas” lately. (We still get chills whenever we watch the midseason cliffhanger scene where Bobby shouts at Ann. Yikes!)

Duffy came to Washington with son Padraic Duffy, a playwright whom “Dallas” fans will remember as the American kid Bobby befriended in Paris during the original show’s final season. Padraic’s wife, Emily Kosloski, has a recurring role on the TNT series as Rhonda Simmons, the mystery woman who helped the Ewings put Cliff Barnes in jail.

And in case you’re wondering: Yes, your Dallas Decoder lives in D.C. and tried his best to catch up with Duffy while he was in town, but to no avail. Maybe next time. Given his popularity among Washingtonians, he’s bound to return, right?

Et Cetera

• While Duffy was taking D.C. by storm, Josh Henderson was commanding the red carpet at the Kentucky Derby.

• Dallas Decoder readers know Kevin Page, a.k.a. Bum, the Ewings’ go-to private eye, is also an accomplished artist. Last week, he spoke to the Dallas Morning News about his latest adventures in digital artwork.

• The house used to film the interior Southfork shots in “Changing of the Guard,” the first episode of TNT’s “Dallas,” just sold for $3.5 million, Realty Today reported last week.

• Reminder: There’ll be no #DallasChat tonight. The next discussion will be Monday, May 12, at 9 p.m. Eastern. See you then!

“Drill Bits,” a roundup of news about TNT’s “Dallas,” was published regularly. Share your comments below.

The Dal-List: 10 Reasons TNT Should Renew ‘Dallas’ (Again)

Dallas, John Ross Ewing, Josh Henderson, Linda Gray, Sue Ellen Ewing, TNT

Never turn your back on a Ewing

We’ll find out who survived the Southfork fire when “Dallas’s” third season resumes on Monday, August 18, but there’s an even bigger cliffhanger afoot: Will TNT give the series a fourth season? To ensure the cable channel’s executives make the right decision, here are 10 reasons TNT should renew “Dallas” again.

Dallas, John Ross Ewing, Josh Henderson, TNT

Watch like you mean it

10. “Dallas” is TNT’s most-watched show (right now). “Dallas’s” midseason cliffhanger episode clocked 2.1 million viewers on April 14, making it TNT’s most-watched regularly scheduled show last week. Only the cable channel’s NBA coverage performed better. One week earlier, “Dallas” finished first overall, besting basketball and the ever popular “Law & Order” reruns. TNT, surely you wouldn’t drop your top show at the moment!

Christopher Ewing, Dallas, Jesse Metcalfe, TNT

Audiences grow back too!

9. “Dallas’s” ratings are growing. Yes, we all know “Dallas’s” numbers dipped this year, but they’re bouncing back. Since March 17, when the show hit a series low of 1.78 million viewers, “Dallas’s” audience on Mondays at 9 p.m. has grown 15 percent, with that cliffhanger episode hitting 2.1 million viewers. This means for the past five consecutive weeks, the show’s numbers went up.  This is what’s known as “momentum,” TNT.

Christopher Ewing, Dallas, Jesse Metcalfe, TNT

Not that kind of hit, dude

8. “Dallas” is a DVR hit. Last season, roughly 800,000 DVR users recorded “Dallas” each Monday night and watched it within the next three days. This number has pretty much held steady this year, lifting “Dallas’s” Monday night average of 1.9 million viewers to 2.8 million viewers overall. This means “Dallas” has one of the most reliable DVR audiences in prime-time cable television. That’s nothing to skip over, TNT.

Dallas, John Ross Ewing, Josh Henderson, Julie Gonzalo, Pamela Rebecca Barnes Ewing, TNT

Real. Love.

7. Adults love “Dallas.” This might be the most important number of all: “Dallas” is averaging 1.2 million adults between ages 25 and 54 (including DVR users). Why should you care? First, TNT targets 25-to-54-year-olds, so these are the viewers the channel cares about most. Second, last year, “Dallas” averaged 1.5 million 25-to-54-year-olds, so even though the show has declined overall, it’s held fairly steady with TNT’s favorite viewers.

Dallas, Elena Ramos, Jordana Brewster, TNT,

Who knew?

6. “Dallas” is TNT’s biggest show on social media. “Dallas” has 1.6 million Facebook “likes” and 88,800 Twitter followers — more than any other TNT series. In fact, TNT’s biggest hit, “Major Crimes,” has only 488,000 Facebook likes and 12,500 Twitter followers. That’s right: “Dallas” is three times as big as “Major Crimes” on Facebook and seven times as big on Twitter. Suck on that, “Major Crimes”! (Sorry, “Major Crimes.” Couldn’t resist.)

Dallas, Emma Bell, Emma Ryland, Julie Gonzalo, Pamela Rebecca Barnes Ewing, TNT

Feel the heat

5. “Dallas” has buzz. “Dallas” raised a ruckus with that notorious three-way in the midseason cliffhanger, but the show has made its mark in other areas too. Entertainment Weekly went gaga over Judith Ryland’s coke-snorting scene, and on separate occasions, Judith and Sue Ellen each wound up near the center in EW’s weekly “Bullseye” feature. You know what show hasn’t hit EW’s “Bullseye” this year? “Major Crimes.” Just sayin’.

Ann Ewing, Brenda Strong, Dallas, Harris Ryland, Mitch Pileggi, TNT

Love. Really?

4. Metacritic loves “Dallas.” From a creative standpoint, “Dallas” has never been better, but don’t take my word for it: Users at Metacritic, the online review aggregator, currently give the show’s third season a score of 8.6 (out of 10), up from a 6.7 for Season 2 and a 7.3 for Season 1. This means “Dallas” outranks the current cycles of “Scandal” (7.4), “The Walking Dead” (7.4), “Downton Abbey” (7.3) and, yes, “Major Crimes” (5.5).

Dallas, John Ross Ewing, Josh Henderson, TNT

A star is born

3. Two words: “Josh Henderson.” “Dallas” is blessed with one of the strongest acting ensembles on television, but this season, Henderson has emerged as first among equals. He’s delivering a remarkably complex performance, alternately making John Ross a source of scorn and sympathy. (Remind you of someone else we once knew?) Trust me: Henderson is going to be a big star someday. Hold on to him as long as you can, TNT.

Dallas, Linda Gray, Sue Ellen Ewing, TNT

Always our darlin’

2. Two more words: “Linda Gray.” As much as we love everyone on “Dallas” — and we adore them all! — Gray is special. Our admiration for her knows no limits. Dare I suggest she’s the main reason most of us watch, DVR, tweet and Facebook the show? No one does a better job evoking the old Hagman magic, and if there’s any justice in the world, TNT will renew “Dallas” and campaign like hell to get Gray the Emmy she deserves.

Bobby Ewing, Dallas, Patrick Duffy, TNT

Grrr

1. If you don’t renew “Dallas,” Bobby Ewing will be pissed. And take our word for it: You don’t want him mad at you. Just ask Ann.

 

 

 

 

 

 

Why do you think TNT should renew “Dallas”? Share your thoughts below and read more “Dal-Lists.”

9 Questions (and Answers) About ‘Dallas’s’ Future

Bobby Ewing, Dallas, John Ross Ewing, Josh Henderson, Patrick Duffy, TNT

Give it to us straight, Uncle Bobby

“Dallas” fans have questions about the show’s future. Dallas Decoder has answers.

1. “Dallas’s” third season has reached its midpoint. How’s the show doing?

Creatively, “Dallas” has never been better. The performances are top-notch, the writing is strong and the pacing has slowed down. The show no longer moves at the speed at light, making it easier for the audience to keep up with the stories.

Unfortunately, fewer people are watching “Dallas” this year. The series is averaging 1.9 million viewers on Mondays at 9 p.m., down from the 2.7 million who watched on Monday nights last year. However, when you count DVR users who record the episodes and watch them within three days of their debut, “Dallas’s” audience grows to 2.8 million viewers.

Last year, “Dallas” averaged 3.5 million viewers with three-day DVR playback added in. But don’t overlook this fact: Even though “Dallas’s” audience is down overall, the show is adding roughly 800,000 viewers through DVR usage each week — essentially the same number it added each week last year. In other words: DVR users are true-blue “Dallas” loyalists.

Watch what happens

Watch them Ewings

2. OK, so the DVR numbers are encouraging. Do they really matter?

Yes, they matter. Remember: Television is a business, and the purpose of ratings is to let advertisers know how many people see their commercials.

Studies show DVR users don’t skip every ad, and so TV networks now sell commercial time based on several factors, including: 1) the number of people who watch shows when they air, and 2) the number of people who record shows and watch them a few days later.

3. How does “Dallas’s” ratings compare to other shows?

It depends on which shows you’re referring to. The most popular show on broadcast television last week was CBS’s “NCIS,” which grabbed 17.1 million viewers; on cable, the top show was HBO’s “Game of Thrones,” which snagged 6.6 million viewers.

It’s probably fairer to compare “Dallas” to the other shows in TNT’s lineup. Since the beginning of the year, the cable channel has shown four original dramas: “Major Crimes,” which averages 7.4 million viewers, including the people it picks up through DVR playback; “Rizzoli & Isles” (5.6 million); “Perception” (3.3 million); and “Dallas” (2.8 million).

4. Are ratings the only numbers that matter?

No. Ratings are important, but other factors contribute to a show’s bottom line. For example, studios can also make money by selling their shows overseas, and the 36-year-old “Dallas” brand retains a lot of international appeal.

Additionally, there’s money to be made from DVD sales and licensing products based on a show — hello, J.R. Ewing Bourbon! — and it’s worth pointing out that Dallas the city gives “Dallas” the TV show tax breaks to film there.

Does any of this make the show a financial success? Who knows? TV networks rarely discuss a show’s finances (or its ratings or the network’s programming deliberations) publicly. Nevertheless, “Dallas’s” other potential revenue streams could be part of the calculus that goes into deciding the show’s future.

5. TNT pulled “Dallas” off its schedule after last week’s episode. Isn’t that cause for concern?

Nope. “Dallas’s” third season will consist of 15 episodes; TNT always planned to divide the season into halves — eight episodes in the winter and spring and seven episodes in the summer. TNT does this with its other shows, and so do other cable channels; AMC routinely splits “The Walking Dead’s” seasons, for example.

Dallas, Emma Bell, Emma Ryland, TNT

Summer lovin’

6. But TNT won’t start showing the second half of “Dallas’s” third season until August 18! What’s up with that?

Yeah, that news was kind of unexpected. Fans like me were hoping “Dallas” would return in June or July and regain some of the glory from its first season during the summer of 2012, when the show averaged 4.2 million viewers on Wednesday nights.

By holding the show’s return until mid-August, it might be harder for “Dallas” to stand out. If TNT runs one episode a week for seven weeks beginning August 18, “Dallas” will spill over into the fall TV season, when the competition is much tougher.

On the other hand, if “Dallas” shows its third-season finale in September and begins televising Season 4 in January or February 2015, that’ll amount to a four- or five-month hiatus — which is a lot better than the 10-month wait we had to endure between the second and third seasons.

7. What’s the deadline for TNT to decide if it wants to renew “Dallas” for a fourth season?

This isn’t clear. TNT announced “Dallas’s” third-season renewal on April 30, 2013, about two weeks after the second-season finale. The show traditionally begins production on each new season in September or October and wraps up filming six months later, and so if TNT wants to stick to a fall-to-spring production schedule, it probably needs to decide whether to renew “Dallas” soon so scripts can be written, sets can be built, costumes can be created, et cetera.

One date to watch: Wednesday, May 14. This is when TNT and sister channel TBS will hold their “upfronts,” the annual presentations where they pitch next season’s shows to advertisers. If TNT decides to renew “Dallas,” this could be a good place to announce it.

8. So will TNT renew the show?

Golly, I hope so. But I’m hardly an unbiased observer, so I took this question to one of the smartest guys I know: Marc Berman, editor in chief of TV Media Insights, a top industry news site. Berman is a “Dallas” fan too, but he promised to give us his honest viewpoint.

His prediction: Yes, TNT will give “Dallas” a fourth season. The fact that the show adds almost 1 million viewers through DVR playback is a plus, and so is “Dallas’s” status as a recognizable commodity in an increasingly cluttered media environment, Berman said.

9. OK, you seem to have a lot of answers, Dallas Decoder. So what’s going to happen to Pamela after her overdose in the midseason cliffhanger?

Beats the heck out of me, but I can’t wait to find out.

What did I miss? Share your questions about the future of TNT’s “Dallas” below and read more news from Dallas Decoder. 

Critique: TNT’s ‘Dallas’ Episode 33 — ‘Where There’s Smoke’

Dallas, Julie Gonzalo, Pamela Rebecca Barnes Ewing, TNT, Where There's Smoke

What’s she thinking?

Southfork catches fire again in “Where There’s Smoke,” although much of the heat in this episode comes from Pamela’s ménage a trois with John Ross and Emma. It’s shocking to see her make out with her husband and his mistress, although Pamela’s sudden seizure at the end of the scene proves an even bigger surprise. When I watched this cliffhanger for the first time the other night, I was left with a slew of questions: Is this an accident, or does the pill bottle in Pamela’s pocket mean she intentionally overdosed? Is she trying to kill herself, or does she merely want to scare John Ross and Emma? Could she be faking it?

It turns out we don’t have to wait until August, when “Dallas’s” third season will resume, for the answers to most of these questions: Yesterday, showrunner Cynthia Cidre told TV Line that Pamela was out to “punish” John Ross and Emma. “She wanted them to never be able to have sex again without thinking of her vomiting on them,” Cidre said. Well, OK then.

This still leaves open the question of whether or not Pamela is like Sue Ellen, which is probably the most interesting point to debate anyway. Earlier in the episode, Pamela puts down her mother-in-law, telling her she isn’t “weak” and “sniveling” like her. (Linda Gray’s reaction shots in this scene are heartbreaking.) By taking revenge against John Ross and Emma instead of hitting the bottle like Sue Ellen, Pamela seems to prove her point. On the other hand, if vengeance involves swallowing pills, is Pamela really all that different from Sue Ellen? Perhaps this storyline is meant to fit with one of this season’s broader themes, which is how “Dallas’s” younger generation is doomed to repeat the old guard’s mistakes.

But no matter how this cliffhanger is resolved, there’s no doubt the big sex scene has raised a ruckus among “Dallas” fans. Some say the series went too far by showing a three-way; others love the unexpected twist. I’m in the latter camp. Without question, the show is going out of its way to be provocative, but let’s face it: Sex has always been part of “Dallas’s” DNA. Isn’t this is the show that began with a teenage girl rolling around in the hay with a silver-haired cowboy? Besides, I don’t find John Ross, Pamela and Emma kissing and fondling each other as distasteful as seeing J.R. force Holly Harwood to have sex with him against her will, which is what happened in a 1983 episode. Now that was disturbing.

To me, the threesome feels like a fitting climax to a storyline that’s been building since the end of the previous season, when John Ross and Emma first cavorted in an Omni hotel room. I especially like how Cidre and Robert Rovner, who co-wrote this episode, bring everything full circle by bringing back Pamela and Emma’s green corsets. You also have to hand it to the actors: Josh Henderson does a nice job conveying John Ross’s hesitation about joining Pamela and Emma in bed — you can feel the character’s bewilderment — while Emma Bell always makes her character seem like she’s up for anything. Of course, the standout is Julie Gonzalo. Pamela hasn’t had much to do lately except gaze adoringly at John Ross, but “Where There’s Smoke” makes up for it. During the course of a single day, Pamela goes from feeling stunned to hurt to angry to aroused, and Gonzalo nails every scene. She’s become one of “Dallas’s” most reliable performers.

Surprisingly, I find the Pamela/John Ross/Emma cliffhanger more compelling than the Southfork fire, which lacks suspense. Is there any doubt Sue Ellen, Bobby and Christopher will all survive? A bigger problem: This fire seems like it comes from out of nowhere, unlike the 1983 version, when the inferno felt like the perfect way to end a season in which everything went to hell for the Ewings. Nevertheless, the “Where There’s Smoke” fire is a technical marvel. The special effects are superb, and whether or not it’s intentional, director Michael M. Robin and cinematographer Rodney Charters mimic some of the shots from the original fire. (You can see a side-by-side comparison on my Facebook page.)

More “Where There’s Smoke” highlights: Patrick Duffy is terrific in the scene where Bobby blows up at Ann, although as one Dallas Decoder reader pointed out on Twitter, Bobby is being a bit of a hypocrite. Yes, Ann probably should’ve told her husband about John Ross and Emma’s affair, but has Bobby gotten around to telling his wife that he framed Cliff for J.R.’s “murder?” Meanwhile, Ann and Harris’s kiss is surprisingly moving. This scene works not just because Brenda Strong and Mitch Pileggi are so good in their roles, but also because the show has taken its time telling their story, slowly revealing Ann’s vulnerability and Harris’s humanity.

I also like seeing Christopher and Heather grow closer — the ever-expanding McCabe clan is quickly surpassing the Ramoses as the show’s most believably down-to-earth family — and I’m glad this episode keeps the Mexican cartel and brothel business to a merciful minimum. It’s also good to see Elena acknowledge that J.R. — not Christopher — hurt her father; isn’t this what fans have been screaming at their TVs all season? The next scene, where Nicolas pokes holes in Elena’s diaphragm, is puzzling: By impregnating her, does he hope to control her? On the other hand, if this is the reason the Doors’ “Break On Through (To the Other Side)” was chosen for the episode-ending montage, I’m all for it.

Finally, like a lot of fans, I’m not sure what to make of the fact “North By Northwest” is playing on Sue Ellen’s TV when she gets drunk before the fire starts. In the movie, Cary Grant plays a man who unwittingly falls into a spy game but ultimately turns the tables on his enemies and takes control of the situation. Could this be a signal that Gray’s character is about to get back on track? Or is the film’s appearance nothing more than a sly plug for Turner Classic Movies, one of TNT’s sister channels?

I hope it’s the former. I’ve been patient while “Dallas” allows Sue Ellen’s relapse to play out, but now that she’s back where her fall from the wagon began — in the bedroom where J.R. once slept — it feels like this storyline has come full circle too. Is this where our beloved heroine begins the road back to sobriety? That’s the real cliffhanger, isn’t it?

Grade: B

_______________________________________________________________________________________________________________________________________________

Dallas, Linda Gray, Sue Ellen Ewing, TNT, Where There's Smoke

Full circle?

‘WHERE THERE’S SMOKE’

Season 3, Episode 8

Telecast: April 14, 2014

Audience: 2.1 million viewers on April 14

Writers: Cynthia Cidre and Robert Rovner

Director: Michael M. Robin

Synopsis: Pamela sees the video of John Ross and Emma and lashes out at Sue Ellen and Ann when she realizes they knew about the affair. Bobby becomes angry at Ann for keeping the secret from him, which prompts her to turn to Harris, who kisses her. John Ross figures out Harris has been trying to frame him and tells Judith to call off her son, while Judith urges Emma to turn on John Ross. Drew tells Nicolas he wants to settle the feud with the Ewings “with blood,” while Nicolas sabotages Elena’s birth control when she begins getting cold feet about their revenge scheme. Pamela finds John Ross and Emma in a hotel room and has a threesome with them, only to begin convulsing after an apparent overdose. Bobby and Christopher learn Bo blames the Ewings for his troubles and come home to Southfork to find the house in flames with Sue Ellen passed out inside.

Cast: Kuno Becker (Drew Ramos), Emma Bell (Emma Ryland), Donny Boaz (Bo McCabe), Jordana Brewster (Elena Ramos), Dallas Clark (Michael McCabe), Jude Demorest (Candace), Juan Pablo Di Pace (Nicolas Treviño), Akai Draco (Sheriff Derrick), Patrick Duffy (Bobby Ewing), Julie Gonzalo (Pamela Ewing), Linda Gray (Sue Ellen Ewing), Josh Henderson (John Ross Ewing), Antonio Jaramillo (Luis), Judith Light (Judith Ryland), AnnaLynne McCord (Heather McCabe), Jesse Metcalfe (Christopher Ewing), Kevin Page (Bum), Mitch Pileggi (Harris Ryland), Brenda Strong (Ann Ewing), Steven Walters (Reece)

“Where There’s Smoke” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.