Critique: ‘Dallas’ Episode 200 — ‘Close Encounters’

Close Encounters, Dallas, J.R. Ewing, Larry Hagman

Man of the hour

“Close Encounters,” the 200th hour of “Dallas,” is the kind of episode only this show could produce. Most of the action takes place at a Southfork charity rodeo, where the characters wheel, deal and confront each other over their various romantic entanglements — taking occasional breaks to climb into a saddle and test their calf-roping and barrel-racing skills. Sure, we’ve seen this kind of thing before on “Dallas,” but that doesn’t make it any less fun. If nothing else, “Close Encounters” demonstrates how the Ewings — after almost a decade on the air — had yet to wear out their welcome. Then again, did they ever?

Like the third-season classic “Rodeo,” the only other episode that depicts a Southfork rodeo, “Close Encounters” focuses on J.R. and Sue Ellen’s extramarital inclinations. He spends each episode sneaking around with a mistress (Kristin in “Rodeo,” Mandy in “Close Encounters”), while Sue Ellen finds herself being tempted by Dusty in both installments. The Sue Ellen of 1985 is much smarter and more confident than the 1979 version, however. She dictates the terms of her affair with Dusty in “Close Encounters” (it was the other way around in “Rodeo”), but her progress is also on display during her memorable confrontation with Mandy. In “Close Encounters’” best scene, Sue Ellen pulls the poor, disillusioned young woman aside and warns her that J.R. has a history of mistreating women, but Mandy refuses to listen. Finally, an exasperated Sue Ellen asks, “Isn’t it strange how the mistress always thinks she’s smarter than the wife? If she’s so smart, why is she the mistress?” The line is equal parts wisdom, compassion and bitchiness — and Linda Gray captures each nuance perfectly.

There’s much more to love about “Close Encounters”: Pam and Jenna’s awkwardly poignant exchange, which marks the first time the onetime rivals have seen each other since Bobby’s funeral; Miss Ellie’s “give ’em hell” pep talk to Sue Ellen before the latter participates in the barrel race (you can feel the affection between Gray and Barbara Bel Geddes here); and Angelica Nero’s gigantic, floppy pink hat, which is a look so bold, even Katherine Wentworth wouldn’t have dared it. There’s also the scene where Patricia defends her parenting skills to J.R. “There’s nothing wrong with the way Sue Ellen was brought up,” she says. Larry Hagman waits a beat before delivering J.R.’s retort: “No, just the way she turned out.”

Indeed, more than anything, I get a kick out of watching Hagman in episodes like this. J.R. is all smiles when he’s in the public spotlight at the rodeo, even though he’s privately seething over Patricia’s nosiness, Sue Ellen’s flirtation with Dusty and the fact that Cliff is buzzing around like a gnat, trying to horn in on his dealings with Angelica. And who doesn’t love this episode’s climactic scene, when J.R. — through gritted teeth — announces Dusty has won the coveted belt buckle that designates him as the rodeo’s best all-around cowboy? (Dusty was the winner in “Rodeo” too, although Jock Ewing presented the prize back then.)

“Close Encounters” also brings Ray and Donna’s pregnancy storyline to a close: She suffers a miscarriage after a caged bull causes her to take a spill. The expression on Susan Howard’s face when Donna falls says so much about the character’s fear, while Steve Kanaly does a nice job conveying Ray’s anguish in the hospital scenes. The episode also offers its share of curiosities: Why do the producers show Ray congratulating the taciturn adolescent Rocky on his victory in the rodeo’s junior competition? Is the point to demonstrate that Ray is good with children, thus making Donna’s miscarriage at the end of the episode seem even more tragic? Or was there some subplot involving Rocky that was left on the cutting-room floor? Why is this kid so mopey, after all?

In the same spirit, what should we make of the cameo by Mark White, the real-life Texas governor who appears at the beginning of the rodeo? Besides becoming the first person to play himself on “Dallas” (following appearances by Gerald and Betty Ford and Henry Kissinger in a 1983 “Dynasty” episode), White manages to deliver a hilariously brief speech when he greets the rodeo-goers thusly: “Thank you. Thank you. It’s really great to be with y’all up here today. Thank you.”

A politician who limits his public pronouncements to just 16 words? How did we not know this season was going to turn out to be a dream?

Grade: A

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Close Encounters, Dallas, Linda Gray, Sue Ellen Ewing

Changed woman

‘CLOSE ENCOUNTERS’

Season 9, Episode 9

Airdate: November 15, 1985

Audience: 19.8 million homes, ranking 9th in the weekly ratings

Writer: Hollace White and Stephanie Garman

Director: Corey Allen

Synopsis: Angelica decides to do business with Ewing Oil. Sue Ellen raises Mandy’s doubts about J.R. and resumes her romance with Dusty. Donna suffers a miscarriage after falling at the Ewing Rodeo.

Cast: John Beck (Mark Graison), Barbara Bel Geddes (Miss Ellie Farlow), Barbara Carrera (Angelica Nero), Gino De Mauro (Rocky), Jim Gough (Announcer), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Robert Harper (Doctor), Joshua Harris (Christopher Ewing), Jenilee Harrison (Jamie Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Shalane McCall (Charlie Wade), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Dack Rambo (Jack Ewing), Deborah Rennard (Sly), Deborah Shelton (Mandy Winger), Merete Van Kamp (Grace), Governor Mark White (Himself)

“Close Encounters” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

Critique: ‘Dallas’ Episode 180 — ‘Sins of the Fathers’

Dallas, Deborah Shelton, J.R. Ewing, Larry Hagman, Mandy Winger, Sins of the Fathers

Darkest before dawn

You know J.R. Ewing is having a bad week when he gets kneed in the groin and it’s the least of his problems. Such is our hero’s fate in “Sins of the Fathers.” The assault-by-patella occurs when J.R. tries to force himself upon Sue Ellen and she strikes back as only she can. He’s also rejected by Mandy, the gorgeous model who has proven immune to his charms, and then a judge freezes Ewing Oil’s assets after Cliff sues to snag a piece of the company. J.R.’s greatest indignity comes in the last scene, when his grand plan to use aging roughneck Alf Brindle to counter Cliff’s lawsuit backfires spectacularly.

Do all these misfortunes mean J.R. is losing his touch? Well, no, actually. We’ve merely arrived at the moment during a “Dallas” season when it looks like the character’s luck has finally run out. In previous years, this happened when J.R. got tossed into a Cuban jail cell, when he was forced to ask Cliff for an extension on a loan, when a state senate committee closed in on his illegal dealings overseas. In each instance, J.R. escaped harm and came out on top. There’s little doubt he’ll also recover from his setbacks in “Sins of the Fathers,” which might explain why his storyline this season feels so ho-hum. Even when this episode aired in 1985, audiences must have thought: We’ve seen this movie before. We know how it’s going to end.

Of course, “Sins of the Fathers” isn’t a rehash altogether. Consider J.R. and Sue Ellen’s fight scene, which begins with her leading him to believe she’s going to spend the night with Cliff. J.R. angrily pulls Sue Ellen into his bedroom, throws her onto the bed and begins kissing her. “I know what you like, darlin’,” he says. It’s reminiscent of two encounters from past episodes (“Black Market Baby,” “Rodeo”) — until Sue Ellen knees her husband, pushes him off of her and says, “And I know what you like — and I’m sure that wasn’t it.” I’m no fan of violence, but how can you not feel proud of Linda Gray’s character at this moment? After all these years, Sue Ellen has finally learned how to stop J.R. from taking advantage of her.

“Sins of the Fathers” scriptwriter Leonard Katzman and Larry Hagman, who directed the episode, find other ways to keep things fresh. When the Ewings track down Brindle in Galveston, J.R. and Ray go there together to speak to him. It’s the first time the half-brothers have paired up since their memorable trip to Waco during the first season. Later, the Ewings bring Brindle to Cliff’s condo to confront him, marking J.R.’s first visit there. And then there’s Jenna’s kitchen scene, which sheds new light on Priscilla Beaulieu Presley’s character. While kneading dough, Jenna recalls how she learned to bake from her father because her mother didn’t know how. “She never did teach me anything,” Jenna says, making me wonder what their relationship was like. (Perhaps this would have made a better storyline than Naldo’s yawn-inducing murder trial.)

Mostly, though, “Sins of the Fathers” is another eighth-season episode that celebrates “Dallas’s” history. During J.R. and Sue Ellen’s fight, she points out all the women he’s shared with Cliff (Julie Grey, Afton Cooper, herself). Mandy walks out on Cliff with a suitcase in her hand, just like Afton did in the season opener. To shield Ewing Oil assets from Cliff, J.R. turns again to Carl Hardesty, who helped him set up a series of dummy corporations during the sixth season. Bobby stumbles across a newspaper article about Lee Evans, the pilot who witnessed Jock’s helicopter crash during Season 5. (Since this scene never leads to a bigger storyline, I’m guessing it’s included here to promote “Who Killed Jock Ewing?”, a “Dallas” novel that was published in 1985 and features Evans as a character.)

I also appreciate “Sins of the Fathers’” attention to detail, a signature of both Katzman and Hagman. When Pam arrives at the Oil Baron’s Club for her lunch date with Bobby, notice how one of the extras cranes his neck to check out Victoria Principal as she breezes past him. Why do I get the feeling Hagman, in his role as director, instructed the extra to do this? Likewise, what are we to make of the scene where Harv shows up at the Ewing Oil offices with a piece of tissue stuck to his face and explains he was so rattled by J.R.’s call earlier that morning, he nicked himself shaving? Perhaps Katzman wrote this into the script, or maybe George O. Petrie actually cut himself on the day the episode was filmed. This also seems like the kind of thing Hagman might have come up with, just because he thought it would amuse the audience.

If that’s the case, he was right.

Grade: B

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Dallas, Linda Gray, Sins of the Fathers, Sue Ellen Ewing

Don’t mess with Miss Texas

‘SINS OF THE FATHERS’

Season 8, Episode 19

Airdate: February 8, 1985

Audience: 21.2 million homes, ranking 4th in the weekly ratings

Writer: Leonard Katzman

Director: Larry Hagman

Synopsis: A judge freezes Ewing Oil’s assets but later reverses the decision. The Ewings track down Alf Brindle, a roughneck who worked for Jock, Jason and Digger, but the man accidentally offers evidence that supports and Cliff and Jamie’s claim. Mandy leaves Cliff but refuses to see J.R. Sue Ellen mends fences with Pam, who is given fresh reason to believe Mark is still alive. Jenna worries about her trial. Lucy and Eddie break ground on their construction project.

Cast: Beau Billingslea (Dr. Miller), John Carter (Carl Hardesty), Roseanna Christiansen (Teresa), Pat Colbért (Dora Mae), Patrick Duffy (Bobby Ewing), Stephan Elliott (Scotty Demarest), Eddie Firestone (Alf Brindle), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Jenilee Harrison (Jamie Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Fredric Lehne (Eddie Cronin), Shalane McCall (Charlie Wade), George O. Petrie (Harv Smithfield), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Donna Reed (Miss Ellie Farlow), Sherril Lynn Rettino (Jackie Dugan), Dean Santoro (Raymond Furguson), Deborah Shelton (Mandy Winger), Danone Simpson (Kendall), Charlene Tilton (Lucy Ewing), Harvey Vernon (Judge Harding), Kathleen York (Betty)

“Sins of the Fathers” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

The Best & Worst of Dallas: Season 3

“Dallas’s” third season offers lots to celebrate – and a few things to curse.

Performances

Dallas, Jim Davis, Jock Ewing

Can’t touch this

Larry Hagman and Linda Gray do mighty impressive work in Season 3, but even they can’t touch Jim Davis and Barbara Bel Geddes. Since I began re-watching “Dallas,” the nicest discovery has been how good Davis is as Jock, especially in third-season episodes like “The Dove Hunt,” when he stares down rifle-wielding Tom Owens, and “Return Engagements,” when the humbled Ewing patriarch is a surprise guest at Gary and Valene’s wedding.

Barbara Bel Geddes, Dallas, Miss Ellie Ewing

This either

Meanwhile, Bel Geddes brings her trademark quiet strength to “Ellie Saves the Day” and “Return Engagements,” but the actress also shows us her character’s vulnerable side in “Mastectomy, Part 1” and “Mastectomy, Part 2,” the episodes that won Bel Geddes an Emmy. She earned the award, but I can’t help but think how much sweeter her victory would have been if the equally deserving Davis had been honored too.

Storylines

Choosing the season’s best narrative is tough – Sue Ellen’s struggle with motherhood and Ray and Donna’s tortured love story are each strong contenders – but J.R.’s risky Asian oil deal gets my vote for most compelling plot. This storyline isn’t about exploring J.R.’s business acumen as much as it is about delving into his psyche: By revealing how far the character is willing to go to build Ewing Oil (he mortgages Southfork!), the show lets us know J.R. is every bit as compulsive as Sue Ellen. She may be powerless over booze, but he’s addicted to his own ambition.

Least favorite storyline: Lucy becomes engaged to Alan Beam to spite J.R. Really, “Dallas”?

Episodes

Bobby Ewing, Dallas, J.R. Ewing, Larry Hagman, Patrick Duffy

Save them, Mama

Choosing the third year’s finest hour is tough. A strong case can be made for “A House Divided,” the finale that famously ends with J.R. getting shot (for the second time this season, after he’s ambushed in “The Dove Hunt”). But my ultimate choice is “Ellie Saves the Day,” the poignant hour that brings the Ewing empire to the brink of collapse. If you want to understand why Bobby fought so hard to protect his mama’s legacy on TNT’s “Dallas,” watch this episode.

Worst third-season entry: “Power Play.” Lucy romances Alan at a roller disco, Kristin captures their canoodling with some artfully framed Polaroid snapshots and Jock starts jive talking. “You dig?” he asks Lucy at one point. Um, no big guy. We don’t.

Scenes

Dallas, J.R. Ewing, Kristin Shepard, Larry Hagman, Mary Crosby

Gusher!

So many choices: I love when Patricia Shepard predicts John Ross’s future in “The Silent Killer,” the pep talk Bobby offers a worried Jock in “Ellie Saves the Day” and the “Paternity Suit” sequence where J.R. picks up his infant son for the first time. There’s also Miss Ellie’s encounter with phony-baloney Marilee Stone and Linda Bradley (also from “Paternity Suit”), as well as the lovely beach scene where Gary and Val make amends with Lucy, which occurred on “Knots Landing” but is too good to not mention here.

Ultimately, my favorite scene is the “Mother of the Year” sequence that mimics the rhythms of an oil strike. J.R. sits in his office, staring at his telephone, depressed because he hasn’t hit a gusher in Asia. Then the phones begin ringing as news of his big strike trickles in, leading to J.R.’s joyful eruption (“Yee-ha! We hit!”). Brilliant.

The season’s most ridiculous moment: when Kristin “accidentally” pours her drink into her sister’s lap during their “Divorce, Ewing Style” lunch date. Sue Ellen, how did you not know you were being set up?

Supporting Players

Dallas, Donna Culver, Susan Howard

The best, fur sure

Susan Howard, who was still a guest star during “Dallas’s” third season, is the best supporting player, hands down. This is the year Donna is torn between honoring the memory of her dead husband and beginning a new life with Ray – and the actress does a beautiful job conveying her character’s torment. Besides Patrick Duffy, no one delivers breathy, soul-searching dialogue better than Howard.

Costumes

Forget about the metaphorical value associated with the jeans the rebellious Sue Ellen wears in “Rodeo” and focus on how good Linda Gray looks in them. Get it, girl!

The green spandex pants Kristin wears in the same episode might be the season’s most dated costume, but I’ll confess: I kind of love it.

Music

I also love, love, love John Parker’s “I’ll Still Be Loving You,” which is heard at the end of “Rodeo,” when Ray finally calls Donna after ignoring her letters. The tune, which becomes another of Ray’s anthems, is rivaled only by Jerrold Immel’s theme as my favorite piece of “Dallas” music.

Quips

Best: “Once I heard you were back in town, I just had some of my friends check out some of the cheaper motels.” – J.R.’s greeting to Val in “Secrets.” I could watch Hagman and Joan Van Ark go at it all day.

Worst: “And when I didn’t get married, I thought I was gonna die. But instead, I went to college.” – Lucy recalling her romantic history to Alan Beam in “The Heiress.” Oh, “Dallas.” Charlene Tilton is such a charming actress. Why do you insist on giving her ridiculous lines?

What do you love and loathe about “Dallas’s” third season? Share your comments below and read more “Best & Worst” reviews.

Critique: ‘Dallas’ Episode 48 – ‘Sue Ellen’s Choice’

Dallas, Dusty Farlow, Jared Martin, Linda Gray, Sue Ellen Ewing, Sue Ellen's Choice

Choose, but either way you lose

In “Sue Ellen’s Choice,” our heroine wrestles with two options: She can leave J.R. for Dusty and lose custody of her son, or she can stay married and keep the baby. If other possibilities exist, “Dallas” doesn’t present them.

Sue Ellen ultimately chooses to stick with J.R., and I suppose we should admire her for sacrificing her romantic interests so she can remain a full-time mother to little John. Maybe Sue Ellen really loves Dusty as much as she claims, but she loves her son more, and that’s how it should be.

Besides, I’m not sure Dusty is right for Sue Ellen. I loved his introduction in “Rodeo,” an earlier third-season episode, but if there’s a good reason for his unquestioning devotion to her, “Dallas” hasn’t offered it. I find myself wondering: Does Dusty care for Sue Ellen as much as he claims, or does he want to take her and little John away from the Ewings to prove he’s more powerful than J.R.?

As for J.R., I’ll confess to feeling sorry for him when he enters the nursery in “Sue Ellen’s Choice” and tries to tell his wife about his day, only to have her dismiss him. After all the rotten things he’s done, I know I shouldn’t be willing to cut J.R. any slack, but I can’t help it. Deep down, J.R. loves Sue Ellen. How else to explain his envy in “Jenna’s Return,” when he begins to suspect Sue Ellen is having an affair?

Speaking of Jenna: Her two-part “return” comes to a rather unsatisfying conclusion in this episode. There’s a cool scene where Jenna confronts Pam and tells her she’ll take Bobby if Pam no longer wants him, but by the end of the hour, Jenna has disappeared.

Like Sue Ellen, I suppose Jenna makes a big decision, too – and her choice is to leave.

Grade: B

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Dallas, Francine Tacker, Jenna Wade, Sue Ellen's Choice

Hello, I must be leaving

‘SUE ELLEN’S CHOICE’

Season 3, Episode 19

Airdate: February 1, 1980

Audience: 21.8 million homes, ranking 3rd in the weekly ratings

Writer: Camille Marchetta

Director: Leonard Katzman

Synopsis: Sue Ellen agrees to leave J.R. for Dusty, but when J.R. threatens to take their son from her, she decides to stay. After Bobby rejects Jenna’s advances, he and Pam agree to give their marriage one more chance. Donna asks Jock to talk to Ray, but when he declines, she tells Ray goodbye. Alan gives Lucy an engagement ring.

Cast: Barbara Bel Geddes (Miss Ellie Ewing), Mary Crosby (Kristin Shepard), Jim Davis (Jock Ewing), Patrick Duffy (Bobby Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Susan Howard (Donna Culver), Steve Kanaly (Ray Krebbs), Ken Kercheval (Cliff Barnes), Jared Martin (Dusty Farlow), Jeanna Michaels (Connie), Randolph Powell (Alan Beam), Victoria Principal (Pam Ewing), Francine Tacker (Jenna Wade), Charlene Tilton (Lucy Ewing)

“Sue Ellen’s Choice” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Dallas Styles: Sue Ellen’s Jeans

Forever in blue jeans

Sue Ellen is “Dallas’s” classiest dresser, so when she wears jeans in “Rodeo,” it’s worth noting. Yes, there are practical reasons for this particular wardrobe choice – what else would one wear to a rodeo? – but the denim carries symbolic value, too.

Jeans have signified defiance since James Dean popularized them in “Rebel Without a Cause,” and rebellion is what Sue Ellen seems to have on her mind at the Ewing Rodeo. She spends the afternoon flirting with dashing cowboy Dusty Farlow, which drives J.R. nuts.

But Sue Ellen isn’t just trying to annoy her husband. She’s finally recovering from her disastrous affair with Cliff and considering letting down her guard with Dusty – which is the message the rest of her “Rodeo” outfit sends.

Sue Ellen’s tan vest and knee-high boots match her complexion, making them an extension of the character’s flesh. Metaphorically, Sue Ellen is baring herself.

The whole look is timeless, and Linda Gray has never looked better. If she wore this same outfit on TNT’s new “Dallas,” she’d be just as fashionable as she was when “Rodeo” aired in 1979.

If only her relationship with Dusty proved as durable.

The Art of Dallas: ‘Rodeo’

Lucy (Charlene Tilton) is seen in this 1979 publicity shot from “Rodeo,” a third-season “Dallas” episode.

Dallas Scene of the Day: ‘I Don’t Know Where It’s Gonna End’

Barbara Bel Geddes, Dallas, Digger Barnes, Keenan Wynn, Rodeo

Memory lane

In “Rodeo,” a third-season “Dallas” episode, Miss Ellie and Digger (Barbara Bel Geddes, Keenan Wynn) stroll together alongside a fence at Southfork.

DIGGER: All those months in California put some money in my pocket. Made me remember how good it feels to work hard and get paid for it. I have been on the wagon ever since.

ELLIE: And have you stopped blaming Jock for every evil that’s ever befallen you? Is that why you’re here?

DIGGER: Look, Ellie, I never held you responsible. You know that. You did what you had to do – and I respected you for it.

ELLIE: So did Jock, Digger. I wish you’d remember that part about what happened. It worries me, all this bad feeling dragging on. What happened between you and Jock was bad enough, but now your boy and mine. They’re out for blood, both of them. I don’t know where it’s gonna end. It frightens me. [Pauses] Digger, why are you here?

DIGGER: [Smiles] To see that beautiful new grandson of yours.

She kisses him, pats him on the back and they continue walking.

Critique: ‘Dallas’ Episode 37 – ‘Rodeo’

Dallas, Dusty Farlow, Jared Martin, Rodeo

Those eyes

Rodeos pit man against beast and on “Dallas,” no one is more beastly than J.R. In “Rodeo,” Sue Ellen, having failed to tame her savage husband, considers climbing in the saddle with a man who seems far less brutish: Dusty Farlow.

Sue Ellen meets the dashing cowboy when she enters a Braddock café with an armful of packages and accidentally bumps into him. Dusty’s first words – “Let me help you, ma’am” – are prophetic, letting us know he’s a different creature than J.R. The attraction between Sue Ellen and Dusty is instant.

Their brief conversation at the café continues the next day at the Ewings’ annual rodeo, where Dusty is the star competitor. Sue Ellen tells him about her loneliness; he tells her about his nomadic life on the rodeo circuit. They realize they have more in common than either might have guessed.

Linda Gray and Jared Martin have an undeniable chemistry, although let’s be honest: It would be hard for any actress to not have chemistry with him. With his lean frame, passionate delivery and come-hither eyes, Martin exudes sensuality.

Together, Gray and Martin make “Rodeo” a third-season highlight and one of my favorite “Dallas” episodes. I also like Leonard Katzman’s direction, which captures the rhythms of a real-life rodeo. Katzman constantly ducks and dives, cutting between the action in the arena and the drama unfolding in the crowd.

Toward the end of the episode, Dusty tells Sue Ellen he doesn’t need the prize money he’s poised to take home but wants it anyway. “The competition,” he says, “that’s not the important thing – it’s winning.”

The line evokes memories of the second-season episode “For Love or Money,” when Cliff compares his affair with Sue Ellen to a game. We remember how Sue Ellen was hurt the last time she sought love with another man.

In “Rodeo’s” closing moments, J.R., fed up with Sue Ellen’s public flirtation with Dusty, yanks her into their bedroom. She slaps him and he throws her onto the bed – and we’re reminded of another second-season scene: the disturbing climax in “Black Market Baby,” when J.R. forces himself on his unhappy wife.

In that episode, Sue Ellen submits to J.R. This time, she bucks him off.

“I’ve wasted more than enough time on you,” J.R. sneers before leaving.

In “Rodeo’s” final shot, Katzman freezes the frame on Sue Ellen, lying on her bed, while Jock’s voice is heard over the loudspeaker outside, announcing Dusty has won the award for best all-around cowboy.

But is he the best man for Sue Ellen?

Grade: A

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Dallas, Rodeo

Eight-second ride

‘RODEO’

Season 3, Episode 8

Airdate: November 9, 1979

Audience: 17 million homes, ranking 15th in the weekly ratings

Writer: Camille Marchetta

Director: Leonard Katzman

Synopsis: The Ewings host their annual rodeo at Southfork, where Sue Ellen arouses J.R. jealousies by flirting with cowboy Dusty Farlow. Meanwhile, J.R. stages a fight with Alan, who impresses Lucy; Digger drops by to see Jock and Miss Ellie’s grandson; and Ray learns Donna’s husband is dying.

Cast: Barbara Bel Geddes (Miss Ellie Ewing), Jim Davis (Jock Ewing), Patrick Duffy (Bobby Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Steve Kanaly (Ray Krebbs), Sherril Lynn Katzman (Jackie), Ken Kercheval (Cliff Barnes), Jared Martin (Dusty Farlow), Randolph Powell (Alan Beam), Victoria Principal (Pam Ewing), Charlene Tilton (Lucy Ewing), Keenan Wynn (Digger Barnes)

“Rodeo” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.