Dallas Scene of the Day: ‘That Blue Thing’

Dallas, J.R. Ewing, Larry Hagman, Oil Baron's Ball III

Drive him crazy

In “Oil Baron’s Ball III,” an eighth-season “Dallas” episode, Miss Ellie and Clayton (Barbara Bel Geddes, Howard Keel) exit their car in the Southfork driveway, where Raoul (Tony Garcia) is signing a deliveryman’s paperwork.

ELLIE: That’s for me, Raoul.

RAOUL: Yes, ma’am.

ELLIE: Thank you. [Signs paper] Thank you. Uh, for us.

CLAYTON: Hm?

ELLIE: It’s a new set of bedroom furniture. Donna helped me choose it yesterday and I got them to deliver it today.

CLAYTON: Bedroom furniture?

ELLIE: I thought it was time for a change.

CLAYTON: Oh. [They kiss.]

ELLIE: [To deliveryman] Follow me and I’ll show you where to put everything.

J.R. (Larry Hagman) approaches.

J.R.: Hey Mama, what’s going on?

ELLIE: New set of bedroom furniture for Clayton and me. [Walks away]

J.R.: Oh, really? Well, how about that. [To Clayton] I’ve got to hand it to you. Not here a week and you’re changing things around already.

CLAYTON: For your information, it was your mother’s decision. And since it’s our bedroom and not yours, it’s really none of your business, is it?

J.R.: Mm-hm. I suppose not. [Walks toward his car, which is being blocked by Clayton’s] Uh, could you have that blue thing moved out of the way so I could get my car out of here?

CLAYTON: Be my guest. [Tosses keys to J.R.]

Watch this scene in “Oil Baron’s Ball III,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘I’m Not Going to Bury His Memory’

Dallas, Homecoming, J.R. Ewing, Larry Hagman

No touching!

In “Homecoming,” an eighth-season “Dallas” episode, J.R. (Larry Hagman) enters the Southfork kitchen, where Bobby (Patrick Duffy) sits at the table, drinking a beer.

J.R.: Hi, Bob. When did you get in?

BOBBY: [Sighs] About an hour ago.

J.R.: [Opens the refrigerator, peers inside] How was the play?

BOBBY: It was good.

J.R.: For a man who took his fiancée to the theater, and the play was good, you don’t seem to be too happy.

BOBBY: I notice you’re padding around the house in your jammies. What’s bothering you?

J.R.: [Opens a beer, approaches the table] I just can’t believe that as of tomorrow night, Clayton Farlow is actually going to start living in this house.

BOBBY: Now just where would you expect Mama’s husband to live?

J.R.: [Sighs] I don’t know. I just hate the idea, that’s all.

BOBBY: J.R., if you’re planning on doing something funny, I’m warning you.

J.R.: No, no, Bobby. That’s all over. I’m not going to cause Mama any more grief. It’s just that I haven’t been able to change my feelings towards Clayton, that’s all. [Takes a sip]

BOBBY: Well, Clayton’s a good man. That was a wise decision on Mama’s part to marry him. And even if it weren’t, she loves him and that’s all that matters.

J.R.: Well, if everything’s so wonderful, how come you’re sitting up at 3 o’clock in the morning?

BOBBY: Because I was thinking. Things are going to be a lot different here at Southfork now. You and I have been running things ever since Daddy died. And now that’s all going to change. I like Clayton, but now we’re going to have to make some adjustments, some compromises. You and I are going to have to learn to deal with a new man here.

J.R.: Well, personally, I can’t understand how he could bring himself to live in another man’s house. You can just feel Daddy’s presence all over this place.

BOBBY: Well, maybe we should do something about that. Right now. [Gets up, sets down his beer, walks into the living room, slowly approaches Jock’s portrait and begins to take it down]

J.R.: [Standing in the living room entrance] What the hell are you doing?

BOBBY: [Pauses] J.R., it’s time for this picture to come down.

J.R.: Not on your life. It stays exactly where it is.

BOBBY: It’s going to be hard enough for Clayton to feel comfortable around here without this portrait to remind him that it was Daddy’s house and Daddy’s family.

J.R.: [Enters the room] You have no right to take down that picture just because Clayton Farlow might be a little sensitive. He knew what he was doing when he married Mama.

BOBBY: Come on, J.R. Lighten up. I want to do everything I can to make Clayton feel welcome around here, for Mama’s sake.

J.R.: Mama’s sake? Well, how do you think she’s going to react when she finds this painting gone?

BOBBY: I think she’s thoughtful enough to want Clayton to feel comfortable.

J.R.: Let her take it down or move it or do anything she wants to it. I’m not ready to start pretending that Daddy never existed. We can’t get rid of everything in this place that he was connected to, Bob. Hell, he built this house. And he built Ewing Oil. He’s the reason the two of us are here. Now I found it hard to admit that he was dead. But I’m not going to bury his memory.

BOBBY: We’ll let Mama decide.

Watch this scene in “Homecoming,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘Are We Going to Cap Her Teeth?’

Dallas, J.R. Ewing, Larry Hagman, Shadow of a Doubt

Cruel and unusual

In “Shadow of a Doubt,” an eighth-season “Dallas” episode, J.R. (Larry Hagman) comes home and begins fixing a drink in the living room as Sue Ellen (Linda Gray) comes down the stairs.

SUE ELLEN: Good evening. I’ve been waiting for you to come home.

J.R.: Well, I guess so. It’s like a morgue in here.

SUE ELLEN: Well, it is a little quiet with Miss Ellie and Clayton gone, and Pam and Lucy doing whatever she’s doing lately. She hardly comes out of her room at night.

J.R.: Well, it’ll never be like it was in the old days when everybody at the table was a Ewing. We got Farlows and Krebbs and well, even Lucy’s a Cooper still I guess, isn’t she? [Sue Ellen nods.] Yeah, it’s just you and me and Bobby left, that’s all. [Sips his drink]

SUE ELLEN: There is one more Ewing.

J.R.: What, John Ross? Well, I don’t count him as a Ewing yet.

SUE ELLEN: Well, I was thinking about Jamie.

J.R.: You don’t think I consider her a Ewing, do you?

SUE ELLEN: What I was about to say is that she and I went shopping today and we have a little surprise for you.

J.R.: She’s going back to Alaska?

SUE ELLEN: Stop that.

J.R.: [Chuckles] I’m just teasing, honey.

SUE ELLEN: Come on.

J.R.: All right, what is this surprise?

She takes him by the hand and leads him to the foyer. Jamie (Jenilee Harrison) comes down the stairs, dressed to the nines.

SUE ELLEN: Isn’t she beautiful?

J.R.: Well, it’s amazing what a few thousand dollars can do, isn’t it?

SUE ELLEN: Oh, J.R., what a terrible thing to say.

J.R.: Really? Well, what’s next? Are we going to cap her teeth?

JAMIE: There’s nothing wrong with my teeth.

J.R.: Well, I guess not. You’re sure taking a big enough bite out of the Ewing apple.

JAMIE: You know, I didn’t ask for any of this.

J.R.: Well, I know how hard it must have been for Sue Ellen to convince you to take it.

SUE ELLEN: As a matter of fact, it was.

J.R.: Well, congratulations, young lady, on finding yourself a real nice home.

JAMIE: You know, you’re really something. No wonder my daddy didn’t want to have anything to do with you.

J.R.: Well, it’s a shame you’re not more like him. [Jamie runs upstairs.] Now don’t go away mad.

SUE ELLEN: How can you be so cruel?

J.R.: Not cruel. Suspicious.

SUE ELLEN: I thought you had changed. But I still see a lot of the old J.R. — the one I hated.

He enters the dining room and takes a seat as Teresa (Roseanna Christiansen) enters.

TERESA: Will you be eating alone?

J.R.: Yeah, it seems like it, doesn’t it?

Watch this scene in “Shadow of a Doubt,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘To the Winner’

Dallas, Family, J.R. Ewing, Larry Hagman, Linda Gray, Sue Ellen Ewing

Game show

In “Family,” an eighth-season “Dallas” episode, Jamie (Jenilee Harrison) joins J.R. (Larry Hagman), Sue Ellen (Linda Gray), Bobby (Patrick Duffy) and Jenna (Priscilla Beaulieu Presley) for dinner at Southfork.

SUE ELLEN: Well, I think it’s time that we welcomed Jamie officially. So I’d like to propose a toast to the newest member of the Ewing family. Welcome. [Everyone raises a glass and drinks.]

JAMIE: Thank you.

JENNA: I thought that was going to be me.

JAMIE: When are you and Bobby getting married?

JAMIE: [Looks at Bobby, smiles] Uh, one of these days.

J.R.: Well, Jamie, now that you’re a member of the family, we have certain traditions we like to adhere to.

JAMIE: Oh?

J.R.: One of them is dressing for dinner. [Sue Ellen looks crossly at him.]

JAMIE: Well, I’d sure like to but this is as good as it gets.

J.R.: Oh, I take it you don’t own a dress?

JAMIE: Just the one I got to church in, and that’s not near fancy enough for this.

JENNA: [Winks at Sue Ellen] I think we can fix that. I happen to own a boutique. [Bobby clears his throat.] Well, sort of. [Laughs]

SUE ELLEN: That’s right, so we’ll go shopping tomorrow.

JAMIE: I can’t. I don’t have enough money, at least not for clothes.

SUE ELLEN: We’d appreciate the chance to buy them for you. [J.R. does a double take.]

JAMIE: I’m sorry, but you’ve done enough for me just by letting me stay here for a while.

SUE ELLEN: Jamie, it would really give me pleasure.

JENNA: And me.

BOBBY: Look, Jamie, I think I know how you feel, but you should pick up a few things. You might need them.

JAMIE: Lookit, I really appreciate the offer, but I’ve been fixing to get a job. Pay my own way.

BOBBY: What would you do?

JAMIE: I’m not sure. But this is Texas, and one thing I do know about is the oil business. [Smiles]

J.R.: Is that a fact?

JAMIE: [Seriously] Yeah.

J.R.: I suppose that’s from hanging around Jason.

JAMIE: From working with him.

J.R.: Oh, yeah? Where?

JAMIE: All over. Mostly Alaska, though, lately.

J.R.: Hmm. Where in Alaska?

JAMIE: Kenai Peninsula, Point Barrow, the Umiat anticline, Prudhoe Bay.

J.R.: Umiat, huh? Well, I guess you met the man who ran that operation up there?

JAMIE: Slim Whitaker? Nah, I never met him. Heard an awful lot about him, though.

J.R.: Yeah, old Slim. He was the first one to use the drag bit up there.

JAMIE: Not at the Umiat. Drag bit’s for soft formations. [Sue Ellen smiles, dabs a corner of her mouth with a napkin.]

J.R.: What would he have used?

JAMIE: Probably a diamond drill core bit. Maybe a rotary.

BOBBY: I heard he had some pretty hard formations up there.

J.R.: Bobby did a lot of drilling up in Canada. Real hard, frozen.

JAMIE: [Smiles] Oh, really? Did you use the Stratapax? It worked real good at Point Barrow.

BOBBY: No, I didn’t have any luck at all with them.

JAMIE: Oh, so what’d you use?

J.R.: Don’t you know?

JAMIE: No, I wasn’t there. Of course, there was an awful lot of talk about them using a Tundra something or other.

BOBBY: That’s right, the Tundra Torque. That’s it.

JAMIE: [Smiles] Yeah, I knew it was something like that.

J.R.: Uh, just one more thing. In Prudhoe, how deep did they have to drill their test well?

JAMIE: I don’t know. Why you asking me all these questions?

J.R.: Because anybody in the oil business ought to know the answers to them.

JAMIE: Oh, really? Well, how many producing wells are at the Kenai right now?

J.R.: [Pauses] Twenty-four.

JAMIE: A hundred and three. [Bobby stifles a laugh, clears his throat]

SUE ELLEN: Well, if your little game is over, J.R., I’d like to finish dinner.

BOBBY: Yeah, so would I. That’s if you’re through, J.R.

J.R.: I’m through. [Sticks a forkful of food into his mouth] For now. [Smiles]

BOBBY: [Looks at Jamie, raises a glass] To the winner.

SUE ELLEN: [Raises a glass] To the winner.

Watch this scene in “Family,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘If I Can’t Have Him, Nobody Can’

Dallas, Jamie, Katherine Wentworth, Morgan Brittany,

Hot sister

In “Jamie,” an eighth-season “Dallas” episode, J.R. (Larry Hagman) confronts Katherine (Morgan Brittany) in a hospital corridor, where two security guards restrain her after her latest attempt on Bobby’s life.

J.R.: Katherine, what the hell were you doing in Bobby’s room? And what was in that needle? [She’s silent.] Come on, what was going on in there? All right, call the Dallas police. Tell them to get up here right away.

SECURITY GUARD: They’ve already been called, Mr. Ewing.

J.R.: Good, because I think she just tried to kill my brother. And I also think she’s the one that took those shots at me.

KATHERINE: You? Don’t make me laugh! I never tried to shoot you.

J.R.: The hell you didn’t! And I’ve got three bullet holes in my chair to prove it.

KATHERINE: They weren’t meant for you. It was Bobby I wanted dead.

J.R.: You shot him in my office. I was sure you got him by mistake.

KATHERINE: Mistake? There was no mistake! I love him! Don’t you understand that? I love him! But he doesn’t want me. Oh, no, he wants Jenna Wade. And before that he wanted Pam. Sweet, darling Pam, who everybody just adores! Well they’re not going to have him — neither one of them! Don’t you see? They poisoned his mind against me to keep me away. But they’re going to have him. I’ll see to it, because if I can’t have him, nobody can.

J.R.: You’re not going to see to anything — not after the law gets finished with you. But how did you get into my office? And how did you know that Bobby was up alone up there that night?

KATHERINE: I didn’t care if he was alone or not. I just wanted to get to him. My life was over. Why shouldn’t his be? [In a flashback, Katherine explains how she saw J.R. leave the Ewing Oil building, then went to the executive offices, heard Bobby in J.R.’s office and fired three shots into the back of the chair.] I caught a plane to Houston that night. And I didn’t know until the next day that he was still alive.

J.R.: Hold this woman until the police get here. I’m going to see my brother.

Watch this scene in “Jamie,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘… Until Our Scores Are Settled!’

Dallas, If at First You Don't Succeed, Pam Ewing, Victoria Principal

That’s Miss Barnes to you!

In “If at First You Don’t Succeed,” an eighth-season “Dallas” episode, J.R. (Larry Hagman) arrives at the Ewing Oil building, where Pam (Victoria Principal) is waiting for him.

J.R.: Well, you got a lot of nerve coming around here after what your brother did to mine.

PAM: What were you doing there yesterday when my brother was arrested?

J.R.: You consider that your business, do you?

PAM: Yes, I do, because I think you had something to do with it.

J.R.: Well, what on earth could I have to do with it?

PAM: How did you know he’d be arrested at that precise moment?

J.R.: Well, I have friends at the department. I went down there to see the expression on that worm’s face when the police arrested him for shooting my brother.

PAM: Let me tell you something, J.R. If he did shoot Bobby, it was because he thought it was you — and he had every reason to shoot you.

J.R.: You know, I’m getting kind of tired of that old song. Mean, nasty J.R. beating up on poor, innocent Cliff Barnes. You’re sounding more and more like him, you know that?

PAM: Well, that’s fine with me because I’m beginning to sound more and more like a Barnes, thanks to you. I’ve never believed in the Barnes-Ewing feud, J.R., but now I’m going to join it. I’m going to do everything I can to help Cliff. And I’m not going to rest until all our family scores are settled!

Watch this scene in “If at First You Don’t Succeed,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘With Family, You Play Fair’

Battle Lines, Dallas, J.R. Ewing, Larry Hagman

Daddy knows best

In “Battle Lines,” an eighth-season “Dallas” episode, J.R. (Larry Hagman) stands over John Ross (Omri Katz), who is cleaning his bike on the Southfork patio.

JOHN ROSS: Are you going to see Uncle Bobby at the hospital?

J.R.: Well, I might drop in on him this afternoon. [Looks at his watch] I’ve got an awful lot of work to do at the office.

Sue Ellen (Linda Gray) exits the house and stands on the patio, listening.

JOHN ROSS: Maybe I can go to the office and help you.

J.R.: [Chuckles] Well, that’s a good idea. Maybe we ought to wait until you’re a little older, though, huh?

JOHN ROSS: Daddy are you going to be running Ewing Oil all by yourself?

J.R.: Well, I’m just going to run it until Bobby gets back. Why do you ask that?

JOHN ROSS: Well, you said you were going to run the company all by yourself some day and then give it to me.

J.R.: Well, I couldn’t take it away from Bobby while he’s in the hospital.

JOHN ROSS: But Mama said Bobby can’t see right now.

J.R.: [Sits in a patio chair] John Ross, there’s something I want to explain to you, son. One of these days I expect to control all of Ewing Oil, and Bobby won’t work there. He’ll be doing something else. But I want you to remember that he’s my brother — and I love him very much. And it just wouldn’t be fair to take advantage of him while he’s sick. That’s just something you don’t do to people you love. But when he’s well — and able to defend his shares in Ewing Oil — well, I’m going to fight for it. And of course I’ll win. Then I’m going to give you the whole company — and you’ll never have to share it with anybody. Now you understand that?

JOHN ROSS: I think so.

J.R.: Good. And you’ve got to remember: With family, you play fair. Because there are rules to follow. And if you do, you’ll be able to live with yourself.

Watch this scene in “Battle Lines,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Scene of the Day: ‘You Make J.R. Look Like a Saint’

Afton Cooper, Audrey Landers, Dallas, Killer at Large

Unhappily ever Afton

In “Killer at Large,” “Dallas’s” eighth-season opener, a cheerful Cliff (Ken Kercheval) comes home and begins opening a bottle of champagne when Afton (Audrey Landers) enters carrying a suitcase.

CLIFF: We gotta celebrate.

AFTON: I’ve gotten permission from the police to visit my mother in Biloxi.

CLIFF: You’ve gotten permission from the police? What are you talking about?

AFTON: I need permission from them to leave the state.

CLIFF: Why?

AFTON: [Sets down the suitcase] Cliff, where have you been? Didn’t you hear that Bobby was shot?

CLIFF: Yeah, I heard that he was shot but I don’t know what that’s got to do with us. Why do you have to have permission from the police?

AFTON: I found him just after he was shot. You don’t seem to understand, do you? Bobby was shot in J.R.’s office.

CLIFF: So?

AFTON: Doesn’t that mean something to you?

CLIFF: No. No, why should it? [A beat] Oh, now wait a minute. Unless you think I had something to do with Bobby being shot.

AFTON: Yes. I think you went to the Ewing offices to kill J.R. and you shot Bobby by mistake.

CLIFF: Well, that’s ridiculous. That is absolutely ridiculous. Is that why you went there — to stop me?

AFTON: Yes.

CLIFF: Well, I hope you didn’t tell the police that crazy story. I could be in a lot of trouble!

AFTON: Cliff, where were you last night?

CLIFF: [Chuckles] I got drunk. I slept it off in my car.

AFTON: But where were you drinking?

CLIFF: Uh, I don’t know. I don’t know. Two or three places.

AFTON: You don’t know. You’ve blacked out before so I guess you blacked out again last night.

CLIFF: So I blacked out.

AFTON: Then you could have done the shooting.

CLIFF: Look, if that’s what you want to think, that’s fine. But I got a rich oil strike to celebrate. [Pops the cork]

AFTON: Doesn’t it even bother you that Bobby was shot?

CLIFF: No, not really. No. He’s not married to Pam anymore. He’s a Ewing. [Pours a glass, raises it] Want a drink?

AFTON: I’m not drinking with you. You are the coldest man I have ever met. You make J.R. Ewing look like a saint. [Turns, grabs her suitcase, heads toward the door]

CLIFF: [Laughs] Well, say hello to your mama in her new house. When you coming back? [Grabs the bottle, follows her to the door]

AFTON: [Stops, turns to face him] I’m not.

CLIFF: [Scoffs] Now that’s ridiculous.

AFTON: No. No, Cliff, our relationship is ridiculous. It’s over. I just wish I could say it’s been terrific. I’ll send for the rest of my things. [Turns away]

CLIFF: Just when everything is going great.

AFTON: [Turns back] Great? Great for whom? For you. The only one you’ve ever cared about: Cliff Barnes. [Exits, leaving Cliff standing alone]

CLIFF: [Walks back into the room, takes a sip] Who needs her?

Watch this scene in “Killer at Large,” available on DVD and at Amazon and iTunes, and share your comments below.

Dallas Desserts: Valentine’s Day Edition II

Ann Ewing, Bobby Ewing, Brenda Strong, Christopher Ewing, Dallas, Elena Ramos, Jesse Metcalfe, John Ross Ewing, Jordana Brewster, Josh Henderson, Julie Gonzalo, Larry Hagman, Linda Gray, Patrick Duffy, Pamela Rebecca Barnes Ewing, Sue Ellen Ewing, TNT

“Dallas,” this one’s for you.

For this year’s “Dallas Desserts” Valentine’s Day treat, Cook In / Dine Out whipped up a special version of tres leches cake. The recipe calls for three kinds of milk, making it an ideal choice to honor “Dallas’s” three-season run. The cake also happens to be sinfully delicious, just like the show.

So fire up your DVD player, pop in a “Dallas” disc and spend your Valentine’s Day reliving the series with your sweetheart and a slice of this cake. Be warned, though: Once you taste the cake, you probably won’t want to share it — one more reason this dessert is fit for a Ewing.

Dallas Desserts - Valentine's Day Edition II 2 copy

Dallas Parallels: Turning Tables

Carter McKay, Dallas, Fran Kranz, George Kennedy, Hunter McKay, TNT

Who says you can’t beat a Ewing?

As the original “Dallas” neared its end, two Westar board members invited J.R. to become the company’s new chairman. J.R. found the offer too good to refuse, so he sold his share of Ewing Oil to Cliff Barnes and accepted the offer to join Westar — only to have the rug pulled out from under him by Carter McKay. In “The Decline and Fall of the Ewing Empire,” J.R. discovered the Westar job was a ruse; Carter’s minions had dangled the offer in front of J.R. long enough for him to sell Ewing Oil, and then Carter snatched Westar away, leaving J.R. with nothing.

History repeated itself, sort of, as TNT’s “Dallas” sequel series drew to a close. Carter’s grandson Hunter encouraged J.R.’s son John Ross to take Ewing Global public, making shares of the company available to outside investors. In “Victims of Love,” Hunter, with help from partner-in-crime Nicolas Trevino, purchased all of Ewing Global’s shares during the company’s initial public offering — seizing control of John Ross’s company in a single swoop. Once again, a McKay had beaten a Ewing.

The parallels between these storylines aren’t perfect. Carter merely tricked J.R. into giving up Ewing Oil, while Hunter took over Ewing Global. Nevertheless, there are similarities between the scenes where J.R. and John Ross each realize the tables have been turned against them. Both sequences feature surprise reunions — J.R. and Dusty Farlow (!) in “The Decline and Fall of the Ewing Empire,” Christopher and Hunter in “Victims of Love” — and J.R. and John Ross use similar language. J.R. to Carter: “You son of a bitch. You set me up.” John Ross to Hunter: “You and Nicolas were setting me up.” There are also important differences: cool-as-a-cucumber J.R. keeps a stiff upper lip after Carter’s victory, while hot-headed John Ross attacks Hunter.

It took a while, but J.R. eventually clawed his way back to power. Will John Ross do the same? More importantly, how long will we have to wait to see it?

 

‘You Son of a Bitch. You Set Me Up.’

Dallas, Decline and Fall of the Ewing Empire, J.R. Ewing, Larry Hagman

Like son

In “The Decline and Fall of the Ewing Empire,” a 14th-season “Dallas” episode, J.R. (Larry Hagman) is sitting at his office desk when Rose (Jeri Gaile) enters the room.

ROSE: Mind if I come in?

J.R.: What do you want?

ROSE: Thought maybe there was an office you wanted me to bug. [Looking around] Oh, this is nice. This is very nice. Oh, yes. I especially like your desk. [She sits on it and strokes the lamp.] It’s so … big. Use it much?

J.R.: How the hell did you get in here?

Carter (George Kennedy) enters.

CARTER: Your assistant seems to have vacated her post. Hello, J.R. Rose is right. It’s a very nice office.

J.R.: I thought you left Dallas for good.

CARTER: Only to find Rose. [Puts his arm around her] We decided to come back here for a while. Just to see how things were doing. [Sits in a chair]

J.R.: You heard, huh?

CARTER: Heard what?

J.R.: That I’m going to be the new chairman of the board of Westar. You come here to stop me?

CARTER: I did receive a few phone calls about it. Frankly, J.R., I think you’d make a terrible chairman of the board. [J.R. smiles.] I do have some affection for Westar. I’d hate to see you destroy it.

J.R.: Well, that’s too bad. Because I now have the voting rights. [Rose smiles coyly.]

CARTER: Oh, that’s right. Clayton gave them to you, didn’t he? They carry a lot of weight.

J.R.: [Chuckles] That’s an understatement.

CARTER: Maybe, but maybe the voting rights aren’t enough. Don’t you have to have the shares to go with them?

J.R.: Oh, don’t you worry about that. [Stands, moves from behind the desk] I’ll get ’em. In time, I’ll get them.

Dusty (Jared Martin) enters.

DUSTY: I wouldn’t be too sure of that, J.R.

CARTER: You do remember Dusty Farlow, don’t you?

J.R.: Like I remember athlete’s foot. Well, I don’t know what rock you had to turn over to find him, but those voting rights are legally mine.

DUSTY: You haven’t changed, have you? You’re still plottin’ and schemin’ and one-uppin’ everyone you can.

J.R.: [Chuckles] Well, some people are easier to one-up than others — as I’m sure you remember.

DUSTY: Oh, I remember J.R. Except this time, I don’t think your little schemes are going to work.

J.R.: You going to try to stop me?

DUSTY: I already have. You see, those shares were more trouble than they were worth. I was happy to sell them to Mac.

J.R.: [To Carter] You son of a bitch. You set me up.

CARTER: True, and I didn’t think it would be that easy. I’m the majority stockholder now, J.R., and tomorrow, I’m putting my own man in. And you can kiss your dreams of becoming chairman goodbye. [Rose blows him a kiss, and then she and Carter exit.]

DUSTY: So long, J.R. Give my regards to Sue Ellen. Oh, that’s right. I forgot. She dumped you. [He smiles and leaves.]

 

‘You and Nicholas Were Setting Me Up’

Dallas, John Ross, Josh Henderson, Victims of Love, TNT

Like father

In “Victims of Love,” a third-season “Dallas” episode, Hunter (Fran Kranz) is in his apartment when he answers a knock at the door, revealing John Ross and Christopher (Josh Henderson, Jesse Metcalfe)

HUNTER: John Ross, Christopher. What’s up guys?

CHRISTOPHER: Hunter, we were hoping to have a little chat.

HUNTER: Yeah, no problem, of course. Come on in. Come on. [The cousins follow him into the apartment, where he pauses a video game and picks up a beer bottle.] All right. Man, Christopher. It’s been a minute, huh? [Laughs] Last time I saw you must’ve been … high school. [He takes a potato chip from a bowl and eats it.]

JOHN ROSS: And last time you saw me, you and Nicholas were setting me up so that you could steal our company.

HUNTER: Whoa, guys, I-I-I don’t want there to be any hard feelings. It was all just business.

CHRISTOPHER: Except what you did was illegal. You see, we know the money you used came from the Mendez-Ochoa cartel.

HUNTER: I don’t know what you’re talking about. [Sips his beer]

JOHN ROSS: I think you do.

CHRISTOPHER: And we’re filing a suit with the SEC, and when we do, you’re going to find yourself in jail.

HUNTER: [Sets down his beer] Guys, let’s just be honest. If you already had proof of where that money came from, you wouldn’t be standing in my apartment. [Chuckles] I think I win.

CHRISTOPHER: [To John Ross] Let’s go. [They turn and head for the door.]

HUNTER: You know, John Ross, Nicolas wasn’t so sure you’d take the bait. But then I told him how J.R. fell for a similar move when my grandfather tricked him into giving up Ewing Oil. That’s sort of poetic justice, right? You losing your company the same way your daddy did?

John Ross lunges for Hunter and grabs him by his sweatshirt.

CHRISTOPHER: John Ross!

JOHN ROSS: We’re going to find out where that money came from, McKay, and when we do, you’re finished!

CHRISTOPHER: [Pulls John Ross away] Let’s go! Come on.

What do you think of the Ewings’ losses to the McKays? Share your comments below and read more “Dallas Parallels.”