Linda Gray – Dallas Decoder

Critique: TNT’s ‘Dallas’ Episode 7 – ‘Collateral Damage’

July 19, 2012 by Chris Baker 37 Comments

Christopher Ewing, Collateral Damage, Dallas, Jesse Metcalfe, TNT

Cry, cry again

“Collateral Damage” gets it right. This episode offers solid writing, stylish direction and strong performances, all while making good use of established “Dallas” lore. Overall, this is the new show’s best hour since the pilot, “Changing of the Guard.”

I’m sure many viewers will remember “Collateral Damage” as the episode where Marta meets her maker, but as haunting as the sight of her bloodied body atop that crushed car is, it’s not the image that sticks with me most. No, that distinction belongs to the scene in the doctor’s office, where Christopher and Rebecca are shown the sonogram of their unborn twins as Bobby and Ann watch silently.

Julie Gonzalo and Brenda Strong are good here, but it’s the guys who move me most. Jesse Metcalfe is establishing himself as television’s best crier, while Patrick Duffy has matured into the rarest of Hollywood species: the actor who doesn’t need dialogue to perform. The look on Duffy’s face tells us everything we need to know about the pride and joy Bobby feels at that moment.

And while I’m sure “Dallas” newcomers appreciated this scene, it holds special meaning for me and, I suspect, other longtime fans. We once watched a twentysomething Bobby bring his young bride home to Southfork, and now we see him on the brink of becoming a grandfather. We remember Christopher arriving at the ranch as a babe-in-arms, and now he’s embarking on his own journey to fatherhood. For “Dallas” diehards, this is a big, meaningful moment, and director Steve Robin deserves our thanks for slowing things down so we could absorb the weight of it.

My other favorite “Collateral Damage” scene opens with John Ross sitting in a posh restaurant, reminiscing about the time he broke into the Southfork liquor cabinet as a child to sneak his first taste of bourbon. “That’s when you found me,” John Ross says as the camera pans across the table to reveal his dining companion: Lucy. “You were half past gone on the floor,” she quips. “And the first thing I thought was, ‘Yep, he’s his mama’s son.’”

I adore this exchange because it demonstrates how TNT’s “Dallas” can bring together younger characters and longtime favorites in ways that serve current storylines while also honoring the old show’s past. Even though we never witnessed John Ross sneaking liquor on the original “Dallas,” it isn’t hard to imagine it happening off-screen. The same thing can’t be said for many of the historical revisions TNT’s writers have made this season.

John Ross and Lucy’s scene also works well because, frankly, it’s nice to be reminded of a time when Southfork was full of family – something I hope the new series will get back to soon. Additionally, I’m happy to see TNT showcase Charlene Tilton, a onetime ingénue who now possesses a wonderfully worldly, been-there-done-that charm. I hope we see more of her in the future.

Aaron Allen’s “Collateral Damage” script also includes a nicely written scene where Sue Ellen oh-so-subtly pressures Elena to bail out John Ross. Jordana Brewster more than holds her own against Linda Gray during this exchange, particularly when Elena questions if Sue Ellen still cares about Bobby and his family – something I’ve wondered myself. Sue Ellen’s response (“Elena, when the day comes that you have to choose between your child and anybody else, I hope you choose wisely.”) illuminates the character’s thinking, reminding us that even though Sue Ellen has changed, she hasn’t lost all her old impulses.

Speaking of illumination: “Collateral Damage” sheds a little more light on the dark secret being kept by Ann, Bobby’s new wife. The evidence suggests Ann once had a daughter, although we don’t know what happened to her. According to one wild theory making the online rounds, Rebecca is Ann’s daughter, the result of a one-night stand with Cliff a quarter century ago. (Strong portrayed an unnamed woman Cliff slept with in “Cat and Mouse,” a 1987 “Dallas” episode.) I suppose anything’s possible, but for now I’m content to enjoy the mystery.

Finally, some praise for the fantastic “Collateral Damage” sequence where a frantic John Ross goes to Marta’s hotel room, believing she’s kidnapped Elena, only to discover it’s just another one of Marta’s deceptions. The whole thing plays like a fevered dream – the camerawork is shaky and the film looks like it’s been sped up – making this one of TNT’s niftiest “Dallas” scenes yet.

Until this moment, Marta seemed destined to become another crazed stalker from soap opera central casting, but Leonor Varela’s mesmerizing performance makes the character feel utterly human. Rather brilliantly, Allen’s script gives Marta a line about how she “earned” her way out of “the slums of Caracas,” a neatly efficient way to generate sympathy for the character before she dies.

From this perspective, Marta resembles another tragic “Dallas” vixen: Julie Grey, Tina Louise’s character from the old show’s early years. I don’t think it’s a coincidence Marta plunges to her death after encountering a couple of henchmen, just like Julie did during the old show’s classic “The Red File, Part 1” episode.

Clever homages like this help “Collateral Damage” earn its “A” grade, which is the first one I’ve awarded since “Changing of the Guard.” Something tells me it won’t be the last.

Grade: A

________________________________________________________________________________________________________________________________________________

Missing cousin

‘COLLATERAL DAMAGE’

Season 1, Episode 7

Telecast: July 18, 2012

Writer: Aaron Allen

Director: Steve Robin

Audience: 5.2 million viewers (including 3.9 million viewers on July 18, ranking 13th in the weekly cable ratings)

Synopsis: Under pressure from Cano, John Ross invites Lucy to join him in the battle for Southfork, but she sides instead with Bobby. Ryland has Bobby arrested for assaulting him but drops the charges. Bobby tells Ann her past doesn’t matter to him. Christopher tells Elena he wants her back, but he’s at Rebecca’s side when she learns she’s pregnant with twins. Sue Ellen persuades Elena to use her oil to help John Ross, who is arrested after Marta plunges to her death from a high-rise balcony.

Cast: Carlos Bernard (Vicente Cano), Jordana Brewster (Elena Ramos), Patrick Duffy (Bobby Ewing), Julie Gonzalo (Rebecca Sutter), Linda Gray (Sue Ellen Ewing), D’Laine Gutmann (nurse), Larry Hagman (J.R. Ewing), Peyton Hayslip (Dr. Lauren Barstow), Josh Henderson (John Ross Ewing), Jesse Metcalfe (Christopher Ewing), Glenn Morshower (Lou), Kevin Page (Bum), Mitch Pileggi (Harris Ryland), Brenda Strong (Ann Ewing), Charlene Tilton (Lucy Ewing), Leonor Varela (Marta del Sol)

“Collateral Damage” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (TNT), Opinion Tagged With: Brenda Strong, Cat and Mouse, Changing of the Guard (2012), Charlene Tilton, Collateral Damage, Jesse Metcalfe, Jordana Brewster, Julie Gonzalo, Linda Gray, Patrick Duffy, Red File Part 1, TNT

Drill Bits: This Week, Ratings Rose for TNT’s ‘Dallas’

July 13, 2012 by Chris Baker 5 Comments

Bobby Ewing, Dallas, Harris Ryland, Mitch Pileggi, Patrick Duffy, TNT, Truth and Consequences

His blood pressure rose too

Ratings for TNT’s “Dallas” rebounded this week after dipping on Independence Day.

Approximately 3.4 million viewers watched “Truth and Consequences,”the show’s fifth episode, on July 4. Although the audience was down about 18 percent from the previous week – no surprise there, TV audiences always shrink on holidays – “Truth and Consequences” still managed to become the evening’s top original cable show and the 16th most-watched cable program of the week.

TNT’s sixth “Dallas” installment, “The Enemy of My Enemy,” did better: It scored 3.6 million viewers on July 11, including 1.3 million viewers between the ages of 18 and 49, the group advertisers pay a premium to reach. “Dallas” and USA’s “Royal Pains” tied for second place among the 18-to-49 crowd that evening; the top-rated cable show in that demographic: ESPN’s “ESPY Awards,” which was seen by 1.5 million viewers in that group.

“Dallas” is averaging 4.5 million viewers of all ages on Wednesday nights, although the numbers go up when people who record the show and watch it later are counted.

‘Who Shot J.R.?’ Still Making News

“Who Done It?,” the “Dallas” episode that reveals Kristin as J.R.’s shooter, remains one of the most memorable television moments of the past 50 years, according to a study published this week.

The 1980 broadcast ranked 44th on the memorable moments list, ahead of “events” like Chaz Bono’s participation in “Dancing with the Stars” (No. 59) and Kim Kardashian’s marriage to Kris Humphries (No. 76), but below ABC’s 1977 miniseries “Roots” (No. 36) and the Beatles’ performance on “The Ed Sullivan Show” (No. 43).

Sony Electronics and the Nielsen television research company conducted the study. The findings are based on a survey in which people were given a list of landmark TV events and asked to rank them.

News stories dominated the list: Coverage of the 9/11 terrorist attacks ranked first, followed by reporting on the 2005 Hurricane Katrina disaster (No. 2) and the 1995 verdict in the O.J. Simpson murder trial (No. 3).

Dressing ‘Dallas’

Here at Dallas Decoder, we’re big fans of Rachel Sage Kunin, costume designer for TNT’s “Dallas,” which is why we’re pleased to see her get a little love in the press.

In a new interview with the design site Artinfo, Kunin reveals why Linda Gray is her favorite cast member to dress – and why we’re unlikely to see John Ross sporting a Stetson with his business suits.

ICYMI: Gray Speaks

Ultimate Dallas’s revealing interview with Gray stirred the Ewing-verse this week, prompting us to weigh in with a call for more screen time for Sue Ellen. Of course, we weren’t the only ones. If you haven’t already done so, be sure to check out the Dallas Morning News’s blog post and Dallas Divas Derby’s wish list for the new show’s second season (No. 3: Save Sue Ellen!).

Line of the Week

“What now?”

John Ross’s exasperated response to seeing Bobby and Christopher barge into his room at the end of “The Enemy of My Enemy” made me laugh. Look, I love Bobby and Christopher, but you gotta admit: These two can be a little too Dudley Do-Right for their own good. I see why John Ross finds them a little hard to take sometimes.

Sweet and Strong

A reminder: This week’s “Dallas Drinks” offering is The Bobby, named for Patrick Duffy’s all-American hero. The recipe comes from Dallas Decoder’s favorite spouse at Cook In/Dine Out.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.

Filed Under: Drill Bits, News Tagged With: Dallas Divas Derby, Enemy of My Enemy, Linda Gray, Patrick Duffy, Rachel Sage Kunin, TNT, Truth and Consequences, Ultimate Dallas, Who Done It?, Who Shot J.R.?

TNT’s Dallas Scene of the Day: ‘Some Things Never Change’

July 12, 2012 by Chris Baker Leave a Comment

Dallas, Enemy of My Enemy, John Ross Ewing, Josh Henderson, TNT

Necessity is a mother

In “The Enemy of My Enemy,” a first-season “Dallas” episode, John Ross (Josh Henderson) visits Sue Ellen (Linda Gray) at her office.

SUE ELLEN: Hello, darling. What a nice surprise. [Kisses him]

JOHN ROSS: Mother.

SUE ELLEN: Don’t tell me. You’re here to take me out to lunch, hmm?

JOHN ROSS: I’m afraid not. [Turns away] I came because I need your help.

SUE ELLEN: Well, whatever you need. You know that.

JOHN ROSS: Harris Ryland of Ryland Transport. Is he a friend of yours? [Turns to face her]

SUE ELLEN: I wouldn’t say he’s exactly a friend. I know him a little socially.

JOHN ROSS: Socially is enough. He’s pulled his tanker trucks from Southfork and I can’t pump oil without something to transport it in. Now, I need you to convince him to send his trucks back.

SUE ELLEN: What are you asking me to do, exactly?

JOHN ROSS: You’re running for governor. I need you to play politics. Promise Ryland something. Whatever you want. I don’t care. I just need those trucks back so I can get pumping.

She looks away.

JOHN ROSS: I should’ve known.

SUE ELLEN: [Faces him] No, John Ross, I want to. I need you to believe that. But I made a promise when I got into this race to my backers and my supporters.

JOHN ROSS: Screw your promises! You’ve been compromising everything with me since I was born.

SUE ELLEN: John Ross, if I start down that road. [Pauses]

JOHN ROSS: J.R.’s investors hold a note to the ranch. We’re paying them back with 14 percent of the oil. If we don’t pay them on time, they could take the ranch. And I got a feeling they’re going to do a lot worse than that.

SUE ELLEN: My God. [Touches his face] Who have you gotten yourself into business with?

JOHN ROSS: [Walks away] Save it, mother.

SUE ELLEN: Wait. [He turns to face her.] I can help you in other ways, John Ross.

JOHN ROSS: There’s a simple solution you can do, now. And you turn me down. Some things never change.

He leaves.

Filed Under: Dallas Scenes of the Day, Dallas Scenes of the Day (TNT), Features Tagged With: Enemy of My Enemy, Josh Henderson, Linda Gray, TNT

Critique: TNT’s ‘Dallas’ Episode 6 – ‘The Enemy of My Enemy’

July 12, 2012 by Chris Baker 30 Comments

Dallas, Enemy of My Enemy, Linda Gray, Sue Ellen Ewing, TNT

Compromised integrity? Check.

At long last, Sue Ellen.

Linda Gray comes off the sidelines in “The Enemy of My Enemy” – and not a moment too soon. Last week, in a candid interview with Ultimate Dallas, Gray politely – but pointedly – expressed her disappointment with the limited amount of screen time she’s received on TNT’s “Dallas.” As she reminded fans, Sue Ellen’s fate rests with the new show’s writers, who are now working on the second-season scripts.

Although “The Enemy of My Enemy” was filmed months ago, it serves as Exhibit A in the case for giving Sue Ellen a more prominent role on the show. Gray makes this one of TNT’s strongest episodes yet. She only appears in three scenes, but she dominates each one – not by chewing scenery but through the force of her grace and elegance. The actress has inherited Barbara Bel Geddes’ mantle as “Dallas’s” elder stateswoman, and that’s why I hope TNT will keep her front and center. This show needs her.

The nice thing about “The Enemy of My Enemy” is how it gets Sue Ellen involved in the fight over Southfork while finally delving into the subplot about her gubernatorial run, which has been simmering on the back burner all season.

In the storyline, John Ross asks his mama to use her political connections to persuade trucking magnate Harris Ryland to ship the oil being pumped out of Southfork. Initially, Sue Ellen resists (“John Ross, if I go down that road….”), but she eventually gives in and visits Ryland, offering him a coveted appointment in her administration if he’ll help her son. Ryland, played with wicked charm by Mitch Pileggi, rejects the offer because he says he doesn’t want Sue Ellen to compromise her integrity. Nevertheless, he agrees to help John Ross – and to demonstrate his admiration for Sue Ellen, he cuts a big check to her campaign.

The first time I watched this episode, seeing Sue Ellen sell out made me cringe. This didn’t feel like something the new, improved version of our beloved heroine would do. But then I thought about Sue Ellen’s guilt over her shortcomings as a mother when John Ross was younger. I can see how her judgment might be clouded where he’s concerned.

Besides, let’s face it: A saintly Sue Ellen is a boring Sue Ellen. Like I wrote earlier this week, I’m happy the character has changed with the times, but the show needs to reveal Sue Ellen’s humanity, and her foibles in “The Enemy of My Enemy” feel credible. It’s worth noting Sue Ellen’s actions also place her squarely in the tradition of other “Dallas” mothers (Miss Ellie, Rebecca Wentworth) who make questionable choices on behalf of their adult sons.

In addition to finally giving Sue Ellen a meaningful storyline, I like how scriptwriter Gail Gilchriest brings Elena and Rebecca together in “The Enemy of My Enemy.” Having Elena drive Rebecca to the doctor is a clever way to highlight the uneasy bond developing between these characters, whose relationship is beginning to recall the one shared by “Dallas’s” ultimate frienemies, Sue Ellen and Pam.

I also appreciate how director Jesse Bochco showcases some of the lighter moments in “The Enemy of My Enemy.” At the end of the episode, I love when Bobby and Christopher storm into John Ross’s room, prompting his exasperated, “What now?” There’s also an amusing scene before the opening credits, when the roughneck Earl interrupts Bobby and John Ross’s argument on the Southfork patio.

“Mr. Ewing?” Earl says.

“Yeah?” Bobby answers.

“I meant John Ross.”

Of course, I’d be remiss if I didn’t point out this episode’s big historical inaccuracy: The discovery that Miss Ellie’s father left her sons the mineral rights to Southfork contradicts long-established “Dallas” lore. In the past, major storylines have hinged on the fact Ellie controlled the ranch’s mineral rights.

The other eye-roller comes when Bobby discovers his grandfather’s prized pistol in the safe deposit box. During the original show’s classic “Jock’s Trial” episodes, we learned Ellie’s father had given the gun to Jock before his death, signaling he had finally accepted the young oil baron as a member of his family.

Or is that why Bobby seems to smile mischievously when he pulls the gun out of the lockbox in this episode? In that instant, does he realize his granddaddy pulled a fast one on Jock, all those years ago?

Maybe the Southworths were more like the Ewings than they cared to admit.

Grade: B

________________________________________________________________________________________________________________________________________________

Dallas, Enemy of My Enemy, John Ross Ewing, Josh Henderson, Linda Gray, Sue Ellen Ewing, TNT

Empire of the son

‘THE ENEMY OF MY ENEMY’

Season 1, Episode 6

Telecast: July 11, 2012

Writer: Gail Gilchriest

Director: Jesse Bochco

Audience: 5.3 million viewers (including 3.6 million viewers on July 11, ranking 26th in the weekly cable ratings)

Synopsis: With Rebecca’s help, Bobby and Christopher find an old legal document that will give Bobby control of Southfork’s mineral rights. After business partner Vicente Cano threatens him, John Ross turns to Sue Ellen, who persuades Harris to transport the oil pumped out of Southfork. Bobby punches Harris after he sends Ann a locket that upsets her. John Ross fears Marta is stalking Elena. In Las Vegas, J.R. tries to muscle in on Cliff’s high-stakes poker game. Rebecca tells Tommy she’s pregnant.

Cast: Carlos Bernard (Vicente Cano), Jordana Brewster (Elena Ramos), Patrick Duffy (Bobby Ewing), Marlene Forte (Carmen Ramos), Julie Gonzalo (Rebecca Ewing), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Callard Harris (Tommy Sutter), Josh Henderson (John Ross Ewing), Jesse Metcalfe (Christopher Ewing), Kevin Page (Bum), Mitch Pileggi (Harris Ryland), Matthew Posey (Earl), Brenda Strong (Ann Ewing), Faran Tahir (Frank), Leonor Varela (Marta del Sol)

“The Enemy of My Enemy” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (TNT), Opinion Tagged With: Barbara Bel Geddes, Enemy of My Enemy, Gail Gilchriest, Jesse Bochco, Jock’s Trial Part 1, Jock’s Trial Part 2, Linda Gray, Mitch Pileggi, TNT, Ultimate Dallas

Linda Gray is Speaking Up — Just Like Sue Ellen Would

July 10, 2012 by Chris Baker 5 Comments

Dallas, Linda Gray, Sue Ellen Ewing, TNT

Still our girl

Atta girl, Linda Gray.

In a candid interview with Ultimate Dallas last week, the actress expressed her disappointment with the amount of screen time her character, the indomitable Sue Ellen Ewing, has received on TNT’s “Dallas” revival. The cable channel has telecast five hours so far, and Gray has been missing from two of them.

“I’m not happy not to be in an episode. I’m not a happy camper,” Gray told the fan site, adding viewers should “go and rattle cages” if they want to see more of Sue Ellen.

Let’s be clear: Gray doesn’t sound at all angry during the interview. In fact, she seems pretty enthusiastic about the show overall. (In addition to a transcript, Ultimate Dallas has posted an audio recording of its conversation with the actress.)

Still, I suspect it took more than a little courage for Gray to admit she’d like to be given more to do. We’ve all seen Hollywood sideline older actresses, and I’m sure there are plenty of people in the entertainment industry who will look at Gray and think she should be happy to have a steady gig, even if she isn’t getting as many scenes as she’d like.

That’s why I’m proud of the actress. Gray is demonstrating she’s learned a thing or two from her “Dallas” alter ego, who has always had to fight to make her own way in the world.

Think about it: Sue Ellen has been part of our popular culture since the Carter era, and in that time she’s gone from an alcoholic Stepford wife to a confident, independent woman. In the history of prime-time television, few characters have endured as long as Sue Ellen, and fewer still have changed as much.

‘Dallas’s’ Secret Weapon

Make no mistake: “Dallas” is Sue Ellen’s story as much as it is J.R. and Bobby’s – and Linda Gray has always been the show’s secret weapon.

Since I began re-watching the original series for Dallas Decoder, I’ve been struck by the quiet power of Gray’s performances. I marvel at her work in classic early episodes like “John Ewing III, Part 2,” when Sue Ellen confesses her affair with Cliff in a heartbreaking, four-and-a-half-minute monologue. Her work later in the series, particularly during the unfairly maligned “dream season,” blows me away too.

Most surprisingly, Gray dominates the famous “Who Shot J.R.?” episodes, more so than Larry Hagman. She is mesmerizing in “A House Divided,” the season-ending cliffhanger where J.R. is shot, and she absolutely owns “Who Done It?” the most-watched “Dallas” episode ever.

Gray still impresses me. She hasn’t been given much to do on TNT’s “Dallas,” but when she appears, she lights up the screen. With the exception of Hagman, no one on the new show is as charismatic as Gray.

Sue Ellen is Us

Of course, I’ve had a soft spot for Sue Ellen since I was a kid. I’ve come to see the character as an avatar for the gay rights movement, but the truth is, Sue Ellen serves as a stand-in for anyone who has ever had to stand up for themselves. In other words: Sue Ellen is us.

I think that’s why she’s always been a fan favorite. Remember, “Dallas” was prime-time television’s 26th most popular series until the 1989-90 season, when Gray left and it plunged to 43rd.

To be fair, because Sue Ellen is so beloved – and because she’s changed so much over the years –I would imagine the character is tough to write for. I wish TNT’s writers had made more of an effort during the new show’s early episodes, but as we head into the first season’s home stretch, Sue Ellen seems poised to get more screen time.

The character is featured in several pivotal scenes in “The Enemy of My Enemy,” the episode TNT will telecast tomorrow night. As audiences will see, some of Sue Ellen’s old habits endure, a revelation I welcome. I’m glad Sue Ellen has changed with the times, but it’s also good to see she’s still human.

And as much as I appreciate Gray’s suggestion that fans “rattle cages” and demand to see more Sue Ellen in the future, I don’t believe television scripts should be crowd-sourced. Cynthia Cidre, the creative force behind TNT’s “Dallas,” has a vision for the series, and she deserves an opportunity to fulfill it.

But let’s face it: Unless that vision includes Sue Ellen, it won’t really be “Dallas.”

Do you want to see more of Sue Ellen on “Dallas”? Share your comments below and read more opinions from Dallas Decoder.

Filed Under: Opinion, Opinion Tagged With: Cynthia Cidre, John Ewing III Part 2, Larry Hagman, Linda Gray, Nightmare, Price You Pay, TNT, Ultimate Dallas, Who Done It?, Who Shot J.R.?

Dallas Styles: Sue Ellen’s ‘Who Done It?’ Dresses

July 10, 2012 by Chris Baker 4 Comments

Subject to contrast

When “Who Done It?” begins, Sue Ellen is at the Dallas police station, where she is being arrested for J.R.’s shooting. We see her have her mug shot taken and get fingerprinted, and then Detective Frost reads her her rights.

We also watch as Sue Ellen removes her jewelry – rings, earrings, bracelets, pearls – and passes each item to an officer seated behind a cage window.

True colors

The poignancy of this scene can’t be overstated. For Sue Ellen, these aren’t just ornaments; they’re part of her identity. Not since the first-season episode “Winds of Vengeance,” when Luther Frick forced her to wear a swimsuit, has she been this exposed.

To underscore the drama of Sue Ellen’s jailhouse scenes, the “Dallas” wardrobe designers put Linda Gray in a black-and-white “dress” (it’s actually a matching blouse and skirt that give the appearance of being a single garment). The right side of the top is black and the left is white; below the black belt, the colors are reversed.

Aside from evoking prison stripes, the dress symbolizes the dichotomy of seeing this wealthy Dallas society wife being hauled off to jail. The dress also represents the mystery surrounding Sue Ellen’s role in J.R.’s shooting. She was drunk the night he was gunned down and can’t remember if she pulled the trigger, but the truth is black or white: Sue Ellen is either guilty or she isn’t. She just doesn’t know which.

By the end of the “Who Done It?” Sue Ellen figures out J.R.’s assailant was Kristin, who has been trying to frame her for the crime. In the episode’s climactic scene, a triumphant Sue Ellen goes to Southfork to confront her sister, and once again, “Dallas” uses Sue Ellen’s clothing to open a window into her mindset.

With the burden of doubt lifted, Sue Ellen’s somber black-and-white dress has been replaced with one that’s lighter and brighter, dotted with small splashes of red, blue and yellow. Unlike the earlier outfit, this dress offers a plunging neckline – perfect for a woman who is eager to expose her sister’s misdeeds.

Filed Under: Dallas Styles, Dallas Styles (Classic), Features Tagged With: Linda Gray, Who Done It?, Who Shot J.R.?, Winds of Vengeance

The Art of Dallas: ‘Who Done It?’

July 10, 2012 by Chris Baker Leave a Comment

Sue Ellen (Linda Gray), after being arrested for J.R.’s shooting, has her mug shot taken in this 1980 publicity shot from “Who Done It?” a fourth-season “Dallas” episode.

Filed Under: Art of Dallas, Art of Dallas (Classic), Features Tagged With: Linda Gray, Who Done It?, Who Shot J.R.?

Dallas Scene of the Day: ‘It Was You, Kristin, Who Shot J.R.’

July 10, 2012 by Chris Baker 6 Comments

Who done it

In “Who Done It?,” a fourth-season “Dallas” episode, Sue Ellen (Linda Gray) arrives at Southfork to find J.R. (Larry Hagman) reading in his wheelchair on the patio.

SUE ELLEN: J.R.?

J.R.: [Looks up from his book, startled] What are you doing here?

SUE ELLEN: Where’s Kristin?

J.R.: Don’t come any closer. [Moves his wheelchair toward the table] I’m going to call the police. Don’t you come any closer. [Struggles to get out of the wheelchair]

SUE ELLEN: [Looks at him with pity] J.R., I didn’t come here to hurt you. I just want to know where Kristin is.

Kristin (Mary Crosby) exits the house, steps onto the patio.

KRISTIN: [Cheery] Sue Ellen, I brought your things.

SUE ELLEN: [Sarcastic] Regular angel of mercy, aren’t you? So supportive. Keeping my secrets. Taking me in.

KRISTIN: What happened? What are you talking about?

SUE ELLEN: I have finally figured everything out, that’s all. You have been trying to frame me.

KRISTIN: [Laughs] You’re crazy.

SUE ELLEN: [Smiles] Well, you were right. I was at that condo that night, looking for J.R. And yes, I did have his gun. But you saw how drunk I was, and you still gave me a drink, knowing I’d put the gun down to take it. You went to the office that night with J.R.’s gun. It was you, Kristin, who shot J.R. Then the next morning, while I was showering, you hid the gun in the closet. [Flashbacks appear as Sue Ellen speaks.]

KRISTIN: You think you’ve got it all figured out.

J.R.: [Speaking into the phone] Get me the police.

KRISTIN: I wouldn’t do that if I were you, J.R. [She and Sue Ellen walk toward him.] Not unless you want your child born in prison. Now wouldn’t that be a scandal? Jock Ewing’s grandson: jail baby. [Snickers] I think I’ll write my memoirs there.

J.R.: You’re bluffing.

KRISTIN: Call Dr. Gibson. I saw him yesterday. He’ll tell you. [A voice on the phone says, “Dallas Police Department.”]

SUE ELLEN: [Reaches for the phone] Give me that phone. I’m not going to jail for her.

J.R.: Nobody’s going to jail. I’ll handle Kristin my own way.

Filed Under: Dallas Scenes of the Day, Dallas Scenes of the Day (Classic), Features Tagged With: Larry Hagman, Linda Gray, Mary Crosby, Who Done It?, Who Shot J.R.?

Critique: ‘Dallas’ Episode 58 – ‘Who Done It?’

July 10, 2012 by Chris Baker 25 Comments

Dallas, Linda Gray, Sue Ellen Ewing, Who Done It, Who Shot J.R.?

Just shoot her

“Who Done It?” brought the world to a standstill. Eighty-three million Americans, or roughly one-third of the nation’s population, watched this episode on the night it aired in 1980, a record at the time. The global audience is estimated in the hundreds of millions.

I’m sure many viewers still remember where they were and who they were with when they saw “Who Done It?” It’s less likely anyone remembers much about the episode itself. Aside from the final scene, when Kristin is finally revealed as J.R.’s shooter, this is pretty much a run-of-the-mill hour of “Dallas.”

From today’s vantage point, I find this astonishing. When “Who Done It?” was filmed, the producers must have known the broadcast would attract a huge audience, including people who’d never seen “Dallas” but wanted to witness the climactic moment in the “Who Shot J.R.?” phenomenon that had been raging for months.

You might expect the producers to craft an episode to welcome these newcomers. Instead, “Dallas” plows forward with storylines already in motion. Bobby tries to buy a refinery. Cliff hitches a ride on the Culver political bandwagon. Lucy continues wooing Mitch.

Not that I’m complaining, mind you. It’s nice to see “Dallas” conclude the “Who Shot J.R.?” mystery with an episode that’s designed to reward loyal fans.

It’s also nice to see the producers showcase Linda Gray, who does some of her finest work on “Dallas” in this episode. The actress makes Sue Ellen believably desperate at the beginning of “Who Done It?” when the character, clad in that iconic black-and-white dress, is forced to spend the night behind bars because the Ewings refuse to bail her out.

It’s always worth paying attention to the details of Gray’s performances, and “Who Done It?” is no exception. Watch closely when Sue Ellen is sitting alone in the jailhouse visitation room and Cliff arrives unexpectedly. The moment she recognizes him, Gray’s posture stiffens and she begins fixing her mussed hair. It’s a small gesture, but it lets us know Sue Ellen is determined to preserve whatever dignity she has left.

I also appreciate how the “Dallas” writers allow Sue Ellen to find a little inner strength after the Ewings reject her in the aftermath of her arrest. When she’s released from jail, she doesn’t hit the bottle, as you might expect. Instead, she turns to Dr. Elby and tries to get to the bottom of what happened the night her husband was shot.

You can’t help but feel Sue Ellen’s triumph when she arrives at Southfork in the final scene, armed with the truth that Kristin is trying to frame her. In contrast, I also appreciate how we get to see a different side of J.R. at this moment. When he spots Sue Ellen, he looks genuinely frightened; director Leonard Katzman even allows the camera to linger on Larry Hagman as he fumbles to get out of his wheelchair. Brilliant.

Of course, as good as Hagman and Gray are in this scene, don’t overlook Mary Crosby. I don’t think I’ve ever found Kristin as distasteful as I do when she coos about giving birth to Jock Ewing’s “jail baby” grandchild. But watch how Crosby’s bravado melts the moment J.R. announces he’ll “handle” her his own way.

In that instant, you can almost hear the wheels turning inside J.R.’s head. Or maybe it’s just the sound the world makes as it starts spinning again.

Grade: A

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He’ll handle it

‘WHO DONE IT?’

Season 4, Episode 4

Airdate: November 21, 1980

Audience: 41.5 million homes, ranking 1st in the weekly ratings

Writer: Loraine Despres

Director: Leonard Katzman

Synopsis: Sue Ellen is arrested and jailed. Someone posts bail, but she doesn’t know who did it. Cliff offers to help Donna’s stepson Dave Culver run for governor. Bobby wants to buy a refinery but can’t arrange the financing. After Dr. Elby hypnotizes her, Sue Ellen realizes Kristin shot J.R. and confronts her sister, who reveals she’s pregnant with J.R.’s child.

Cast: Tyler Banks (John Ross Ewing), Barbara Bel Geddes (Miss Ellie Ewing), Jeff Cooper (Dr. Simon Elby), Mary Crosby (Kristin Shepard), Jim Davis (Jock Ewing), Patrick Duffy (Bobby Ewing), Kenneth Farmer (Gil), Tom Fuccello (Dave Culver), Linda Gray (Sue Ellen Ewing), Laurence Haddon (Franklin Horner), Nik Hagler (Detective Frost), Larry Hagman (J.R. Ewing), Susan Howard (Donna Culver), Ken Kercheval (Cliff Barnes), John Lehne (Kyle Bennett), Leigh McCloskey (Mitch Cooper), Victoria Principal (Pam Ewing), Charlene Tilton (Lucy Ewing), Gregory Walcott (Jim Redfield)

“Who Done It?” is available on DVD and at Amazon.com and iTunes. Watch the episode and share your comments below.

Filed Under: Critiques, Critiques (Classic), Opinion Tagged With: Larry Hagman, Leonard Katzman, Linda Gray, Mary Crosby, Who Done It?, Who Shot J.R.?

Drill Bits: At the Real Southfork, Business is Booming

July 6, 2012 by Chris Baker Leave a Comment

Changing of the Guard, Dallas, John Ross Ewing, Josh Henderson, Linda Gray, Sue Ellen Ewing, TNT

See you at the souvenir shop

Call it the TNT Effect: Since the cable channel’s new “Dallas” series debuted June 13, tourists have flocked to the Southfork Ranch in Parker, Texas.

The number of weekday visitors to the property has doubled to about 300, the Austin-American Statesman reported last week. Southfork’s attractions include daily tours of the ranch house, as well as a museum where props and other memorabilia from the old show – including the gun used to shoot J.R. and Lucy’s wedding dress – are displayed.

“I’ve seen people cry when they get here and say, ‘Oh my Lord, I’ve tried to come here my whole life,” Sally Peavy, Southfork’s sales manager, told the Abilene Reporter-News.

The ranch also evokes a lot of nostalgia for the “Dallas” cast, who filmed several outdoor scenes there for the TNT episodes, just like they did throughout much of the original show’s 1978-1991 run.

“It’s very interesting to drive down that driveway at Southfork because it brought back so many memories,” Linda Gray told me and other bloggers during a recent press call. “And it’s still small. People are always surprised at how small it is. But then on film, they made it look so big and expansive.”

Just Go

Speaking of that press call, it yielded a cute moment that’s too good to not share.

TNT set up the call so folks like yours truly could interview Gray and Josh Henderson, and while Gray was telling us about the camaraderie among the TNT show’s older cast members, two unexpected visitors popped into the room where she was seated.

The transcript:

Larry Hagman: Hello lovely lady, this is Larry Hagman here.

Patrick Duffy: And this Patrick Duffy.

Gray: See what I mean? … Get out. I love you. Get out of here. Go into the other room. Go.

Hagman: I’ve been thrown out of better places than this.

Ratings, Please

Since “Truth and Consequences,” this week’s TNT episode, debuted on Independence Day, the show’s weekly Nielsen ratings have been delayed. Hopefully they’ll be announced sometime today.

A word of caution: Television viewership always plummets on the Fourth of July, so the numbers for “Truth and Consequences” are bound to be lower than usual. “Dallas” averaged 5.2 million viewers during its first three Wednesday telecasts, although the numbers go up when people who record the show and watch it later are counted.

The good news, of course, is TNT announced last week it has renewed “Dallas” for a second season. For the show’s second go-round, the cable channel will produce 15 episodes, five more than we’re getting this summer.

Filming is expected to begin in the fall; no word on when the season will be telecast.

Line of the Week

“I know all the things Daddy used to say.”

Bobby’s line to J.R. in “Truth and Consequences” made me laugh aloud. As much as I love it when J.R. quotes Jock (even though Jim Davis’s character probably never said half the things his eldest son attributes to him), it’s about time someone told J.R. to quit using those down-home euphemisms to justify his schemes.

Drink and Be Wary

A reminder: This week’s “Dallas Drinks” offering is The Rebecca, a refreshing summertime cocktail inspired by Julie Gonzalo’s character.

The recipe comes from Andrew, the devilishly handsome and clever blogger at Cook In/Dine Out. The essential ingredient: Bénédictine liqueur, an herbal beverage from France whose recipe is so secret supposedly only three people know it.

How many people know Rebecca’s secret? We can hardly wait to find out.

“Drill Bits,” a roundup of news about TNT’s “Dallas,” is published regularly. Share your comments below.