Dallas Scene of the Day: ‘He’s a Hell of a Son’

Family business

Family business

In “Dallas’s” fourth-season episode “End of the Road, Part 2,” Bobby (Patrick Duffy) summons Jock and J.R. (Jim Davis, Larry Hagman) to the Southfork living room.

BOBBY: Daddy, I want out of Ewing Oil. It’s all yours, J.R.

JOCK: Just what are you talking about?

BOBBY: I want out. I almost did something today that I never would’ve been able to forgive myself for.

J.R.: Almost? [Walks toward the bar] Does that mean you didn’t sign with Westar Oil? [Pours himself a drink]

BOBBY: So you know about Westar, do you? Well, I can’t say I’m too surprised.

J.R.: [Pouring himself a drink] Well, Bobby, I built Ewing Oil into a power because I knew everything that was happening in Dallas. I still do. That’s how you run a successful business. [Turns to face Bobby and Jock]

BOBBY: Well, maybe you’re right. And maybe you can’t care for the people. [Turns to Jock] But I wanted to run this company on the up-and-up, Daddy. Only after awhile, the deals became more important than the people. I was borrowing from Peter to pay Paul, all the time pretending it was for the right reasons. And then I realized, after awhile, that you can only lie to yourself just so long, that I could pretend that whatever was good for Ewing Oil was alright, but it’s not. It’s not all right for me.

J.R.: Well, if you didn’t sign with Westar, that means you blew the deal with Jordan Lee and the cartel. And on top of that, we still owe them $12 million – money we don’t have.

JOCK: Is that true, Bobby? Did you go back on your word at the cartel?

BOBBY: [Sighs] I hate to disappoint you, J.R., but we’re just fine with the cartel. [To Jock] I phoned Jordan Lee and told him why I couldn’t go in on the deal with him. Then I put him together with Nick Hammond. Hammond Oil? Nick agreed to take over our part of the investment – completely – with the blessing of the cartel. We’re in real solid with them, Daddy. Till they find out J.R.’s back.

J.R.: You’re crazy, Bobby. You lost us millions of dollars.

BOBBY: I’m sure you’ll find a way to get it back. You’re very good at that sort of thing – a lot better than I wanna be. [Turns and leaves]

J.R.: [Turns to the bar] Well, if that don’t tear the rag off the bush. [Pours himself another drink] He almost bankrupts us. He leaves, and I gotta cover his tail. [Chuckles] I tell you. [Drinks]

JOCK: Just what are you talking about, J.R.? Nothing wrong with the company. We got a refinery we didn’t have before. Plenty of product. We’re even back in with the cartel. I’m proud of the way Bobby acted. He showed people the Ewing name stands for something. He’s a hell of a son – and a hell of a man. [Turns and leaves]

Knots Landing Scene of the Day: ‘… But You’re a Royal Pain’

Battle royale

Battle royale

In “Knots Landing’s” second-season episode “A Family Matter,” Valene (Joan Van Ark) visits J.R. (Larry Hagman) in his hotel room.

J.R.: Well, it’s quite an honor.

VAL: I need to talk to you, J.R.

J.R.: All right. Shall I order up some drinks or some yogurt or something like that?

VAL: I wanna talk to you about Gary.

J.R.: What’s the matter with Gary?

VAL: He promised me last night that he wouldn’t make any deals with you.

J.R.: Oh, I see. And you came up here to see that he keeps his promise.

VAL: I wanna know what you’re getting my husband into.

J.R.: I’m not getting your husband into anything. The closest I’ve gotten to a Ewing since I left Dallas is right here with you.

VAL: Don’t do anything to him now, J.R. Now that things are finally going so right for him.

J.R.: You are a lovely lady, Valene. But you’re a royal pain. Gary’s never amounted to much in his life, and I think that’s because of you.

VAL: What?

J.R.: You think small, Valene. Real small. Gary’s got a noose around his neck, and you’re hanging onto the other end, dragging him down.

VAL: You are a vile, evil man.

J.R.: All right, all right, all right. The conversation’s over. I don’t wanna talk anymore. I’m kind of busy now. [Walks to the door, opens it]

VAL: [Begins leaving, stops and turns to him] I don’t blame whoever it was that shot you. I just wish I’d done it myself.

He shuts the door and sighs.

J.R.: I don’t need this.

Dallas Scene of the Day: ‘All Our Men Are Ambitious’

Fit for a queen

Fit for a queen

In “Dallas’s” fourth-season episode “End of the Road, Part 1,” the Ewing women – Miss Ellie (Barbara Bel Geddes), Sue Ellen (Linda Gray) and Pam (Victoria Principal) – chat with Lucy (Charlene Tilton) in her bedroom, where a tailor pins her wedding gown.

ELLIE: That dress has been waiting a long time for you. My daddy had a woman come all the way from Paris with the material for it – and money was hard for him to come by in those days. But he was very determined to show all those oilmen that a Southworth wouldn’t be put to shame.

LUCY: What about Granddaddy?

ELLIE: He was something. All decked out in formal clothes. He would’ve felt better in boots and jeans. He kept tugging at his collar, trying to breathe. [Chuckles] He was the handsomest man I’d ever seen. Still is.

SUE ELLEN: I believe my wedding day was the most wonderful day of my life. All those bridesmaids, all those ushers – and hundreds and hundreds of people. I can close my eyes and still think that I’m reliving it, all over again.

PAM: Well, ours was a different setting. A justice of the peace in New Orleans city hall. We were both scared to death. Bobby Ewing marrying Digger Barnes’ daughter.

ELLIE: Well, when I was first married, my daddy didn’t like Jock any better than Digger did. There comes a time when you have to let your family know who really has the last word in suitable husbands.

LUCY: Is that really true, Grandma?

ELLIE: Well, we’d all like to think so, anyway.

LUCY: I don’t know. Mitch is so darn stubborn. All he ever thinks about is going to medical school and studying.

SUE ELLEN: Well, Lucy, you should consider yourself very lucky. Ambition is a fine quality to have in a man. Isn’t it, Pamela?

PAM: I suppose so, if the ambition doesn’t become an obsession.

ELLIE: Well, I’m not sure I would have loved Jock as much if he’d been different. All our men are ambitious.

LUCY: Except for my daddy, and he’s doing just fine.

ELLIE: That’s true, Lucy. But Gary has other qualities that make him special. Very special.

TNT’s Dallas Scene of the Day: ‘… Whatever It Takes’

Bobby Ewing, Dallas, No Good Deed, Patrick Duffy, TNT

The good son

In “No Good Deed,” a first-season “Dallas” episode, Bobby (Patrick Duffy) visits Miss Ellie’s Southfork gravesite.

BOBBY: I spent the last 20 years trying to protect this land. Protect your legacy. I remember you once told me that family is like baking a cake from scratch. Real messy. I wish I could tell you things are different, Mama, but they’re not. Our family is as fractured and dysfunctional as always. And I keep trying to think what you’d do if you were here. But I know: You’d do whatever it takes to protect the family. And that’s just what I’m gonna do, Mama.

Dallas Scene of the Day: ‘Real Power is Something You Take!’

Dallas Scene of the Day - Executive Wife copy

Power tip

In “Dallas’s” fourth-season episode “Executive Wife,” Bobby (Patrick Duffy) enters the Cattlemen’s Club and begins questioning J.R. (Larry Hagman) about Jock’s business deal, while Jock (Jim Davis) looks on.

JOCK: Now, you just hold on Bobby. J.R. don’t discuss my business with you or anybody else unless I tell him. You understand?

BOBBY: Okay, Daddy, then why didn’t you tell me? Didn’t you think I should know?

JOCK: I was going to tell you tonight.

BOBBY: Tonight? I want those kind of things discussed with me before you act, not after! Your dealing behind my back is making me look like a fool.

JOCK: Now just what the hell are you talking about?

BOBBY: I called Les at the bank and asked him to transfer $12 million from the account.

JOCK: So what? We’ve got a hundred times that much.

BOBBY: I’m talking liquid assets. Cash, Daddy, cash — and we don’t have that amount! And you know why? Because you took $10 million.

JOCK: [Rises from his seat, faces Bobby] You damn right I took it. It’s mine!

BOBBY: That money belongs to Ewing Oil.

JOCK: And who in the hell do you think Ewing Oil is? It’s me! Ewing Oil belongs to me and don’t you forget it, boy.

BOBBY: And you gave me Ewing Oil to run, in writing! And that makes you obliged to consult me before you do anything that concerns that company.

JOCK: Obliged? You’re telling me that I’m obliged to ask you how to spend my own money any damn way I see fit?

BOBBY: That’s right. You gave me the power to run that company, and damn it, I intend to run it!

JOCK: So I gave you power, huh? Well, let me tell you something, boy. If I did give you power, you got nothing! Nobody gives you power. Real power is something you take!

BOBBY: Well, I’m going to remember that.

JOCK: You do that.

Bobby walks away.

Dallas Scene of the Day: ‘You Are My Mother’

Mama remembers

Mama remembers

In “Dallas’s” fourth-season episode “The Prodigal Mother,” Rebecca (Priscilla Pointer) approaches Pam (Victoria Principal) outside The Store and asks to walk with her.

REBECCA: Years ago, I closed a door in my mind. I sealed off a part of my life. And I thought it would be sealed off forever. It almost was. I led a comfortable life, happily married to a man that I adore. Then you phoned, making a crack in that seal I thought was so strong. We met. And the crack became larger. And then I saw you and your brother. Both of you together. And I couldn’t. [They sit on a bench.] The whole thing, the whole secret, sealed place broke open. And the past came rushing back. Digger Barnes. Hutch McKinney. And the awful, awful pain of having to abandon my own flesh and blood.

PAM: You are my mother.

REBECCA: Yes, I am.

Pam grabs Rebecca’s hand.

REBECCA: And although you haven’t known me, the newspapers have made it impossible for me to ignore you or Cliff. You can’t imagine the unhappiness of seeing one’s own children and not being able to talk to them.

PAM: That’s what I don’t understand. Why couldn’t you?

REBECCA: [Tears begin streaming down her face] My husband has no idea that I was married. Or that I have two children. He knows nothing about Hutch McKinney. He is not a well man. I think if he found out now, the shock would devastate him.

PAM: Why didn’t you tell him before?

REBECCA: I never divorced Digger. I was afraid that if I tried, he’d find me, and drag me back to that awful life. [Voice begins cracking] Pamela, I saw a chance for happiness, and I took it. Don’t blame me for that.

PAM: Do you mean that now that I’ve found you, we can’t see each other?

REBECCA: [Shakes her head no] I wanted to talk to your brother too. [Voice cracks] I don’t think I could go through this again.

PAM: Well, it’s probably best if you don’t.

REBECCA: Pamela, try to understand. To lose one family in a lifetime is horrible. To lose a second….

PAM: I’m sorry. [Touches Rebecca’s face] Oh, I’m sorry.

Dallas Scene of the Day: ‘You’re a Ewing now’

Barbara Bel Geddes, Dallas, Miss Ellie Ewing, Trouble at Ewing 23

She knows

In “Trouble at Ewing 23,” a fourth-season “Dallas” episode, Ray (Steve Kanaly) finds Miss Ellie (Barbara Bel Geddes) with her horse in the stable.

RAY: Miss Ellie, I’m very grateful to you.

ELLIE: Oh, Ray.

RAY: No. You accepted me into your family. That’s very important to me.

ELLIE: Ray, Jock told me about his affair with Margaret years ago. I know how fond of you he’s always been. Maybe it should have been more of a shock to me, finding out you were his son. It wasn’t. It was as if part of each of us had always known.

RAY: I want to thank you. The last thing in the world I ever wanted to do would be to hurt you or Jock.

ELLIE: I think you may need more adjusting than either of us. You’re a Ewing now. That’s a lot to take on all at once. I know.

RAY: I’ve been Ray Krebbs for too long now. I just don’t plan on changing anything. That’s why I didn’t want anybody else but the family to know about this.

ELLIE: That may not be so easy, Ray. But welcome to the family. [She kisses him.]

RAY: Thank you.

TNT’s Dallas Scene of the Day: ‘I Hope You Choose Wisely’

Collateral Damage, Dallas, Linda Gray, Sue Ellen Ewing, TNT

Mama knows best

In “Collateral Damage,” a first-season “Dallas” episode, Elena and Sue Ellen (Jordana Brewster, Linda Gray) discuss John Ross’s business problems while having lunch in a posh restaurant.

ELENA: Why doesn’t he just ask me himself?

SUE ELLEN: Because he’s a man. And worse, he’s a Ewing man. And the Ewings always have to believe that they have everything under control. But the bigger truth is John Ross is a good boy – and he has a good heart. And he doesn’t want you to feel that he’s taking advantage. But his father’s investors are very impatient – and very unreasonable. And the barrels you would be giving him would only help to tide them over until John Ross can get his operation fully going.

ELENA: John Ross knows I want no part of drilling on Southfork. He respects that. It’s what he wants.

SUE ELLEN: You wouldn’t be drilling Southfork. You would be helping John Ross keep his head above water. His father just dumped this into his lap, warts and all. And John Ross is just trying to make the best of it. I want my son to succeed.

ELENA: And so do I. You’re not the only one that cares about John Ross. But I also care about Christopher and Bobby. Don’t you?

SUE ELLEN: Elena, when the day comes that you have to choose between your child and anybody else, I hope you choose wisely. [A waiter places the bill on the table.] And as the sole investor in your growing enterprise [signs the bill], I hope you always make the wise choice.

She rises and leaves.

Knots Landing Scene of the Day: ‘I’m Pregnant’

Dallas, Joan Van Ark, Knots Landing, Kristin, Kristin Shepard, Mary Crosby, Valene Ewing

She knows

In “Kristin,” a second-season “Knots Landing” episode, Kristin and Valene (Mary Crosby, Joan Van Ark) argue in the Ewings’ guest bedroom.

VAL: If you’ve got something to say, Kristin, I think you better say it.

KRISTIN: [Looks away, begins tearing up] I’m pregnant. [Sits in a chair]

VAL: Pregnant? [Sits on the edge of the bed]

KRISTIN: I didn’t wanna tell anybody. I thought it would be easier for the baby if I kept it a secret. I hoped to find somebody who would be a father to my baby.

VAL: Do you know who the father is?

Kristin is silent. Val moves off the bed and kneels in front of the chair.

VAL: Do you love him?

KRISTIN: I don’t know.

VAL: Darling, why didn’t you tell me this before?

KRISTIN: I was afraid that if I told you, you wouldn’t help me.

VAL: Oh, no, that is not true.

KRISTIN: You wouldn’t have let me in.

VAL: Oh, no, Kristin. You’re wrong. I would have. I know exactly how you feel right now.

KRISTIN: No you don’t. Nobody does.

Val lays her head in Kristin’s lap.

Dallas Scene of the Day: ‘He’s Not Your Daddy. I Am.’

Dallas, Fourth Son, Jim Davis, Jock Ewing

Facing the truth

In “The Fourth Son,” a fourth-season “Dallas” episode, Jock (Jim Davis) visits Ray (Steve Kanaly), who asks him to sit at the patio table outside his newly built home.

JOCK: Your father came to see me today.

RAY: My father?

JOCK: Yeah. Afraid he put the squeeze on me.

RAY: Jock, I’m sorry. I’m real sorry. I tried to get rid of him.

JOCK: Ray, I don’t know whether you know it or not, but your mother and I were real close friends.

RAY: Yes, sir, I know.

JOCK: I met her in England during World War II. I was in the Army Air Corps, and she was a nurse.

RAY: She used to talk about those nursing days a lot. Seems like the only time in her life she ever felt useful.

JOCK: The fact is, Ray, your mother and I had an affair. But it was, it was special. Oh, she knew all about Ellie. I knew about her fiancé, Amos Krebs. But it was wartime, and our feelings were…. Well, let’s just say that we were two lonely people.

RAY: Jock, you don’t have to explain a thing to me.

JOCK: Afraid I do. I was sent to France and she was shipped back home. We said goodbye. We knew it was over. We thought that was the best thing to do. We never kept in touch after that until –

RAY: Till I showed up on your doorstep. [Smiles]

JOCK: [Smiles] I was glad to have you. Still am.

RAY: Jock, let me handle my father. He’s not your problem. He’s mine.

JOCK: Ray, I don’t know how to put this, so I’ll just spit it out. He’s not your daddy. I am.

RAY: [Looks away, then at Jock; clenches his jaw] Did Krebbs tell you that?

JOCK: He provided proof. Don’t suppose he needed to. I know it’s the truth. I just, I just feel it. I don’t know why in the world I never realized it before.

RAY: You tell Miss Ellie yet?

JOCK: Not yet, but….

RAY: Then what are you going to do about it?

JOCK: What do you want me to do?

RAY: No disrespect to you, Jock, I’d just as soon you leave things the way they are.

JOCK: You understand, Ray, that you’ve got a lot at stake here.

RAY: Jock, I’d be proud to be recognized as your son. But you know what kind of problems that could cause for you and your family. And the pressure it might put between you and Miss Ellie. If it’s all right with you, I’m just happy to leave things just the way they are.

JOCK: You’re saying it’s my decision?

RAY: I want to do what’s best for you. It’s all I care about.