Dallas Burning Questions: Season 2, Week 11

April 8, 2013 by 21 Comments
Ewings, united

Ewings, united

Here are the questions we’re pondering as we await tonight’s telecast of “A Call to Arms” and “Love and Family,” the latest episodes from “Dallas’s” second season:

• Will Ewing Energies collapse? In “Let Me In,” last week’s episode, the Ewings were shocked to learn the state was: a) blaming Christopher’s technology for the Ewing Energies rig explosion, and b) fining the company $1 billion. The family vowed to fight back, but the conspiracy against them was bigger than they realized: Governor Sam McConaughey (Steven Weber), one of Harris’s allies, covered up the truth about the blast, which was caused by Cliff and Harris’s bomb. Later, Ken (Lee Majors) sent Sue Ellen (Linda Gray) documents that suggest the governor is in Harris’s pocket, but it was too little, too late: McConaughey used his power to seize the Henderson drilling site, effectively cutting off the Ewings’ oil fortune as the deadline to pay the fine loomed. How will the family get out of this jam?

• Will Pamela turn on Cliff? The rig explosion caused Pamela (Julie Gonzalo) to lose her unborn twins, sending her into a depression. John Ross (Josh Henderson) comforted Pamela and told her the rig was sabotaged, which seemed to revive her fighting spirit. “Promise me that when you find out who did this, you’ll make them pay,” she told Christopher (Jesse Metcalfe). Once Pamela discovers Cliff (Ken Kercheval) ordered the explosion, will she align herself with the Ewings in their battle against him?

• What will happen to Drew and Emma? Southfork’s newest lovebirds, Drew and Emma (Kuno Becker, Emma Bell), grew closer even as they wrestled with their inner demons. Guilt-ridden Drew hasn’t told Elena (Jordana Brewster) or anyone else that he planted the bomb on the rig. Meanwhile, after Sue Ellen spotted Emma in a bar getting high and flirting with an older man, Sue Ellen told Ann (Brenda Strong), who realized she doesn’t know her daughter as well as she thinks. Of course, this might be the least of Emma’s troubles. When she defied Harris’s orders to stop seeing Drew, Harris had the young man savagely beaten, then showed Emma the results of his handiwork. “No more looking for trouble, OK?” Harris sad. “Yes, Daddy,” she responded through tears. Will Emma really obey him?

• Will Bobby solve J.R.’s puzzle? Carlos (Castulo Guerra), J.R.’s Mexican friend, introduced Bobby (Patrick Duffy) to Rhonda (Emily Kosloski), the mystery woman who was supposedly seen entering J.R.’s Nuevo Laredo hotel room on the night he died. Rhonda told Bobby she is the hostess in a club owned by members of the local drug cartel, and that J.R. wanted to speak to her because Harris frequents the club. She explained: “J.R.’s not the first man to invite me back to his hotel room. He just wanted to talk. Share a drink. He was kind to me. Gentlemen are in such short supply where I work. I’m so sorry, what happened to your brother.” Did she tell Bobby the truth?

• Where’s Pam? Speaking of J.R.: After Bobby told Sue Ellen about her ex-husband’s master scheme, John Ross found a copy of Rebecca Wentworth’s will, which showed she left her estate – including her shares of Barnes Global – to her three children: Katherine, Cliff and Pam. “If we can get Pam’s shares, we can kick the legs out from under Cliff,” Bobby said. “That’s why J.R. wanted us to find Pam. That’s our move.” Has the time come for Bobby to finally confront his ex-wife?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

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TNT’s Dallas Scene of the Day: ‘Nothing Can Stop Us’

April 4, 2013 by 14 Comments
Dallas, Let Me In, Linda Gray, Sue Ellen Ewing, TNT

You tell him, honey

In “Let Me In,” a second-season “Dallas” episode, Sue Ellen (Linda Gray) is seated at a table in a posh lounge, where where she’s served a drink moments before Ken (Lee Majors) arrives.

KEN: Sue Ellen, I really shouldn’t be seen with you tonight. The only reason I came was to tell you about your nephew. He’s out of control. He came after me today.

SUE ELLEN: If he strangled you, I would sit back and watch the show.

KEN: Sue Ellen, you must know that I’m not jerking your family around.

SUE ELLEN: Did you ever really care for me?

KEN: Of course.

SUE ELLEN: What you’re doing now – covering up what really happened on our rig – is wrong. It’s morally and ethically wrong. And you know it. Understand me, Ken: When the Ewings unite, nothing can stop us. So you’re either on our side or you’re among the casualties – after we have taken down everyone who has screwed us. [Smiling] I hope you’re on our side.

She grabs her purse and leaves the table.

Filed Under: Dallas Scenes of the Day, Dallas Scenes of the Day (TNT), Features Tagged With: , , ,

‘Who Killed J.R.?’ What We Know (and What We Don’t)

April 2, 2013 by 73 Comments

Carlos Del Sol, Castulo Guerra, Christopher Ewing, Cliff Barnes, Dallas, Emily Kosloski, Harris Ryland, Jesse Metcalfe, J.R. Ewing, Ken Kercheval, Larry Hagman, Mitch Pileggi, TNT, Who Killed J.R.? “Dallas” drops tantalizing new clues in the “Who Killed J.R.?” mystery throughout “Let Me In,” the TNT drama’s latest episode. Here’s a look at what we know and what we don’t, along with some more wild speculation.

J.R.’S MASTER PLAN

What we know: In “Let Me In,” Bobby (Patrick Duffy) lets Sue Ellen (Linda Gray) in on a big secret: Before J.R. died, he was devising a master plan against the family’s enemies, Cliff and Harris (Ken Kercheval, Mitch Pileggi). Bobby shows Sue Ellen the evidence that J.R. left behind and gives her a helpful overview of her ex-husband’s scheme. Take it away, Bobby:

“J.R. knew that Cliff and Harris would join forces and come after us. That’s why he wanted us to have this – all pieces to the puzzle of his master plan to take them down, once and for all. Barnes Global financial history. Ryland’s trucking in Mexico. Christopher’s mother’s whereabouts. Somehow it’s all connected. John Ross, Christopher and I are trying to figure it all out. Connect the dots. Finish what J.R. started. We need to find a way to ruin them, before they ruin us.”

What we don’t know: Assuming Bobby is reading the clues correctly, we now know all the pieces belong to the same puzzle. The question is, how do they fit together?

Wild speculation: One Dallas Decoder reader offered a nifty theory last week. We know Pam (Victoria Principal) fled Southfork in 1987 after being disfigured in a fiery car crash. Suppose that incident is part of the conspiracy J.R. stumbled upon before his death? Remember: Pam crashed into a tanker truck. And who on “Dallas” is in the trucking business? Harris Ryland, of course! I have no idea why he would want to harm Pam, but this coincidence is too fun to ignore.

PAM

What we know: After learning Pam was last seen in Abu Dhabi in 1989, Bobby told John Ross and Christopher (Josh Henderson, Jesse Metcalfe) that his contact in the Justice Department is tracking her down but needs more time. Later, John Ross snooped around Pamela’s computer and found a copy of her grandmother Rebecca Wentworth’s will, which John Ross reviewed with Bobby, Sue Ellen and Christopher.

The will shows Rebecca left her estate – including her shares of Barnes Global – to her three children: Katherine, Cliff and Pam. Bobby determined the estate is in a living trust, which means if the Ewings can’t find Pam, Christopher will inherit her shares. “If we can get Pam’s shares, we can kick the legs out from under Cliff. Maybe his entire plan. That’s why J.R. wanted us to find Pam. That’s our move,” Bobby said.

What we don’t know: In a previous episode, we learned Katherine is dead. If this is true, who inherited her third of Barnes Global and why isn’t anyone asking about that? (Or does the living trust arrangement render that point moot? Help me out here, legal eagles.)

Wild speculation: I still like the idea that Katherine (Morgan Brittany) stole Pam’s identity before she died and that this whole thing is going to lead to nutty Ms. Wentworth. It seems unlikely, though, since Brittany recently told Dallas Divas Derby she hasn’t been contacted by the show’s execs. I’m also not sure the Ewings are going to find Pam alive. Given Cliff’s dark nature, isn’t it possible he offed Pam, perhaps in cahoots with her plastic surgeon Dr. David Gordon, who is expected to resurface before this season is over?

Another off-the-wall theory: Instead of bringing back Pam or Katherine, what if “Dallas” revives a member of the Barnes family who’ll be more familiar to today’s audience: Frank Ashkani (Faran Tahir), Cliff’s “adopted” son, who killed himself earlier this season? One Dallas Decoder reader recently suggested the pills Frank swallowed might not have been all that lethal. Could Cliff have conspired with Frank to fake his death so Frank could go to Mexico and kill J.R.?

‘LADY X’

What we know: After J.R.’s death in Nuevo Laredo, a Mexican border town, his friend Carlos del Sol (Castulo Guerra) told the Ewings that J.R. met a woman in a club near the hotel where he died. I previously dubbed this woman “Lady X.” In “Let Me In,” we learn her identity: Rhonda (Emily Kosloski), the club hostess. She tells Bobby that J.R. wanted to ask her about an American who frequented the club, which she said was owned by the local drug cartel. When Bobby showed her a picture of Harris, Rhonda identified him as the American in question.

“What would Ryland be doing with narco traffickers? Is that what his trucks are taking back and forth across the border? Maybe J.R. was on to that,” Bobby said. Carlos responded he would alert the Mexican federales and “let them know there may be a connection between the cartel and Ryland Transport.”

What we don’t know: Are Carlos and Rhonda telling the truth? All along, I’ve suspected Carlos is somehow involved in J.R.’s death. And what should we make of the odd expression on Bobby’s face after Rhonda tells him, “J.R.’s not the first man to invite me back to his hotel room. He just wanted to talk. Share a drink. He was kind to me. Gentlemen are in such short supply where I work. I’m so sorry, what happened to your brother.”

Wild speculation: What if Cliff is the killer and has secretly aligned himself with Carlos, a fellow billionaire, to frame Harris for the crime? Consider this: Why would Cliff, a global titan, need to join forces with Harris, a Texas trucking magnate, to bring down the Ewings? I know Cliff told Harris he wanted to take advantage of Harris’s “muscle” and friendship with the governor, but Cliff has demonstrated he has those kinds of resources and connections himself. Could Cliff be duping Harris?

On the other hand: The Rylands seem to have real connections to the Mexican border. Did you catch the Laredo address on the pill bottle Emma showed John Ross at J.R.’s funeral?

THE GUN AND THE LETTER

What we know: When J.R.’s private eye Bum (Kevin Page) gave Bobby, John Ross and Christopher the evidence that J.R. left behind, the package included a gun, which was accompanied by a letter from J.R. to John Ross. It stated: “Use what I’ve given you to take from them what they want to take from us. When you’ve done that, Bobby will know what to do.”

J.R. also left behind a letter to Bobby, which he refused to discuss with John Ross and Christopher. “This is between my brother and me – for now,” Bobby told them. Privately, Bobby told Bum to “pay off whoever you have to pay off so that everybody still thinks J.R. was killed by a mugger. When the time comes, we’ll take care of this ourselves – as a family.”

What we don’t know: Precious little. I don’t think the letter reveals the identity of J.R.’s killer; otherwise, why isn’t Bobby simply going after that person? Instead, I think the document somehow lets Bobby know that J.R. wasn’t the victim of a random crime. Or perhaps it reveals something else – like maybe some sort of family secret? Recall what Bobby said when he toasted his dead brother after receiving the note: “I knew you’d have at least one more left up your sleeve, J.R. It is a good one. I love you brother.”

Wild speculation: Once again, I return to the theory that J.R. planned his own death. I know a lot of fans don’t like this idea, but it seems like you can use the available evidence to support it. Suppose J.R. knew that he was dying and decided to take advantage of the situation by arranging to have himself shot, then leaving instructions for Bobby – via the letter – to use the gun to frame Cliff, Harris or both for his “murder”? Perhaps Bobby’s last line in his recap for Sue Ellen is telling: “We need to find a way to ruin them, before they ruin us.”

Or hell, maybe it really was Kristin.

Who done it? Share your theories below and read more posts on Dallas Decoder’s “Who Killed J.R.?” page.

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The Dal-List: ‘Dallas’s’ 35 Greatest Moments (So Far)

April 2, 2013 by 69 Comments
Barbara Bel Geddes, Bobby Ewing, Charlene Tilton, Dallas, Jim Davis, Jock Ewing, J.R. Ewing, Larry Hagman, Linda Gray, Lucy Ewing, Miss Ellie Ewing, Pam Ewing, Patrick Duffy, Sue Ellen Ewing, Victoria Principal

Icons

“Dallas” debuted 35 years ago today. To commemorate its anniversary, here’s my list of the franchise’s 35 greatest moments.

Dallas, Digger's Daughter, J.R. Ewing, Larry Hagman

Gripping grin

35. J.R. meets his match. “Dallas’s” first episode ends with Pam turning the tables on J.R. (Larry Hagman) after he tries to make it look like she was cheating on Bobby with Ray. “Looks like I underestimated the new Mrs. Ewing,” J.R. declares as he watches his baby brother and sister-in-law drive away. “I surely won’t do that again.” Hagman then smiles, ever so slightly. It lets us know J.R. has finally found a worthy adversary – and he couldn’t be happier about it.

Dallas, J.R. Ewing, Larry Hagman, TNT, Venomous Creatures

Here we go again

34. Rivalry redux. When the truth comes out that Rebecca Sutter Ewing is actually Pamela Rebecca Barnes, J.R. pops into her office for a tête-à-tête. She turns out to be as ballsy as her namesake aunt, telling J.R.: “I must have done something right to deserve a visit from you.” J.R., for his part, shows he hasn’t lost his step. “You’re not the first Pam to fox her way into the henhouse,” he tells her with a sly grin. “I’m 1 for 1 on flushing out Pamelas. And I plan on being 2 for 2.” Fabulous.

Cliff Barnes, Dallas, Full Circle, Ken Kercheval, Priscilla Pointer, Rebecca Wentworth

All is forgiven

33. The “licorice scene.” Cliff (Ken Kercheval) invites estranged mom Rebecca (Priscilla Pointer) to his apartment. Nervous small talk gives way to anger, as Cliff tells Rebecca how much her abandonment hurt him. She begins to leave, but Cliff stops her. “Mama,” he says, his voice cracking. “You didn’t take any licorice, and I remembered you liked it.” The music swells, mother and son embrace and we’re reminded why Cliff is the original “Dallas’s” most human character.

Ann Ewing, Brenda Strong, Dallas, TNT, Trial and Error

True confessions

32. Ann testifies. After shooting ex-husband Harris, Ann (Brenda Strong) goes on trial. In stirring testimony, she recalls how he and his mother Judith tormented her, but Ann also concedes her own failings – including how her pill addiction led to daughter Emma’s abduction. “God had punished me by taking my baby,” Ann says through tears. Before this scene, I wondered how we could forgive Ann for her crime. Afterward, I wondered how we couldn’t.

Barbara Bel Geddes, Bobby Ewing, Clayton Farlow, Dallas, Howard Keel, J.R. Ewing, Larry Hagman, Miss Ellie Farlow, Patrick Duffy, Ray Krebbs, Steve Kanaly, Sting

Adios, Ray

31. Ray rides into the sunset. After Ray (Steve Kanaly) returns to Southfork and helps the Ewings win a range war, they bid him adieu as John Parker’s piano music plays in the background. Ray’s final moments with Ellie, Clayton, Bobby and even J.R. are touching, but the most moving part comes when he looks around and declares, “There’s a part of me that’s never going to leave here.” When major characters depart “Dallas,” the show usually screws it up. Not this time.

Close Encounters, Dallas, Deborah Shelton, Linda Gray, Mandy Winger, Sue Ellen Ewing

Get smart

30. Sue Ellen meets Mandy. At the Ewing Rodeo, Sue Ellen (Linda Gray) runs into Mandy (Deborah Shelton), J.R.’s latest mistress, and offers her some advice: Get away while you can. It’s our first glimpse of a newly sober, newly wise Sue Ellen, but Mandy refuses to listen and turns to leave. That’s when Sue Ellen delivers a zinger: “Isn’t it strange how the mistress always thinks she’s smarter than the wife? If she’s so smart, why is she the mistress?” She’s got you there, darlin’.

Bobby Ewing, Dallas, Jim Davis, Jock Ewing, Pam Ewing, Reunion Part 2, Victoria Principal

Sale of the century

29. “Sold!” After Bobby marries Pam, a drunken Digger barrels onto Southfork and recounts everything Jock “took” from him – including Pam, for whom Digger demands $10,000. “She was a Barnes and now she’s a Ewing, just like the oil wells,” he says. Bobby and Pam watch in horror as Jock (Jim Davis) tosses a $100 bill at Digger, who scoops it up. “Sold!” he declares as he leaves. Harsh? Yes, but after this scene, there was no doubt which family Pam belonged with.

Charlene Tilton, Dallas, End of the Road Part 2, Leigh McCloskey, Lucy Ewing, Mitch Cooper

Pomp and circumstance

28. The royal wedding. The marriage of Lucy and Mitch (Charlene Tilton, Leigh McCloskey) was doomed from the start, but man, aren’t their nuptials fun? The two-part episode gives us lots of “Dallas” firsts, including the first Southfork wedding, the first time someone gets dunked in the pool (Lucy pushes Mitch) and the first appearance of Afton, who sleeps with J.R. during the reception – in his own marital bed! No wonder Sue Ellen still holds a grudge.

Dallas, Quality of Mercy, Ray Krebbs, Steve Kanaly

Have mercy

27. Who killed Mickey Trotter? When the plug is pulled on his comatose cousin Mickey, Ray blocks the door to his hospital room so the doctors can’t enter and revive him. It’s the beginning of a medical mystery that yields riveting performances from Kanaly, Tilton and Kate Reid as Lil, Mickey’s mom. Only at Ray’s murder trial do we learn the truth: He did disconnect Mickey’s life support, but only because Lil didn’t have the strength to do the mercy killing herself.

Barbara Bel Geddes, Dallas, Miss Ellie Ewing, Ray Krebbs, Steve Kanaly, Survival

Stop! Or Mom will shoot

26. Ellie grabs her gun. The Ewings are awaiting word on J.R. and Bobby after their plane crashed in Cato Swamp. Miss Ellie (Barbara Bel Geddes) answers the door to find a snoopy reporter. “Ray, get me the shotgun out of the hall closet,” she says, then tells the newshound: “Anybody on my land, without invitation, is a trespasser. So unless I see your tail heading out of here … I’m going to blow it off.” It’s classic “Dallas”: Modern Texans defending old traditions like land and family.

Barbara Bel Geddes, Dallas, Miss Ellie Farlow, Pam Ewing, Winds of Change, Victoria Principal

Queens’ speeches

25. Pam’s surprise. After Bobby’s “death,” Ellie eulogizes him at the Oil Baron’s Ball, followed by Pam (Victoria Principal), who stuns everyone by announcing she won’t sell her shares of Ewing Oil to Westar as planned. J.R. is overjoyed, assuming this means Pam will sell them to him. She sets him straight: “I’m not selling at all. From now on, it’s going to be you and me. I’ll see you at the office, partner.” It’s one of many great moments from the unjustly maligned “dream season.”

Barbara Bel Geddes, Dallas, Miss Ellie Ewing, Requiem

Southfork soothsayer

24. Mama sees all. In 1983, when Sue Ellen tried to justify J.R.’s latest quest for power, Ellie delivered a spot-on prophesy: “Think ahead, Sue Ellen. Think 25 or 30 years ahead. I won’t be here then. And the fight won’t be between J.R. and Bobby. It’ll be between John Ross and Christopher. … Your loyalty to your husband is a wonderful thing. But you’re a mother too. And where will this all end?” Impressive, huh? Too bad no one ever thought to ask her where Pam is.

Ann Ewing, Brenda Strong, Dallas, Revelations, TNT

Bra-vo!

23. Sting! When Harris tries to blackmail Sue Ellen into aiding his dirty dealings, Ann begs him to stop. Harris confirms his crimes and suggests he’ll ease up on Sue Ellen – if Ann sleeps with him. Slowly, Ann unbuttons her blouse … and reveals a hidden mic. “Extortion, blackmail and a confession to money laundering, all recorded,” she says triumphantly. Ann then slugs Harris and hints she’ll shoot him if he doesn’t leave the Ewings alone. She wasn’t kidding, was she?

Adoption, Dallas, Donna Krebbs, Susan Howard,

Armor on

22. Pow! Donna (Susan Howard) is none too happy when Ray begins an affair with barfly Bonnie. Fed up with his philandering, she dons her fur coat, heads to the saloon and offers Bonnie $15,000 to leave Texas. Bonnie agrees, so Donna cuts the offer by a third. “Now that we know what you are, let’s haggle over your fee,” she says. Bonnie tosses a drink in Donna’s face – and then Donna belts her. Who knew “Dallas’s” classiest leading lady possessed such a mean right hook?

Bobby Ewing, Dallas, Ray Krebbs, Road Back, Steve Kanaly

Open flames

21. Bobby to the rescue. “Dallas’s” sixth season ends with J.R., Sue Ellen, John Ross and Ray trapped inside Southfork as flames sweep through the house. We knew they’d survive; we just didn’t know how. The seventh-season premiere supplies our answer: In “Dallas’s” most thrilling opening, quick-thinking Bobby comes home, soaks himself in the pool and dashes into the house, where he rescues everyone. We should’ve known: Bobby always saves the day.

Dallas, Linda Gray, Sue Ellen Ewing, Tangled Web

Face of fear

20. Sue Ellen’s discovery. Sue Ellen doesn’t want to believe it when Holly Harwood tells her she’s sleeping with J.R., but she agrees to come by the vixen’s house, where Holly says Sue Ellen will find J.R. in her bed. The audience watches as the fur-clad Sue Ellen arrives at Holly’s, slowly crosses the driveway (click clack go the heels), turns the front door knob and finally reaches the bedroom, where her worst fears are confirmed. It’s a brilliant, devastating sequence.

Barbara Bel Geddes, Brother Can You Spare a Child?, Cliff Barnes, Dallas, Miss Ellie Farlow

Making peace

19. Cliff asks for forgiveness. After Dandy Dandridge accuses Cliff of trying to cheat him out of their big gas strike, Cliff begins to see his daddy’s feud with Jock in a new light. Summoning Ellie to a Dallas park, Cliff extends a long-overdue olive branch. “Digger was wrong, and I was wrong. If it’s not too late. I’d like to make peace. I’d like to ask you to forgive me,” he says. It’s my favorite performance from Kercheval and a consequential moment in “Dallas” history.

Bobby Ewing, Dallas, Jim Davis, Jock Ewing, J.R. Ewing, Larry Hagman, Patrick Duffy, Wheeler Dealer

Honor thy daddy

18. Molotov cocktails. “Dallas’s” best cocktail scene: Ellie worries Sue Ellen didn’t get enough to eat at dinner. J.R. waves around a liquor bottle and declares his wife “gets all the nourishment she needs from this.” He then declares Pam is “cracking up” and calls her daddy “a saddle tramp and a thief” and her mama “a whore.” That’s when Bobby (Patrick Duffy) punches J.R., forcing a furious Jock to separate them. Don’t you wish your family gatherings were this much fun?

Barbara Bel Geddes, Dallas, Jim Davis, Jock Ewing, Mastectomy Part 2, Miss Ellie Ewing

Great performances

17. Ellie gets cancer. Ellie gets breast cancer in the 1979 “Mastectomy” two-parter, which won Bel Geddes an Emmy. It’s a brave performance from the actress, who had been treated for the disease in real life. Davis is equally moving as Jock struggles to comfort his wife. In one scene, he tells her it “doesn’t matter” that she’s lost a breast. “Because I’m not young anymore?” she snaps. “Don’t you think I care the way I look?” Rarely has “Dallas” felt so real.

Dallas, Family Ewing

Bye, Bobby

16. Bobby’s funeral. After Bobby “dies” saving Pam, the Ewings bury him in a lush Southfork pasture, near the treehouse that Jock built for him as a boy. All of Bobby’s loved ones are there, including Pam, whose Jackie Kennedy-esque pillbox hat reinforces the idea that “Dallas’s” version of Camelot is ending. As the gathering disperses, J.R. movingly tells Bobby he wishes he’d taken the time to let him know how much he loved him. It’s one of the few times we see J.R. cry.

Dallas, John Ross Ewing, J.R. Ewing, Larry Hagman, Paternity Suit, Tyler Banks

Welcome to fatherhood

15. J.R. becomes a daddy. When the Ewings learn the results of the paternity test that proves J.R., not Cliff, fathered John Ross, J.R. enters the Southfork nursery, picks up his son, holds him close and kisses him. According to “Dallas” historian Barbara A. Curran, CBS received 10,000 positive letters in response to J.R.’s embrace of his son. Later, David Jacobs, the show’s creator, called it “Dallas’s” best scene: “Just a private moment between J.R. and 100 million people.”

Dale Midkiff, Dallas, Dallas: The Early Years, Jock Ewing, Miss Ellie Ewing, Molly Hagan

When they were young

14. In the beginning. “Dallas: The Early Years,” Jacobs’ 1986 prequel movie, ends at a 1951 Southfork barbecue, where Jock and Ellie (Dale Midkiff, Molly Hagan) embrace as a teenaged J.R. spars with bratty Cliff. Moments later, Cliff drags kid sister Pammy away from her new playmate: Little Bobby. Jerrold Immel’s theme swells, the camera pulls back for a bird’s eye view of the ranch and then the familiar shots from “Dallas’s” famous titles sweep across the screen. Perfect.

Barbara Bel Geddes, Dallas, Miss Ellie Ewing, Waterloo at Southfork

Mad mama

13. Mama vs. the cartel. When J.R.’s latest plot backfires and the cartel takes advantage of him, Ellie comes to junior’s defense. She summons the group to the Ewing Oil offices, where she blasts them, one by one. “I don’t apologize for what my son did,” Ellie says. “It’s a family matter. We may be wrong and we may be right, but we’re Ewings. We stick together – and that’s what makes us unbeatable.” Foolish oil barons. Shouldn’t they know better than to mess with mama?

Dallas, J.R. Ewing, Larry Hagman, Long Goodbye, Pam Ewing, Victoria Principal

Prey, meet hawk

12. A classic clash. During Bobby and Pam’s separation, J.R. tells her if she doesn’t go through with the divorce, he’ll destroy Bobby, Cliff and everyone else she cares about. “You’ve known me long enough to know I don’t make idle threats,” J.R. says as he circles her. The chilling moment tells us much about their rivalry. Cliff might have been J.R.’s most persistent enemy and Jeremy Wendell might have been the most powerful, but no one threatened J.R. quite like Pam.

Blast from the Past, Bobby Ewing, Dallas, Patrick Duffy,

Good morning indeed

11. Bobby’s back! (Or is he?). CBS announced Duffy would return to “Dallas” a few weeks before the 1985-86 season finale aired, but no one knew how he’d come back or who he’d play. In the episode’s last scene, Pam awakens and finds Bobby – or someone who looks an awful lot like him – lathering up in her shower. No matter how you feel about the notorious “dream” twist, you have to admit: It was nice to have Duffy back on the show – and in his birthday suit no less!

Changing of the Guard, Dallas, J.R. Ewing, Larry Hagman, Leonor Varela, Marta del Sol, TNT, Veronica Martinez

Welcome back

10. J.R. returns. TNT’s first episode ends with John Ross visiting J.R. in the nursing home. The younger man is dejected because Uncle Bobby just sold Southfork to conservationist Marta del Sol. But wait, what’s this? J.R. is sipping champagne with Marta! It turns out the two are in cahoots. “Bobby may not be stupid, but I’m a hell of a lot smarter,” J.R. tells his son as he doffs his Stetson and flashes his grin. For me, this is the moment I knew “Dallas” was truly back.

Dallas, J.R. Ewing, Larry Hagman, Linda Gray, New Beginnings, Sue Ellen Ewing

Two of a kind

9. J.R. and Sue Ellen reminisce. After putting John Ross to bed, J.R. and Sue Ellen retreat to their room, where they recall their courtship in warm, nostalgic terms. For a couple that is usually at war with each other, this scene is about the characters taking off their armor – symbolized by Sue Ellen’s dressing gown and J.R.’s removal of his coat and tie – and showing each other they still care. You can’t understand their love story until you’ve seen this moment.

Bobby Ewing, Check and Mate, Dallas, Larry Hagman, J.R. Ewing, Patrick Duffy

Lose some, win some

8. Bobby beats J.R. After a yearlong contest for control of Ewing Oil, Harv Smithfield declares J.R. the winner. But wait, what’s this? Here comes Thornton McLeish with news that Bobby’s Canadian fields have come in, making Bobby the victor. The twist concluded one of “Dallas’s” greatest storylines, an arc that touched all the characters and made “Tundra Torque” part of every “Dallas” diehard’s vocabulary. We never like to see J.R. get beat, but when Bobby does it, we let it slide.

Barbara Bel Geddes, Dallas, Ellie Saves the Day, Miss Ellie Ewing

To the rescue

7. Ellie saves Southfork. J.R. secretly mortgages Southfork to finance a risky deal, only to have it blow up in his face. With the loans due, the Ewings scramble to pay the banks but come up empty. After a stroll around the ranch, Ellie gathers everyone and announces she’ll raise the cash by allowing Ewing Oil to drill on the land. It’s an early example of an enduring “Dallas” theme: Sometimes you have to set aside your principles to protect your family.

Dallas, Fall of the House of Ewing, John Ross Ewing, J.R. Ewing, Larry Hagman, Omri Katz

Don’t forget it, boy

6. J.R. schools John Ross. J.R. is giving John Ross one last look around Ewing Oil when Wendell, the new owner, orders them off the premises. “Take this eyesore with you,” he says as he reaches for Jock’s portrait. J.R. is incensed: “Touch that painting and I’ll kill where you stand!” J.R. takes the picture off the wall, holds it aloft and – with trumpets blaring in the background – declares: “John Ross, this is Ewing Oil.” I dare you to watch this scene without getting chills.

Bobby Ewing, Dallas, Executive Wife, Jim Davis, Jock Ewing, Patrick Duffy

Word

5. Jock schools Bobby. Bobby, furious that Jock has yanked millions of dollars out of Ewing Oil without telling him, interrupts Daddy’s lunch at the Cattlemen’s Club. “You gave me the power to run that company, and damn it, I intend to run it,” Bobby fumes. “Let me tell you something, boy,” Jock huffs. “If I did give you power, you got nothing. Nobody gives you power. Real power is something you take!” Six words that sum up the Ewing creed – and “Dallas” itself.

Dallas, Family Business, J.R. Ewing, Larry Hagman, TNT

The man

4. The man comes around. The TNT episode “Family Business” ends on a thrilling note: With Johnny Cash’s “The Man Comes Around” playing in the background, Rebecca shoots Tommy, while back at the ranch, seriously ill Bobby collapses. The most poignant moment of all comes before the montage, when J.R. glances at Ellie’s picture, takes a shot of bourbon and signs the Southfork deed, returning ownership to Bobby. In that instant, our hero grows. So does “Dallas.”

Dallas, J.R.'s Masterpiece, Linda Gray, Sue Ellen Ewing, TNT

Farewell, J.R.

3. J.R.’s funeral. “Dallas” bids farewell to J.R. with a moving, instant-classic episode featuring Emmy-worthy performances from Gray and Duffy. Who’ll ever forget Sue Ellen getting drunk in J.R.’s bedroom the night before his burial, or her heartbreaking eulogy? What about the poignant final scene, when Bobby spots J.R.’s hat and tearfully declares, “I love you brother.” This is the moment the TNT series rose to the occasion – and then surpassed it.

Bobby Ewing, Dallas, Pam Ewing, Swan Song, Victoria Principal

Saving the day, again

2. “Swan Song.” Leonard Katzman’s masterpiece. Donna reveals her pregnancy to Ray. J.R. threatens to send Sue Ellen back in the sanitarium. Pam nobly tells Bobby to go back to Jenna, but he chooses Pam instead. It culminates with the dramatic driveway sequence in which Katherine runs over Bobby, followed by his deathbed farewell, the most moving scene in “Dallas” history. It’s all so beautifully done, it’s almost enough to make you regret it turned out be a dream.

Dallas, House Divided, J.R. Ewing, Larry Hagman

Top gun

1. “Who Shot J.R.?” “Dallas’s” most famous storyline is also its greatest extended moment, and not just because it sparked a worldwide phenomenon. Nothing better demonstrates the show’s ability to create multi-dimensional characters who fascinate audiences and make us care. Despite his dastardliness, after J.R. was shot, we couldn’t help but feel sympathetic toward him as he struggled to regain his ability to walk and cope with his exile from Ewing Oil. Likewise, once Kristin was identified as his assailant – in a broadcast watched by 83 million people – how could you not feel sorry for her, especially after J.R. vowed to “handle” her his “own way”? Will “Dallas” ever top this moment? Who knows? I just hope the people who make the show never stop trying.

Now it’s your turn. Share your choices for “Dallas’s” greatest moments below and read more “Dal-Lists.”

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Dallas Burning Questions: Season 2, Week 10

April 1, 2013 by 14 Comments
Will she let him in?

Will she let him in?

Here are the questions we’re pondering as we await tonight’s telecast of “Let Me In,” TNT’s latest “Dallas” episode.

• How will Pamela cope? In “Guilt and Innocence,” last week’s episode, Pamela (Julie Gonzalo) was rushed to the hospital after being injured in the explosion aboard the Ewing Energies rig. She had emergency surgery to save the lives of her unborn twins but suffered complications after the procedure. In the final scene, the babies’ hearts stopped beating. How will this loss affect Pamela and Christopher (Jesse Metcalfe), their relationship with each other and their relationships with John Ross and Elena (Josh Henderson, Jordana Brewster)?

• Will Christopher be vindicated? Christopher feared his technology caused the explosion, but Sue Ellen (Linda Gray) was convinced her nephew wasn’t to blame. She turned to Ken Richards (Lee Majors), an old flame who is now one of the chairmen of the state board investigating the blast, and asked him for inside information. Ken poked around and told Sue Ellen the evidence suggests the rig was bombed, although it would be “months before anything official comes out.” When Sue Ellen relayed this information to John Ross and Christopher, they immediately suspected Cliff (Ken Kercheval) was the saboteur. Will the cousins be able to prove their suspicions?

• What’s Harris’s next move? After Judith (Judith Light) fell down the stairs, she was taken to the hospital, where she tried to persuade Emma (Emma Bell) that Harris was out to get them. Emma didn’t believe Judith, much to Harris’s relief. To get his mother out of his hair (so to speak), Harris (Mitch Pileggi) had her drugged and shipped to a rehabilitation center. Meanwhile, Emma slept with Drew (Kuno Becker), who was consumed with guilt over his role in the bombing and refused to obey when Vickers (Alex Fernandez) ordered him to leave town. With the ice thawing between Harris and Emma, will he try to interfere with her relationship with Drew?

• What’s the governor got to do with this? “Let Me In” will introduce Steven Weber as “Dallas’s” newest villain: Governor McConaughey. In “Ewings Unite!,” Cliff told Harris that one of the reasons he wanted to form an alliance with him is because Harris has “a certain friendship with our governor.” Will McConaughey help Harris influence the investigation into the rig explosion?

• Where in the world is Pam Ewing? After the blast, Bobby (Patrick Duffy) finally forgave Ann (Brenda Strong) for keeping her past from him. All was well until the end of the episode, when Bobby received an update on J.R.’s investigation into Pam’s disappearance: It seems she entered Abu Dhabi with a man – “presumably her husband,” according to the report – in 1989. The news rattled Ann. What does it mean for Ann’s marriage to Bobby – and what does it have to do with J.R.’s death?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

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The Dallas Decoder Interview: Rachel Sage Kunin

March 29, 2013 by 27 Comments
Rachel Sage Kunin

Rachel Sage Kunin

One of “Dallas’s” brightest stars works behind the scenes: Rachel Sage Kunin, the TNT drama’s costume designer extraordinaire. I’ve loved Kunin’s work since the series began and was excited to hear what it’s like to dress the Ewings.

Let me begin by saying this: I love your work! The cast looks gorgeous this season. Every character is stylish, but no one’s look is “over the top.” The clothes feel glamorous yet accessible. Is that your goal?

It is a conscious decision and a goal to make the clothes feel glamorous yet accessible. How great that someone can be sitting at home, enjoying the show and get inspired. Even I go into my closet and think, “What would Pamela do?” When shopping for myself I’ll go to the deep discount rack to find high-end looking pieces that Sue Ellen would wear.

I love this! Some of the Ewings’ clothes come from the discount rack. Who knew?

I also love going into secondhand shops in search for something special. I want the audience to be encouraged to do the same and know that it is possible. You don’t have to invest a million dollars to look like a million dollars.

How does the wardrobe process work? Do you receive a script and then try to decide what garments and accessories will work best for each scene?

Every costume choice I make is based on the needs of the script. I get my direction from the mood of each scene, what the characters are doing and how they relate to the story. Often times, I’ll buy a piece for a character not knowing where it might fit in. I’ll wait and wait just hoping the right moment comes along.

Dallas Decoder Interview - Rachel Sage Kunin 2How much collaboration is there between you and the cast? Do the actors help you choose their character’s clothes?

I love collaborating with the cast. My motto is that they are the ones that have to be, feel, embody the character on camera and I am part of the process to help them do that. Everything I bring into the fitting room I feel has potential to work. From there, I like to play dress up and find the character with the actor. We discuss what looks and feels right. Ultimately, it is my responsibility to make sure the costume serves the story and the actors are on board with that goal in mind.

What’s it been like to dress iconic characters like Bobby and Sue Ellen? When choosing their styles, were you influenced by the way they dressed on the old show?

I have had many “pinch me is this real?” moments dressing the original cast. It helps a great deal having the huge amount of backstory known about each of their characters. The way they dressed does inform me how they would dress now, 20 years later. We all had so much fun figuring that out.

What are your memories of working with Larry Hagman? What was it like to dress J.R. Ewing?

The first time I met Larry was an enchanting experience that I will never forget. I had no idea he was a lifelong admirer of costume. I brought in a rack of clothes that we started to try on. The first few fit well and looked great but we both knew they didn’t exude that special J.R. swagger. When he put on the tweed jacket with its suede western front yoke we got excited. He was so enthused he threw on his cowboy hat, looked in the mirror with that unique sparkle in his eyes and said, “Now… this is J.R.!” We knew we had found an important J.R. look.

I can picture that. What a great experience for you.

Every time I was with Larry was just as special and interesting as the time before. He was always so generous telling stories, showing me around his amazing collection of family pictures, always willing to share the highlights of his life.

Dallas Decoder Interview - Rachel Sage Kunin 4Who is your favorite character to dress – and why?

I genuinely enjoy dressing all of the characters for various reasons. They all give me a different creative outlet. Christopher is great for his modern but classic all-American aesthetic. I love putting together looks for John Ross because we can get away with taking some fashion risks. Elena is fun because she goes from rugged to elegant with such ease. I’m enjoying Pamela Rebecca’s transition, going from soft color and styles to being more sophisticated and sleek. Sue Ellen’s statement looks are always very exciting to produce. I could go on and on about each and every character, whether they have had one line in the show or pages and pages.

If you could raid the closet of one “Dallas” character, whose would it be? Whose clothes would you most like to wear yourself?

If I could raid one of their closets it would have to be Elena. She has the most range with lots of comfortable pieces and this season we have been building up her chic work looks. Head-to-toe, there is not a piece in her entire wardrobe that I would not wear.

I would imagine you get to see the actors when they’re not in costume, so give me some “Dallas” dish: Whose personal style is most unlike their character?

I would have to say that Patrick [Duffy] and Linda [Gray]’s styles are most unlike their characters. Patrick is more modern in his real life. He doesn’t wear Wranglers and is less conservative than Bobby. He has a light pink and white stripe shirt that I absolutely love on him but Bobby could never pull it off. Sue Ellen generally gilds the lily a bit more than Linda would.

You mentioned those “pinch me is this real” moments. Were you a fan of the original “Dallas”? Do you have a favorite look from one of the classic characters?

I am a big fan of the original series. Looking back on the show as an adult and more importantly as a research tool, I have been inspired by some of Sue Ellen’s black and white moments. I subtly incorporated that into a couple of her looks this season.

Dallas Decoder Interview - Rachel Sage Kunin 3Yes, I’ve noticed that! That’s a nice treat for longtime fans – and by the way, Sue Ellen looks amazing this season.

Thank you. Linda and I knew that we wanted to elevate Sue Ellen’s style this year. We have such a great time working together! We’ll email ideas back and forth before a fitting, throwing ideas around about our thoughts on the changes she has coming up. Or we’ll grab lunch together and chat about it. Then, we get in the fitting room and Sue Ellen appears. She is always so thankful for what I bring to the table and I am grateful to now be able to call Linda a friend.

Tell me about HSN’s new HSN’s new “Dallas” boutique. People are going to be “dressing like ‘Dallas.’” That’s such a huge compliment to you!

Being involved with the “Dallas” and HSN partnership has been wonderful. Yes, what a huge compliment that people want to dress like “Dallas.” The idea that people have a direct go-to place to shop for the “Dallas” flare is brilliant. It really has been the cherry on top of an already amazing experience.

Share your comments below and read more interviews from Dallas Decoder.

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Critique: TNT’s ‘Dallas’ Episode 20 – ‘Guilt and Innocence’

March 28, 2013 by 49 Comments
Christopher Ewing, Dallas, Guilt and Innocence, Jesse Metcalfe, TNT

Man of the hour

“Dallas’s” second-season plotlines don’t advance much in “Guilt and Innocence,” which is disappointing to those of who are desperate for more clues in the “Who Killed J.R.?” mystery. On the other hand, this episode offers a nice showcase for the “Dallas” cast, which has become one of television’s most reliable ensembles. The most impressive performances come from Jesse Metcalfe, who is especially moving in the scene where the guilt-ridden Christopher weeps inside the hospital chapel, and Julie Gonzalo, who breaks my heart as Pamela suffers through the final hours of her doomed pregnancy.

The last scene in “Guilt and Innocence” is the most memorable. John Ross and Christopher rush into Pamela’s hospital room as her doctor and nurses scramble to save the lives of her unborn twins. Afton is there too, clutching her daughter’s hand. How many people are present altogether? I couldn’t tell you. Director Jesse Bochco unfurls the action in a series of quick cuts, making it feel chaotic and real. We catch glimpses of Pamela writhing in agony, John Ross and Christopher watching with worried expressions, the doctor barking orders. Someone yells, “Heart rate’s dropping on Baby A!” And then: “Heart rate’s dropping on Baby B!” The motion slows. The machinery buzzes. Soon there are no other sounds, except for a faint piano score. The final shot is the monitor as the two heart rates flatline, one by one.

Another dramatic highlight comes at the beginning, when a frantic Bobby races through the emergency room, calling the missing Ann’s name. Their reunion a few moments later, when Bobby forgives his wife for keeping so many secrets from him during their marriage, makes me realize how invested I’ve become in them as a couple. Robert Rovner’s script also gives us a handful of typically intense scenes with the schizoid Rylands, all three of whom grow a little weirder with each episode, as well as several lighter moments. The best of these: Linda Gray’s breezy exchange with Lee Majors, who proves as charismatic as ever; the moment John Ross calls Pamela “darlin’;” and Sue Ellen’s pot-calling-the-kettle-black description of Afton: “She’s drama.”

With Pamela and wild-haired Judith Ryland both laid up, almost all of the action in “Guilt and Innocence” takes place in the hospital. This makes the episode reminiscent of “Trial and Error,” an earlier second-season episode that unfolded almost entirely in the courthouse during Ann’s trial. In that installment, the legal proceedings ended up being less about Ann shooting Harris than her failings as a wife and mother. Similarly, Pamela’s pregnancy crisis becomes a vehicle for introspection. Christopher wonders if he took too many risks in his quest to build Ewing Energies, while Pamela questions her past schemes. In a poignant moment, she stares at the fetal heart monitor and asks John Ross, “Do you think this is karma … for all the bad that I’ve done?”

I wish “Guilt and Innocence” had taken this idea a little further. When Afton arrives at Pamela’s bedside, she refers to “all the bad choices” her daughter made in an attempt to “forge a relationship” with Cliff, but nothing more is said about Pamela’s deceptions, which aren’t trivial. This is a young woman who spent two years lying about her identity – then married Christopher – in order to infiltrate the Ewings. It makes Afton’s anger toward Christopher feel a little unfair. I understand that she blames him for Pamela’s accident, but shouldn’t she have a little sympathy for the man her daughter conned? (For that matter: Christopher and Pamela are still married? I thought their annulment occurred several episodes ago.)

Along these lines, while Sue Ellen’s lingering bitterness toward Afton is understandable, I’m a bit baffled by Bobby’s hostility toward her (“Pull in your claws, Afton”). Afton once saved his life; you’d think he’d be a little nicer. On the other hand: I like how “Guilt and Innocence” restores a little bit of the edge Afton displayed when she arrived on “Dallas” in the early ’80s. Bochco’s shot of Audrey Landers lurking around the hospital corner is inspired, recalling the way Afton used to slink around Southfork. I also applaud the scene where Afton serenades Pamela with her favorite childhood lullaby, a charming tribute to Afton’s roots as “Dallas’s” resident songstress. (I wonder if Josh Henderson, no slouch in the singing department himself, wanted to join in?)

The only thing that would’ve made Afton’s homecoming complete is having Cliff around. More than anything, I want to know how he feels about himself after endangering Pamela’s life. (I hope we get more than Harris’s one-sided conversation with Cliff in “Guilt and Innocence,” when he apparently expresses no regret for his actions.) I also believe the show could use Afton to shed a little light on what turned Cliff so dark, so hopefully “Dallas” will bring Landers and Ken Kercheval together in a later episode. Just please don’t make it a Gary-and-Valene-style drive-by reunion.

The other item on my “Dallas” wish list: More “Who Killed J.R.?” As much as I appreciate the tantalizing clue dropped at the end of “Guilt and Innocence” (Pam was alive in 1989!), I hope the show’s next episode will put the mystery surrounding J.R.’s death front and center. I realize the people who make “Dallas” are crafting this storyline on the fly, weaving it into scripts that were originally written to include Larry Hagman. But I can also feel the storyline losing momentum. The audience needs to see the Ewings get serious about finding the person responsible for the death of our hero. If it doesn’t happen soon, the question won’t be who killed J.R., but why doesn’t “Dallas” seem to care?

Grade: B

_______________________________________________________________________________________________________________________________________________

Afton Cooper, Audrey Landers, Dallas, Guilt and Innocence, TNT

Drama mama

‘GUILT AND INNOCENCE’

Season 2, Episode 10

Telecast: March 25, 2013

Writer: Robert Rovner

Director: Jesse Bochco

Audience: 2.6 million viewers on March 25

Synopsis: After the rig explosion, Pamela is rushed to the hospital. Afton arrives to comfort her daughter, who loses her unborn twins after emergency surgery. Bobby forgives Ann. Sue Ellen turns to old flame Ken Richards, chairman of the regulatory board investigating the explosion, who divulges the rig might have been sabotaged. John Ross and Christopher figure out Cliff is trying to devalue Ewing Energies, while guilt-ridden Drew threatens Vickers if he tries to expose Drew’s role in the bombing. While recovering from her fall, Judith tries to turn Emma against Harris, who responds by having Judith drugged and shipped to a rehabilitation center.

Cast: Kuno Becker (Drew Ramos), Emma Bell (Emma Brown), Jordana Brewster (Elena Ramos), Laura Kai Chen (Dr. Chang), Patrick Duffy (Bobby Ewing), Alex Fernandez (Roy Vickers), Marlene Forte (Carmen Ramos), Julie Gonzalo (Pamela Barnes), Linda Gray (Sue Ellen Ewing), Josh Henderson (John Ross Ewing), Shane Jacobsen (Zach McGuire), Audrey Landers (Afton), Judith Light (Judith Ryland), Lee Majors (Ken Richards), Jesse Metcalfe (Christopher Ewing), Mitch Pileggi (Harris Ryland), Brenda Strong (Ann Ewing), Annie Wersching (Alison Jones)

“Guilt & Innocence” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

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Dallas Burning Questions: Season 2, Week 9

March 25, 2013 by 37 Comments
Don’t blame him

Don’t blame him

Here are the questions we’re pondering as we await tonight’s telecast of “Guilt and Innocence,” TNT’s latest “Dallas” episode.

• Who survives the blast? At the end of “Ewings Unite!,” last week’s episode, most of the Ewings gathered on the methane extraction rig, along with Pamela and Elena (Julie Gonzalo, Jordana Brewster), for a demonstration. Little did everyone know the platform was rigged with explosives, which detonated moments before the screen faded to black. It’s a safe bet the core characters will survive, but I’m not sure we can say the same thing about Pamela’s unborn twins. One clue: Pamela’s mother Afton (Audrey Landers) will appear in tonight’s episode, possibly to console her grieving daughter. If Pamela loses one or both of the babies, how will it affect her relationships with ex-husband Christopher (Jesse Metcalfe) and ex-lover John Ross (Josh Henderson)?

• Can Cliff be redeemed? The story behind the explosion, part 1: At the beginning of last week’s episode, Cliff and Harris (Ken Kercheval, Mitch Pileggi) joined forces to bring down the Ewings. Cliff promised to give Harris the money he needs to gain control of Ryland Transport from Judith (Judith Light), while Harris agreed to help Cliff undermine Ewing Energies. Harris’s henchman Roy Vickers (Alex Fernandez) arranged to have the bomb planted under the platform, but when Pamela unexpectedly showed up, he called Cliff and gave him a chance to back out. Remarkably, Cliff told Vickers to proceed with the detonation. How will Cliff live with himself after this?

• Will Drew forgive himself? The story behind the explosion, part 2: Drew (Kuno Becker) reluctantly planted the bomb after being blackmailed by Vickers, who threatened to kill Elena if Drew refused to do his bidding. Until then, things had been looking up for young Drew: Bobby (Patrick Duffy) agreed to sell him the Ramos family’s land and Drew went on a promising date with Emma (Emma Bell). What will happen if his role in the explosion is discovered?

• Will Christopher be blamed? The Ewings were on the platform to demonstrate its potential to local government official Alison Jones (Annie Wersching), hoping it would seal their deal to land the city’s lucrative fuel contract. Getting Alison to the platform took a lot of work: When Cliff tried to steal the contract at the last minute, John Ross and Christopher teamed to blackmail Alison into rejecting his bid. Last season, Christopher’s methane extraction technology was plagued by suspicions it was unsafe. Will the bombing raise fresh doubts?

• Will Sue Ellen sober up? J.R.’s will split his share of the Southfork mineral rights between John Ross and Sue Ellen (Linda Gray), who shifted into denial mode about her alcoholism, insisting she didn’t need Gary’s help to stop drinking. After Valene (Joan Van Ark) confronted her, Sue Ellen urged Gary (Ted Shackelford) to return to his wife, telling him she needs to reclaim her sobriety on her own. Will she?

• More questions: Now that John Ross has inherited half of Southfork, will he take up residence at the ranch, perhaps moving into his father’s old bedroom? Did Judith survive her tumble down the stairs? And will we finally get some more clues to the biggest question of all: Who killed J.R.?

What “Dallas Burning Questions” are on your mind? Share your comments below and watch TNT’s “Dallas” tonight.

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TNT’s Dallas Scene of the Day: ‘Once a Bitch, Always a Bitch!’

March 20, 2013 by 24 Comments
Dallas, Ewings Unite, Joan Van Ark, Valene Ewing, TNT

Birdwatching

In “Ewings Unite!,” a second-season “Dallas” episode, Sue Ellen (Linda Gray) is seated at her office desk when Valene (Joan Van Ark) storms in and slams the door behind her. 

VAL: Once a bitch, always a bitch!

SUE ELLEN: Yes, it has been a long time. It’s good to see you too.

VAL: You just called me to Dallas to humiliate me. You are just as sadistic as J.R. ever was.

SUE ELLEN: I called to see if I could get you and Gary back together again.

VAL: Oh, please! [Steps forward] Gary is buying your wounded bird drunk routine. And he’s a good enough man to try to save you. But I know that you’re just trying to get your hooks into him.

SUE ELLEN: I don’t want your husband.

VAL: [Rests her palms on the desk] He may not come back to me. But I can promise you: I am not leaving Southfork until I show him what a manipulative monster you are. [Stomps away]

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Critique: TNT’s ‘Dallas’ Episode 19 – ‘Ewings Unite!’

March 20, 2013 by 92 Comments
Cliff Barnes, Dallas, Ewings Unite, Ken Kercheval, TNT

The twist

There’s a lot to like about “Ewings Unite!,” including Ken Kercheval’s chilling performance in the final scene and the sensational, old-school soap opera showdown between Joan Van Ark and Linda Gray, which is destined to become a “Dallas” classic. Unfortunately, this episode also gives us plenty to lament. Valene’s eagerly awaited reunion with Gary never really happens, there’s seemingly little movement in the “Who Killed J.R.?” mystery, and the bombshell dropped during J.R.’s will reading is silly. This production isn’t just missing the old Hagman magic. Logic has taken a holiday too.

The will reading offers a welcome cameo from the wonderful Barry Corbin, who portrayed Sheriff Washburn on the old “Dallas” and appears here as J.R.’s lawyer. Bruce Rasmussen’s script honors J.R.’s mischievousness by having him leave a bottle of scotch to recovering alcoholic Gary, while Bobby inherits J.R.’s collection of cowboy boots. (This might be an inside joke. Hagman memorably called cowboy boots “the most uncomfortable mode of transport ever invented.”) I’m not going to complain about the omission of absent characters – a full recitation of J.R.’s bequests could have consumed half the episode – but I will gripe about the big surprise: It seems Miss Ellie waited until after J.R.’s death to leave half of Southfork to John Ross.

Ellie’s explanation comes in a letter read by Corbin’s character: “My son J.R. was many things, but he was not a rancher. That’s why I left my beloved Southfork to Bobby. But I hope you understand, Bobby, that J.R.’s sins should not be visited upon my grandson, John Ross.” Come again, Mama? As much as I like the idea of Ellie one-upping J.R. from beyond the grave, this defies belief. Set aside the fact that Ellie and second husband Clayton deeded Southfork to Bobby toward the end of the original series. In the new “Dallas’s” timeline, she left the ranch to Bobby upon her death more than a decade ago. Now Ellie is able to change those terms? I’m no lawyer, but how is this legally possible?

If the show’s goal is to pit John Ross against his uncle – effectively allowing John Ross to take his father’s place in this franchise’s central conflict of J.R. versus Bobby – then I’m all for it. I also like the idea that John Ross’s stake in the ranch means he’ll probably take up residence at Southfork, which I hope will set the stage for more old-fashioned Ewing family gatherings. Still, I wonder: Couldn’t the show have achieved this new power structure without sacrificing its credibility?

“Ewings Unite!” also suggests Cliff’s company, Barnes Global, is a rebranded version of the old Barnes/Wentworth conglomerate he ran on the old show. This also seems to contradict established “Dallas” lore – didn’t Cliff long ago relinquish his stake in those companies? – but I can live with this change since the composition of his corporate assets always seemed needlessly confusing. I’m more bothered by the revisionism in Elena’s storyline. When she challenges Christopher over his blackmail scheme, she declares, “This is why I wanted out of the company.” Whoa! Didn’t Sue Ellen oust Elena from the company against her will? Never mind the old show; if the new “Dallas” isn’t going to respect its own history – and by “history,” I mean stuff that happened three episodes ago – why should we?

The resolution of Gary’s mini-arc and Val’s return yield more mixed feelings. Van Ark is a hoot in the scene where Val confronts Sue Ellen (“Once a bitch, always a bitch!”), a marquee battle between two of television’s greatest soap queens. This doesn’t feel much like the Val I remember, but I like the idea that Van Ark’s character has grown stronger and more confident. “Poor Val” appears to be a memory. I also adore Ted Shackelford’s final scene with Gray, when Sue Ellen sweetly urges Gary to return to his wife before it’s too late. “One day she may be gone and you don’t want to regret the loss of every moment you could have spent with her,” Sue Ellen says. It’s a nice reminder of the wisdom Sue Ellen has gained, as well as the fact that her devious behavior in this episode stems from her grief.

But as much as I appreciate these moments, I want to shake my fist at “Dallas” for not giving us a scene where Gary and Val patch things up. Talk about a missed opportunity. Shackelford and Van Ark are every bit as iconic as “Dallas’s” other famous pairings. To split up the couple is one thing; to only give them a brief appearance together in the Southfork foyer and then leave the fate of their marriage unknown is something else. (So much for engendering goodwill among “Knots Landing” fans.) Of course, if the lack of closure means Gary and Val will return next season to resume their storyline, I’ll be the first to eat these words.

I don’t mean to dwell on my disappointments with “Ewings Unite!” There’s plenty here to admire, including seeing John Ross and Christopher work together; the scene where they gang up on Pamela showcases the nice chemistry between Josh Henderson and Jesse Metcalfe, who play off each other almost as easily as Hagman and Patrick Duffy did during “Dallas’s” heyday. I also appreciate Christopher’s flirtation with the dark side, and how the scene where Elena learns about his blackmail scheme echoes one from the old show where Pam tries to bring Bobby back from the edge. Other highlights include the pairing of impressive newcomers Kuno Becker and Emma Bell, as well as the addition of Annie Wersching, who I hope will stick around as sexy, scheming city transportation official Alison Jones.

More good stuff: the scene where Cliff and Harris form their Legion of Doom-style alliance, as well as when Harris dismisses his new partner in crime as a “paranoid old coot” while speaking to Vickers, who is poised to succeed Frank as this show’s go-to henchman. As far as Cliff’s decision at the end of episode to blow up the Ewing Energies rig, even though pregnant Pamela is on board: I wasn’t that shocked. The version of Cliff we see on TNT’s “Dallas” is more twisted and consumed than the one we remember. Like a lot of longtime fans, I wish I knew how Cliff got this way. Still, as ugly as his actions are, they seem perfectly in tune with the person he’s become.

Regardless, how fantastic is Kercheval in that scene? Everything about the actor’s body language – the fidgety hands, the shifty eyes – suggests the torment raging within Cliff in that instant. I also appreciate how director Steve Robin heightens the drama with a glimpse of pregnant Pamela’s belly before the bomb goes off, as well as the shot of Vickers kissing the cross around his neck before he pushes the detonation button.

I’m more surprised to see “Ewings Unite!” spend so little time on the “Who Killed J.R.?” mystery, which got off to such a riveting start at the end of the previous episode. After Bobby fills in John Ross and Christopher on the origin of Cliff’s company, he suggests J.R. was searching for Pam because she might be a “silent partner” in Barnes Global and casually reveals that Katherine is dead. Then again, as Dallas Decoder readers have pointed out, this show usually doesn’t mention older characters unless they’re going to figure into the storyline. Could Bobby’s reference to Katherine be the first step toward bringing Morgan Brittany to the new “Dallas”? Who knows? We might look back on this episode one day and realize it offers the biggest clue of all.

Grade: B

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Dallas, Ewings Unite, John Ross Ewing, Josh Henderson, TNT

Inherit the earth

‘EWINGS UNITE!’

Season 2, Episode 9

Telecast: March 18, 2013

Writer: Bruce Rasmussen

Director: Steve Robin

Audience: 2.7 million viewers on March 18

Synopsis: J.R.’s will splits his share of the Southfork mineral rights between Sue Ellen and John Ross. A letter from Miss Ellie reveals John Ross will become co-owner of the ranch with Bobby. When Bobby decides to resume drilling on Southfork, Sue Ellen, who is still drinking, summons Valene to take Gary home. Cliff tries to undermine Ewing Energies’ bid for the city fuel contract, but John Ross and Christopher blackmail transportation official Alison Jones into giving them the contract. Judith threatens to oust Harris at Ryland Transport, then falls down the stairs. After Cliff and Harris join forces, Harris’s henchman Roy Vickers blackmails Drew into sabotaging the Ewing Energies methane extraction rig. Cliff orders Vickers to blow up the rig, even though it will endanger Pamela and the Ewings.

Cast: Kuno Becker (Drew Ramos), Emma Bell (Emma Brown), Jordana Brewster (Elena Ramos), Barry Corbin (J.R.’s lawyer), Patrick Duffy (Bobby Ewing), Alex Fernandez (Roy Vickers), Julie Gonzalo (Pamela Barnes), Linda Gray (Sue Ellen Ewing), Josh Henderson (John Ross Ewing), Jesse Metcalfe (Christopher Ewing), Kevin Page (Bum), Mitch Pileggi (Harris Ryland), Ted Shackelford (Gary Ewing), Brenda Strong (Ann Ewing), Charlene Tilton (Lucy Ewing), Joan Van Ark (Valene Ewing), Annie Wersching (Alison Jones)

“Ewings Unite!” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.

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