How Would You Spin Off Bobby Ewing?

Bobby Ewing, Dallas, Patrick Duff, TNT

Spin, Bob, spin!

Would you watch a “Dallas” spinoff about Bobby Ewing?

It’s a question we’ve been pondering since last week, when fellow fan Jennifer Irons — a.k.a. Team Bobby Ewing — took to Twitter to suggest Patrick Duffy’s iconic character should get his own TV series.

Duffy’s response:

Who are we to leave our hero hanging? With tongue firmly planted in cheek, we offer three proposed spinoffs for our beloved Bobby:

MR. EWING GOES TO WASHINGTON

Logline: Bobby trades his big white house in Texas for the one at 1600 Pennsylvania Avenue. With help from Vice President Sue Ellen Ewing and Agriculture Secretary Ray Krebbs, he works each week to outsmart the nefarious Senate majority leader, Cliff Barnes.

EWING, TEXAS RANGER

Logline: After single-handedly defeating a Mexican drug cartel, Bobby ditches Southfork and begins a new career in law enforcement. His adventures take him across the Lone Star State and eventually lead him to a new love with a familiar face: District Attorney Alex Cahill (Sheree J. Wilson).

BOBBY’S LANDING

Logline: Bobby retires to Knots Landing, which he renames for himself. (He did build the place, after all.) His new Seaview Circle neighbors — including boozy brother Gary and nutty sister-in-law Val — make him feel right at home. But what happens when Abby, after realizing Bobby is the only Ewing brother she hasn’t slept with, decides to make him her latest conquest?

Now it’s your turn: What kind of spinoff would you create for Bobby Ewing? Share your ideas below and read more features from Dallas Decoder.

Our Jan. 11 #DallasChat Asks, ‘What If?’

Bobby Ewing, Dallas, Linda Gray, Patrick Duffy, Sue Ellen Ewing, TNT

Ponder the possibilities

Dallas Decoder’s next #DallasChat on Twitter will be Monday, January 11, from 8 to 9 p.m. Eastern time.

Our theme will be “What If? IV.” Like the previous “What If?” chats, this discussion will imagine alternate outcomes and twists to “Dallas” storylines and developments.

Are you new to #DallasChat? Here’s how it works: During each hour-long discussion, I tweet 10 questions from my Twitter handle, @DallasDecoder. Fans respond to the questions and comment on each other’s answers, making each chat a fun, freewheeling group conversation.

Here’s a sample exchange:

Q1. What if Bobby and Sue Ellen had gotten together after J.R.’s death? #DallasChat

A1. A Bobby/Sue Ellen coupling would’ve rocked the Ewings. Can you imagine John Ross and Christopher might as stepbrothers? #DallasChat

Here are three more tips:

• Each #DallasChat question is numbered (Q1, Q2, etc.), so your responses should include the corresponding number (A1, A2, etc.).

• Include the hashtag #DallasChat in your tweets.

• During the discussion, enter #DallasChat in Twitter’s search field. This will help you watch the search results so you can follow the conversation. Click “All” to see all the related tweets.

I hope you can participate. See you there!

Got suggestions for #DallasChat questions? Leave them in the comments below.

‘Real Power is Something You Take’ Turns 35

Bobby Ewing, Dallas, Executive Wife, Jim Davis, Jock Ewing, Patrick Duffy

Power and glory

It’s another red-letter day in “Dallas” history.

Thirty-five years ago today, CBS aired “Executive Wife,” the episode in which Jock famously schools Bobby on the Ewing creed: “Real power is something you take!”

I ranked the scene fifth on my list of “Dallas’s” greatest moments a few years ago and also wrote about it when TNT’s sequel series paid homage to the exchange.

Earlier today, I paid tribute again by recreating the scene on Twitter (similar to what I did when another famous scene — the “Who Shot J.R.?” revelation — turned 35 in November).

Click on Bobby’s tweet below to read the full transcript. I hope it will spark a fresh conversation about “Dallas,” the Ewings and the use of “real power.”

What are your perspectives on Jock and Bobby’s famous “real power” scene? Share your comments below and read more features from Dallas Decoder.

Poll: Should ‘Dallas’ Return?

Dallas, Linda Gray, Patrick Duffy, TNT

Would you like to see “Dallas” return with new episodes? Cast your ballot below. One vote per device. Voting will end in one week. Results will be announced Monday, January 11.

Share your comments below and vote in Dallas Decoder’s other polls.

Happy Holidays, Everyone!

Dallas, Larry Hagman

Ho, ho, Hagman!

Before this holiday season ends, I want to take a moment to thank everyone who reads Dallas Decoder. Please know how much I appreciate your continued support.

I don’t get to write about “Dallas” as often as I once did, but this was a special year for me nonetheless. I posted my first one-on-one interview with Patrick Duffy in June, and then in September, I published a critique and oral history of my favorite “Dallas” episode, “Swan Song.” All three posts have been years in the making, so I’m glad I finally got to share them with my fellow fans.

I also got to chat again with Linda Gray and review her wonderful book, which was like an early Christmas present for all “Dallas” fans.

As always, special thanks go to the readers who leave comments on this site, as well as everyone who likes and shares Dallas Decoder posts on social media. I appreciate all your feedback and take great pride in the thoughtfulness and civility you bring to our online conversations.

I know many of us wish “Dallas” was still on the air, churning out new episodes. I continue to believe the show will return someday; “Dallas” is too special to disappear forever. Until then, let’s continue to share our love for the Ewings and preserve their legacy next year and beyond.

‘Dallas’ Stars to Reunite at Autograph Show

Dallas, Linda Gray, Patrick Duffy

Ewings reunite! (Getty Images)

Patrick Duffy, Linda Gray and several other “Dallas” stars are slated to participate in a Los Angeles autograph show next weekend.

The Hollywood Show will be held from Friday, October 30, through Sunday, November 1, at the Westin Los Angeles Airport Hotel.

The other “Dallas” alumni scheduled to participate are Ken Kercheval, Charlene Tilton, Christopher Atkins, Morgan Brittany, Mary Crosby, Morgan Fairchild, Jenilee Harrison, Leigh McCloskey, Sasha Mitchell, Sheree J. Wilson and Morgan Woodward.

More than 60 additional actors are slated for the event, including Corbin Bernsen, Annie Potts and Kevin Sorbo. The list also includes Patty McCormack, who guest starred in three “Dallas” episodes during the 1981-82 season as Evelyn Michaelson, the woman who came between Lucy and Mitch.

Ticket prices vary; a two-day pass costs $40. There are additional fees if you want to be photographed with individual actors or groups, including a $250 charge to have your picture taken with the “Dallas” cast.

More information is available on the Hollywood Show site.

Will you attend the Hollywood Show? Share your comments below and read more news from Dallas Decoder.

Critique: ‘Dallas’ Episode 195 — ‘Resurrection’

Dallas, Linda Gray, Resurrection, Sue Ellen Ewing

Looking glass

“Resurrection” brings Mark Graison back from the dead and Sue Ellen Ewing back from the brink. His revival is the more surprising of the two, although hers is more satisfying. In the episode before this one, Sue Ellen went through a harrowing detoxification after her drinking landed her on skid row. The audience never doubts she’ll get sober eventually — by now, Sue Ellen’s pattern of relapse and recovery is well established — so the question becomes whether she’ll learn anything from this latest fall off the wagon. “Resurrection” demonstrates Sue Ellen is capable of growth, although we also see how hard it is for her to break her old habits.

The hour begins with Sue Ellen in a familiar setting: The Ewings have once again committed her to a sanitarium, where they hope she’ll get the help she needs to deal with her alcoholism. Sue Ellen tells her doctor she wants to recover at home, and when he says she can be released only with J.R.’s consent, she replies, “So I’m in jail — and he has the key.” Once again, Sue Ellen is casting herself as her husband’s victim. Her sense of helplessness continues in the next scene, when Dusty sneaks into her room after bribing an orderly. She begs Dusty to take her away, and then weeps when he tells her that he only came to check on her.

But all is not lost. At the end of “Resurrection,” the smarmy orderly offers to sell Sue Ellen a bottle of vodka. “I don’t know if it’s your brand, but that doesn’t always matter, does it?” he sneers. We’ve been down this path before — during Sue Ellen’s second-season sanitarium stay, villainous Nurse Hatton used mouthwash bottles to smuggle booze to Sue Ellen — and for a moment, it looks like history is going to repeat itself. With the vodka bottle in the foreground, director Michael Preece holds the camera on Linda Gray’s face, where we watch Sue Ellen’s struggle play out for several agonizing seconds. Finally, she runs across the room, grabs the call button and pushes it. “Get out!” she shouts.

This is a triumphant moment, even after Sue Ellen collapses against the wall and cries. “I can do it. I know I can do it,” she says, then looks up and adds, “I just need help. Help me. Help me.” This might be the closest we ever get to a religious moment on “Dallas,” although that’s not why the scene touches me. Instead, I’m moved by Sue Ellen’s self-discovery: She’s realizing she has the capacity to change. It’s another spectacular performance from Gray, who has been handed the best material she’s received yet on “Dallas” and is making the most of it.

Mark’s return at the end of “Resurrection” doesn’t pack the same emotional punch — how could it? — but it’s nicely done nonetheless. Throughout the episode, Pam feels increasingly pressured as she weighs competing offers from J.R. and Jeremy Wendell to buy Christopher’s share of Ewing Oil. Pam also is being followed by a shady private-eye type who reports to an unseen figure in the back of a limousine. It’s hinted the private eye could work for either J.R. or Jeremy, but in the final scene, we learn the truth. The limo arrives at Pam’s house while she’s in the backyard, arguing on the phone with the chairman of Wentworth Industries. Frazzled, she slams down the receiver, breaks into tears and turns to leave — when she runs into Mark. Victoria Principal looks appropriately stunned and collapses into the arms of John Beck, making his first “Dallas” appearance in more than a year. (Just think: This is only the first of two “dead” lovers who’ll show up at Pam’s house before the season is over.)

Other “Resurrection” highlights include Barbara Bel Geddes, who continues to remind the audience how much she was missed during the preceding year, when Donna Reed was playing Mama. Bel Geddes exudes quiet authority each time she appears in this episode, whether Miss Ellie is entertaining Wendell’s offer to buy Ewing Oil over lunch at Les Saisons (a real Dallas restaurant that closed in 2001) or shocking J.R. by revealing that she’s actually thinking of selling. I also appreciate Dack Rambo, who continues to make Jack an interesting character: When he’s not counseling Charlie on her middle-school crushes, he’s assuring both J.R. and Cliff that he’ll side with them in the latest battle for Ewing Oil. There also are quite a few small touches that reflect this season’s renewed commitment to realism, including Ellie’s visit to a Southfork stable to check on an injured horse and Jenna helping Charlie with her Spanish homework at the kitchen table.

Mostly, though, I appreciate how “Resurrection” helps keep alive the spirit of Bobby, which feels somewhat surprising in retrospect. I might have expected the show to move on quickly after Patrick Duffy’s departure, but four episodes after Bobby’s demise in “Swan Song,” his presence is still felt. In another great performance from Bel Geddes, Ellie visits Bobby’s grave and shares her struggle to hold the family together (echoes of Bobby’s memorable visit to Mama’s grave during the first season of TNT’s “Dallas”), while Larry Hagman and Principal have a poignant exchange in which their characters interrupt their bickering to confide how much they each miss Bobby. After all these years, J.R. and Pam finally have something in common.

“Resurrection” even shows Duffy: When Pam goes back to work at Barnes-Wentworth for the first time since the funeral, she takes a framed picture of Bobby off her desk and puts it in a drawer, only to remove it moments later. This episode’s best nod to Bobby, though, is also the slyest: When Jack is shown shopping for a new car in a luxury auto dealer’s showroom, he briefly inspects a red Mercedes convertible before moving on to a Lamborghini, and then a Porsche. Was this a subtle acknowledgment from the producers that — for all Jack’s strengths — he’s no Bobby Ewing?

Grade: A

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Dallas, John Beck, Mark Graison, Resurrection

Walking dead

‘RESURRECTION’

Season 9, Episode 4

Airdate: October 11, 1985

Audience: 18.7 million homes, ranking 6th in the weekly ratings

Writers: Hollace White and Stephanie Garman

Director: Michael Preece

Synopsis: Jeremy offers to buy Miss Ellie’s share of Ewing Oil, while Jack promises to back both J.R. and Cliff in the takeover fight. Sue Ellen rejects a sanitarium orderly’s offer to sneak her a drink. Pam is stunned when Mark returns.

Cast: John Beck (Mark Graison), Bever-Leigh Banfield (Nurse Curtis), Barbara Bel Geddes (Miss Ellie Farlow), Alan Fudge (Dr. Lantry), Tony Garcia (Raoul), Linda Gray (Sue Ellen Ewing), Laurence Haddon (Franklin Horner), Larry Hagman (J.R. Ewing), Joshua Harris (Christopher Ewing), Jenilee Harrison (Jamie Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Jared Martin (Dusty Farlow), George O. Petrie (Harv Smithfield), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Dack Rambo (Jack Ewing), Debbie Rennard (Sly), Rex Ryon (Orderly), Deborah Shelton (Mandy Winger), William Smithers (Jeremy Wendell), Woody Watson (Detective)

“Resurrection” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

Critique: ‘Dallas’ Episode 194 — ‘Those Eyes’

Dallas, Linda Gray, Sue Ellen Ewing, Those Eyes

Get a grip

In “Those Eyes,” the Ewings finally take off their blinders where Sue Ellen’s drinking is concerned. She lands in a detox ward at the beginning of the episode, and one by one, Miss Ellie, J.R. and the people who love her most come to realize how destructive her alcoholism has become. Sue Ellen realizes this too, although she remains powerless over her addiction. In a chilling scene, when Dusty visits her in the hospital, Sue Ellen begs him for a drink. “Oh, God, no, darling,” he says, explaining that more booze would kill her. Clutching his hands, she looks into his eyes and whispers, “Kill me.”

This is a moment of reckoning for Sue Ellen, and for “Dallas” itself. Too often, the writers have used Sue Ellen’s alcoholism as a crutch to lean on whenever the show needed something to complicate the character’s life. Witness Sue Ellen’s third-season relapse, which seemed to occur primarily so she’d have a reason to not remember her whereabouts during J.R.’s shooting. Now, in the ninth season, Sue Ellen’s drinking is no longer an afterthought — it’s one of the main storylines. By showing the character trembling her way through withdrawals, we have a better sense of what it means for her to be an addict. It’s much more meaningful than merely seeing her passed out in her bedroom next to an empty vodka bottle.

No one seems to appreciate this opportunity more than Linda Gray, whose performance here is nothing less than a tour de force. “Those Eyes” was filmed in an era when television actresses were eagerly shedding their glamorous wardrobes to demonstrate their acting bona fides — think of TV movie queens like Farrah Fawcett in “The Burning Bed” and Raquel Welch in “Right to Die” — but Gray goes further than any of her peers. She looks positively wasted in “Those Eyes,” wearing little makeup and allowing every hair to fall out of place. True to the episode’s title, Gray also uses her famously expressive eyes to draw the audience into her character’s fear and confusion, although nothing touches me more than the moment Dusty arrives at the hospital and Sue Ellen shields her face. It’s such a childlike gesture; as soon as I see it, my heart breaks.

Interestingly, Gray appears in just three scenes in this episode, which means we mostly see Sue Ellen’s descent through the eyes of the other Ewings. It begins when Miss Ellie bravely enters the detox ward and is horrified to discover the Jane Doe in bed No. 13 is her daughter-in-law. In the next scene, Ellie declares she wants to take Sue Ellen home — a typical reaction for the Ewings, who always believe they can handle problems on their own. The doctor forcefully explains that no one — not even the Ewing matriarch — is powerful enough to cure addiction. Later, Ellie tells J.R. he must help his wife. This isn’t unlike a scene that occurred between J.R. and his mother at the end of the second season, except the conversation in “Those Eyes” has an air of finality to it, as if the Ewings are taking her problem more seriously.

“Those Eyes” is one of the first “Dallas” scripts from Peter Dunne, a “Knots Landing” veteran who briefly replaced Leonard Katzman as the show’s behind-the-scenes creative force. The episode is a good example of the darker, more realistic tone Dunne brings to the ninth season. Think about it: One year before this episode aired, the Ewings were “coping” with Bobby’s post-shooting blindness, which miraculously cleared up after a few episodes. Sue Ellen’s struggle in “Those Eyes” feels a lot more grounded by comparison, don’t you think? Sure, there are still plenty of soapy moments, including J.R. and Dusty’s memorable fistfight at Sue Ellen’s bedside, and the camp factor isn’t muted completely. (How else to explain the screaming woman that Sue Ellen encounters on the floor of the jail cell?) For the most part, though, “Dallas” seems a little smarter now.

Dunne’s touch also can be felt in other areas of “Those Eyes,” including the scene where J.R. sweetly helps John Ross with his necktie and the subplot about Ray and Donna deciding to build a bigger house. The latter feels like another metaphor: Steve Kanaly and Susan Howard’s characters are growing as people, so why shouldn’t they have a bigger place to call home? I also like how this episode shows Ray and Jack becoming friends; as much as I love Patrick Duffy, Dack Rambo is doing a nice job filling some of blank spaces created by Bobby’s departure. Heck, I even find myself applauding Jenna’s decision in this episode to stick around Southfork. Maybe it’s because Priscilla Beaulieu Presley’s short bob makes her look more stylish than ever — or maybe it’s because the character no longer feels like a distraction now that one half of the Bobby/Pam coupling is gone — but “Those Eyes” actually makes Jenna seem tolerable.

If you find this revelation surprising, imagine how I feel. But what can I say? They don’t call this the dream season for nothing.

Grade: A

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Dallas, John Ross Ewing, J.R. Ewing, Larry Hagman, Omri Katz, Those Eyes

Ties that bind

‘THOSE EYES’

Season 9, Episode 3

Airdate: October 4, 1985

Audience: 20.4 million homes, ranking 3rd in the weekly ratings

Writer: Peter Dunne

Director: Nick Havinga

Synopsis: After the police find Sue Ellen, Miss Ellie persuades J.R. to commit her to a sanitarium. J.R. and Jeremy each set their sights on Christopher’s share of Ewing Oil. Ray and Donna begin planning to build a bigger home. Jenna decides to stay at Southfork.

Cast: Barbara Bel Geddes (Miss Ellie Farlow), Fern Fitzgerald (Marilee Stone), Tony Garcia (Raoul), Linda Gray (Sue Ellen Ewing), Laurence Haddon (Franklin Horner), Larry Hagman (J.R. Ewing), Joshua Harris (Christopher Ewing), Jenilee Harrison (Jamie Barnes), Susan Howard (Donna Krebbs), Harlan Jordan (Sheriff Baldwin), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Jared Martin (Dusty Farlow), Shalane McCall (Charlie Wade), Gary Moody (Doctor), George O. Petrie (Harv Smithfield), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Dack Rambo (Jack Ewing), Debbie Rennard (Sly), Sherril Lynn Rettino (Jackie), Deborah Shelton (Mandy Winger), William Smithers (Jeremy Wendell), Don Starr (Jordan Lee), Norma Young (Sanitarium manager)

“Those Eyes” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

Critique: ‘Dallas’ Episode 192 — ‘The Family Ewing’

Barbara Bel Geddes, Dallas, Family Ewing, Miss Ellie Ewing Farlow

Good grief

“The Family Ewing,” the first episode of “Dallas’s” ninth season, chronicles the immediate aftermath of Bobby’s death. Miss Ellie, sad but sturdy, tries to plan the funeral while holding her family together — a task complicated by J.R.’s anger, Sue Ellen’s drinking and lingering questions about why Bobby and Pam were together when he was killed. The pace is slower than usual, but this is one of the episode’s strengths. The show is giving the audience time to let the loss of Bobby sink in, allowing us to grieve alongside the characters. It’s another example of how “Dallas” makes us feel part of the world it creates.

Like “Swan Song,” the episode that kills off Patrick Duffy’s character, “The Family Ewing” offers a collection of scenes that became classics: John Ross comforting J.R. on the night Bobby dies; Pam trying to explain to Christopher why he’ll never see his daddy again; Ellie staking out Bobby’s burial plot near the tree house that Jock built him when he was a boy; the funeral itself, which culminates with J.R. gazing at Bobby’s casket, shedding a single tear and lamenting that he never told his brother how much he loved him. These moments were later wiped away by Pam’s dream, but that doesn’t make them any less moving now than when this episode debuted 30 years ago.

“The Family Ewing” isn’t altogether sentimental, of course. The first act gives us J.R.’s devastating takedown of Sue Ellen when she comes home, blissfully unaware that there’s been a death in the family. “You’re never around when anybody needs you. … All you ever think about is yourself,” he says. J.R. lashes out again when he runs into Ray and Gary, who has arrived from “Knots Landing” to attend the funeral. “I had one brother, and he’s dead. Nobody can ever replace him — least of all you two,” J.R. says. Both scenes are the “Dallas” equivalent of highway rubbernecking: We know Sue Ellen, Ray and Gary are all in for it, yet we dare not look away.

Significant Mother

Barbara Bel Geddes, Clayton Farlow, Dallas, Family Ewing, Howard Keel, Miss Ellie Ewing Farlow

Splendor in the grass

J.R.’s dark turn in this episode recalls the character’s earliest days, before he became a twinkly-eyed villain. Larry Hagman is unnervingly good, although my favorite performance here belongs to Barbara Bel Geddes, who returns to “Dallas” after a yearlong absence and reminds us all how much she’s been missed. Bel Geddes is so natural, I forget I’m watching an actress playing a role. Watch the scene where Clayton speaks to Ellie at the tree house. She talks fondly about raising Bobby, offering a soft chuckle when she remembers how he and Gary used to spend “hours and hours” in the tree house “doing I don’t know what.” (Hearing that line, it isn’t hard to imagine the Ewing brothers as kids, is it?) Moments later, after Clayton has mounted his horse to ride home, Ellie stands in the grass and begins to sob. You can feel her pain.

Ellie’s resiliency is equally touching. Consider the scene where she comes out of her bedroom and encounters Sue Ellen, who expresses her guilt about missing Bobby’s farewell. Ellie urges her daughter-in-law to deal with her drinking problem, which prompts Sue Ellen to insist she isn’t an alcoholic. This is when Bel Geddes puts her hands on Linda Gray’s shoulders, looks into her eyes and says, “Oh, Sue Ellen. Yes, you are.” Can you imagine Donna Reed delivering this line? As much as I appreciated Reed’s work on “Dallas” during the previous season, it’s thrilling to see Bel Geddes reclaim her role with such a stirring performance. When Mama takes the stick and jams it into the spot where she wants Bobby buried, it might as well be Bel Geddes marking her territory and reminding the world that “Dallas” is her show as much as anyone’s.

Exit Camelot

Dallas, Family Ewing, Pam Ewing, Victoria Principal

Widow theory

“The Family Ewing” isn’t without its share of curiosities. Was there no better way to end Dusty and Sue Ellen’s bar confrontation than by having him punch her in the face? And how does a single strike to the chin manage to render her unconscious? Also, when Gary calls Southfork, are you surprised that he doesn’t recognize Clayton’s voice? I always figured “Dallas” wanted us to believe Gary spoke to his family regularly, even if we didn’t see the conversations on screen. I guess that’s not the case. (Ted Shackelford’s character isn’t altogether out of the loop, though: He seems to know who Katherine Wentworth is, wondering how the fugitive villainess got to Dallas.) I also find it amusing that when the Ewings return home from the hospital at the beginning of the episode, the producers don’t even bother to put Ellie in a dress similar to the one Reed wore in her final scene in “Swan Song.” Even the colors are different.

This is the only choice by costume designer Travilla that deserves to be second-guessed, however. All the other outfits in this episode hit the mark — especially at the funeral, where Sue Ellen is dressed in a dark Valentino blouse and skirt (she’ll ruin both when she goes on a bender in the next episode) and Pam wears a black pillbox hat. I’ve always believed the latter was a conscious attempt to draw a parallel between Pam and Jackie Kennedy, a real-life heroine who cradled a dying husband in her arms. The comparison might raise eyebrows now, but when I think back to watching this episode as a kid, it really did feel like another Camelot had ended.

Grade: A+

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Dallas, Family Ewing, John Ross Ewing, J.R. Ewing, Larry Hagman, Omri Katz

Mourning son

‘THE FAMILY EWING’

Season 9, Episode 1

Airdate: September 27, 1985

Audience: 20.5 million homes, ranking 7th in the weekly ratings

Writer: Leonard Katzman

Director: Nick Havinga

Synopsis: The Ewings bury Bobby. Dusty tries to help Sue Ellen, whose drinking problem worsens. Ray and Donna reconcile. Pam doesn’t tell Miss Ellie that she and Bobby were planning to get together before he was killed.

Cast: Barbara Bel Geddes (Miss Ellie Farlow), Dolores Cantu (Doris), Linda Gray (Sue Ellen Ewing), Larry Hagman (J.R. Ewing), Joshua Harris (Christopher Ewing), Jenilee Harrison (Jamie Ewing), Susan Howard (Donna Krebbs), Steve Kanaly (Ray Krebbs), Omri Katz (John Ross Ewing), Howard Keel (Clayton Farlow), Ken Kercheval (Cliff Barnes), Jared Martin (Dusty Farlow), Shalane McCall (Charlie Wade), George O. Petrie (Harv Smithfield), Priscilla Beaulieu Presley (Jenna Wade), Victoria Principal (Pam Ewing), Dack Rambo (Jack Ewing), Ted Shackelford (Gary Ewing), Deborah Tranelli (Phyllis), John Zaremba (Dr. Harlan Danvers)

“The Family Ewing” is available on DVD and at Amazon and iTunes. Watch the episode and share your comments below.

The Dal-List: 19 Reasons to Love ‘Dallas’s’ Ninth Season

Barbara Bel Geddes, Clayton Farlow, Dallas, Howard Keel, Miss Ellie Ewing Farlow

Dream on

Dallas Decoder will soon begin critiquing the original show’s ninth season, which aired from 1985 to 1986. Here are 19 reasons to love it.

Barbara Bel Geddes, Dallas, Miss Ellie Ewing Farlow

True blue

19. Mama returns. We never needed her more.

Dallas, J.R. Ewing, Larry Hagman

Mourning in America

18. J.R. says goodbye. Does anyone do the single tear thing better than Larry Hagman?

Dallas, Linda Gray, Sue Ellen Ewing

Blitzed

17. Sue Ellen relapses. Linda Gray’s tour de force.

Dallas, Linda Gray, Sue Ellen Ewing

Blonde

16. Sue Ellen recovers. The most satisfying storyline in “Dallas” history?

Dallas, Linda Gray, Lou Diamond Phillps, Sue Ellen Ewing

Welcome to the jungle

15. La Bamba shows up. Arriba y arriba!

Bibi Besche, Dallas

Genesis of the matter

14. And so does Dr. Carol Marcus. Can she analyze or can’t she?

Dallas, Russell Johnson

Coconuts

13. The Professor’s here too. But where was he when Julie Grey needed him?

Dallas, Pam Ewing, Victoria Principal

The widow Ewing

12. Pam’s speech. Chills!

Dallas, Linda Gray, Sue Ellen Ewing

Wake up, darlin’

11. Sue Ellen’s nightmare. A dream-within-a-dream. Meta!

Dallas, Jenna Wade, Priscilla Beaulieu Presley

Post-Bobby Stress Syndrome

10. Jenna’s flashback. Hyper-meta!

Dack Rambo, Dallas

Ewing genes

9. Dack’s rambo. Talk about an Alaskan pipeline.

Dallas, Deborah Shelton, Mandy Winger

Super bowl

8. Mandy’s flush. Oh, honey. That’s not how you clean jewelry.

Dallas, Pam Ewing, Victoria Principal

Bag it, J.R.

7. “Phyllis, I’d like a cup of tea — a cup of herbal tea.” But hold the eggs and toast, please.

Cliff Barnes, John Beck, Ken Kercheval, Marc Singer, Mark Graison, Matt Cantrell, Dallas, Pam Ewing, Victoria Principal

Dorothy and friends

6. South America. Pam, Cliff, Mark and Matt search for emeralds. It’s “Dallas’s” version of “The Wizard Oz.”

Dallas, Just Desserts, Linda Gray

Direct hit

5. “Just Desserts.” Victory!

Angelica Nero, Barbara Carrera, Dallas

“L” word

4. This hat. Even Katherine wouldn’t dare.

Dallas, J.R. Ewing, Larry Hagman

Cock of the walk

3. This mask. Who feathered J.R.?

Dallas, J.R. Ewing, Larry Hagman

Next: The world!

2. Total control of Ewing Oil. Who has the heart to tell him it’s just a dream?

Bobby Ewing, Dallas, Patrick Duffy

Rub-a-dub-dub

1. Bobby’s back! His chest and arms too!

Why do you love “Dallas’s” ninth season? Share your comments below and read more “Dal-Lists.”